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Posts Tagged ‘Friend’

11 Cat Photography Ideas (For Stunning Photos of Your Furry Friend)

08 Apr

The post 11 Cat Photography Ideas (For Stunning Photos of Your Furry Friend) appeared first on Digital Photography School. It was authored by Ana Mireles.

11 cat photography ideas for stunning results

If you’re looking for cat photography ideas, you’re in the right place.

Cats can be cute and challenging at the same time; this is what makes them such fascinating subjects! Whether you’re a cat lover looking to capture photos of your pet, or you want to become a professional pet photographer, these ideas will help you out.

1. Improve your compositions

cat with rule of thirds overlay

A good composition is key in any type of photography, including cat photography. The way you frame your picture and how you position the cat (and other elements) can completely change the photo.

Using composition, you’re telling the viewer what’s most important in the picture. Also, careful use of composition is a good way to develop a personal style.

There are many rules that serve as guidelines for composition. For instance, if you like the idea of dividing your image into segments, you can follow the rule of thirds or the golden grid.

Otherwise, you can use shapes, such as the golden triangle, to arrange elements in your cat photos. Color and texture will help you maintain balance.

Learn the most important rules to improve your cat photography, but don’t be afraid to break them every once in a while.

2. Use different focal lengths

tight photo of cat looking away

Beginners often wonder about the best gear to do pet photography, and cat photography is no exception; in particular, beginner photographers are always looking for the best lenses.

However, there isn’t one best lens that suits all situations and cats. For example, some cats allow you in their safe space very quickly, so with them, you can use a short wide-angle lens or a standard lens.

Other cats are more skittish and will run every time you get close. Unfortunately, if you’re photographing a cat as part of a pet photography business, you can’t spend much time getting the cat to trust you. In such a case, you might want to use longer focal lengths.

Even when you’re working with your own cat, you’ll want to have some variety in your pictures. Sometimes it’s good to have the cat close to you (you’ll need to use a short focal length). Other times, you might want to let a cat be a cat, so stay out of the way and snap your photos with a telephoto lens.

3. Be patient

cat on the ground cat photography ideas

When you’re working with cats, keep in mind that they’re not paid models. Cats are animals – domestic ones, yes, but animals nonetheless.

Cats don’t care about your hourly fee or your photographic expectations. You have to be flexible and adapt to their personality and schedule.

So don’t think that you can go in, take the photos, and leave. First, you have to spend some time connecting with the cat. Animals can be very anxious when a new person comes into their territory or wants to interact with them.

Take some time before the photoshoot to let the cat calm down and get used to you. I understand that you can’t spend too long on this, but factor in extra time when you’re planning and doing the budget so you don’t get stressed.

Another thing about patience is that it soothes the cat. If you try to rush things or you feel agitated, you’ll pass on those feelings to the cat and things will get even more difficult.

4. Make a shot list

One of the best cat photography ideas is to create a shot list. This will serve as a guideline when structuring your session.

You can also use a shot list to determine the materials you need before heading out to your cat photoshoot.

I recommend you include a close-up portrait on your list because it’s one of the classic shots that you can’t miss. When the cat’s face fills the frame, it becomes the most important element – no distractions. Like this:

cat licking face

If it’s a frontal portrait, you’ll emphasize the eyes. Here, making eye contact with the cat is key to a successful photo.

(You can also try a close-up in profile or capture a specific expression.)

5. Use burst mode

When you’re dealing with moving cats, you might want to turn on your camera’s burst mode to capture action shots.

I’m not saying that you should use burst mode for the entire session; this will result in an enormous amount of pictures to cull and edit.

However, there are certain situations when it’s useful. For example, if you bring a toy and you want to capture some fun playtime shots, like this:

cat jumping up cat photography ideas

6. Don’t forget about the details

Our adorable furry friends have adorable furry parts. Most of us cat lovers can’t get enough of their paws, ears, or noses.

So if they’re so cute, why not photograph them? It’s also a good way to give the cat a break from the photoshoot. While the cat is off resting or has some water, you can take detail photos since you don’t need the cat’s undivided attention.

cat paws cat photography ideas

7. Follow your cat

Unless you’re doing a studio portrait session, it’s important to let the cat be a cat. In other words, let the cat run to chase a shadow, let it get bored and want to change settings, etc.

cat walking through brush outside

Don’t try to impose your own schedule for the entire photoshoot. Instead, follow the cat’s lead for a while.

