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Posts Tagged ‘full’

Japan Camera Hunter now has a YouTube channel full of film camera geekery

30 Jun

Despite having claimed the channel name back in 2011, film photography expert Bellamy Hunt, better known as Japan Camera Hunter across the internet, only recently started posting videos to the Japan Camera Hunter YouTube channel. Much like the Japan Camera Hunter website, the Youtube channel is dedicated to all things film photography and in just the past two months, Hunt and his team have gotten out nine videos to help kickstart the channel.

As it stands, the channel currently consists of nine concise ‘Camera Geekery’ videos, which are quick summaries of cameras (and one lens) Hunt has sitting around his shop. The videos range from just under a minute to over three minutes and highlight unique features and historical backgrounds for each of the cameras. They’re quick to get through, but provide wonderful insight into just a few of the many cameras Hunt has on hand. Below are three more of the nine videos on the channel at this time:

Canonet QL17 GIII

Yashica Mat 124G

Plaubel Makina 670

In a blog post announcing the YouTube channel, Hunt notes the videos ‘are a work in progress,’ and goes on to say there are already ‘more cameras in the pipeline and [they are] are always open to (reasonable) suggestions.’ To view the rest of the videos and to subscribe, head on over to the Japan Camera Hunter YouTube channel.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS R5 video specs include 8K/30, 4K/120 with Raw, 10-bit H.265 and full AF

21 Apr

Canon has revealed the video specs of its forthcoming EOS R5 full-frame image stabilized mirrorless camera. They include including internal Raw capture of its 8K/30p footage and full-width 4K at up to 120p with 10-bit 4:2:2 recording and full AF in all modes.

The 8K is the most striking detail. This will be offers in a choice of internal Raw capture or 10-bit 4:2:2 H.265 modes. These gamma-encoded modes will have the option of Canon Log or HDR PQ output, depending on whether you plan to color grade or want to shoot directly for HDR display. Full Dual Pixel AF will be available, Canon says.

The 8K footage comes from the whole width of the sensor, as does its DCI 4K output, which could imply the use of the wider-screen 8192 x 4320 pixel version of 8K (a 1.90:1 ratio ration than 16:9).

4K specs extend up to internal 120p capture, with use of the full width for the DCI 4096 x 2160 shooting. Again there’s the option of 10-bit 4:2:2 H.265 capture in either C-Log or HDR PQ. 4K/60p footage can be recorded internally or output over HDMI.

The camera will have dual card slots: one for CFexpress cards and one UHS-II SD slot. We’d expect the camera’s highest quality modes to only work with the faster CFexpress slot.

Canon has not specified data rates or recording times for any of these modes. These, along with battery life, are likely to play a big role in dictating how flexible the camera is. Most current stills/video cameras struggle to deliver their highest resolutions and frame rates for extended periods due to heat build-up, so there may be limits to how long the R5 can maintain its impressive capabilities.

Press Release:

THE EXCITEMENT BUILDS: CANON ANNOUNCES ADDITIONAL IN-DEMAND SPECIFICATIONS OF THE EOS R5 FULL-FRAME MIRRORLESS CAMERA

MELVILLE, N.Y., April 20, 2020 – Canon U.S.A. Inc., a leader in digital imaging solutions, today is sharing additional specifications of the highly anticipated Canon EOS R5 full-frame mirrorless camera currently in development. The newly released information divulges further details on the 8K video recording capability, IBIS and more.

Newly Announced Details of The Canon EOS R5 Full-Frame Mirrorless Camera include:

  • 8K RAW internal video recording up to 29.97 fps
  • 8K internal video recording up to 29.97 fps in 4:2:2 10-bit Canon Log (H.265)/4:2:2 10-bit HDR PQ (H.265).
  • 4K internal video recording up to 119.88 fps in 4:2:2 10-bit Canon Log (H.265)/4:2:2 10-bit HDR PQ (H.265). 4K external recording is also available up to 59.94 fps.
  • No crop 8K and 4K video capture using the full-width of the sensor.*
  • Dual Pixel CMOS AF available in all 8K and 4K recording modes.
  • Canon Log available in 8K and 4K internal recording modes.
  • A Canon first, the EOS R5 will feature 5-axis In-Body Image Stabilization, which works in conjunction with Optical IS equipped with many of the RF and EF lenses.
  • Dual-card slots: 1x CFexpress and 1x SD UHS-II.

To learn more about the Canon EOS R5 Full-Frame Mirrorless Camera and the additional information announced, please visit, usa.canon.com/EOSR5

*When in 8K RAW, 8K/4K DCI modes.

