RSS
 

Posts Tagged ‘Fisheye’

iZugar launches 220-degree super fisheye lens for Micro Four Thirds

23 Sep

Hong Kong-based company iZugar has just launched a pretty quirky, intense little lens.Called the MKX22, it’s a 3.25mm F2.5 super fisheye lens for Micro Four Thirds cameras that offers a whopping 220-degree angle of view.

This fisheye lens is said to offer “edge-to-edge sharpness” with suitability for 4K video recording, a 0.6m minimum focusing distance, fully circular 10mm design, and extra-slim build for better parallax control, according to iZugar. All of that in addition to that 220-degree angle of view that can more-or-less see behind itself.

The lens recently appeared for sale on iZugar’s website, where the company explains that the MKX22 can be used with the ZCam E1 – iZugar Custom Edition, Blackmagic Micro Studio 4K, Sony A7R2, Panasonic GX80, and similar cameras. For reference, the company offers a full reference guide showing FOV for these cameras at various resolutions.

The lens is available from iZugar now for $ 500.

Lens Specifications:

  • Model: iZugar MKX-22
  • Format: 10mm full circular
  • Mount: Micro Four Thirds mount (MFT)
  • 35mm Equivalent Focal Length: 3.25mm
  • Aperture: f/2.5 (fixed)
  • Minimum Focusing Distance: 0.6m
  • Lens Groups/Elements: 10/11
  • Angle of View (MFT-4k): 220 x 150

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on iZugar launches 220-degree super fisheye lens for Micro Four Thirds

Posted in Uncategorized

 

Nikon 8-15mm F3.5-4.5E ED fisheye lens impresses in underwater review

04 Aug
Photo © Robin Dodd

Our friends at Backscatter Underwater Video & Photo—the world’s leading supplier for underwater imaging equipment, the same folks behind this impressive underwater review of the Canon 1DX Mark II—recently took the new Nikon 8-15mm F3.5-4.5E ED fisheye zoom lens for a spin beneath the waves. As usual, they came back with some stunning photographs, along with a few thoughts about Nikon’s new fisheye zoom lens.

Backscatter CEO Jim Decker and Producer Robin Dodd were able to ‘MacGyver’ a makeshift zoom gear from some stuff they had lying around the shop, slapped the lens onto a Nikon D810, and went diving. Immediately they were impressed.

“The lens is a fisheye zoom lens that is a full frame diagonal fisheye lens at the 15mm side of the zoom, and a circular fisheye at the 8mm side,” explains Decker in their review. “It’s great to have the versatility of being able to shoot a circular fisheye, without having to dedicate your whole dive to it.” The photo up top was shot at 8mm, the one below at 15mm.

Photo © Robin Dodd

But it’s not just the versatility of having both a diagonal fisheye and a circular fisheye in one lens—a first for Nikon—that impressed Backscatter. The photos turned out great, too.

“We were super impressed with the image quality of this lens along with the versatility,” writes Decker, “and will now recommend this lens as the primary lens for wide angle use with full frame Nikon cameras.”

That’s some high praise. To read Backscatter’s full review and see several more underwater sample shots captured with the Nikon 8-15mm F3.5-4.5E ED fisheye, head over to their website by clicking here. And if you want to see some above-ground sample photos, you can see our sample gallery here.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon 8-15mm F3.5-4.5E ED fisheye lens impresses in underwater review

Posted in Uncategorized

 

First pictures from the new Nikon 8-15mm fisheye

14 Jun

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8691561182″,”galleryId”:”8691561182″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Nikon Ambassador Joshua Cripps was lucky enough to get hold of one of the company’s new lenses recently, for a shoot in Patagonia. Joshua took the new AF-S Fisheye NIKKOR 8-15mm F3.5-4.5E ED, along with his D810, to the southern area of the country. There, he shot the mountains, lakes and glaciers that make Patagonia such a popular location with photographers.

The sun setting over as mountain in southern Patagonia. Photo by Joshua Cripps, used with permission.

