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Posts Tagged ‘fullframe’

TTartisan teases its first AF lens, a 32mm F2.8 for multiple full-frame, APS-C camera systems

30 Sep

TTartisan has announced it will soon release a 32mm F2.8, its first autofocus lens. Very little information about the lens is revealed, aside from the mount options, which will include Canon RF, Canon EOS M, Fujifilm X, Nikon Z and Sony E mount camera systems.

As it stands, this particular focal length is going up against quite a bit of competition in nearly every lens mount it’ll be offered in. The F2.8 aperture isn’t exactly inspiring, so its selling point across all lens mounts will likely be its price point, which hasn’t yet been announced.

We’ll share another article when the lens and its more detailed specifications are released.

Articles: Digital Photography Review (dpreview.com)

 
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TTArtisan releases $235 50mm F1.4 ASPH lens for full-frame mirrorless cameras

08 Aug

TTArtisan has revealed its new $ 235 50mm F1.4 lens for full-frame mirrorless camera systems.

The new TTArtisan 50mm F1.4 ASPH lens is entirely manual and, according to TTArtisan, able to be used with sensors up to 60MP. The optical construction consists of ten elements in eight groups, including a low-dispersion element and aspherical element.

It uses a 12-blade aperture diaphragm, has an aperture range of F1.4 through F16, offers a minimum focusing distance of 50cm (19.7”) and uses a 49mm front filter thread.

As with TTArtisan’s recent lenses, this one follows a clearly Leica-inspired design, complete with white and yellow markings in a Leica-like typeface. The lens features a clicked aperture ring and is rather compact. The lens measures 68mm (2.68”) long, 57mm (2.24”) in diameter and weighs around 430g (15.2oz), with slight variations between the different mounts.

Below is a gallery of sample images captured with the lens:

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The TTArtisan 50mm F1.4 ASPH lens is available for Canon RF, Leica L, Nikon Z and Sony E mount camera systems. It is available to purchase through TTArtisan’s online store for $ 235.

Articles: Digital Photography Review (dpreview.com)

 
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Canon May Release a “$799 Full-Frame Camera” in 2022

18 Jul

The post Canon May Release a “$ 799 Full-Frame Camera” in 2022 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon may release a $ 799 full-frame camera

A full-frame, RF-mount camera for the price of an entry-level, crop-sensor model. Could it be done?

It sounds outlandish, but according to Canon Rumors, such a camera may not be far off. As CR reported earlier this week, while Canon’s plans aren’t yet set in stone, the company “is aiming to release a full-frame, RF-mount camera for under $ 800 in 2022.”

Of course, Canon Rumors is all about, well, rumors, and any official confirmation from Canon is many months out. But this $ 799 camera tidbit comes from “a pretty solid source with a decent track record,” and CR notes that they “do believe there is something to this just by what [they] have been shown.”

And if the rumor is true and Canon does succeed in creating a full-frame mirrorless camera for $ 799 USD? It would be a revolutionary move, pushing the boundaries of affordable, entry-level models beyond anything done before.

At the time of writing, a significant divide exists between full-frame cameras on the one hand and APS-C cameras on the other. With few exceptions, APS-C cameras are aimed at the beginner-to-enthusiast crowd, as reflected in their prices, lens offerings, and other specifications; most of Canon’s APS-C cameras, for instance, debut for less than $ 1000, including recent mirrorless models such as the M50 Mark II and M6 Mark II (body only).

Full-frame cameras, on the other hand, start where APS-C cameras leave off. Canon’s cheapest full-frame mirrorless model to date, the EOS RP, clocked in at $ 1299 when released. And Canon’s cheapest full-frame DSLR, the Canon EOS 6D Mark II, currently goes for $ 1399, body only. For plenty of beginners and even many serious enthusiasts, these price points are prohibitive, especially when factoring in the cost of full-frame lenses.

Sure, the crop-sensor models of 2021 are powerful. And there are reasons to pick crop-sensor models over full-frame models, as cameras like the Canon 7D/7D Mark II show. But APS-C cameras struggle to compete with their full-frame counterparts in one key area, and it’s a big one:

Image quality.

Because that’s what this is all about: full-frame sensors are larger, which means (all else being equal) better high-ISO performance, improved dynamic range, and the opportunity for higher resolutions. If Canon could pack full-frame quality into an entry-level-priced body, it would open up the advantages of full-frame imaging to everyone, beginners and professionals alike.

As Canon Rumors points out, “Even launching a new full-frame camera at $ 999 would be quite welcomed…If Canon could get the camera and a kit lens for under $ 1000 USD, they’d have themselves a winner.”

2022 is a long way off, and plans can fail, but let’s hope that Canon forges ahead. Keep an eye out for more information, and in the meantime, share your thoughts in the comments below!

What do you think of a sub-$ 800 full-frame, RF-mount camera? Would it interest you? And if Canon is successful, would it be the beginning of the end of APS-C cameras?

The post Canon May Release a “$ 799 Full-Frame Camera” in 2022 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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The Sigma fp L: A Full-Frame, 61 MP Sensor in a Minuscule Body

26 Mar

The post The Sigma fp L: A Full-Frame, 61 MP Sensor in a Minuscule Body appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Sigma fp L announcement: a 61 megapixel sensor in a minuscule (full-frame) body

Yesterday, Sigma announced “the world’s smallest and lightest pocketable full-frame mirrorless camera,” the fp L, which packs a high-resolution sensor into a minuscule, rectangular body:

the Sigma fp L announcement

And that’s what makes this camera special; it’s literally a pocket-sized full-frame camera, one that you can take anywhere yet boasts the power of a much larger model.

The fp L joins Sigma’s current full-frame mirrorless offering, the Sigma fp, another ultra-compact, ultra-light camera that launched back in 2019. 

But while the Sigma fp appealed strongly to videographers, the fp L seems to be more stills focused. First, there’s the 61-megapixel sensor, which serves up plenty of resolution for landscape shooters as well as commercial photographers in need of detailed files. 

