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Fujifilm Introduces FUJIFILM GFX100 IR for 100MP infrared imaging

25 Nov

Image shows standard Fujifilm GFX100

Fujifilm has announced a special version of its 100MP GX100, for infrared imaging. Photography is possible at up to 400MP, courtesy of a new ‘Pixel Shift Combiner’ feature The new camera will be available for special order in early 2021.

Press release:

Fujifilm Introduces FUJIFILM GFX100 IR (Infrared) Large Format Mirrorless Digital Camera

Valhalla, N.Y., November 25, 2020 – FUJIFILM North America Corporation is pleased to announce the launch of FUJIFILM GFX100 IR digital camera (GFX100 IR), a uniquely specialized version of its GFX100 large format mirrorless digital camera, now with infrared image-making capabilities, which can be produced upon order for professionals in forensic, scientific, and cultural preservation fields. Infrared images can now be made at 100MP – and even at 400MP through GFX100 IR’s new Pixel Shift Multi-Shot function – to reveal intricate details within a subject or scene that can only normally be seen through the infrared spectrum.

GFX100 IR also includes the ability to:

Make images in the infrared spectrum at an incredible 100MP or 400MP of resolution

Images made of a subject within the infrared spectrum can reveal details that a regular (non-IR) digital camera or the naked eye cannot see. For example, in the field of forensics, this can be an important tool in helping to identify counterfeit documents. For individuals working in cultural preservation, GFX100 IR can be used to analyze pigments in works of art and historical artifacts, even if they have degraded over time. Using the Pixel Shift Multi-Shot feature on GFX100 IR can create 400MP images with incredible detail and little-to-no color fringing.

“Using GFX100 IR with the Pixel Shift Multi-Shot feature is invaluable for cultural research because reviewing images in infrared could lead to unlocking the secrets of some of history’s most treasured artifacts,” said Victor Ha, senior director of marketing and product development for FUJIFILM North America Corporation. “It can also be an incredibly powerful tool for researchers using the images to evaluate works of art or pieces of evidence.”

Use special filters to make images within specific wavelengths

Different IR filters in front of the camera lens can be used to make images at various wavelengths, which can reveal different details within a subject. However, using the appropriate IR cut filter will allow GFX100 IR to be used normally (i.e. in the same manner as the standard FUJIFILM GFX100 digital camera) to make regular, color images within the visible spectrum.

Additionally, when the camera is set in a fixed position and paired with Capture One or a similarly compatible software application to engage tethered capture functionality, users can create images with the same angle of view. This enables them to maintain a simple capture to output workflow for maximum efficiency.

Availability

GFX100 IR is designed for forensic, scientific, and cultural preservation applications, and the product will not be made available to general photographers or customers for personal use. GFX100 IR will only be offered by specific, Fujifilm authorized retailers, and sales of GFX100 IR will be subject to a GFX100 IR User Agreement, which sets out the specific terms of use for the camera. GFX100 IR is currently expected to be available in the first quarter of 2021.

Articles: Digital Photography Review (dpreview.com)

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Fujifilm adds Raw video output, gimbal support and Film Simulation modes to GFX100

30 Jun

Fujifilm has issued firmware updates to the GFX100 and GFX 50 models, with the 100MP camera gaining the most significant improvements.

The GFX100 will gain the ability to output a Raw video stream that can be encoded in Apple’s ProRes RAW format by an Atomos Ninja V recorder. This provides a much wider degree of processing latitude than the gamma-encoded, compressed files the camera saves internally.

In addition, the firmware expands the camera’s USB control protocol, giving more control over the camera’s settings when shooting tethered, and allowing remote control of various camera features when mounted on a drone or gimbal.

Face and eye detection AF is said to be improved, as is the performance of phase detection AF in low light. New focus bracketing options have also been added.

Finally, the GFX100 gains the Classic Neg and Eterna Bleach Bypass Film Simulations introduced since its launch.

GFX 50S and 50R users also gain Classic Neg, along with the original Eterna Film Simulation mode in an update to their cameras. This update also adds the subtle skin-smoothing feature from the GFX 100.

Articles: Digital Photography Review (dpreview.com)

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Fujifilm GFX100 Camera Review [video]

27 Jul

The post Fujifilm GFX100 Camera Review appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video by Georges CamerasTV, Andrew reviews the Fujifilm GFX100 camera.

Overview of the Fujifilm GFX100

This camera is Fujifilm’s large format size camera, designed for studio, landscape, architecture and any other form of photography to be printed in large format.

On top of the camera:

Large 5.76million dot EVF
Drive mode dial
Three modes on the top dial: Still, Multi and Movie Modes.
Top Settings LCD – Back-illuminated and graphical. Easy to use at night.