A lot of great pictures can happen when cats are minding their own business, so just have your camera ready for some amazing candid photos!

8. Play peekaboo

cat peering through items

Cats are curious and playful by nature, so use your creativity to make the most out of these personality traits.

I’ve found that playing peekaboo with a cat leads to great photo opportunities. This is because when the cat is hiding behind something, you can introduce a foreground element to make a creative composition.

(This effect is known as a frame within a frame.)

9. Try black and white photography

black and white cat on ground

Going black and white allows the viewer to see things differently from everyday life. That way you can give your photo a creative atmosphere.

Many people do associate black and white with fine art photography – but most clients will appreciate having a few shots in grayscale, regardless.

10. Photograph the cat from above

They say that the eyes are the window to the soul, and this is true for cats as well as people! When you photograph a cat from above, you can catch them looking up at you (which emphasizes their eyes).

cats looking up

You can also use this type of shot to show much of a cat’s personality and mood. Look at the examples above. On the left side, I took a snapshot of the cat that was living at a holiday rental house I visited with my husband (the cat didn’t know us, and we were in his territory).

On the right side is Bianca, a sweet cat that I’d been photographing for over an hour. That was her look when we took a coffee break.

(As you can see, the two cats’ expressions are quite different!)

11. Use hard light to add drama

In photography, there are two different types of light: soft and hard.

Soft light evenly illuminates the scene. If it creates shadows, they are not defined or intense. (Soft light is very flattering for portraits.)

Hard light, on the other hand, creates high-contrast scenes with strong shadows. This type of light adds drama to an image, which is what I recommend you try!

cat in hard light cat photography ideas

Note that hard light can be created naturally or artificially. For instance, when you’re working outdoors in bright sunlight, you’ll naturally get hard light. You can also create hard light in a studio by using a speedlight or a strobe without modifiers.

11 cat photography ideas: final words

You’ll notice most of these cat photography ideas have to do with the photoshoot itself and not your gear. That’s because you can start improving your cat photos today – with whatever equipment you have, even your smartphone.

Of course, if you can afford to purchase a camera with interchangeable lenses, it’s a good idea. You can also benefit from Animal Eye AF to ensure sharp images every time.

Either way, I hope these cat photography ideas are helpful the next time you want to capture your furry friend!

The post 11 Cat Photography Ideas (For Stunning Photos of Your Furry Friend) appeared first on Digital Photography School. It was authored by Ana Mireles.


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The Last Portrait: A moving tribute to a friend and neighbor

12 Sep

Photographer Jared Polin of Fro Knows Photo recently put together an incredibly personal photo story—a project he’s calling “one of the most powerful photo/video projects we’ve ever done.” The story features Arty, Jared’s neighbor of several years who was diagnosed with terminal cancer.

For Jared, Arty’s diagnosis struck a very personal note.

“When someone is diagnosed with cancer, it reminds me of my mom,” he explains in the video. “Because she passed away from cancer and I dealt with it in a different way from a lot of people, I chose to hide behind the camera.”

He told his mom’s story as a way to “show the good with the bad,” and as he got to know Arty and connect with him, Jared saw an opportunity to tell another story—to capture this man’s life for his friends, his family, and even complete strangers because almost everybody has been touched by this disease in some form or fashion. The video above and the photographs below were Jared’s way of capturing Arty, of writing down his personality in pixels and ink.

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Arty passed away shortly after the filming of this video. If this story moved you, or if you think it will touch a loved one or friend, please be sure to share it with them. And if you’d like to make a donation to help support the fight against cancer in Arty’s name, click here.