Then there’s a 3.68M-dot external electronic viewfinder, which attaches to the side of the fp L and allows photographers to work with the camera the way they’d work with high-resolution competitors such as the Sony a7R IV. As a stills photographer, I can’t fathom the idea of shooting without a viewfinder, so this is a welcome addition to the fp lineup. 

the Sigma fp L electronic viewfinder

(In fact, the EVF is also compatible with the original Sigma fp, so folks who weren’t satisfied shooting via the LCD or the optional LCD viewfinder might want to give that camera another look.)

Unfortunately, the electronic viewfinder does cost extra, though you can save a couple hundred dollars by purchasing it in a bundle with the fp L. 

Sigma’s press release emphasizes the fp L’s new Crop Zoom feature, which gives users the option to zoom by cropping for up to 5x magnification. Of course, zoom in too far and you sacrifice significant megapixels, but given the impressive starting resolution, it may come in handy if you need a bit of extra reach.

The fp L also promises improved autofocus over the fp, thanks to a hybrid autofocus system that combines contrast-detection and phase-detection AF for “smooth autofocus that is high precision, fast, and excellent at tracking a moving subject.” While the fp’s contrast-detection system was certainly serviceable, street photographers, portrait photographers, and travel photographers will appreciate the boost in speed and tracking, as will plenty of videographers. 

Interestingly, Sigma also highlights another new feature of the fp L: “USB-C charging while the camera is on.” In other words, you can pop in the battery, start shooting, and then – if the battery gets low – you can plug the camera into a mobile power bank for what Sigma is calling “unlimited power supply.” If you’re a photographer who spends days in the field but doesn’t want to juggle stacks of batteries, this will be a huge help, and videographers will love the ability to film for hours without worry.

Speaking of videography: 

While the fp L may not be as video-centric as the fp, it’s perfectly capable of pro-level recording; you can shoot 4K/30p footage, and you get plenty of other video features, such as a mic port, zebra patterning, and RAW recording.

Regarding lenses: the fp L is compatible with L-mount glass from Sigma, Leica, and Panasonic, including a host of powerful Sigma L-mount lenses. 

So for those looking for a tiny camera that punches far above its weight, the Sigma fp L is a great option. You’ll be able to purchase the fp L for $ 2499 USD (or $ 2999 USD when bundled with the external EVF) as early as next month. 

Now over to you:

What do you think of the Sigma fp L? Is it a camera you’d be interested in buying? Is it missing any features that you’d like to see? Share your thoughts in the comments below!

The post The Sigma fp L: A Full-Frame, 61 MP Sensor in a Minuscule Body appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Sony reveals Alpha 1 50MP full-frame camera capable of 30fps and 8K

26 Jan

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Sony has announced the Alpha 1, a fast, high-res 50MP camera capable of shooting at 30 fps with no blackout. It is capable of 8K video.

It uses a stacked CMOS sensor and a pair of new Bionz XR processors, allowing silent, no-blackout images at up to 30 fps. Despite having twice as many pixels as the a9, the a1 promises to have 1.5x less rolling shutter. This allows flash sync at up to 1/200 sec with the electronic shutter or 1/400 sec using the mechanical shutter.

The a1 can shoot 8K video at up to 30p using its full width. This uses all its horizontal pixels, capturing 8.6K footage and downsizing it to 8K to provide improved resolution. 8K footage can be captured in up to 10-bit 4:2:0 using the XAVC HS format. The camera uses a similar heat-dissipating design to the a7S III, allowing it to record 8K for up to 30 minutes, if the temperature warnings are set to their most tolerant setting.

It becomes the first Sony camera to offer Lossless compress Raw and can also capture HEIF for 10-bit compressed capture. It uses a pair of CFExpress Type A card slots that, like those in the a7S III, also accept SD cards.

The new processors also bring the improved menu system first seen in the a7S III.

The camera’s in-body image stabilization system is rated at 5.5EV, as with previous cameras. This system is also used to offer 4 or 16-shot high-resolution modes, allowing images of up 199MP to be combined using Sony’s Imaging Edge desktop software.

The a1 pushes the autofocus forward from the a9 cameras, offering 92% coverage and now expanding its ‘Real-time Eye AF’ to work with birds, as well as animals and people. It boosts the number of AF and AE calculations it can do to 120 per second: twice as many as the a9 performs.

The camera has a 9.44M dot OLED viewfinder that can be refreshed at up to 240fps. The faster mode still offers 1600 x1200 pixel (5.76M dot) resolution. It has an impressive 0.9x magnification and an eye-point of 25mm, which should allow the finder to be seen even when wearing glasses.

Like the a7S III, it can shoot 4K at up to 120p in 10-bit 4:2:2 quality. Sony says it uses 5.8K pixels in its Super 35 (~APS-C) mode, but there’s no talk of a 4K-from-8K mode. Also like the a7S III it can output 16-bit Raw video output over HDMI. In addition to offering the S-Log 3 curve that promises 15 stops of DR in video, it also offers the S-Gamut3 and S-Gamut3.Cine color modes that match Sony’s professional video cameras’ output. It also becomes the first Alpha camera to offer the S-Cinetone color response.

For photojournalists and sports shooters needing to deliver pictures immediately, it features dual-band Wi-Fi that allows FTP transfers and 3.5x the rate offered by the a9 II: which Sony presumably expects to be used with its new Xperia Pro smartphone/HDR monitor/5G transmitter. There’s also an Ethernet port for wired connections.

It will cost around $ 6500 / €7,300 / £6,500 and will be available in March. It uses the same VG-C4EM two-battery accessory grip as the a7R IV, a7S III and a9 II.

