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Posts Tagged ‘full’

Windows 8 – Make it Easier to Differentiate Explorer Windows by Showing Full Paths

24 Apr

Add the full paths to Explorer folders in Windows 8.1 to make it easier for you to navigate your system.

Let’s say you are copying files between different folders on your Windows 8.1 system or networked drives, or perhaps you are performing basic file maintenance. The need comes to work with two different folders that end with the same name in the path. Another task distracts you, and now you need to get back to work on a particular folder. If you hover your mouse pointer over “File Explorer” in the Taskbar, only the ending parts of the paths are readable. You’ll have to manually click on each window to find out what path each thumbnail represents.

What if you could make the folder windows contain the full paths, such as “C:\Windows.old\Windows\Cursors”, instead of just “Cursors”? This is an easy tweak….

Read more at MalekTips.
New Computer and Technology Help and Tips – MalekTips.Com

 
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Pixels.com licensing service promises full control of images

18 Apr

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Pixels.com is a new image licensing marketplace that aims to give photographers more control than competing services. Users can set their own prices for images and manage the type of licenses they want to offer. There is even an option to create custom licenses with your own terms and conditions. Learn more

News: Digital Photography Review (dpreview.com)

 
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A first look at the Sony Alpha 7S 12MP full frame with 4K output

07 Apr

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Sony has just announced a 12MP full frame addition to its Alpha 7 series, designed to output 4K footage over HDMI. We’ve just got back from Sony’s press conference at the NAB show in Las Vegas, where we got a chance to see the camera. We hope to get more hands-on in the coming days, but for now, here’s some more details of the Sony Alpha 7S.

News: Digital Photography Review (dpreview.com)

 
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Sony announces Alpha 7S full frame mirrorless with 4:2:2 4k video output

07 Apr

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Sony has announced the Alpha 7S, a 12MP full-frame mirrorless camera designed for both stills and video. The camera can read out its entire sensor fast enough to output 8-bit 4:2:2 4k video over HDMI at up to 30p, without line skipping or pixel binning. This also promises higher quality for the 1080p video (at up to 60p) it can record internally. Unlike the a7 and a7R, the latest model is not constrained by the AVCHD standard, also offering the XAVC S system, with bitrates of up to 50Mbps. Details are still being announced: more to follow.

News: Digital Photography Review (dpreview.com)

 
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Beyond Full Moon Photography

18 Feb

The rising full moon is a shot on many photographers’ bucket lists, but how many of us remember that the moon is even there on those other 28 days of the lunar month? Forget the moon no longer; there are many great reasons to keep shooting the moon throughout its phases.

moon, full moon, photography, how to

Better Craters and Contrast

Craters are a fascinating feature of the lunar surface, and they are easier to feature when the moon is no longer full. During a full moon, an entire side of the moon is visible and reflecting the sun’s light back to us. Craters, by contrast, look better in shadow, as this less direct light highlights the differences in elevation on the surface and bring better contrast and definition. A gibbous moon (the lumpy phase between full moon and the first or last quarter when the moon looks half full) is an excellent choice for craters. Along the edge where the moon fades into blackness, you will be able to capture the deep shadows of the craters in your moon photographs.

moon, moon photography, gibbous moon, how to, craters

As the moon continues along its progression, it will pass from gibbous through the first quarter, and enter the crescent phase. Before the moon reaches its classic, skinny crescent shape, there are also many opportunities to capture it that emphasize the craters. Because the moon is visible at different times of day and night during different phases, you will also be able to capture the different colors of its light.

moon, moon photography, crescent moon, how to, crescent, craters

Crescents and Earthshine

The crescent moon is the phase between first or last quarter and the new moon, when the unlit side of the moon is facing the earth. The crescent shape is hugely significant in many cultures. It is often the version of the moon drawn by children, yet it can be overlooked by photographers. The crescent moon is generally visible during the daytime hours, which can make it more difficult to see and photograph successfully. But, as the crescent reaches its smallest size, you will be able to capture it setting in the early evening, against the brilliant deep blue skies that are well-suited to moon photographs.

