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Posts Tagged ‘Forward’

Leica will cut 100 jobs HQ, add 40 ‘digital experts’ to push its computational imaging forward

22 Jun

German business newspaper Handelsblatt is reporting [translated to English] that, as part of a restructuring process, Leica will eliminate up to 100 jobs at the company’s headquarters and add up to 40 new ‘digital experts’ to push forward its smartphone and computational photography technology.

According to Handelsblatt, Leica’s restructuring is due to ‘profound changes in the market.’ Leica CEO, Matthias Harsch, is quoted as saying ‘We are facing the second digital revolution in the camera business,’ an obvious nod to the market’s movement away from dedicated cameras to smartphone cameras.

Leica CEO Matthias Harsch

In addition to the recent controversy surrounding the ‘Tank Man’ advertisement that caused an uproar last month, Handelsblatt also notes Leica’s partnership with Chinese smartphone manufacturer Huawei as a potential cause of worry at Leica. Huawei, who has partnered with Leica to put its camera technology in Huawei devices, is reported by Reuters to have lost its licensing of Google’s Android operating system as a part of restrictions put in place by the U.S. government amidst security concerns of Huawei devices.

Despite the uncertainty of Huawei’s future, Harsch sounds confident the partnership will remain beneficial and further states the significant role smartphone photography will play in Leica’s business going forward, saying:

‘The camera function with smartphones is a core business of our future […] After all, thanks to their smartphones, people have never photographed as much as they do today.’

An illustration of the Leica triple-camera system inside Huawei’s P30 smartphone.

Harsch also specifically notes the growing role of artificial intelligence and computational photography in digital images. Leica has been working alongside Huawei for the past four years, developing both the hardware and—arguably more importantly—the software used for mobile image capture and processing. He says ‘These experiences [developing smartphone cameras technology] can be used for the further development of our classic cameras.’

Evidence of Leica’s interest in becoming a leader in computational photography is backed by the news that it will be hiring up to 40 experts in the field, investing a ‘double-digit million amount,’ according to Handelsblatt.

Articles: Digital Photography Review (dpreview.com)

 
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Xiaomi and Light announce partnership to push smartphone photography forward

27 Feb

It looks like Light, the maker of the L16 multi-lens camera, is really putting its money on the mobile sector. A few days ago the company announced it was partnering with Sony to use the Japanese chip maker’s image sensor in its multi-camera modules.

Shortly after, at the Mobile World Congress HMD Global launched its Nokia 9 PureView smartphone which uses Light’s technology in its main camera. Nokia phones won’t be the only smartphones to come with Light-engineered cameras, however. Now Chinese manufacturer Xiaomi and Light have announced that they’ll collaborate in developing smartphone cameras and computational photography technology as well.

The partnership is still brand new, so it will likely take some time before we see the first results in the shape of final products on store shelves. That said, it’s good to see Light is working with multiple manufacturers to market its innovative imaging technologies, which will likely accelerate market penetration and innovation of multi-lens cameras alike.

Articles: Digital Photography Review (dpreview.com)

 
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Sony’s ‘Real-time tracking’ is a big leap forward for autofocus

14 Feb

One of the biggest frustrations when taking pictures is discovering that your photos are out of focus. Over the past few years, camera autofocus systems from every manufacturer have become much more sophisticated, but they’ve also become more complex. If you want to utilize them to their full potential, you’re often required to change settings for different scenarios.

The autofocus system introduced in Sony’s a6400 as well as in the a9 via a firmware update aims to change that, making autofocus simple for everyone from casual users to pro photographers. And while all manufacturers are aiming to make autofocus more intelligent and easier to use, our first impressions are that in practice, Sony’s new ‘real-time tracking’ AF system really does take away the complexity and removes much of the headache of autofocus so that you can focus on the action, the moment, and your composition. Spoiler: if you’d just like to jump to our real-world demonstration video below that shows just how versatile this system can be, click here.