Press release

Groundbreaking Sony Alpha 1 Camera Marks a New Era in Professional Imaging

The Alpha 1 Delivers an Unprecedented Combination of Resolution, Speed and Video Performance, Empowering Professionals with a New High-Resolution 50.1-megapixel Full-frame Image Sensor, High-speed Shooting at up to 30 Frames per Second, 8K 30p Video and More

  • New 50.1-megapixel (approx., effective) full-frame stacked Exmor RS™ CMOS image sensor in combination with an upgraded BIONZ XR™ imaging processing engine with eight times more processing power[i]
  • Blackout- free continuous shooting at up to 30 frames per second[ii]
  • Fast sensor readout enables up to 120 AF/AE calculations per second[iii], double the speed of the Alpha 9 II, even during 30fps continuous shooting
  • Bright and large 0.64-type 9.44 million-dot (approx.) OLED Quad-XGA electronic viewfinder with the world’s first[iv] refresh rate of 240 fps
  • Silent, vibration-free electronic shutter
  • World’s first[v] anti-flicker shooting with both mechanical and electronic shutter
  • Electronic shutter flash sync[vi] up to 1/200 sec. for the first time in the Alpha™ series
  • World’s fastest[v] mechanical shutter flash sync up to 1/400 sec.
  • 8K 30p[vii] 10-bit 4:2:0 XAVC HS video recording with 8.6K oversampling for extraordinary detail and resolution, in addition to 4K 120p[viii] 10-bit 4:2:2 movie shooting capabilities
  • Wide dynamic range of 15 stops for stills[ix] and 15+ stops for video[x]
  • Improved Real-time Eye AF (autofocus) for humans and animals, and new Real-time Eye AF for birds[xi], as well as Real-time Tracking that automatically maintains accurate focus
  • 5-axis optical in-body image stabilization for a 5.5-step[xii] shutter speed advantage
  • S-Cinetone color matrix as seen in FX9 and FX6 to deliver expressive cinematic look
  • Professional workflow support with the industry’s fastest[xiii] built-in Wi-Fi, SuperSpeed USB 10Gbps, 1000BASE-T Ethernet and more

SAN DIEGO, CA – January 26, 2021 – Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.

The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS™ image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they’ve never been able to before.

“We are always listening to our customers, challenging the industry to bring new innovation to the market that goes far beyond their expectations.” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “Alpha 1 breaks through all existing boundaries, setting a new bar for what creators can accomplish with a single camera. What excites us the most – more than the extensive product feature – is Alpha 1’s ability to capture that which has never been captured before. This camera unlocks a new world of creative possibilities, making the previously impossible now possible.”

The newly developed image sensor is built with integral memory and paired with an upgraded BIONZ XR imaging processing engine, making it capable of shooting 50.1-megapixel images continuously at an astounding 30fps with up to 120 AF/AE calculations per second. The Alpha 1’s shooting capabilities are further enhanced by a 9.44 million dot OLED Quad-XGA electronic viewfinder, with a refresh rate of up to 240 fps[xiv], ensuring no black out. Additionally, for the first time in an Alpha series camera, 8K 30p 10-bit 4:2:0 video is available. The Alpha 1 is also capable of 4K 120p / 60p 10-bit 4:2:2 recording and includes S-Cinetone color. The Alpha 1 is also packed with features that support field professionals with faster workflow, including 3.5 times faster wireless FTP transfer speed[xv] and more.

Unprecedented Resolution and Speed

Continuous Shooting at Up to 30 Frames Per Second

The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to 155 full-frame compressed RAW images[xvi] or 165 full-frame JPEG images[xvii] at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance[xviii].

At an astonishing calculation speed of up to 120 AF/AE per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 seconds[ii].

Advanced Electronic Viewfinder with the World’s Firstiv Refresh Rate of 240 fps

Complimenting the camera’s ability to capture images at an unprecedented speed, the Alpha 1 viewfinder features the world’s first[iv] 240 fps refresh ratexiv, for a super-smooth display. The viewfinder does not black out when an exposure is made to offer an uninterrupted view and allow for seamless framing and tracking, even during continuous shooting. The 9.44 million-dot (approx.), 0.64 type Quad-XGA high-definition OLED display and refined optics deliver the highest resolution in its classiv. It also offers 0.90x[xix] viewfinder magnification, a 41° diagonal FOV, and a 25mm-high eyepoint for clear, low distortion viewing from corner to corner.

Advanced Autofocus

Sony continues to push the boundaries of autofocus technology with the introduction of the Alpha 1, which can easily track complex, fast-moving subjects with high precision. The camera features 759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area – ensuring accuracy and unfailing focus in environments where focusing might otherwise be difficult.

Sony’s advanced Real-time Eye AF improves detection performance by 30% over the previous system[i], thanks to the powerful image processing engine, BIONZ XR. It ensures accurate, reliable detection, even when the subject’s face looks away. In addition to improved Real-time Eye AF for humans and animals, the Alpha 1 employs high-level subject recognition technology to provide Real-time Eye AF for birds[xi], a first in an Alpha series camera. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes[xx].

The Alpha 1 also features AI-based Real-time Tracking that automatically maintains accurate focus. A subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed.

Silent, Vibration-free Electronic Shutter

High-speed readout from the new image sensor has made it possible to reduce rolling shutter by up to 1.5 times when shooting stills, compared to the Alpha 9 II. It also offers silent anti-flicker continuous shooting with an electronic shutter for the first time[v] in the world. The electronic shutter[xxi] operates silently, without mechanical noise, and is vibration-free. Stress-free continuous shooting is now possible even when shooting in challenging lighting situations with florescent or other flicker-prone types of artificial lighting. And for the first time in an Alpha camera, electronic shutter flash sync up to 1/200 sec[xxii] is possible. The advantages of the electronic shutter advantages can now come to life even when using flash for broadly expanded shooting versatility.

Dual Driven Shutter System for 1/400 Flash Sync

The Alpha 1 boasts the world’s fastest flash sync speed[v] of 1/400 sec. with mechanical shutter, making it even easier to capture dynamic action. In addition to a carbon fiber shutter curtain, the Alpha 1 features the newly developed dual driven shutter system utilizing spring and electromagnetic drive actuator, offering high durability and lightness at the same time.

High Resolution Shooting Enhancements

Even with this sensor’s high pixel count, the Alpha 1 offers high sensitivity with low noise, plus 15+ stops of dynamic range for video and 15 stops for stills, for smooth, natural gradations from shadows to highlights thanks to its cutting-edge processing system, throughout a wide ISO sensitivity range of 100-32,000 (expandable to 50-102,400, when shooting stills).

Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 796.2 million pixels of data, which are then composited into a 199 million pixel (17,280 x 11,520 pixels) image using Sony’s Imaging Edge™ desktop application. With a flash sync of up to 1/200 sec. in this mode, it is ideal for photographing architecture, art or any other still life subject with a level of detail and color accuracy that is simply stunning.

Professional Video Quality

8K High-resolution Movie Shooting

For the first time in an Alpha camera, the Alpha 1 offers 8K 30p 10-bit 4:2:0 XAVC HS recording with 8.6K oversampling for extraordinary resolution. Combined with Sony’s acclaimed autofocus technology, gradation and color reproduction performance, the Alpha 1 will help the user realize their creative vision with the finest detail. It’s 8K footage can also be used for flexible 4K editing during post-production.

Supporting Various Video Formats for Professionals

The Alpha 1 offers in-camera 4K recording at up to 120 frames per second[viii] which allows the user to shoot up to 5X slow-motion video[xxiii]. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.

The Alpha 1 features S-Cinetone, the same color matrix that produces the highly regarded FX9 and FX6 color and skin tones. It delivers natural mid-tones, plus soft colors and gorgeous highlights to meet a growing need for more expressive depth. The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 1 footage with video shot on VENICE cinema camera, FX9 and other professional cinema cameras.

Heat-dissipating Structure

A unique heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p video continuously for approximately 30 minutes[xxiv].

Supporting Hand-held Shooting

A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The Alpha 1 also features an Active Mode[xxv] that offers outstanding stabilization for handheld movie shooting. When using Sony’s desktop applications Catalyst Browse or Catalyst Prepare[xxvi] for post-production, an accurate image stabilization function is available which utilizes metadata generated by camera’s built-in gyro.

Other features that the Alpha 1 offers include; 16-bit RAW output[xxvii] to an external recorder[xxviii] via HDMI for maximum post-production flexibility, a digital audio interface has been added to the camera’s Multi Interface (MI) Shoe for clearer audio recordings from a compatible Sony external microphone, 5.8K oversampled full pixel readout without pixel binning for high-resolution 4K movies in Super 35mm mode and more.

Enhanced Workflow with Network Technologies including Connectivity to 5G Compatible Devices

The Alpha 1 has been designed and configured to support photo and video journalists and sports shooters who need to deliver stills or movies as quickly as possible with advanced connectivity options. It offers several features for fast, reliable file transfers. Industry’s fastest[xiii] built-in wireless LAN allows communication on 2.4 GHz and 5 GHz[xxix] bands with dual antennas to ensure reliable communications. 5 GHz includes 2×2 MIMO support (IEEE 802.11a/b/g/n/ac) offering 3.5 times faster wireless FTP transfer speed than the Alpha 9 II – a notable advantage for news and sports shooters who need to deliver with reliable speed. There is also a provided USB Type-C® connector to support fast data transfer when connected to a 5G mmWave compatible device such as Sony’s Xperia PRO and makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The Alpha 1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.

In addition to compressed and uncompressed RAW, the Alpha 1 includes efficient lossless compression with no quality degradation, Lossless Compressed RAW. There is also a new “Light” JPEG/HEIF image quality setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed. Along with a versatile range of RAW and JPEG formats, the Alpha 1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. Images shot on the Alpha 1 can be trimmed in-camera to a desired aspect ratio, size, or position for versatile usage.

The Alpha 1 is also compatible with a variety of apps, add-ons and tools. With Imaging Edge Mobile and Imaging Edge Desktop[xxx], professionals can easily transfer RAW files and files that use lossless compression and remotely control Touch Tracking and Touch Focus for convenient AF operation. The Transfer & Tagging add-on (Ver. 1.3 or later) can automatically covert voice memos attached to image files to text captions or transfer the files to an FTP server from a mobile device. Desktop applications Catalyst Browse/Catalyst Prepare[xxvi] allow professionals to browse and manage video clips shot by Sony’s camera. In addition, the Remote Camera Tool[xxxi] can remotely change camera settings and shoot from a computer connected via LAN cable and feature a number of refinements for the Alpha 1: faster transfer, touch response, dual slot and HEIF support, and more.

Reliable and Easy Operability

Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The Alpha 1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. It also features a durable magnesium alloy chassis, long battery life with the Z-battery which can be extended using the optional VG-C4EM Vertical Grip (sold separately), an improved dust removal feature, shutter close function on power-off to protect image sensor, plus dust and moisture resistance[xxxii] that maximizes reliability in challenging environments. It includes a durable, reliable HDMI Type-A connector, and USB PD (Power Delivery) support, allowing higher power to be supplied from an external source so that users can record for extended periods with minimal internal battery usage.

A revised menu structure provides easier navigation, and touch-responsive menu operation offers fast, more intuitive control with Touch Focus and Touch Tracking on its 3.0 type 1.44 million-dot (approx.) LCD monitor. For easy customization, a subset of the camera’s shooting settings now changes according to the selected shooting mode, making it easier than ever to use different aperture, shutter speed and other settings for shooting stills and movies.

The Alpha 1 Full-frame Interchangeable-Lens Camera will be available in March 2021 for approximately $ 6,500 USD and $ 8,500 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Notes:

[i] Compared to the BIONZ X imaging processing engine.

[ii] “Hi+” continuous shooting mode. In focus modes other than AF-C, effective at 1/125 sec. or higher shutter speed. In AF-C mode, effective at 1/250 sec. or higher shutter speed, and the maximum continuous frame rate will depend on the shooting mode and lens used. 20 fps max. when shooting Uncompressed or Lossless compressed RAW.

[iii] At shutter speeds of 1/125 sec. or higher. The number of AF calculations will depend on the lens used.

[iv] As of January 2021, Sony survey. Among full-frame mirrorless cameras.

[v] As of January 2021, Sony survey. Among full-frame interchangeable-lens digital still cameras.

[vi] Up to 1/200 sec. Synchronization via the sync terminal is not available for electronic shutter.

[vii] [APS-C S35 Shooting] is fixed [Off] when shooting 4K 120p and 8K movies.

[viii] 10% image crop.

[ix] Sony internal tests.

[x] When recording with S-Log3. Sony internal tests.

[xi] Still images only.

[xii] CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off.

[xiii] As of January 2021, Sony survey. Among interchangeable-lens digital still cameras.

