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Posts Tagged ‘gigapixel’

Five Foot Lens and 3.2 Gigapixel Camera Produced for Night Sky Photos

08 Oct

The post Five Foot Lens and 3.2 Gigapixel Camera Produced for Night Sky Photos appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Image: L1 Lens of the camera polished and coated with a broadband antireflective coating by Safran-R...

L1 Lens of the camera polished and coated with a broadband antireflective coating by Safran-Reosc. LSST Project/NSF/AURA.

Last month, engineers packaged up the largest optical lens ever created, before shipping it 17 hours from Tuscon, Arizona to the SLAC National Accelerator Laboratory in central California.

The lens is five feet in diameter and four inches thick; it required a truck to transport it. It was attached to an additional (3.9 foot) lens element when shipped, and it will soon be followed by another.

Together, these three lens elements will be mounted to a camera that, when finished, will be the largest digital camera in existence. And the camera-lens duo will ultimately be attached to a telescope: the Large Synoptic Survey Telescope, which is over ten years in the making.

Note that the camera itself is constructed out of 189 sensors which, when combined, will create pictures of an astonishing size: 3.2 gigapixels. It’s still in production at the SLAC National Accelerator Laboratory, but will likely be finished in 2021. The cost of the camera alone is a whopping $ 168 million dollars.

The purpose of this huge setup is to capture detailed photos of the night sky. The full telescope will be placed on Cherro Pachon mountain in Chile, where the camera will take exposures at 20-second intervals.

As explained in a press release by one of the laboratories involved in the lens construction:

This data will help researchers better understand dark matter and dark energy, which together make up 95 percent of the universe, but whose makeup remains unknown, as well as study the formation of galaxies, track potentially hazardous asteroids and observe exploding stars.

We recently reported on Xiaomi’s 108-megapixel smartphone, with its wrap-around screen, but a 3.2-gigapixel camera blows this out of the water. Even a recently announced security camera, which made waves when it was unveiled at the China International Industry Fair, topped out at 500 megapixels. Equipped with facial recognition technology, there are major privacy concerns when it comes to how this may be used in a country that already heavily monitors its citizens.

But, the high resolution of these cameras does bring to light something that is conveniently forgotten by tech advertisers: More megapixels will only produce greater detail if you have a lens that can resolve that detail. If your lens can only resolve 12 megapixels worth of detail, then you’re not going to gain from slapping a 108-megapixel sensor onto the camera. That’s why the Large Synoptic Survey Telescope requires ultra-precise optics if scientists want to gather meaningful data.

Of course, you don’t need a lens costing millions of dollars to produce highly-detailed 108-megapixel photos. But my suspicion is that the current optics used by smartphones (Xiaomi, but also Huawei, Apple, and Google) just aren’t up to the task of generating 108-megapixel photos.

So don’t fall prey to the megapixel myth. And keep your eye out for photos from the Large Synoptic Survey Telescope!

What are your thoughts on these new lenses and cameras? Share with us in the comments!

The post Five Foot Lens and 3.2 Gigapixel Camera Produced for Night Sky Photos appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Behind the scenes of Drew Gardner’s gigapixel shot of British royal family

16 Jun
Drew’s 2.3 gigapixel image is made up of more than 100 50MP files, shot with the Fujifilm GFX 50S. Click the thumbnail to launch the interactive image at www.telegraph.co.uk

Photographer Drew Gardner has been a photographer for more than 30 years, and since 1999 he’s worked mostly in the commercial world. Following a recent move into 360-degree imaging, he accepted a commission from British newspaper The Telegraph to shoot a gigapixel image of the queen’s birthday parade. Earlier this week we spoke to Drew to learn more about how the project came together.


Following a career working in local and national press, I decided to move away from newspapers and into commercial and advertising photography, in 1999. These days I shoot extensively for magazines around the world, so the commission has to be something really special to entice me to work with newspapers again.

When I was asked to shoot a gigapixel photo for the Daily Telegraph, it was a trip down memory lane for me in many ways, but with the latest technology so I leapt at the chance. I was approached about two weeks before the event, and I spent many hours working out the sequence of events and the best position to place the camera.

I work with a wide variety of gear but this occasion seemed a perfect opportunity for a medium format camera, where ultimate resolution would be very useful.

‘The final image doesn’t represent one moment, but rather many different moments’

I like shooting gigapixel photos to record events. The final image doesn’t represent one moment, but rather many different moments. This provides a better overall feel of what it was like to be there. When I say many different moments, the final gigapixel image is made up of more than 110 50 megapixel images, shot on a Fujifilm GFX 50s with a 250mm F4 lens. The result is a 2.3 gigapixel file.

Drew Gardner has been a professional photographer since 1979. Based in the UK, Drew’s work spans local and national press, and commercial photography for clients including Manfrotto and Suzuki Motor Corporation.

Check out more of Drew’s work at his website, drewgardner.com

I love the Fujifilm GFX 50S. It really suits the way I shoot medium format camera, and it weighs less than most DSLRs. Image quality is stunning and it has proven very reliable.

What I really like about the GFX is its high ISO performance. Even though the light was excellent I shot at ISO 1600 to allow me to stop down to F11-16 for better depth-of-field. To move the camera I used a Seitz VR drive motorized head – the same head that I use for all my 360 degree still images, too.

I’m a huge fan of Brian Storm of Mediastorm who is a great advocate of the use of audio and this was the perfect occasion to record ambient audio of the event with a Zoom H2N audio recorder. Audio is all too often overlooked and yet it is a very easy way of adding another valuable dimension to a gigapixel or 360 panorama image.

View the final gigapixel image at www.telegraph.co.uk

Articles: Digital Photography Review (dpreview.com)

 
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Google Art Camera uses robotic system to take gigapixel photos of museum paintings

19 May

The Google Cultural Institute, an online virtual museum with high-quality digitizations of artifacts from across the globe, recently added more than 1,000 ultra-high-resolution images of classic paintings and other artwork by Monet, Van Gogh and many others. A new robotic camera system Google has developed called ‘Art Camera’ has made it possible for the organization to add digitizations faster than ever before.

Previously, Google’s collection included only about 200 digitizations, accumulated over approximately five years. Art Camera, after being calibrated to the edges of a painting or document by its operator, automatically takes close-up photos of paintings one section at a time, using a laser and sonar to precisely adjust the focus. This process results in hundreds of images that are then sent to Google, where they’re stitched together to produce a single gigapixel-resolution photo.

Instead of taking the better part of a day to photograph an item, as the old technology did, Art Camera can complete the process in less than an hour; speaking to The Verge, Cultural Institute’s Marzia Niccolai said a 1m x 1m painting can be processed in half an hour. Google has built 20 Art Cameras and is shipping them to museums around the world for free, enabling the organizations to digitize their artwork and documents. The resulting gigapixel images can be viewed here.

Via: Google Official Blog
 

Articles: Digital Photography Review (dpreview.com)

 
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