When I initiated focus on this skater, he was far away and tiny in the frame, so the a9 used general subject tracking to lock on to him at first. It then tracked him fully through his run, switching automatically to Face Detect as he approached. This seamless tracking, combined with a 20fps burst, allowed me to focus on my composition and get the lighting just right, without having to constrain myself by keeping an AF point over his face. For fast-paced erratic motion, good subject tracking can make or break your shot.

So what is ‘Real-time tracking’? Simply now called ‘Tracking’, it’s Sony’s new subject tracking mode. Subject tracking allows you to indicate to your camera what your subject is, which you then trust it to track. Simply place your AF point over the subject, half-press the shutter to focus, and the camera will keep track of it no matter where it moves to in the frame – by automatically shifting the AF points as necessary. The best implementation we’d seen until recently was Nikon’s 3D Tracking on its DSLRs. Sony’s new system takes some giant leaps forward, replacing the ‘Lock-on AF’ mode that was often unreliable, sometimes jumping to unrelated subjects far away or tracking an entire human body and missing focus on the face and eyes. The new system is rock-solid, meaning you can just trust it to track and focus your subject while you concentrate on composing your photos.

You can trust it to track and focus your subject while you concentrate on composing your photos

What makes the new system better? Real-time tracking now uses additional information to track your subject – so much information, in fact, that it feels as if the autofocus system really understands who or what your subject is, making it arguably the ‘stickiest’ system we’ve seen to date.

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Subject tracking isn’t just for action. I used it even in this shot. Good subject tracking, like Sony’s ‘Real-time tracking’, keeps track of your subject for you, freeing you up to try many different poses and framings quickly. Most of these 20 shots were captured in under 19 seconds, without ever letting off the AF-ON button. The camera never lost our model, not even when her face went behind highly-reflective glass. The seamless transitioning between Eye AF and general subject tracking helps the AF system act in such a robust manner. Not having to think about focus allows one to work faster, get more poses and compositions, so you can get to the shot you’re happy with faster. Click here or on any thumbnail above to launch a gallery to scroll through all 20 images.

Pattern recognition is now used to identify your subject, while color, brightness, and distance information are now used more intelligently for tracking so that, for example, the camera won’t jump from a near subject to a very far one. What’s most clever though is the use of machine-learning trained face and eye detection to help the camera truly understand a human subject.

What do we mean when we say ‘machine-learning’? More and more camera – and smartphone – manufacturers are using machine learning to improve everything from image quality to autofocus. Here, Sony has essentially trained a model to detect human subjects, faces, and eyes by feeding it hundreds, thousands, perhaps millions of images of humans. These images of faces and eyes of different people, kids, adults, even animals, in different positions have been previously tagged (presumably with human input) to identify the eyes and faces – this allows Sony’s AF system to ‘learn’ and build up a model for detecting human and animal eyes in a very robust manner.

Machine learning… allows Sony’s AF system to detect human and animal eyes in a very robust manner

This model is then used in real-time by the camera’s AF system to detect eyes and understand your subject in the camera’s new ‘real-time tracking’ mode. While companies like Olympus and Panasonic are using similar machine-learning approaches to detect bodies, trains, motorcyclists and more, Sony’s system is the most versatile in our initial testing.

Real-time tracking’s ability to seamlessly transition from Eye AF to general subject tracking means that even when there was an eye to track up until this perfect candid moment, your subject will still remain in focus when the eye disappears – so you don’t miss short-lived moments such as this one. Note: this image is illustrative and was not shot using Sony’s ‘Tracking’ mode.

What does all of this mean for the photographer? Most importantly, it means you have an autofocus system that works reliably in almost any situation. Reframe your composition to place your AF point over your subject, half-press the shutter, and real-time tracking will collect pattern, color, brightness, distance, face and eye information about your subject so comprehensively it can use all that to keep track of your subject in real-time. This means you can focus on the composition and the moment. There is no longer a need to focus (pun intended) on keeping your AF point over your subject, which for years has constrained composition and made it difficult to maintain focus on erratic subjects.