Articles: Digital Photography Review (dpreview.com)

 
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The Sun Is Your Friend: Tips for Summer Photography

18 May

Summer is just around the corner, folks. As the sun decides to become a more active member of our daily lives, we — especially those of us with nice cameras and itchy shutter-release fingers — feel an increasing compulsion to awaken from our lazy autumn habits and venture outside. And if you’re going to be outside, you might as well Continue Reading

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Remembering Rebecca Jackrel: Wildlife Photographer and Friend

06 May
Rebecca Jackrel
Rebecca Jackrel

Rebecca Jackrel Having Fun Behind the Camera

It is with pain in my heart and tears in my eyes that I write this memoriam of my friend Rebecca Jackrel who recently lost her battle with cancer this week. Rebecca was a driven and dedicated wildlife photographer who prided herself in recent years raising awareness to the plight of the Ethiopian Wolf via the Ethiopian Wolf Project with Will Burrard-Lucas . Quite the world traveler her trips always centered around conservation wildlife photography of subjects spanning the Albatrosses of Midway, Polar Bears of Churchill and Svalbard, Spirit Bears of Vancouver Island, Manatees of Florida, Sea Otters of California or marine mammals & sea life along the California coast.

To say Rebecca loved animals would be an understatement as her respect and love of animals was at the core of her being. She worked as veterinary technician before catching the photography bug and regularly volunteered with her husband at the Marine Mammal Center in Sausalito, California. She shared her home with a variety of furry creatures including dogs, cats and even a lost hamster that literally walked into their house. There is little she would not do for an animal, wild or domestic, in need of care and/or protection.

Rebecca at Tea Kettle Junction, Death Valley National Park

Rebecca at Tea Kettle Junction, Death Valley NP

I first met Rebecca at the Photochrome camera club in San Francisco back around 2004/5. She knew of me from my writing and images shared online and was in the cutest way smitten and shy in approaching me. Initially I thought I might have a stalker on my hands, but she quickly passed the non-stalker test and quickly became a good friend. It was at this time I got a glimpse of her generosity as she invited me to join her photographing the Wave in Arizona. In the years to follow she was incredibly generous in sharing her gear and most meaningful to me her support & heart felt believe in me.  Very selfishly I mourn the passing of Rebecca because she was the rarest of friends who had a heartfelt interest in my work and believe in my artistic & professional development. Her support meant the world to me. I will forever treasure the time we spent together in the field and running workshops to photograph Sea Otters in Monterey and landscapes in Death Valley.

While Rebecca was never one to toot her own horn I will share her most recent and prized accomplishment she shared with me before she passed… it was her Certificate of Congressional Recognition for her work to study, document and defend the Ethiopian wolf.

Rebecca you will forever be in my heart. I will miss you more than words can describe.

You can view Rebecca Jackrel photography on her Photoshelter site.

rj_congressional_cert_recognition

Copyright Jim M. Goldstein, All Rights Reserved

Remembering Rebecca Jackrel: Wildlife Photographer and Friend

The post Remembering Rebecca Jackrel: Wildlife Photographer and Friend appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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Why a 50mm Lens is your new Best Friend

25 Apr

nifty-fifty-featured
You may have heard the term “Nifty Fifty“ before.  If you haven’t, it is usually a reference to the Canon 50mm f1.8 lens. But for the purpose of this article I’m going to use it synonymously with any prime 50mm lens.

What’s the best “next” lens to buy?

I get asked all the time by my students about what lens they should buy next after the basic kit lens that came with the camera. I almost always recommend picking up a simple 50mm prime lens. Let’s look at some reasons . . .

Reasons why this lens should be in your bag

  •  GREAT FOR LOW LOW PHOTOGRAPHY – with the wide aperture of f1.8, especially going from your typical kit lens which is usually f5.6, this lens gives you 3 stops or EIGHT times (2x2x2) more light coming through the lens opening. This allows you to use either a faster shutter speed and avoid camera shake, or a lower ISO and avoid the noise you get from higher ISOs, or a combination of both.

    DandC-Feb2013-0094-600px

    Shot at ISO 1600, 1/50th a f1.8. Without the 1.8 aperture I would have needed a much slower shutter speed or even higher ISO.