[xiv] Field of view is fixed at 33° and resolution is UXGA when selecting frame rate at 240 fps.

[xv] 3.5 times faster when compared against the Alpha 9 II.

[xvi] “Hi+” continuous shooting mode, compressed RAW, CFexpress Type A memory card. Sony tests.

[xvii] “Hi+” continuous shooting mode, CFexpress Type A memory card. Sony tests.

[xviii] At 20 frames per second, users can shoot up to 238 full-frame compressed RAW images or 400 full-frame JPEG images.

[xix] 50mm lens, infinity, -1m-1 diopter.

[xx] Accurate focus may not be achieved with certain subjects in certain situations.

[xxi] Shutter speed slower than 0.5 sec. cannot be set while continuous shooting. Tracking performance and max. aperture differs by settings and lenses.

[xxii] Up to 1/200 sec. Synchronization via the sync terminal is not available for electronic shutter.

[xxiii] Post-production editing and S&Q mode recording required. Data must be recorded to a CFexpress Type A memory card when the frame rate is 120 (100) fps or higher.

[xxiv] Sony internal tests with [Auto Power OFF Temp.] set to [High].

[xxv] Active Mode is not available for 8K recording.

[xxvi] Catalyst Browse™ version 2020.1 or later, Catalyst Prepare version 2020.1 or later are required.

[xxvii] 8K is not applicable.

[xxviii] Compatible recorders to be announced.

[xxix] 5 GHz communication may be restricted in some countries and regions.

[xxx] The Imaging Edge (Remote/Viewer/Edit) desktop application Ver. 3.1 or later is required for compositing.

[xxxi] Remote Camera Tool version 2.3 or later is required.

[xxxii] Not guaranteed to be 100% dust and water resistant.

Sony a1 specifications

Price
MSRP $ 6500 (body only)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 8640 x 5760
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 50 megapixels
Sensor photo detectors 51 megapixels
Sensor size Full frame (35.9 x 24 mm)
Sensor type BSI-CMOS
Processor Dual Bionz XR
Color space sRGB, Adobe RGB
Color filter array Primary c olor filter
Image
ISO Auto, 100-32000 (expands to 50-102400)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 102400
White balance presets 7
Custom white balance Yes
Image stabilization Sensor-shift
CIPA image stabilization rating 5.5 stop(s)
Uncompressed format RAW
JPEG quality levels Extra fine, fine, standard, light
File format
  • JPEG (Exif v2.32)
  • HEIF
  • Raw (Sony ARW v4.0)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Number of focus points 759
Lens mount Sony E
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3″
Screen dots 1,440,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.9×
Viewfinder resolution 9,437,184
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash No
Flash X sync speed 1/400 sec
Continuous drive 30.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV steps)
WB Bracketing Yes
Videography features
Format XAVC S, XAVC HS, H.264, H.265
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/CFexpress Type A slots (UHS-II supported)
Connectivity
USB USB 3.2 Gen 2 (10 GBit/sec)
USB charging Yes
HDMI Yes (mini-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac (Dual Band)
Remote control Yes (via Bluetooth or tethered PC)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FZ100 lithium-ion battery & charger
Battery Life (CIPA) 530
Weight (inc. batteries) 737 g (1.62 lb / 26.00 oz)
Dimensions 129 x 97 x 70 mm (5.08 x 3.82 x 2.76″)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Sony announces its new FX6 full-frame cinema camera with 10-bit 4:2:2 4K/120p internal recording

22 Nov

Sony has announced the launch of its new FX6 full-frame 4K cinema camera, which merges Sony’s cinema technology and form factor with advanced imaging technologies taken from its Alpha mirrorless camera systems.

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At the core of the camera is a 4K 10.2-megapixel full-frame backside-illuminated CMOS Exmor R sensor powered by a Sony Bionz XR image processing engine — likely the same setup used in the Sony a7S III. Sony notes the sensor offers 15+ stops of dynamic range and has a maximum ISO of 409,600 for ultra-low-light shooting.

The FX6 captures 10-bit 4:2:2 full-frame footage at 120 frames per second (fps) at 4K and 240 fps in 1080. If you use the onboard 12G-SDI port, the FX6 can output 16-bit SDI Raw 4K/60p video. Sony has also added its S-Cinetone look profile, which is inspired by its Venice colorimetry and also found in the company’s FX9 cinema camera.

Footage is stored to one or both of the camera’s dual CFexpress Type A card slots, which are also backwards compatible with SD UHS-II cards. It’s worth noting though that any recording over 100 fps will require the use of the faster CFExpress Type A cards, as even UHS-II SD cards won’t have the bandwidth to get the job done.

Below are still frames pulled from footage captured with the FX6:

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The FX6 uses Sony’s E-mount for attaching lenses, making it compatible with more than 50 native lenses and countless dozens third-party lenses. The FX6 features the same 627-point Fast Hybrid AF system found in the FX9 and Sony’s Alpha mirrorless cameras, including advanced Face Detection and Real-time Eye AF. The FX6 also has internal electronic variable ND filters, which can be manually adjusted ‘in smooth increments from 1/4 to 1/128.’ Below is a video demonstration of the FX6’s electronic ND filter at work:

The FX6 is constructed of a magnesium alloy chassis that measures 11.6cm (4.6”) x 15.3cm (6”) x 11.4cm (4.5”) and weighs 890g (1.96lbs). The included 3.5” LCD viewfinder can be attached to various locations on the body, thanks to its modular design.

Other features include built-in Wi-Fi, four-channel audio recording and compatibility with Sony’s Catalyst Browse/Prepare software as well as Sony’s Content Browser mobile app that can be used to monitor video and control focus, iris and even zoom remotely.

The FX6 full-frame cinema camera from Sony will be available for $ 6,000 in December through Sony and authorized retailers. It will also be available as a kit with Sony’s FE 24–105mm F4 G E-mount lens for $ 7,200. Sony is also releasing a new FE C 16–35mm T3.1 G lens in December that will retail for $ 5,500.