While many people avoid fisheye lenses on the (mistaken) assumption that they will always create unnaturally distorted images, Joshua found that with practice, the 8-15mm can be used to create very naturalistic compositions, with the benefit of a much wider field of view than would be possible with a conventional wide-angle lens.

As well as stills, he also used the new 8-15mm to create some time-lapse video.

Read Joshua Cripps’ first impressions of the Nikon 8-15mm fisheye

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on First pictures from the new Nikon 8-15mm fisheye

Posted in Uncategorized

 

Full-frame Nikon 8-15mm F3.5-4.5E ED fisheye zoom now available

31 May

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_3650555962″,”galleryId”:”3650555962″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

The Nikon AF-S Fisheye Nikkor 8-15mm F3.5-4.5E ED is a circular fisheye for the company’s full-frame DSLR bodies. At its wide end it has a 180-degree vertical and horizontal angle-of-view, changing to a non-circular 180-degree diagonal AOV at its long end. The lens has three ED and two aspherical elements as well as Nano Crystal and fluorine coatings.

The 8-15mm F3.5-4.5E ED is available immediately for $ 1249.95.

Press Release:

NIKON ANNOUNCES THREE NEW WIDE-ANGLE NIKKOR LENSES

  • AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR – Compact Ultra-Wide-Angle Perspective DX-format Zoom Lens
  • AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED -Circular Fisheye Zoom for the Ultimate in Versatility and a Unique Perspective
  • AF-S NIKKOR 28mm f/1.4E ED – Outstanding Definition and High Resolution Wide-Angle Prime Lens

 MELVILLE, NY (May 31, 2017 at 12:01 A.M. EDT) — Today, Nikon announced three exciting new wide-angle NIKKOR lenses to give a diverse array of users brilliant image quality and maximum versatility whether shooting vast landscapes, architecture, interiors, events and many other wide-angle applications. The new ultra-wide zoom and lightweight DX-format AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR is an excellent value for budding shutterbugs and novice shooters looking to explore a wide-angle point of view, while the new AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is an FX-format circular fisheye zoom lens for photographers and content creators who desire a truly unique perspective. Lastly, the new AF-S NIKKOR 28mm f/1.4E ED is a superior prime lens that provides professional and advanced photographers the ultimate in wide-angle image quality. Both the AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED and AF-S NIKKOR 28mm f/1.4E ED are the latest additions to the Gold Ring Series of NIKKOR lenses, a mark identifying Nikon’s premium lens offerings.

“Nikon continues to push the limits of optical excellence, while making new perspectives more attainable than ever before with our latest wide-angle NIKKOR offerings,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “Whether a photographer is a novice learning the art of landscapes, an enthusiastic video creator or a working professional shooter, Nikon now makes the wide-angle perspective achievable for everyone.”

The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR – Ultra-Wide Zoom Lens That’s Compact and Portable

The new NIKKOR 10-20mm is an ultra-wide-angle DX-format zoom lens that opens new perspectives and possibilities for those new to photography, and is ideal for shooting travel and scenery, real estate, large group portraits or vlogging. This new lens combines superior image quality and an attainable price to give consumers wide-angle versatility with a lens that’s remarkably compact and lightweight.

Like all NIKKOR lenses, the new AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR provides advanced optical technologies for stellar image quality in any light, whether shooting a sun-drenched coastal vista, tight spaces or the night sky. The lens features the equivalent of 3.5 stops1 of Vibration Reduction (VR) performance, to help capture sharp images while handheld or in challenging light. Additionally, it utilizes Nikon’s Pulse Motor technology for super-fast and whisper quiet AF operation- which is especially useful when recording video. The optical formula contains three aspherical elements for excellent image quality with minimal distortion even at the widest focal length.

This is a versatile lens that not only excels at shooting expansive horizons, but also offers a remarkably close working distance that’s useful for images or showing up-close details when making product-related videos or how-to content. To get closer to capture small objects with big details, the lens has a close minimum focusing distance of only 8.6 inches (0.22 meters), bringing small objects to life in glorious size.

AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED – Circular Fisheye for Photographers and Content Creators

Nikon’s first fisheye zoom gives photographers and filmmakers an FX-format lens with the look and feel of a circular fisheye and the versatility of a full-frame fisheye, all in one lens. The new lens design provides a creative circular 180-degree vertical / horizontal angle of view on full frame cameras, and zooms to a non-circular fisheye view (180-degree diagonal angle of view) on the long end of the focal range. The lens can also be used on DX-format cameras for a distinctive point-of-view and extreme wide-angle applications. When looking to push creative boundaries, the intriguing perspective from a fisheye lens should be considered to provide a distinct look to your photos and videos, such as a dramatic emphasis on a subject or an extremely wide interior point of view. 

The AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is also the latest in Nikon’s Gold Ring Series of premier lenses and features a next-generation design for high-resolution Nikon DSLR cameras. Made for advanced photographers and creators, this durable lens is constructed of lightweight magnesium alloy, and employs internal focusing (IF) to retain its compact size, even while focusing. It is also Nikon’s latest lens to use an electromagnetic diaphragm for consistent exposure during high speed shooting, or smooth exposure control while capturing video. 

The optical formula of the Fisheye NIKKOR 8-15mm consists of three ED elements to reduce chromatic aberration, while two aspherical lens elements minimize coma even at the widest aperture, and enable a more compact lens size. Additionally, the front lens element is coated with Nikon’s non-stick Fluorine coat to help resist dirt, fingerprints and smudges, while Nikon’s exclusive Nano Crystal Coat helps reduce ghost and flare. 

AF-S NIKKOR 28mm f/1.4E ED – The Latest in The Gold Ring Series of f/1.4 Primes in the NIKKOR Line

The new AF-S NIKKOR 28mm f/1.4E ED is Gold Ring glass that provides maximum versatility for outstanding definition and sharpness regardless of shooting scenario. With a fast f/1.4 maximum aperture and nine blade rounded diaphragm, it affords a shallow depth of field with gorgeous bokeh and stellar low light performance, making it a great choice for shooting low light landscapes, interiors and events. 

The superbly balanced and solid body is composed of lightweight magnesium alloy, and features dust and water drop resistant sealing to withstand the elements, combined with a fluorine coating to resist dirt and smudges. The optical construction of the lens is engineered for the best possible wide-angle image quality. It consists of 14 elements in 11 groups, with three aspherical elements that virtually eliminate coma, aberration and distortion, with two ED glass elements that minimize chromatic aberration. The lens also uses Nikon’s Nano Crystal coat to reduce instances of ghosting and flare. 

The new AF-S NIKKOR 28mm f/1.4E ED is a welcome addition to Nikon’s stable of impressive f/1.4 primes that give professional photographers and creators the highest levels of image quality and performance, which also include; The AF-S 24mm f/1.4G ED, AF-S NIKKOR 35mm f/1.4G, AF-S NIKKOR 58mm f/1.4G, AF-S NIKKOR 85mm f/1.4G and AF-S NIKKOR 105mm f/1.4E ED.

Price and Availability

The Nikon AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED will be available immediately for a suggested retail price (SRP)* of $ 1249.95. The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR and AF-S NIKKOR 28mm f/1.4E ED will be available in late June for a suggested retail price (SRP)*, $ 309.95 and $ 1999.95, respectively. For more information on these NIKKOR lenses as well as the latest Nikon products, please visit www.nikonusa.com. 

1: Based on CIPA Standard. This value is achieved when DX-format compatible lenses are attached to a DX-format digital SLR camera and zoom lenses are set at the maximum telephoto position. 