There is no need to focus on keeping your AF point over your subject, which for years has constrained composition and made it difficult to focus on erratic subjects

The best part of this system is that it just works, seamlessly transitioning between Eye AF and Face Detect and ‘general’ subject tracking. If you’re tracking a human, the camera will always prioritize the eye. If it can’t find the eye, it’ll prioritize its face. Even if your subject turns away so that you can’t see their face, or is momentarily occluded, real-time tracking will continue to track your subject, instantly switching back to the face or eye when they’re once again visible. This means your subject is almost always already focused, ready for you to snap the exact moment you wish to capture.

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The tracking mode lets you specify a subject and it’ll prioritize their eye, switching to face detection if it loses the eye and treating them as a generic subject to track if they, for instance, turn their head away from the camera. Click on the images and follow the entire sequence to see how the camera focuses on my subject no matter where she walks to in the frame.

One of the best things about this behavior is how it handles scenes with multiple people, a common occurrence at weddings, events, or even in your household. Although Eye AF was incredibly sticky and tracked the eyes of the subject you initiated AF upon, sometimes it would wander to another subject, particularly if it looked away from the camera long enough (as toddlers often do). Real-time tracking will simply transition from Eye AF to general subject tracking if the subject looks away, meaning as soon as they look back, the camera’s ready to focus on the eye and take the shot with minimal lag or fuss. The camera won’t jump to another person simply because your subject looked away; instead, it’ll stick to it as long as you tell it to, by keeping the shutter button half-depressed.

Performance-wise it’s the stickiest tracking we’ve ever seen…

And performance-wise it’s the stickiest tracking we’ve ever seen, doggedly tracking your subject even if it looks different to the camera as it moves or you change your position and composition. Have a look at our real world testing with an erratic toddler, with multiple people in the scene, below. This is HDMI output from an a6400 with 24mm F1.4 GM lens, and you can see focus is actually achieved and maintained throughout most of the video by the filled-in green circle at bottom left of frame.

Real-time tracking isn’t only useful for human subjects. Rather, it simply prioritizes whatever subject you place under the autofocus point, be it people or pets, food, a distant mountain, or a nearby flower. It’s that versatile.

In a nutshell, this means that you rarely have to worry about changing autofocus modes on your camera, no matter what sort of photography you’re doing. What’s really exciting is that we’ll surely see this system implemented, and evolved, in future cameras. And while nearly all manufacturers are working toward this sort of simple subject tracking, and incorporating some elements of machine learning, our initial testing suggests Sony’s new system means you don’t have to think about how it works; you can just trust it to stick to your subject better than any system we’ve tested to date.


Addendum: do I need a dedicated Eye AF button anymore?

There’s actually not much need to assign a custom button to Eye AF anymore, since real-time tracking already uses Eye AF on your intended subject. In fact, using real-time tracking is more reliable, since if your subject looks away, it won’t jump to another face in the scene as Eye AF tends to do. If you’ve ever tried to photograph a kids’ birthday party or a wedding, you know how frustrating it can be when Eye AF jumps off to someone other than your intended subject just because he or she looked away for long enough. Real-time tracking ensures the camera stays locked on your subject for as long as your shutter button remains half-depressed, so your subject is already in focus when he or she looks back at the camera or makes that perfect expression. This allows you to nail that decisive, candid moment.

Articles: Digital Photography Review (dpreview.com)

 
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The iPhone XS is a leap forward in computational photography

05 Oct

Aside from folks who still shoot film, almost nobody uses the term ‘digital photography’ anymore – it’s simply ‘photography,’ just as we don’t keep our food in an ‘electric refrigerator.’ Given the changes in the camera system in Apple’s latest iPhone models, we’re headed down a path where the term ‘computational photography’ will also just be referred to as ‘photography,’ at least by the majority of photographers.