moon, moon photography, crescent moon, how to, crescent, craters

Another phenomenon to photograph with the crescent moon is known as earthshine. If you stare closely at a slim crescent moon, you should just be able to see the darkened outline of the rest of the moon’s surface. That surface is dark because it is no longer reflecting the light of the sun. The fact that you can see it at all is because that part of the surface is reflecting back light from the earth, hence the term “earthshine”.

moon, moon photography, crescent moon, how to, crescent, earthshine, star

If you want to capture a shot of the crescent moon showing earthshine, you will need to shoot in manual and significantly overexpose the image. The crescent part of the moon will become overexposed (very bright) as you bring out details within the shadowed sections of the moon, which can result in a very unique moon shot. A tripod or a camera with good high ISO performance is critical, as is a longer zoom lens. Try to keep your shutter speed below a second or two, otherwise the moon will begin to move during the exposure and blur the image.

Timing and Backgrounds for Moon Photography

A moon photographed alone, however, is simply a shot of the moon. To really make an impact with your moon photography, regardless of the phase, you need to feature an interesting foreground or background. The two critical components here are knowing the timing of moonrise or moonset, and knowing the approximate location of the moon in the sky.

The Photographers’ Ephemeris is downloadable software (free for laptops and desktops but a paid app for Apple and Android phones and tablets) that lets you view the moonrise and moonset times (as well as sunrise and sunset times) against a map, which allows you to plot out exactly where the moon will appear in the sky, depending on where you are standing. Moonrise and moonset tables and times are also easily available and searchable online. You can use the ephemeris to determine exactly when and where to stand if you wish to photograph the moon rising or setting over a specific place or landmark.

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You are not limited to only shooting the moon at night. Depending on its phase and timing, you can photograph the moon during the daytime too, which makes it easier to experiment with interesting foregrounds. By walking around, moving up and down, and otherwise changing your perspective, you can ‘move’ the moon where you want it to appear in your final image. The longer the focal length that you can use, the larger you can make the moon look, relative to the other objects in the image.

moon, moon photography, full moon, how to, gibbous, half moon, photography

Variations

There are an infinite number of variations on moon photography. Do not let yourself be limited by the full moon, only shooting the moon at night, or only when it is rising or setting. Do not let clouds stop you from looking for the moon. Pay a little more attention to the moon throughout the month, and you will find many opportunities for moon photography.

moon, moon photography, full moon, how to, clouds, photography

Have you got some great shots of the moon or some addition tips? If so please share them in the comments below!

More night photography articles:

  • Moon Photography: 6 Tips for Better Moon Photos
  • The Mystery of Night Photography – 35 Images of the Night
  • How To Photograph Star Trails
  • Light Painting Part One – the Photography

The post Beyond Full Moon Photography by Katie McEnaney appeared first on Digital Photography School.


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Is Full Frame Still the Best?

12 Feb
Nikon D800

The Nikon D800, a 36.3 megapixel full frame camera.

For many years photographers have accepted that, when it comes to image quality, a full frame camera beats one with a smaller sensor every time. Let’s look at some of the reasons why.

Advantages of full frame cameras

  • Full frame camera sensors have larger pixels. This means they create images with less noise and all-round better image quality.
  • Full frame cameras usually have more megapixels. While this doesn’t matter to most photographers, it may be useful if your client demands large images or you want to make large prints.
  • There are more wide-angle primes available. If you prefer prime lenses to zooms, you have more choice at shorter focal lengths with a full frame camera.
  • Legacy lenses can be used as intended. If you own a 24mm prime lens that you used with a 35mm film camera, you can use it exactly the same way on a full frame camera. On a camera with a smaller sensor the crop factor means you are effectively using a longer focal length.
  • There is less depth-of-field at any given aperture, and focal length setting, than there is with the equivalent focal length on an APS-C camera. For example, a photo taken at f/2.8 with an 85mm lens on a full frame camera has less depth-of-field than one taken at f2.8 on with a 50mm lens on an APS-C camera even though the field-of-view of both lenses is approximately the same. This is a benefit if you like to create photos with bokeh.
  • The top cameras in a manufacturer’s range are usually full frame. Let’s say you want to buy a durable, weatherproofed, Canon EOS camera, designed to handle everything a professional photographer could possibly throw at it – then you need the EOS-1D X. An APS-C (cropped sensor) version of this camera does not exist.
Portrait taken with EOS 5D Mark II