Press release:

Sony Electronics Launches FX6 Full-frame Professional Camera to Expand its Cinema Line

FX6 Combines the Best of Sony’s Industry-leading Digital Cinema Technology with Advanced Imaging Features from Alpha™ Mirrorless Cameras

FX6 Product Highlights:

  • 4K 10.2 megapixel full-frame back-illuminated CMOS Exmor R™ sensor
  • Compact and lightweight body design for on-the-go shooting
  • Ultra-high sensitivity with ISO expandable up to 409,600 for very low light conditions
  • 15+ stops of dynamic range[i]
  • S-CinetoneTM look profile, also used in FX9 and inspired by VENICE colorimetry
  • BIONZ XR™ image processing engine, first used in Alpha 7S III
  • Fast Hybrid Auto Focus, also used in Alpha cameras and FX9
  • Recording up to 4K 120p / HD 240p, 10-bit 4:2:2 color depth in full-frame[ii]
  • Support for up to 12G-SDI and 4K at up to 60p 16-bit SDI RAW output
  • Compatible with more than 50 native E-mount lenses

SAN DIEGO – November 17, 2020 – Sony Electronics Inc. today officially announced the FX6 (model ILME-FX6V) camera, the latest addition to Sony’s Cinema Line, a series of products that brings the company’s expertise in imaging technology to a broad range of filmmakers and content creators.

Sony’s Cinema Line, which also includes the VENICE and FX9 cameras, delivers a coveted filmic look cultivated from extensive experience in digital cinema production, as well as enhanced operability thanks to an innovative body design, extensive durability and intuitive customizability.

As part of the Cinema Line, the all-new FX6 incorporates Sony’s core technologies of image sensor, processing engine, and AF (autofocus) performance. FX6 is also compatible with the wide range of Sony E-mount lenses for creative flexibility.

“The new FX6 is the latest example of Sony’s drive to continuously push the boundaries of imaging technology based on the needs of our customers,” said Neal Manowitz, deputy president of Imaging Products and Solutions Americas, Sony Electronics. “With the advancement of our Cinema Line, we are dedicated to enabling the extraordinary skills and talent of today’s content creators and cinematographers. The FX6 leverages technology from Sony’s industry-leading VENICE cinema camera and marries it with the best of Sony’s innovative Alpha mirrorless camera technology.”

Full-frame Cinematic Image Quality

The new camera features a 10.2 MP[iii] full-frame back-illuminated Exmor R™ CMOS sensor that delivers a 15+ stop wide dynamic range[iv] with high sensitivity and low noise. FX6’s base sensitivity is ISO 800 with an enhanced sensitivity setting of ISO 12,800[v] – expandable up to 409,600[vi] – for shooting in low and very low light conditions. It is capable of recording in XAVC All Intra 4:2:2 10-bit depth with stunning image quality in DCI 4K (4096 x 2160 – up to 60p), QFHD 4K (3840 x 2160 – up to 120p[vii]) and FHD (1920×1080 – up to 240p) for incredibly detailed slow motion. When more convenient file sizes are needed, FX6 can record in XAVC Long GOP 4:2:0 8-bit QFHD 4K (3840 x 2160 – up to 120pvii) and 4:2:2 10-bit FHD (1920×1080 – up to 240p). FX6 also includes a BIONZ XR™ image processing engine, first used in the new Sony Alpha 7S III camera, providing up to four times faster processing performance compared to the FS5 II.

Developed with the same expertise as Sony’s world-leading VENICE cinema camera, FX6 offers advanced cinematic color science including S-CinetoneTM for richer tonal reproduction right out of the box as well as S-Log3, S-Gamut3 and S-Gamut3.Cine for post-production flexibility. FX6’s cinematic color science is optimized for premium applications by capturing the maximum dynamic range from the sensor and providing creative freedom. Leveraging the color science of VENICE, FX6 also allows productions to easily match footage with other cameras in the Cinema Line.

Advanced Video Features

Pulling from Sony Alpha’s impressive AF features, FX6 offers Fast Hybrid AF by combining 627-point[viii] focal plane phase-detection AF with advanced Face Detection and Real-time Eye AF in high frame rates with continuous AF, allowing camera operators to effortlessly and precisely track fast-moving subjects in slow motion without losing focus. Fast Hybrid AF works with over 50 native E-mount lenses. The camera can also capture up to five times slow-motion with 4K (QFHD) 120fps.

The new FX6 also offers internal electronic variable ND filters for easy and seamless control of the camera’s filter density. Users can set variable ND to auto or adjust the filter density manually in smooth increments from 1/4 to 1/128 for perfectly exposed images without affecting the depth of field or shutter angle, even during changing lighting conditions. Combined with the camera’s ultra-high sensitivity, the electronic variable ND filter provides users with outstanding creative control in almost any shooting environment.

Made for Content Creators on the Go

Outstanding Mobility and Operability

Built with a durable magnesium alloy chassis, measuring just 4.6 inches x 6 inches x 4.5 inches (116 millimeters x 153 millimeters x 114 millimeters) and weighing just 1.96 pounds (0.89 kilograms), FX6 has a compact and lightweight design making it easy for users to grab and shoot at any time. The new camera includes a heat dissipating structure to keep the camera’s components within their normal operating ranges to prevent overheating, even during extended recording times. FX6 also features a modular design allowing users to easily pair accessories, such as grips and viewfinders, or attach the camera to other mechanisms, such as gimbals and drones.

FX6’s 3.5-inch LCD Viewfinder can be attached on multiple locations of the camera body for added freedom and easy menu control with touch operation. Using a quick access control menu for commonly accessed features, camera operators can change key settings with a single touch – including Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO and Sensitivity, Shooting Mode and Audio Levels.

Professional-level Reliability

In line with professional workflows, FX6 includes a 12G-SDI output that also supports 16-bit RAW, HDMI output, timecode in/out, built-in Wi-Fi and four channel audio recording (via XLR Interface, Multi-Interface Shoe and built-in Stereo Mic). The new camera also features two media slots compatible with CFexpress Type A cards[ix] for higher overall capacity and faster read and write speeds in addition to SDXC UHS-II/UHS-I cards.