The iPhone XS and iPhone XS Max feature the same dual-camera and processing hardware; the upcoming iPhone XR also sports the same processing power, but with only a single camera: the same wide-angle F1.8 one on the other models. The image sensor captures 12 megapixels of data, the same resolution as every previous model dating back to the iPhone 6s, but the pixels themselves are larger at 1.4 µm, compared to 1.22 µm for the iPhone X, meaning a slightly larger sensor. (For more on the camera’s specs, see “iPhone XS, XS Max, and XR cameras: what you need to know.”)

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More important this year is upgraded computational power and the software it enables: the A12 Bionic processor, the eight-core ‘Neural Engine,’ and the image signal processor (ISP) dedicated to the camera functions. The results include a new Smart HDR feature that rapidly combines multiple exposures for every capture, and improved depth-of-field simulation using Portrait mode. (All the examples throughout are straight out of the device.)

Smart HDR

This feature intrigued me the most, because last year’s iPhone 8, iPhone 8 Plus and iPhone X introduced HDR as an always-on feature. (See “HDR is enabled by default on the iPhone 8 Plus, and that’s a really good thing.”) HDR typically blends two or more images of varying exposures to end up with a shot with increased dynamic range, but doing so introduces time as a factor; if objects are in motion, the delay between captures makes those objects blurry. Smart HDR captures many interframes to gather additional highlight information, and may help avoid motion blur when all the slices are merged into the final product.

The iPhone XS image almost looks as if it was shot using an off-camera flash

Testing Smart HDR proved to be a challenge, because unlike with the HDR feature in earlier models, the Photos app doesn’t label Smart HDR images as such. After shooting in conditions that would be ripe for HDR – bright backgrounds and dark foreground, low-light conditions at dusk – nothing had that HDR indicator. I wasn’t initially sure if perhaps the image quality was due to Smart HDR or the larger sensor pixels; no doubt some credit is due to the latter, but it couldn’t be that much.

Comparing shots with those taken with an iPhone X reveals Smart HDR at work, though. In the following photo at dusk, I wanted to see how well the cameras performed in the fading light and also with motion in the scene (the flying sand). The iPhone X image is dark, but you still get a fair bit of detail in the girl’s face and legs, which are away from the sun. The iPhone XS image almost looks as if it was shot using an off-camera flash, likely because the interframes allow highlight retention and motion freezing even as ‘shutter speeds’ become longer.

Shot with iPhone X
Shot with iPhone XS

As another example, you can see the Smart HDR on the iPhone XS working in even darker light compared to the iPhone X shot. At this point there’s more noise in both images, but it’s far more pronounced in the iPhone X photo.

Shot with iPhone X Shot with iPhone XS

Smart HDR doesn’t seem to kick in when shooting in burst mode, or the effect isn’t as pronounced. Considering the following photo is captured at 1/1000 sec, and the foreground isn’t a silhouette, the result isn’t bad.

iPhone XS image shot in burst mode. It’s dark, but picks up the detail in the sand.
iPhone XS image shot in burst mode.
iPhone XS non-burst image captured less than a minute after the photo above.

Portrait Mode

The iPhone’s Portrait mode is a clever cheat involving a lot of processing power. On the iPhone X and iPhone 8 Plus, Apple used the dual backside cameras to create a depth map to isolate a foreground subject – usually a person, but not limited to people-shaped objects – and then blur the background based on depth. It was a hit-or-miss feature that sometimes created a nice shallow depth-of-field effect, and sometimes resulted in laughable, blurry misfires.

On the iPhone XS and iPhone XS Max, Apple augments the dual cameras with Neural Engine processing to generate better depth maps, including a segmentation mask that improves detail around the edge of the subject. It’s still not perfect, and one pro photographer I know immediately called out what he thought was a terrible appearance, but it is improved, and in some cases most people may not recognize that it’s all done in software.