Articles: Digital Photography Review (dpreview.com)

 
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Canada Goose’s new Photojournalist Jacket is pricey and full of pockets

14 Feb

Clothing company Canada Goose has launched an incredibly pricey jacket designed specifically for photojournalists. Simply called ‘Photojournalist Jacket,’ this product costs $ 850 and was designed in collaboration with an unnamed photojournalist. The jacket is designed to be water-resistant, capable of withstanding ‘harsh winds’ and suitable for cold climates.

The Photojournalist Jacket is made from Tri-Durance SS three-layer fabric with double-stripe reflective elements to increase the wearer’s visibility at night. Canada Goose reinforced the jacket’s pockets and shoulders with Cordura fabric, the cuffs have hook-and-loop closures and the waist features a drawstring.

The jacket was designed with mid-thigh length for what the company says is ‘added coverage and protection.’ Wearers get a total of eight exterior pockets, including some with double entry and zippers; there are also two interior pockets. The product also features a ‘stowable’ fabric hood that can be adjusted by the wearer.

The Photojournalist Jacket has a Thermal Experience Index (TEI) rating of 1, which means that it falls in the ‘lightweight’ category. The product is intended for use in temperatures ranging from 5C to -5C (41F to 23F). Despite its water resistance and waterproof design, Canada Goose claims this product is still breathable with four-way stretch.

The Photojournalist Jacket is available from Canada Goose now in Black, Navy and Red colors in sizes ranging from small to extra-large for $ 850 regardless of size, a price tag that doesn’t quite reflect the average photojournalist’s salary.

Articles: Digital Photography Review (dpreview.com)

 
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Techart releases TZC-01, an EF-to-Z adapter that offers full autofocus, image stabilization support

17 Jan

In June 2019, camera accessory manufacturer Techart released its TZE-01 adapter, which allowed Nikon Z mirrorless camera users to mount Sony E-mount lenses to their systems without losing the ability to use autofocus. Now, Techart is back at it again with the announcement of the TZC-01, an adapter that makes it possible to mount and use autofocus Canon EF lenses on Nikon Z mirrorless cameras.

Techart says the TZC-01 will work with EF-mount lenses from Canon, Sigma, Tamron, Tokina and Zeiss. In addition to ‘native’ autofocus performance, the lenses will also maintain aperture control, stabilization features and EXIF data. In total, Techart lists 62 lenses it says are proven compatible with the adapter:

Below is a demonstration of the adapter from Richard Wong:

Techart has also included a dedicated function button that lets you save a focusing distance to recall with the press of the button and an accompanying lens dock that will let you upgrade the firmware of the adapter.

The TZC-01 is available on Techart’s website for $ 250.

Articles: Digital Photography Review (dpreview.com)

 
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Halide 1.14 adds full iPhone 11 support, a ‘Tactile Lens Switcher,’ ‘Lens Guides’ and more

01 Oct

The team behind iOS camera app Halide has released version 1.14, bringing with it support for Apple’s latest iPhone 11 Pro devices, a new ‘Tactile Lens Switcher’ and more.

As explained in its announcement blog post, Halide 1.14 brings full support for the iPhone 11, iPhone 11 Pro and iPhone 11 Pro Max. The day the iPhone 11 devices were released, Halide was updated with ‘basic support for the new cameras.’ Now, Halide offers full support for the new hardware within the latest iPhone devices.

Halide has also added a ‘Tactile Lens Switcher.’ When there were only two cameras on iPhones, it was easy enough to switch between the standard lens and tele lens—with the tap of a button. But now that the iPhone 11 Pro models offer three camera modules, the Halide team had to rethink how to switch from one camera to another in the most efficient way possible.

Now, in addition to simply tapping on the lens switching button, you can also long-press to bring up a lens switcher, which makes it easy to jump between any of the three cameras on iPhone 11 Pro and iPhone 11 Pro Max devices: .5x, 1x and 2x.

Another new feature is a Lens Guides. Exclusive to the iPhone 11 Pro and iPhone 11 Pro Max, Lens Guide will overlay frames on the image from the .5x camera to show what the composition would look like if you were to shoot it using the 1x or 2x camera. Tapping the composition of your choice will automatically jump you into that camera mode.

The Halide team has also noted that it’s working to further improve its ‘Smart RAW’ capabilities. Halide says it’s ‘an area of ongoing research’ and it’s ‘currently building a lot of data to research and improve our Smart RAW for iPhone 11, and we’ll have a blog post soon about how the new iPhone 11 camera processes images in software and how it compares to the RAW shot.’

Lastly, Halide says it’s managed to make Raw renders in its photo reviewer 3x faster. Halide is available to download in the iOS App Store for $ 5.99.