Additionally, Sony’s Catalyst Browse/Prepare[x] software facilitates fast and easy editing. Users can import FX6’s image stabilization metadata into Catalyst Browse/Prepare to transform handheld footage into incredibly smooth and stable visuals. FX6 also has a dedicated Clip Flag button to easily filter and locate preferred takes using Catalyst Browse/Prepare. This software also reflects metadata indicating when FX6 is rotated or in its normal position, eliminating the need to rotate footage beforehand. FX6 is also compatible with Sony’s Content Browser Mobile App to easily monitor and control focus, iris, and zoom remotely[xi].

About Cinema Line

Cinema Line is series of professional cameras that have a filmic look, cultivated from Sony’s long experience in digital cinema production, and enhanced operability and reliability that responds to the wide variety of creator’s high demands.

Cinema Line includes the digital cinema camera VENICE, which is highly acclaimed in the feature and episodic production industry, and the professional camera FX9, which is has been popular for documentary and drama production. With the new FX6, Sony brings versatile creative tools to all types of visual storytellers.

FE C 16-35mm T3.1 G E-mount Cinema Lens

The FE C 16-35mm T3.1 G (model SELC1635G) lens, announced at IBC 2019, will be available in December 2020 to pair with FX6, FX9 and other full-frame Sony cameras. This new lens supports intelligent shooting functions unique to E-mount cameras – such as fast and accurate AF within shallow depth of field – while also offering manual focus options in a form factor familiar to professional cinema creators.

The FE C 16-35mm T3.1 G delivers stunning bokeh and corner-to-corner resolution thanks to two XA (Extreme Aspherical) elements with extreme surface precision of 0.01-micron, circular 11-blade apertures in addition to three aspheric lenses that are positioned in a way that effectively reduces field curvature, astigmatism and, in combination with two ED (Extra-low Dispersion) glass elements, reduces color distortion. Additionally, floating focus provides outstanding resolution at every zoom position. The new lens also features Nano AR (Anti Reflection) coating, to reduce flare.

The focus ring offers a 140-degree large angle of rotation for fine control, with distance scale markers for consistent focus reset during multiple takes. Linear Response MF enables smooth manual focus, allowing users to adjust focus accurately and intuitively. Three independent rings for focus, iris and zoom enable users to get the exact creative results they desire. Each ring has the industry standard 0.8mm pitch gear for use of follow focus accessories, and the 114mm barrel diameter is compatible with industry standard matte box accessories. A two-speed servo provides smooth, accurate control of focal length and can be activated from a switch on the lens or a lever on the FX6 Smart Grip.

Pricing and Availability

The new FX6 full-frame Cinema Line camera will be available in December and will be sold for approximately $ 5,999.99 USD and $ 8,048.99 CAD, at a variety of Sony’s authorized dealers throughout North America.

A new kit featuring the FX6 full-frame Cinema Line camera and FE 24-105mm F4 G E-mount Lens will also be available in December and will be sold for approximately $ 7,199.99 USD and $ 9,658.99 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

The FE C 16-35mm T3.1 G lens will be available in December and will be sold for approximately $ 5,499.99 USD and $ 7,199.99 CAD, at a variety of Sony’s authorized dealers throughout North America.

Exclusive stories about Cinema Line, FX6, FE C 16-35mm T3.1 G and Sony’s other imaging products can be found at www.sonycine.com and www.alphauniverse.com, resources designed to educate and inspire all fans of Sony’s technology for content creation and photography.

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics unveils Laowa 15mm F4.5 ‘Zero-D’ Shift lens for full-frame cameras

30 Oct

Venus Optics has announced the release of the Laowa 15mm F4.5 Zero-D Shift, a new lens that takes the crown as the widest shift lens for full-frame camera systems.

The lens is constructed of 17 elements in 11 groups, including two aspherical elements and a new lens coating. It has a 110-degree angle of view, offers a 65mm image circle and can shift +/-11mm on full-frame camera systems (+/-8mm when adapted for medium format cameras, such as Fujifilm GFX and Hasselblad X1D cameras).

Other specifications include a five-blade aperture diaphragm, a 20cm (7.8”) minimum focusing distance and a 360-degree rotation function with clicks every 15-degrees to offer more flexibility when adjusting the shift of the lens. Venus Optics has also developed a specialized lens support that holds the lens towards the front of the barrel so you can keep the lens’ optical axis stable when making your shift adjustments.

Below are a collection of sample shots, provided by Venus Optics:

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The Laowa 15mm F4.5 Zero-D Shift is available to pre-order today for Canon EF, RF, Nikon F, Nikon Z and full-frame Sony E-mount camera systems for $ 1,199 on Venus Optics’ website. The Canon EF and Nikon F mount versions will be available in late November 2020, while the Canon RF, Nikon Z and full-frame Sony E-mount versions won’t be available until February 2021.

Articles: Digital Photography Review (dpreview.com)

 
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Zeiss’ 37MP Lightroom-capable, full-frame ZX1 camera is here — and it costs $6K

30 Oct

Zeiss has announced the release of its long-awaited ZX1 mirrorless camera in the United States and Germany.

First announced back in September 2018, the Zeiss ZX1 full-frame Android-powered camera is designed, in Zeiss’ own words, to help users ‘Shoot. Edit. Share.’ all on one device thanks to the integration of hardware and software.

At the core of the ZX1 is a 37.4-megapixel full-frame CMOS sensor developed by Zeiss. In front of the sensor is a non-interchangeable Zeiss Distagon 35mm F2 T* lens with a focus and aperture ring (both of which appear to be electronically controlled). In addition to stills, the camera is capable of recording 4k (3,840 x 2,160 px) video at 30 frames per second (fps) and 1080p video at 60 fps in the H.264 codec. All images and video are stored on a 512GB internal SSD and can be transferred off the device using the USB-C port or the wireless connectivity (Wi-Fi 802.11b/g/n/ac, 2.4/5.0 GHz and Bluetooth 4.2 LE).

Other specifications include a shutter speed range of 1/2000th to 30s, an ISO range of 80 to 51,200 (1/3 EV increments), Hybrid AF that uses both contrast and phase detection, and a 0.7” OLED electronic viewfinder (EVF) with a 1920 x 1080px resolution. The camera uses a 3,190mAh 22.9Wh Li-ion battery, but Zeiss doesn’t mention how many shots the battery is rated for (likely because how much editing is done on-camera will greatly affect the battery life).