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon AF-S Fisheye Nikkor 8-15mm F3.5-4.5E ED specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 8–15 mm
Image stabilization No
Lens mount Nikon F (FX)
Aperture
Maximum aperture F3.5–29
Minimum aperture F4.5–29
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 15
Groups 13
Special elements / coatings Three ED + two aspherical elements, Nano Crystal and fluorine coatings
Focus
Minimum focus 0.16 m (6.3)
Maximum magnification 0.34×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 485 g (1.07 lb)
Diameter 78 mm (3.07)
Length 83 mm (3.27)
Materials Magnesium alloy
Sealing No
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Full-frame Nikon 8-15mm F3.5-4.5E ED fisheye zoom now available

Posted in Uncategorized

 

Overview of the Samyang 12mm F2.8 ED AS NCS Fisheye Lens

09 Nov

There is nothing quite like seeing the world through a fisheye lens. The way it bends straight lines and creates curves where there were none. You get to see more of the world through it than you can with your own eyes, well that is unless you turn your head. Recently I was loaned the Samyang 12mm F2.8 ED AS NCS Fisheye lens to play with and I have been having a lot of fun seeing what it can do.

leannecole-samyang-12mm-fisheye-30

Samyang 12mm F2.8 ED AS NCS Fisheye lens

Price out this lens on Amazon and B&H Photo.

Fisheye lenses have been around for a long time. But for most of us, they have not been something that we thought would be worth spending all that money on. However, the 12mm fisheye from Samyang is affordable and can give your photography a new look.

How wide is it?

There is nothing like using a wide angle for the first time and having objects fit into your frame like never before. This lens is very much like that. The first reaction most people have when they look through the viewfinder for the first time is “wow”. It is incredible what you can fit into it.

You get an 180-degree view with it. It really does fill the frame with all that you can see, including your periphery vision. While this is a good thing, there is also a downside. You can end up with unwanted distractions in the image. If you point the lens down too far you may end up with your feet in the image. Or if your camera bag on the ground is not behind you, it too will be included. Going out with friends to take photos means constantly asking them to step back behind you. If they are good friends, they won’t mind.

leannecole-samyang-12mm-fisheye-38

Melbourne from across the river.

This lens won’t break the bank

When you consider how much other lenses with an f/2.8 aperture cost, you would think this one would also be very expensive, a thousand bucks or so. But it retails for around USD$ 500 (less if you have a mirrorless system) so it makes it a lot more affordable than the top brand fisheye lenses. It is a good quality lens and is a great alternative for those that can’t afford the pricier top brand ones.

leannecole-samyang-12mm-fisheye-33

One of the rides at the Royal Melbourne Show

This lens is fun!

Without a doubt, this is a fun lens. It can have real uses, but in the end, I dare anyone to put the lens on their camera and not have a great time seeing what they can get with it. It is amazing to watch how the world is transformed through it.

I was first loaned the lens one day while in the city and I wouldn’t take it off my camera. I really enjoyed seeing what it could do and how much I could see with it. It was a challenge to see how I can make the world make sense with it. In the end you have to let that go and just take photos.

leannecole-samyang-12mm-fisheye-32

One of the rides at the Royal Melbourne Show.

It is small

For a fisheye, it is very small which is great because it means it’s easy to carry around with you. You would expect a fisheye to be a large bulky lens with big bulbous glass on the front. The Samyang fisheye is a lot smaller and not much bigger than a normal 50mm lens. Don’t let the size fool you, as it still takes a great image.

Full frame lens

Surprisingly for the cost, it is a lens for a full frame camera. It seems that many lenses for these are usually a lot more expensive. You are going to get much wider images with the full frame, and if you put the lens on a cropped sensor that aspect will suffer and you won’t get as wide an angle (about like an 18mm), though you should still get the fisheye effect.

First time mounting the lens

When you first put the lens on your camera you can get some strange numbers coming up on your camera display. If that happens you need to change the aperture ring on the lens. Turn it all the way around until you can see the aperture on your camera.

leannecole-samyang-12mm-fisheye-35

Looking at the city through the Seafarers Bridge.

It distorts the world around

For many the distortions may be too much and maybe the lens won’t be for them. The first time I posted a few photos I took with it, some people pointed out that I could get rid of the weird curves. My first thought was why would I, isn’t that the reason for using a fisheye in the first place?

It is a manual focus lens

For many people, the manual focusing for the lens is a negative. We have gotten used to autofocus, and having to go back to do it manually again can seem too hard. However, it is amazing how quickly you can adapt to it. The more you do it the easier it really does get. I seem to be using a lot of lenses lately that are manual focus and I don’t have an issue with it now.