  • GREAT VALUE, LOW COST – at a price range of $ 100-200 for most popular brands this lens’ low price tag makes it affordable as a good first lens investment
  • LIGHT WEIGHT – ranging from only 4.3 oz to 6 oz (Pentax, Canon, Nikon, Sony in order of lightest to heaviest) there is no reason to leave this lens at home. That means even when you don’t want to haul a whole bag full of stuff around, you can easily grab your camera and the Nifty Fifty and go. No excuses!
  • KILLER BOKEH – prime lenses typically produce nicer bokeh (how the lens renders out of focus areas) than most zooms, and with the f1.8 aperture you can make some really nice bokeh. Bright lights, off in the background, twinkle with this little lens! DrinkClickDec2012-0021-600px
  • SUPER SHARPNESS – prime or fixed focal length lenses are usually inherently sharper than zoom lenses, partly due to there being less moving parts inside the lens, and less lens elements. You will also experience increased sharpness due to the wider aperture which allows, as I mentioned above, being able to shoot at faster shutter speeds and lower ISO.  Being able to get a fast enough shutter speed to eliminate camera shake, or freeze a moving subject has a lot to do with getting sharper images as does minimizing noise.
  • IT’S VERSATILE – the 50mm lens is a great street shooting lens, not too wide, not too long. On a cropped or APS-C sensor (any non full frame camera body) it is also a great portrait lens, just long enough to remove distortion from your subject’s face and flatter them a bit more, not so long you need to stand across the street.
  • GREAT FOR TRAVELING – because it’s light weight, and is a fast lens (big aperture f1.8) the 50mm is a great addition to your bag for trips. Usually I take along a good wide zoom lens (my 17-35mm), a good long zoom (70-200mm) but I never forgot my little Nifty Fifty.  Even if you have two kit lenses that cover that focal length, say an 18-55mm and a 55-200mm, the 50 f1.8 fills the bill for low light photograph that the other two can’t because of their aperture limitations.  Plus it weighs practically nothing, you don’t even know it’s in there.Latinfest2010-00333-600px
  • HELPS MAKE YOU A BETTER PHOTOGRAPHER – whoa, what?!
    I’ve been thinking a lot lately about “the good old days” when I all my lenses were prime or fixed focal length, and how we’ve come to be dependant on using zoom lenses for convenience. They absolutely have a place in photography especially if you’re photographing things like sports or weddings. However, I also think they can make us lazy as photographers.  Instead of walking two feet to get the crop we want, we can just zoom in.  But what if that angle of view two feet closer makes for a better image?  We’ll never know because we have our feet planted, so use your feet and walk around your subject and see different views. I believe using a prime lens challenges you to think more about composition before you press the shutter, which often makes for better photos in the end. If you want more challenges, you might want to read my free ebook 10 Challenges to help you take better photos without buying any new gear.
Fun bokeh at a wedding using ambient light. Almost impossible to get this shot without the big aperture.

Fun bokeh at a wedding using ambient light. Almost impossible to get this shot without the big aperture.

Summary and action plan

Like I tell most of my students, I highly recommend you have a 50mm lens in your bag.  If you can afford a fancier one go for the f1.4 or even the f1.2.  However they do come with much bigger price tags, and are a lot heavier.  So keep that mind if you go shopping for a 50.

Here’s some of these 50mm lenses listed on Amazon:

  • Canon EF 50mm f/1.8 II Camera Lens
  • Canon EF 50mm f/1.4 USM Standard & Medium Telephoto Lens for Canon SLR Cameras
  • Canon EF 50mm f/1.2 L USM Lens for Canon Digital SLR Cameras
  • Sigma 50mm f/1.4 EX DG HSM Lens for Canon Digital SLR Cameras
  • Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras
  • Nikon AF-S 50mm f/1.4G SIC SW Prime Nikkor Lens for Nikon Digital SLR Cameras
  • Nikon 50mm f/1.2 Nikkor AI-S Manual Focus Lens for Nikon Digital SLR Cameras
  • Sigma 50mm f/1.4 EX DG HSM Lens for Nikon Digital SLR Cameras
  • Sony 50mm f/1.8 SAM DT Lens for Sony Alpha Digital SLR Cameras
  • Pentax DA 50mm f1.8 lens for Pentax DSLR Cameras

Then think outside the zoom lens box and see what other prime lenses might be perfect for the kind of photography you do. I love my 85mm f1.8 as well, it’s great for portraits (I use a full frame camera so will be similar to the 50 on a cropped sensor).  If you like macro work perhaps a 60mm macro or 100mm will do the trick for you.  Either can also double as a nice portrait lens.   Take on my 10 challenges if you dare!