What makes the Zeiss ZX1 different than, say, the Leica Q2, is its massive 4.3” multitouch display on the rear that not only allows you to navigate the menu system, but also serves as a means of editing images directly on the camera with the Adobe Lightroom Mobile application. Zeiss said it’s worked alongside Adobe to ensure full compatibility and all buyers will receive a year’s worth of Adobe’s 1TB Photography Plan.

Despite clearly running on some version of Android, Zeiss no longer mentions the word ‘Android’ on any of its marketing material, so there’s no way of knowing what version it runs and what kind of support we can expect going forward.

The Zeiss ZX1 is available starting today for $ 6,000 at select dealers in the United States and Germany, including Adorama and B&H. You can read our initial hands-on with the ZX1 from CP+ 2019.

Articles: Digital Photography Review (dpreview.com)

 
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BCN Retail shows Canon catching Sony in the Japanese full-frame MILC market, Nikon stagnant — for now

27 Oct

BCN Retail, a Japanese analyst firm that collects daily sales data of mirrorless interchangeable lens cameras from online and in-person points of sale in Japan, has published (translated) its latest numbers, showing the breakdown of Japanese domestic market share in the full-frame mirrorless interchangeable lens camera (MILC) market.

BCN Retail starts its report with partially encouraging news, noting the camera market, at least in Japan, has almost entirely recovered from the pandemic drop, with unit sales in the month of September being down just 2% and revenue from those sales down just 10% year-over-year (YoY). Lower numbers YoY is never a good thing, but considering the state of the camera market even pre-pandemic, these drops aren’t terrible.

According to BCN Retail’s latest numbers, Canon and Panasonic have seen a rise in market share over the past few months, while Nikon has more or less stayed even. Meanwhile, both Sony and Sigma have seen their market shares drop over the past few months.

Full-frame mirrorless market share numbers: Brown (Sony), Red (Canon), Yellow (Nikon), Blue (Panasonic), Grey (Sigma). The dark blue and red bars at the bottom show unit sales and revenue (as a percentage of overall interchangeable lens camera (ILC) camera sales), respectively.

BCN Retail says Canon’s rise in market share — now 34.7% — can be attributed to the release of its R5 and R6 mirrorless cameras, while Panasonic’s rise — now 5.8% — is attributed to the launch of its S5. Nikon’s market share saw a small increase in July, which could likely be attributed to the release of its entry-level Z5, but since August its market share has more or less stayed stagnant, sitting at roughly 13%. It’s possible its forthcoming Z6 II and Z7 II mirrorless cameras could give the company a boost, though.

Meanwhile, Sony has seen its market share drop from roughly 60% back in May to now just 43.9%, only 9% ahead of Canon who, at the start of the year, had just 15% of the market share. Sigma, too, has seen its market share drop to just 2.6% after once being ahead of both Nikon and Panasonic back in May when the FP sales were hot.

The Canon EOS R5 was the most popular full-frame mirrorless interchangeable lens camera (MILC) of September, according to BCN Retail.

It’s worth noting these market share numbers are specific to the Japanese market and greatly impacted by new cameras launched within a given month or quarter.

Back in the summer of 2018, Sony effectively had 100% of the full-frame MILC market share, as there were no other competitors. Within six months of both Canon and Nikon introducing their respective full-frame mirrorless cameras, Sony’s market share was effectively halved and since then, it’s been further chipped away at by Canon.

This doesn’t necessarily mean Canon or Nikon were eating into Sony sales at the beginning when the two first entered the market, as you can see unit volume also rose when Canon and Nikon introduced their mirrorless cameras, but now that sales have more or less returned to their pre-pandemic volume and Sony is further dropping in market share, it is possible we’re starting to see Canon starting to pull away some of Sony’s customers a bit.

Canon EOS RP (left), Nikon Z5 (right).

What should be interesting to see is whether Nikon’s new Z6 II and Z7 II take more market share from Canon or Sony or is simply converting more DSLR users and therefore adding to the sales volume rather than taking from elsewhere in the full-frame MILC market. In the past, it seems Canon’s numbers are more affected by the rise and fall of Nikon’s market share, whereas Sony’s are more affected by the rise and fall of Canon’s market share, but even with the charts, it’s difficult to get the full picture without knowing the precise number of units being sold and the price at which they’re selling for—two numbers that prove challenging to extrapolate from BCN Retail’s numbers or even CIPA.

BCN Retail also notes that full-frame sales have hit 10.7% of the overall interchangeable lens camera (ILC) market, marking the first time it’s been in double-digits. Revenue from full-frame MILC, as a percentage of the overall ILC market, also saw a dramatic jump to 25%. These are both the highest-ever numbers for the full-frame market, but BCN Retail does note this is because the average cost of a full-frame MILC tends to be 2.3x as much as a crop sensor ILC —¥230,000 (~$ 2,200) to ¥100,000 ($ 955), respectively.

Articles: Digital Photography Review (dpreview.com)

 
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Report: Zeiss’ full-frame Android-powered ZX1 camera to be released on October 29, cost $6K

26 Oct

Three weeks ago, the long-awaited Zeiss ZX1 camera reappeared for pre-order on B&H Photo after months and months of silence regarding the availability of the Android-powered mirrorless camera. While B&H has since pulled its listing, a new report from Nokishita claims the camera will be available on October 29 with an MSRP of $ 6,000/€6,000 (the same price B&H had it listed for).

When B&H listed the Zeiss ZX1 for pre-order earlier this month, we contacted both B&H and Zeiss on the matter, but both passed on the opportunity to comment on the matter. Sometime between then and now, the pre-order option on B&H was removed with no further information on when we might see more. That is, until Nokishita published the above tweet earlier this morning.

We have contacted Zeiss for confirmation and will update this article accordingly if we receive a response. While we wait to hear more about the camera, you can check out our hands-on with it back at CP+ 2019.

Articles: Digital Photography Review (dpreview.com)

 
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