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Posts Tagged ‘FLYOVER’

This 12K NYC flyover video was captured with three 8K RED Weapon Monstro VV cameras

19 May

LA-based director and cinematographer Phil Holland of PHFX recently joined forces with Gotham Film Works to create something out-of-this-world. Using the first Shotover K1 Hammerhead Aerial Camera Array, Holland shot a flyover of New York City using not one, not two, but three 8K RED Weapon Monstro VistaVision cameras.

The result, once processed, is a 100MP motion picture made up of images “with a sensor size of approximately 645 medium format film.” Put another way, the 12K by 8K footage above is 48.5 times the resolution of 1080p.

Holland explains how the rig was used and the footage captured in a short behind the scenes blog post, where he also shared some BTS images that he is kindly allowing us to repost for you here:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6193312206″,”galleryId”:”6193312206″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Holland’s BTS post covers camera and lens selection, before moving on to explain what it takes to rig something like this up.

“On a technical level there’s a lot that needs to happen in terms of proper spacing, finding the zero parallax point, lens selection, determining your overlap, rigging, payload balancing, etc.” writes Holland. “Every RED Weapon 8K VV Monstro has a JETPACK SDI Module attached to sync genlock, provide power, control the camera, etc. This is actually one of the first times I’ve ever seen this bad boy used to maximum intent. WIthout this module something like this would be very difficult to pull off.”

All of this allowed Holland to control the rig from a single “brain” and create “a quality stitch with pixel and frame accuracy.”

Check out the final video up top to see the stunning results for yourself, and then head over to Holland’s blog for even more details about how this beautiful creation was captured.


All photographs ©Phil Holland/PHFX and used with permission.

Articles: Digital Photography Review (dpreview.com)

 
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Reconstructed Destruction: Flyover of Bombed WWII Warsaw

17 Sep

[ By WebUrbanist in Abandoned Places & Architecture. ]

poland 3d model city

It took 1 year, over 1000 photographs and extensive archival research to construct The City of Ruins, a digital stereoscopic reconstruction of Warsaw, Poland in its most devastated state. With over 60,000 3D-modeled structures (detailing what remained), this incredible undertaking brings home the scale of destruction with stunning visual details and remarkable historical accuracy.

As illustrated in the trailer above and images below, over 85% of the buildings in the city were ultimately destroyed between urban combat and systematic leveling. Its creators note that this is the first rigorous large-scale attempt to rebuild a war-ravaged city in digital form.

poland aerial reconstruction images

The Polish Resistance staged the Warsaw Uprising in 1944, which, lacking promised Soviet support, fell hard to German forces over brutal two month period. Thus Warsaw, previously a of nearly 1,000,000 people, was reduced to a habitat for less than 1,00o.

poland 3d reconstruction examples

The extent of its demolition is hard to picture, hence the creation of this model and flyover video for the Warsaw Rising museum. Without anti-aircraft capabilities or the ability to receive sufficient aid and support from the West, defenders in the city fought but ultimately fell or retreated through the sewer system.

warsaw detailed reconstruction photo

Hundreds of thousands of fighters and civilians alike perished in the conflict. The destruction of structures and infrastructure was documented piecemeal, the scraps of which were assembled formed the basis for this disturbingly realistic model and film. More on the remaking of the ruins below.

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Reconstructed Destruction Flyover Of Bombed Wwii Warsaw

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[ By WebUrbanist in Abandoned Places & Architecture. ]

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3D ANAGLYPH ANIMATION OF 3D CITY FLYOVER

24 Apr

I made this in 3ds Max, using a dual camera rig I created based on one of www.louismarcoux.com great tutorials (visit his site, it’s worth it!). The two animations I rendered for what would be the left and right eye I then put together in Adobe After Effects with a technique I arrived at through trial and error (if you know a better way, I would love to hear about it – like the combustion one Louis Marcoux has on his site). The technique is very simple: In Adobe After Effects import both your movies and create a new composition. To the left eye render add a Color Balance fx, and set the Red value to 255 and the Green and Blue values to zero. Do the same to the right eye render, but set the Red to zero and the other two to 255 so you get a cyan tint. Now set the blending mode of both layers to “Screen”, this will lower significantly the contrast of your movie, so add an adjustment layer over both and to this one add Levels and Hue/Saturation fx and tweak as needed. I apologize in advance if the youtube compression screws too much with the video and you can’t see the anaglyph effect. I you don’t please be polite about it and let me know. If you have further questions on how I did this or anything else regarding anaglyphs or 3D I’ll try to answer them the best I can. Feel free to visit my website at www.oscarblanco.net for more anaglyphs and a lot of my other work in 3D, animation, photography and Illustration. There’s also free downloads there, like dock icons, wallpapers

 
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Posted in 3D Videos