Articles: Digital Photography Review (dpreview.com)

 
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Magicbooster Pro launched for 6K Blackmagic Pocket Cinema Camera to emulate full frame sensor

20 Aug

LucAdapters has launched a crowd funding campaign to develop a focal reducer for the newly announced Super 35mm 6K cinema camera from Blackmagic Design. The reducer will allow users to mount full frame lenses on the camera with only a slight crop, thus emulating the look of a camera with a full frame sensor.

The company has history with this kind of adapter and currently makes a reducer for the Ursa Mini called Magicbooster Pro, and has in the past made a full-frame adapter for the Samsung NX1. This new model will be called Magicbooster Pocket 6K and will combine the benefits of a 1 stop increase in effective aperture as well as decreasing the crop factor of the 6K area of the camera’s Super 35mm sensor from 1.5x to 1.1x. This allows full frame lenses to practically maintain their intended angle of view when recording 6K footage, with a 50mm lens acting like a 55mm with the reducer instead of like a 75mm without it.

Here’s a video made with the current Magicbooster, shot on Blackmagic Ursa mini 4.6K by PILOTMOVIES.

The Magicbooster Pocket 6K will be fully compatible with all of Canon’s EF lenses according to LucAdapters, but not EF-S models. The Magicbooster fits inside the camera’s throat leaving the mount untouched, and replaces some internal parts of the camera itself in doing so. The unit comprises a small barrel with lens elements at the end. It screws into the camera with the magnifying lens sitting directly in front of the camera’s sensor and behind the IR filter.

Buyers will receive a replacement UV-IR cut filter that the company claims is better than that which is shipped with the camera. Such a degree of installation is required that it isn’t the sort of adapter that can be attached and unattached in a couple of seconds, but it also means there’s no need to add and remove the adapter every time you have to change a lens.

LucAdapter says the Magicbooster Pocket 6K will ship in November this year, and will cost from €499 (approx. $ 550). For more information see the LucAdapters Magicbooster Pocket 6K Kickstarter campaign.

Articles: Digital Photography Review (dpreview.com)

 
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Entaniya announces 220-degree PL-mount fisheye for Super 35, full frame cameras

06 Aug

Japanese fisheye specialist Entaniya has introduced a new fisheye lens in a PL mount that’s aimed at large format video camera users, and which can offer a range of effective focal lengths using different sized spacers. The Entaniya Fisheye HAL 220 is designed to cover Super 35mm and full frame sensors and can provide focal lengths between 6.14mm and 8.03mm through 15 increments via the included set of zoom spacers.

The lens has a maximum aperture of T2.9 and uses 17 elements in 12 groups to provide a maximum angle of view of 220°. The depth of the spacer used has an impact on the size of the covering circle of the lens, so when the thinner spacers are used—or no spacer—the lens has a smaller covering circle. This is useful for those who want a circular image, but doesn’t leave out those needing the whole recording area covered.

No pricing or availability details have been released so far. For more information and to see how the lens covers different formats go to the Entaniya website.

Articles: Digital Photography Review (dpreview.com)

 
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Singer Ariana Grande now requires photographers to transfer full image copyrights

28 Mar

Singer Ariana Grande is facing criticism over a new highly restrictive concert tour agreement that requires photographers to surrender their full image copyrights. News about the latest contract surfaced through gossip website TMZ, which claims the requirement stems from having ‘been taken advantage of by greedy photogs in the past.’

Under the new contract, photographers are limited to taking images during a concert’s first three songs from a ‘designated spot,’ and all images are captured on a work-made-for-hire basis. This in itself isn’t unusual, as the three-song policy has long been a staple in the music world. It’s the image rights where things get a little far-reaching; all rights related to the images are transferred to the singer’s company GrandAriTour Inc. — the contract specifically mentions that this includes ‘all copyrights.’

The contract also states:

At Company’s request, Photographer hereby agrees to promptly provide Company with one (1) complete set of contact sheets and digital files of any and all Photographs taken in connection with the Performance, for personal, commercial and/or archival use by Company and Artist (and the licensees and designees of Company and/or Artist).

Though the contract grants photographers ‘limited rights to use certain Photograph(s),’ they must first get approval in writing from Grande herself or, in some cases, the company.

The new policy has been criticized by a number photographers and prompted a letter from the National Press Photographers Associaton (NPPA) co-signed by more than a dozen notable agencies and news outlets, including the Associated Press and Gannett Company. In the letter, the organizations call the policy a ‘very troubling over-reach’ that ‘runs counter to legal and industry standards and is anathema to core journalistic principles,’ among other things.