This portrait was taken with an EOS 5D Mark II. Using a full frame camera helped obtain the out of focus background.

Disadvantages of full frame cameras

Full frame cameras have some disadvantages too:

  • They cost more money than cropped sensor cameras. Larger sensors are more expensive to manufacture, therefore full frame cameras will always cost more than similar models with smaller sensors.
  • Size and weight. Full frame cameras are larger and heavier – they have to be to fit the larger sensor. However, the new Sony A7 and A7R cameras go against this trend.
EOS 1D X

The EOS-1D X – Canon’s largest and most expensive full frame camera, designed for professional use. It’s an amazing, high precision camera for the most demanding photographer. But it also shows the main disadvantages of full frame cameras: size, weight and expense.

The rise of the mirrorless camera

If you’re an aspiring pro, you may feel that you need a full frame camera to be taken seriously. In fact, this has never been completely true. There are plenty of professional photographers who use crop sensor cameras. The quality is more than good enough, and if you’re a sports or wildlife photographer you may also appreciate the extra reach that an APS-C camera gives you with telephoto lenses.

So far most of these points apply mainly to digital SLR cameras. But over the last few years we have seen the rise in popularity of mirrorless camera systems (sometimes called compact camera systems). It is easy to see why these are popular. Their small size and unobtrusive design means they are easy to carry while travelling, and less likely to draw attention if you in an area where the locals are sensitive to photographers. Mitchell Kanashkevich has written an excellent article on this topic: Istanbul and My Review of Fuji X100S as has our own Valerie Jardin using the same camera.

Furthermore, the new Fujifilm cameras such as the X-Pro 1 and X100S have garnered a lot of praise for their high image quality, with some reviewers saying it is on a par with that of full frame digital SLR cameras (there is more information on the science behind it here).

Fujifilm X100S

The Fujifilm X100S. This camera has had some very positive reviews. Some photographers are moving away from full frame digital SLRs and towards smaller, mirrorless camera systems.

A new question

It seems to me the question has shifted. We used to ask ‘what camera gives you the best image quality?’ and the answer was inevitably – full frame. Now the question has become ‘which camera is best for me?’ Image quality is only part of the equation, and has become less important as the gap between full frame and crop sensor cameras has narrowed. So if you’re in the market for a new camera here are the things you might want to consider before making a purchase:

  • Budget – this is important for fairly obvious reasons. Don’t be afraid to buy a crop sensor camera if your budget doesn’t stretch to full frame.
  • Existing lens compatibility – If you’re staying within the same camera system, how do your current lenses work with the new camera? Some lenses are designed for crop sensor cameras and won’t work with full frame. Does upgrading to full frame mean that you will also have to spend money on new lenses?
  • Total cost with accessories –  If you’re moving to a new camera system, how much will you need to spend on lenses and other accessories? For example, there are a lot of photographers praising the merits of Fujifilm cameras and writing about making the switch from their current system. But bear in mind these guys make a living from photography and expect to spend a certain amount on camera gear each year. Cameras are tax deductible expenses and this is effectively a discount on new equipment that hobbyists don’t receive.
  • Size and weight – These are important factors if you like to travel with your cameras, but maybe not so important if you take most of your photos locally. Despite the advances in mirrorless cameras the digital SLR design is still the best for most types of photography. The trade-off is size and weight, as digital SLRs are bigger and heavier than other types of camera.
  • Alternative lens options – Do you want to use lenses from other manufacturers or old lenses on your camera? If you’d like to experiment in this area then think about a mirrorless camera system, as most of them have lens adapters that let you use them with a variety of different lenses. This can be a lot of fun and source of experimentation in itself.
Sony A7

The Sony A7 (pictured) and A7R are the world’s smallest full frame digital cameras with interchangeable lenses.