The notable addition to Portrait mode in the iPhone XS and iPhone XS Max is the ability to edit the simulated depth of field within the Photos app. A depth control slider appears for Portrait mode photos, with f-stop values from F1.4 to F16. The algorithm that creates the blur also seems improved, creating a more natural effect than a simple Gaussian blur.

Apple also says it’s analyzed the optical characteristics of some “high-end lenses” and tried to mimic their bokeh. For instance, the simulated blue should produce circular discs at the center of the image but develop a ‘cats-eye’ look as you approach the edge of the image. The company says that a future update will include that control in the Camera app for real-time preview of the effect.

Portrait mode is still no substitute for optics and good glass. Sometimes objects appear in the foreground mask – note the coffee cup over the shoulder at left in the following image – and occasionally the processor just gets confused, blurring the horizontal lines of the girl’s shirt in the next example. But overall, you can see progress being made toward better computational results.

Flare and a Raw Footnote

One thing I noticed with my iPhone XS is that it produced more noticeable lens flare when catching direct light from the sun or bright sources such as playing-field lights, as in the following examples; notice the blue dot pattern in the foreground of the night image.

Since I wanted to focus on the Smart HDR and Portrait mode features for this look, I haven’t shot many Raw photos using third-party apps such as Halide or Manual (the built-in Photos app does not include a Raw capture mode). Sebastiaan de With, the developer of Halide, determined that in order to make faster captures, the camera is shooting at higher ISOs, and then de-noising the results via software. With Raw photos, however, that results in originals that aren’t as good as those created by the iPhone X, because they’re noisier and exposed brighter. You can read more at the Halide blog: iPhone XS: Why It’s a Whole New Camera.

Overall, though, the camera system in the iPhone XS and iPhone XS Max turn out to be larger improvements than they initially seemed, especially for the majority of iPhone owners who want to take good photos without fuss. Apple’s computational photography advancements in these models deliver great results most of the time, and point toward more improvements in the future.

iPhone XS sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Inching forward? Canon PowerShot G5 X review posted

24 Dec

Canon PowerShot G5 X Review

Key Features

  • 20.2MP 1″-type BSI CMOS sensor
  • DIGIC 6 processor
  • F1.8-2.8, 24-100mm equiv. lens
  • Optical image stabilization
  • Built-in ND filter
  • 3″ fully articulating touchscreen LCD
  • 2.36M-dot electronic viewfinder
  • 1080/60p video
  • Wi-Fi with NFC

The PowerShot G5 X is one of the latest members of Canon’s 1″-type sensor family, which began with the G7 X in 2014. It takes what made that camera appealing – namely its sensor, lens, and direct controls, and puts them into a body that adds an electronic viewfinder, fully articulating touchscreen LCD, hot shoe, and additional control dial – all without a large increase in size.

The G5 X’s 20.2MP 1″-type BSI CMOS sensor – designed by Sony and first used in its RX100 II and III – performs very well and, given that the image pipeline on the G5 X is the same as its predecessor’s, should continue to do so. The 24-100mm F1.8-2.8 optically stabilized lens is also the same as on the G7 X, so there shouldn’t be any surprises there, either.

From a feature standpoint, the G5 X is essentially the same as the G7 X. You’ve got your manual exposure controls, customizable buttons and dials, built-in neutral density filter, Raw support, 6 fps continuous shooting (JPEG only), a fun star trail mode, 1080/60p video recording and Wi-Fi with NFC. 

Sadly, two of the G7 X’s most disappointing traits have carried over to the G5 X, namely sluggish Raw shooting performance and lackluster battery life. 

Meet the Family

From left to right: the PowerShot G1 X Mark II, G3 X, G5 X, G7 X, and G9 X

There are now five members in Canon’s premium compact’ family: the G1 X Mark II, G3 X, G5 X, G7 X and G9 X. The G1 X Mark II is the flagship model, using a considerably larger 1.5″-type sensor instead of the 1″-types used by the rest of the group. 