Lastly – show me your Nifty Fifty photos!  Share some images you’ve done with your little 50mm lens. Let’s see what it can do!

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Why a 50mm Lens is your new Best Friend


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An Editorial: Is the Internet a Photographer’s Friend or Foe?

29 Jan

Rewinding the Clocks back 15 Years

Should we wind our clocks back about 15 years to a time before the phenomenal popularity of home based computers and the internet, there was a general widespread knowledge or understanding that it was illegal to lift a picture from a book and re-use it in some fashion without the author’s permission.

But really, how would one misuse the image: photocopy it and paste the picture on the office wall?  That really was a time of print media and the avenues for misuse were quite limited.

Let’s move forward to about a decade ago and the infusion of the digital age.  Gone were the days of a stock photographer shooting in-camera duplicates and huge FedEx bills to supply clients with overnight deliveries of image requests.  Digital capture and ftp delivery were rapidly becoming the norm.  At the same time agency print catalogs were giving way to on line image marketing and automated image licensing.

Unfortunately for the photographers of the world who earn a livelihood from their work, it also meant images could be right clicked and saved to a desktop without license or authorization.

Introduce in the last five years, or so, the whole social media craze and picture sharing portals. What has evolved is not only a platform for families to share images with other family members, but it has also developed a breed of web users who, quite frankly, believe an image on the internet is public domain. Attitudes have become very cavalier and self-patronizing with barely a thought given to copyright and how repurposing that image might affect the copyright owner.

What hasn’t changed, at least in Canada, and I also assume in other countries as well, is the copyright act.

Although I am not a lawyer I certainly do understand its most basic premise that in most cases the copyright in a work resides with the author for his or her life plus fifty years.  There are a few exceptions, but for all intents and purposes when a photographer releases the shutter on a camera they own the copyright by default.

Specifically Section 13.(1) of the Canadian Copyright Act, and I suspect most western countries that subscribed to the Berne Convention have similar provisions, reads:  “

Subject to this Act, the author of a work shall be the first owner of the copyright therein.” 

The Act further goes on to clarify that only the owner of the work shall have the right to license or assign that work.  I always thought this was very cut and dry.  Not so.

Introducing DMCA

Now introduce the Digital Millennium Copyright Act (DMCA), a piece of law from the United States of America that has far reaching implications.  While I certainly will never suggest understanding the laws of my own country, let alone those of another, what I do know is this one piece of legislation has opened a Pandora’s Box for photographers.  In essence the DMCA has provided immunity to ISP’s and requires the photographer to request a takedown notice should they feel their copyright has been breached.  To my mind, that is like closing the barn door after the horse has escaped.

An Example

Allow me to use a real case example as a point of clarification and concern.  But first, it is important for readers to know that a stock photographer earns their income by way of licensing their images to corporate or editorial clients. This can be done individually or by way of a commissioned agency.

Generally the more an image has been licensed and ultimately seen the less its value (due to over-exposure), and most certainly that over-exposure will certainly limit the potential to be licensed exclusively within a certain corporate or editorial sector.  For example, an image of the Loch Ness Monster would be worth a small fortune to an advertising executive who wanted exclusive rights to the image; however, should that same image appear in every newspaper in the English speaking world the commercial value would be greatly diminished.  Regardless of ultimate use, it remains the sole privilege and right of the photographer how they could best take advantage of that image and they alone saw fit.

Now let’s move forward to that real time incident that has me thinking of the long term consequences of the DCMA and internet picture sharing portals. In December 2012 a prestigious travel magazine licensed one of my images for the cover of its web based magazine.  No problem here, my agency negotiated the license fee and the magazine was certainly within their rights to use the image as was licensed.

But this is where the complications start:  a viewer of that website obviously liked the picture also as they lifted the image from the magazines page and re-posted it on an image sharing site.

From my school of thought, this act alone is a contravention of my copyright as they had not sought a license from me or my agency of reference.  The image sharing site stands under the notice that they are immune due to the DMCA, as does the person who lifted it. Both are saying I could ask to have the image removed and have to fill out the required reporting form.

Excuse me, but shouldn’t the person who lifted the image have asked for permission first?  By their logic, and apparently by United States law, am I also to request the other 237 users who have re-posted the image from the image sharing site to have those users remove the picture from their respective websites as well?