On the back:

A large LCD flip screen. Very well illuminated so that it can be seen well in bright daylight sun.
Bottom Settings LCD Screen to see your settings so you can see your settings if the camera is mounted upon a tripod.
Has one small joystick to let you navigate through the menu.
A feature that the camera is missing is a 4-way joystick that many cameras have, which some photographers may take some getting used to.
Has a touch screen for navigation.

Battery Grip:

Inbuilt battery grip house two batteries with a total of 800 shots.
It has a secondary shutter button so you can use the camera in portrait mode.
There is access to a second joystick to navigate through your focus points and your quick menu so you can change your white balance and any other settings.
There is no rubberized grip when using it in the portrait mode, so it isn’t as comfortable to hold and may slip out of your hands if your hands are sweaty.

Body Size

Quite large – comparable to a Canon 5D Mk IV but feels quite lightweight because of its magnesium alloy construction.
Fully weather sealed and gives operating temperatures from -10 degrees to 40 degrees celsius.
On the left side of the camera, there are two SD slots and a remote port.
The right-hand side has all your video recording inputs and outputs including a 3.5-millimeter audio jack and a 3.5-millimeter headphone jack.
Below that is a USB-C port for tethering and an HDMI port for output and a 15-volt direct power supply.

Inside the camera

Large Format 102MP sensor backed up with an X processor
ISO range from 100 to 12,800 or an expandable range of 50 to 102, 400.
Shoot continuously up to 5fps
3.76million dot face detection autofocus system which gives you autofocusing capabilities as low a -3EV

Video specifications

4k DCI up to 30fps or full HD up to 60fps
Films with a 10-bit color depth
If recording to an external device via HDMI, you can get a 10-bit 422 color depth.
Shoots in F-log giving you a nice flat color profile to later color grade in post.
If filming handheld, the GFX100 has 5-axis in-body image stabilization which is not in the other GFX models. This is also beneficial if shooting with longer telephoto lenses or for general handheld photography.
It has wifi and Bluetooth, allowing you to connect straight to your smartphone or smart device to use it as a camera remote or to transfer your photos across to your smart device.

Performance

Because it is lightweight, the Fujifilm GFX100 doesn’t feel like you are holding a large-format camera.
The speed of the autofocus is ridiculously fast – identical to the XT3, if not slightly slower.
The continuous autofocus works really well.
It feels like you are shooting with a standard mirrorless camera or digital SLR because the focus is accurate and lightning quick.

Features

Voice memo feature allows you to record a voice memo when you take a picture, and you can download that to your computer when downloading the photos. This is a great reference point for how you took the photo, where, settings etc.

User Experience

Andrew predominately uses Panasonic and Nikon cameras and found the transition to be quite easy.
Navigating through the menu system feels familiar and easy. Similar to the XT3 and the XT30.
If you are a passionate Fuji user, you will notice some things missing from the GFX100.
There no shutter speed dial, exposure compensation dial or ISO dial.
For exposure compensation, there is a button you can access and press or you can program any function button. It’s the same with your ISO as well.
To change your shutter, you have to roll your dial to change that.

Image quality

The sample images were shot using the Fujifilm GFX100 with the 110mm and 45mm lenses.
The images out of the GFX100 are superb. The detail out of the 102MP sensor is full of color, depth, and detail.
The dynamic range on the camera is amazing, and Andrew was able to recover blown-out highlights and shadows without losing detail.
The crop value on the photos is excellent. It handled all cropping and post-processing well.
All images were edited in Lightroom and not Capture One, which may or may not give better results.

Video Mode

In video mode, Andrew found that the GF prime lenses weren’t the best lenses to use in manual focus due to its focus by wire construction. However, they were told that there are a range of senior lenses to come in the future that should improve that experience.
The continuous autofocus in video mode is great. One thing to note, however, the IBIS does blip out when panning a bit rough, so keep the camera steady.
The image quality and actual video result and flexibility are amazing. All the footage was shot on the Eterna Film Simulation Mode, which gives more room to work within post.
They wished it could shoot in 4k in 50fps or give more flexibility in slow motion; however, as far as large-format goes, it is incredible.
The Fujifilm GFX100 could be a viable option for cinema users down the track.

Conclusion

The GFX100 is super-impressive in both photo and video mode. It won’t be for everyone because it is quite expensive at $ 10,000 USD. (They have a cheaper alternative in the Fujifilm GFX50S at $ 5000 USD with a 51.4MP sensor.)

However, in comparison to other large-format cameras, the Fujifilm GFX100 is well-priced, particularly for the autofocus features, the sensor size, and the potential for it to be a game-changer for cinema users in the future.

It would suit people shooting advertising, cinema or an enthusiast wanting to get large format landscapes without paying for a medium format camera.

Would you like to own this camera? I know I would! Share with me in the comments below.

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