The G7 X is Canon’s original 1″-type sensor camera, and the models that have followed are a variation on the same theme. The G3 X is the long zoom model, the G5 X is for the EVF crowd, and the G9 X is an ultra-compact model with a shorter, slower lens. 

Here’s a quick table to help you sort out the differences between the five models:

  G1 X Mark II G3 X G5 X G7 X G9 X
MSRP $ 799 $ 999 $ 799 $ 699 $ 529
Sensor 12.8MP 1.5″-type CMOS 20.2MP 1″-type BSI CMOS
Lens (equiv.) 24-120mm
F2.0-3.9
24-600mm
F2.8-5.6
24-100mm F1.8-2.8 28-84mm
F2.0-4.9
LCD size/type 3″ tilting touch 3.2″ tilting touch 3″ rotating touch 3″ tilting touch 3″ fixed touch
EVF Optional Yes No
Hot shoe Yes No
JPEG burst 5.2 fps 5.9 fps 6.5 fps 6.0 fps
Video 1080/30p 1080/60p
Audio in/out No Yes No
Battery life (CIPA) 240 shots 300 shots 210 shots 210 shots 220 shots
Dimensions 116 x 74 x 66mm 123 x 77 x 105mm 112 x 76 x 44mm 103 x 60 x 40mm 98 x 58 x 31mm
Weight 553g 733g 377g 304g 185g

That’ll do it for comparisons – let’s dive into the world of the PowerShot G5 X now.

Articles: Digital Photography Review (dpreview.com)

 
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Inching forward? Canon PowerShot G5 X review posted

14 Dec

Canon PowerShot G5 X Review

Key Features

  • 20.2MP 1″-type BSI CMOS sensor
  • DIGIC 6 processor
  • F1.8-2.8, 24-100mm equiv. lens
  • Optical image stabilization
  • Built-in ND filter
  • 3″ fully articulating touchscreen LCD
  • 2.36M-dot electronic viewfinder
  • 1080/60p video
  • Wi-Fi with NFC

The PowerShot G5 X is one of the latest members of Canon’s 1″-type sensor family, which began with the G7 X in 2014. It takes what made that camera appealing – namely its sensor, lens, and direct controls, and puts them into a body that adds an electronic viewfinder, fully articulating touchscreen LCD, hot shoe, and additional control dial – all without a large increase in size.

The G5 X’s 20.2MP 1″-type BSI CMOS sensor – designed by Sony and first used in its RX100 II and III – performs very well and, given that the image pipeline on the G5 X is the same as its predecessor’s, should continue to do so. The 24-100mm F1.8-2.8 optically stabilized lens is also the same as on the G7 X, so there shouldn’t be any surprises there, either.

From a feature standpoint, the G5 X is essentially the same as the G7 X. You’ve got your manual exposure controls, customizable buttons and dials, built-in neutral density filter, Raw support, 6 fps continuous shooting (JPEG only), a fun star trail mode, 1080/60p video recording and Wi-Fi with NFC. 

Sadly, two of the G7 X’s most disappointing traits have carried over to the G5 X, namely sluggish Raw shooting performance and lackluster battery life. 

Meet the Family

From left to right: the PowerShot G1 X Mark II, G3 X, G5 X, G7 X, and G9 X

There are now five members in Canon’s premium compact’ family: the G1 X Mark II, G3 X, G5 X, G7 X and G9 X. The G1 X Mark II is the flagship model, using a considerably larger 1.5″-type sensor instead of the 1″-types used by the rest of the group. 

The G7 X is Canon’s original 1″-type sensor camera, and the models that have followed are a variation on the same theme. The G3 X is the long zoom model, the G5 X is for the EVF crowd, and the G9 X is an ultra-compact model with a shorter, slower lens. 