I can only imagine how long that will take: 15-minutes multiplied by 237 times, excluding follow-up enquiries.   More so, why is an American law being dictated to a non-American, and especially so when the person who lifted the image is also not American?  Hopefully an intellectual property lawyer can answer that question.

Unfortunately what no one can answer is this:  Have I lost potential income from over exposure of this image?  I really don’t know, but I can suggest this incident certainly hasn’t done me any favours.

Before those on the internet decide to “lift” images I do hope they consider the photographers point of view.  Not all images on the internet are public domain; in fact most aren’t.  Is there not an ethical question, if not copyright considerations, to be answered first?

By innocently sharing that image is the act of re-purposing the image potentially depriving the photographer of income, income that we use to feed, house and clothe our families?

These are questions that should concern all photographers from all stripes and skill levels.

Let’s Discuss It

I am hoping this editorial will encourage a POLITE discussion so I can get a better sense of feel just what the global interpretations of web based images are.  Are they there for the taking or does this appear to be a North American issue?

Thanks in advance for your participation by responding with your thoughts.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

An Editorial: Is the Internet a Photographer’s Friend or Foe?


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Best Friend – Jason Chen (Official Music Video)

26 Jan

Order “Gravity” LP at www.jasondchen.com Please support me by getting this track on iTunes Play! bit.ly (Please rate and leave a review!) =) bit.ly For international downloads, or if you want to donate toward my next project get this track on bandcamp! www.jasonchenmusic.bandcamp.com Get 10% off all shirts in my store by using Discount Code GRAVITY www.jasondchen.com *expires 12 Check out the chinese version here! www.youtube.com Directed by The Dreamlapse Project & featuring Cathy Nguyen www.youtube.com www.youtube.com Check out bloopers and behind the scenes! Day 1: bit.ly Day 2: bit.ly Day 3: bit.ly Rap: bit.ly Bloopers: bit.ly CREDITS: Produced by: Smash Hitta Written by: Jason Chen, Smash Hitta, Adien Lewis Special thanks to Erica Law, Adam, Angela & Sarah Gahng for kindly letting us film at your locations! Book me for an event: jasonchenbooking(at)gmail(dot)com LINKS: Stream all my songs for free on spotify! bit.ly Get “Music Never Sleeps” t-shirts, tanktops, wristbands! jasonchen.bigcartel.com If you want shoot videos, produce beats, do photography, or do graphic design for me, please email miniachilles (at) gmail (dot) com Twitter Facebook / Google+! www.twitter.com www.facebook.com gplus.to website coming soon! www.jasondchen.com I love getting mail! send me some =) PO Box 2113 Arcadia, CA 91077 LYRICS Do you remember when I said I’d always be there. Ever since we were ten, baby. When we were out on the playground playing pretend. Didn’t know it back then. Now I
Video Rating: 4 / 5

 

t3i short film – My Friend Socrates

11 Nov

Check out our new short!! www.youtube.com I had to make a video for class so I put this together rather quickly. It gave us a reason to test out camera equipment as well. You may notice the video drops frames and the sound cuts out. This is due to using FINAL CUT X. We wanted to upload it before we lost anymore information. *We used an old 1.8 Nikkor 50mm lens with an adapter *For sound we used both the T3i mic and the H4N audio recorder Please gives us your thoughts, Thanks! We do not own the rights to these songs. The songs are “Main Titles”, “Loneliness”, “New Courage” composed by James Horner.
Video Rating: 4 / 5

Time-lapse movie of the aurora displays over partially-frozen Olnes Pond, Alaska. (9:06 – 10:06 pm AKST, October 12, 2012) Camera: Nikon D600 Lenses and information: AF-S NIKKOR 24mm f/1.4G ED 24mm, F/1.4, Manual, 1/1.6 sec, -0.3EV, ISO6400, WB: Auto 1,0,0 Interval: 1 sec, Movie: 10fps BGM: Ai wo Mitsuketa Toki (When you found love) by Masumi Hiyoshi hiyoshimasumi.com Special thanks to Ms. Masumi Hiyoshi for giving me permission to use this music.
Video Rating: 5 / 5

 
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