Photo credits: Image by Melissa Rose, used under CC BY 2.0

Articles: Digital Photography Review (dpreview.com)

 
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Full Moon and Eclipse Photography: Your Guide to Where They Are in 2019 and How to Capture Them Effectively

26 Feb

The post Full Moon and Eclipse Photography: Your Guide to Where They Are in 2019 and How to Capture Them Effectively appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Jongsun Lee

Full moons and eclipses are a unique time to capture some interesting photographs.

Full Moons

Full moons usually happen once a month, with the occasional second full moon falling in the same month. This second full moon is called a Blue Moon.

Solar and Lunar Eclipses

A solar eclipse happens when the new moon passes between the earth and the sun, casting a shadow over the sun.

A lunar eclipse occurs when the earth passes between the full moon and the sun, causing the moon to fall into earth’s shadow. Lunar Eclipses occur only at the full moon.

To give you the opportunity to shoot the moon, below is a calendar of Full Moons and Eclipses for 2019, followed by some articles that will help you to capture the moon or eclipse effectively.

Full Moon and Eclipse Calendar

Full Moons

New York, N.Y (US/Eastern)

Date Time
Jan 21 00:17
Feb 19 10:53
Mar 20 21:43
Apr 19 07:12
May 18 17:11
Jun 17 04:31
July 16 17:39
Aug 15 08:31
Sep 14 00:35
Oct 13 17:10
Nov 12 08:37
Dec 12 00:14

Eclipses

Date Type
July 2 Total Solar Eclipse
July 16 Partial Lunar Eclipse
Nov 11 Mercury Transit
Dec 26 Annular Solar Eclipse

 

Full Moons

Sydney, Australia (AEST)

Date Time
Jan 21 00:17
Feb 20 02:53
Mar 21 12:42
Apr 19 21:12
May 19 07:11
Jun 17 07:38
July 17 17:38
Aug 15 22:29
Sep 14 14:32
Oct 14 08:07
Nov 13 00:34
Dec 12 16:12

Eclipses

Date Type
July 17 Partial Lunar Eclipse

 

Full Moons

London, England, UK

Date Time
Jan 21 05:16
Feb 19 15:53
Mar 21 01:42
Apr 19 12:12
May 18 22:11
Jun 17 09:30
July 16 22:38
Aug 15 13:29
Sep 14 05:32
Oct 13 22:07
Nov 12 13:34
Dec 12 05:12

Eclipses

Date Type
July 16-17 Partial Lunar Eclipse
Nov 11 Mercury Transit

 

How to Achieve Better Full Moon and Eclipse Photography

20 Dos and Don’ts for Shooting the Moon

Beyond Full Moon Photography

Moon Photography: 6 Tips for Better Moon Photos

How to Photograph a Solar Eclipse

Tips for Photographing a Lunar Eclipse

How to Photograph a Lunar Eclipse

 

 

The post Full Moon and Eclipse Photography: Your Guide to Where They Are in 2019 and How to Capture Them Effectively appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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DJI unveils Smart Controller with a built-in ultra-bright 5.5″ Full HD display

09 Jan

DJI has unveiled Smart Controller, a new drone controller with a built-in ultra-bright 1000cd/m2 5.5-inch Full HD screen. The display, which is around double the brightness of a smartphone LCD, eliminates the need to use a mobile device when piloting DJI drones.

The Smart Controller’s ultra-bright display is designed to be usable in direct sunlight, according to the company. The controller supports drones featuring DJI’s OcuSync 2 video transmission system, including the Mavic 2 Zoom and Mavic 2 Pro. The Smart Controller’s physical controls were optimized for DJI’s drones.

Other Smart Controller features include a 2.5-hour battery life, support for operating in temperatures as low as -20C / -4F and as high as 40C / 104F, automatic switching between 2.4Ghz and 5.8GHz wireless connections, transmissions up to 4.9 miles / 8km, detachable control sticks, and an integrated microphone and speaker. The Smart Controller’s built-in HDMI port enables video playback at up to 4K/60fps with H.264 and H.265.

At the software level, the controller’s customizable Android dashboard includes support for the DJI GO 4 and Pilot apps, as well as SkyTalk for livestreaming and select other third-party apps. With DJI GO-Share, imagery viewed on the Smart Controller can be directly transferred to a tablet or smartphone.

DJI will begin selling its new Smart Controller in early 2019 for $ 649 USD. Consumers will also have bundle options featuring the Mavic 2 Pro and Mavic 2 Zoom drones.

Articles: Digital Photography Review (dpreview.com)

 
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