Here’s a quick table to help you sort out the differences between the five models:

  G1 X Mark II G3 X G5 X G7 X G9 X
MSRP $ 799 $ 999 $ 799 $ 699 $ 529
Sensor 12.8MP 1.5″-type CMOS 20.2MP 1″-type BSI CMOS
Lens (equiv.) 24-120mm
F2.0-3.9
24-600mm
F2.8-5.6
24-100mm F1.8-2.8 28-84mm
F2.0-4.9
LCD size/type 3″ tilting touch 3.2″ tilting touch 3″ rotating touch 3″ tilting touch 3″ fixed touch
EVF Optional Yes No
Hot shoe Yes No
JPEG burst 5.2 fps 5.9 fps 6.5 fps 6.0 fps
Video 1080/30p 1080/60p
Audio in/out No Yes No
Battery life (CIPA) 240 shots 300 shots 210 shots 210 shots 220 shots
Dimensions 116 x 74 x 66mm 123 x 77 x 105mm 112 x 76 x 44mm 103 x 60 x 40mm 98 x 58 x 31mm
Weight 553g 733g 377g 304g 185g

That’ll do it for comparisons – let’s dive into the world of the PowerShot G5 X now.

Articles: Digital Photography Review (dpreview.com)

 
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View Forward: Driverless London Train Cars Arriving in 2020

13 Oct

[ By WebUrbanist in Technology & Vehicles & Mods. ]

new tube train car

Called the New Tube, the next phase in London’s Underground system will feature partially and entirely automated cars, including ones that let passengers sit up front in the space heretofore reserved for drivers.

new tube front face

new tube train design

This forward-looking plan calls for 250 driverless trains for the Piccadilly, Central, Bakerloo and Waterloo & City lines, rolling out in the year 2020 and beyond, each with larger doors for faster entry and exit capabilities.

new tube london design

new tube continuous interior

These new models will not be segmented in traditional cars but instead be continuous and segmented (able to be walked from front to back) and feature built-in wifi as well as passive air conditioning. The newly-freed front ends of these will feature emergency egress doors as well.

new tube driverless trains

new tube side doors

An LED lighting system will glow to show the speed and direction of travel and light up to let passengers know when doors are opening or closing as well. Digital displays will replace paper advertisements inside the cabins, too.

new tube sleek sides

new tube day view

These sleek new machines are being made to operate 24 hours a day with a projected lifespan of 30 to 40 years so their technologies must, as much as it is possible, take into account existing issues as well as population growth and other future-proofing concerns.

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[ By WebUrbanist in Technology & Vehicles & Mods. ]

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8 Reasons We’re Looking Forward to Springtime Photography

26 Feb

Ah, the changing of the seasons. For us photographers, most seasonal changes bring about opportunities to take great photos under differing conditions, and usually no change is more dramatic than the transition from winter to spring.  The world thaws into a new and color-dripped landscape, ripe for capturing its natural beauty through springtime photography. There is always an influx of Continue Reading

The post 8 Reasons We’re Looking Forward to Springtime Photography appeared first on Photodoto.


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Recommended Reading: Move Forward With Social Media

03 Sep
Move Forward With Social Media

Move Forward With Social Media

Curious how to leverage social media to gain exposure of your photographic work while saving a little time? In the latest issue of Digital Photo Pro magazine I cover this and more in my latest article, “Move Forward with Social Media”. As a bonus I include a web site comparison to help you weight the pros and cons of taking part in each site. Check out the article:  Move Forward With Social Media – Introduce and publicize your photography to others without falling into a time-wasting black hole

 

Also if you’ve missed my other Digital Photo Pro articles you can find them here:

  • Search Engine Optimization 
  • Social Media & ­­­­­Copyright
  • Social-Media Marketing Essentials
  • Creative Commons
  • PLUS Coalition Standardized Licensing Codes
  • How I Evaluate Terms of Service for Social Media Web Sites – Google+ (my blog)
  • Evaluating Terms of Service Documents: Resources (my blog)

More of my articles on Social Media for Photographers

Copyright Jim M. Goldstein, All Rights Reserved

Recommended Reading: Move Forward With Social Media

The post Recommended Reading: Move Forward With Social Media appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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Posted in Equipment