What do you think?

What are your thoughts on the full frame versus crop sensor debate? Share your thoughts and experiences in the comments below.

More reading on this topic here:

  • Review: Comparison Canon 5D MarkIII vs the Canon 6D
  • The Best and Worst Cameras, Lenses and Video Cameras of 2013
  • All about Gear [Best of dPS 2013]

Mastering Photography

Mastering Photography ebook

My ebook Mastering Photography: A Beginner’s Guide to Using Digital Cameras introduces you to photography and helps you make the most out of your digital camera, no matter which one you own. It covers concepts such as lighting and composition as well as the camera settings you need to take beautiful photos like the one in this article.

The post Is Full Frame Still the Best? by Andrew S. Gibson appeared first on Digital Photography School.


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Tamron to make new 28-300mm F3.5-6.3 superzoom for full frame SLRs

07 Feb

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Tamron has announced that it’s developing a new 28-300mm F/3.5-6.3 Di VC PZD superzoom lens for full frame SLRs. A near-twin of the co-announced 16-300mm F3.5-6.3 for APS-C, it’s distinguished from the current model by featuring an ultrasonic-type ‘Piezo Drive’ autofocus motor, splashproof construction and more-compact design with a 67mm filter thread. It’ll be made in Canon, Nikon and Sony mounts; pricing and availability are to be confirmed. Learn more

News: Digital Photography Review (dpreview.com)

 
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Rugged Fujifilm FinePix XP70 offers Wi-Fi, Full HD video

12 Jan

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CES 2014: The Fujifilm FinePix XP70 is the company’s latest rugged compact, building on its predecessor’s specification with Wi-Fi connectivity. It’s also waterproof to 33 ft / 10m (compared to the XP60’s 20 ft rating), shockproof up to a 5 ft / 1.5m drop and freezeproof to +14F/-10C. It offers a 28-140mm equivalent F3.9-4.9 zoom lens, 16 megapixel sensor, and 1080 HD video at 60i/30p. 

News: Digital Photography Review (dpreview.com)

 
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18 December, 2013 – The Full Frame Myth

18 Dec

Given the advances in sensor technology over the past few years, is Full Frame really necessary? Up until recently I might have said "Maybe not…". The latest generation of smaller sensor cameras have gotten so good, and the appeal of smaller and lighter bodies and lenses is so great, that in many parts of the world DSLR sales are being trumped by Compact System Cameras.

But now with Sony’s new A7 and A7r Full Frame cameras, which are actually smaller than some MFT models, which way are things going to go? Find out more.


New Travel Video Online for Subscribers

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You can win an all-expenses paid photographic expedition to Antarctica, along with air fare from anywhere in the world. The value of this prize is $ 15,000.

The Luminous Landscape wants you to try any of our more than 60 training or travel videos and our new free video player. Each purchase is an entry, and an annual subscription that includes all previous as well as new videos counts as six entries. The winner of a free lifetime subscription is also chosen from each month’s entries.

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Samyang says five of its full frame lenses now available in Sony E mount

17 Dec

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Samyang has announced that, as promised in October, five of its full frame lenses are now available in Sony E-mount, and are therefore the first third-party optics with native mounts for the Sony A7 and A7R. The lenses are the 14mm F2.8, 24mm F1.4, 24mm F3.5 tilt-and-shift, 35mm F1.4, and 85mm F1.4. All feature manual focus and aperture operation and, because they’re essentially SLR lenses with an adapter tube added, all are considerably more bulky than their Alpha mount counterparts. Click through for more information and images of the E-mount lenses.

News: Digital Photography Review (dpreview.com)

 
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