One of the benefits with the Samyang fisheye is that for most subjects they are going to be several feet or meters from you so you can put the focus ring on infinity and just click away. It is rare than anything you shoot will be too close for that. Obviously if something is close you will need to focus the lens, but for the most part you can put it on infinity and just go for it. Just remember that it is on that setting and don’t forget to keep checking that the image is focused (zoom in on the image playback).

leannecole-samyang-12mm-fisheye-31

Fireworks at the Royal Melbourne Show.

Conclusions

Working with the lens

If you have purchased the fisheye then it would seem you are looking for more than just a wide angle lens. The lens is known for its distortions, so work with that. Find subjects that will be enhanced due to the curve of the lens. If you are somewhere like in a city, try different compositions to see which will work the best.

If you want something to appear straight, like the bridge, if you put that more in the centre of the image the distortion is far less. The same is true for the horizon. If you put the horizon line in the center of the frame then it will stay straight, but if you move it up or down it will get a curve to it. That can be really effective as well.

leannecole-samyang-12mm-fisheye-34

Looking down a pier into the night sky at Sorrento. See the horizon is almost straight as it is closer to the middle of the image.

Applications

The lens is perfect for astrophotography and that is mainly where it is used. You can get a lot of sky into a fisheye image and the distortions wouldn’t matter so much. You can get brilliant shots of the Milky Way, or great star trails. Samyang Australia tends to market it to aurora hunters too, but it has other uses as well.

Architecture is a great subject for this lens. It does give many of the lines a curved shape, and in people’s minds they know they are meant to be straight. But you can use those distortions to create unique images.

leannecole-samyang-12mm-fisheye-36

Some of the new architecture down at Docklands.

Many sports photographers could also find it useful. Not for everything, but for some special images. Cycling photographer Graham Watson often uses a fisheye for unique views of races like the Tour de France. With cycling ,you can get very close to the cyclists. So the fisheye would be perfect for some races, especially for a criterium when they are going around corners.

As the lens is so wide, there are many types of photography that it is not well suited for. Landscapes could work, but you need to have something in the foreground, otherwise everything would be too far away. The use of leading lines is important for that type of photography.

leannecole-samyang-12mm-fisheye-37

The full curve of the Webb Bridge in the Docklands.

Who is this lens for?

The most obvious answer to this would be astrophotographers and aurora hunters, but there are others who would also benefit from it as well, like sports and architectural photographers. Perhaps others who want to add something unique or different to their images. For the price and size, it could be a great addition to any photographer’s kit.

If you are looking for a challenge in your photography, or perhaps you want to start looking at the world in a different way, I would highly recommend the Samyang 12mm F2.8 ED AS NCS Fisheye lens. It’s a fun and not too expensive piece of kit. While you may not use it a lot, you will get it out and take photos with it from time to time. We all have lenses that we don’t use a lot, but enjoy using them when we do.

Price out this lens on Amazon and B&H Photo.

googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );

googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );

The post Overview of the Samyang 12mm F2.8 ED AS NCS Fisheye Lens by Leanne Cole appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Overview of the Samyang 12mm F2.8 ED AS NCS Fisheye Lens

Posted in Photography

 

Entaniya 250 Micro Four Thirds fisheye lenses feature 250-degree FOV

21 Oct

Tokyo-based maker of VR lens accessories Entapano is working on the Entaniya Fisheye 250 MFT lens, a model with a 250-degree field of view that it aims to make available in three varieties: 2.3mm F2.8, 3.0mm F2.8, and 3.6mm F4.0. All three lenses feature 18 elements in 12 groups with four extra-low dispersion lenses and a 1.6kg / 3.5lb weight without front or rear caps. The company cautions these specs are ‘subject to change,’ however, as the lens is still in development.

Entaniya Fisheye 250 MFT 3.6 sample image taken with Olympus Pen F, provided by Entaniya

The company details the Entaniya Fisheye as being suitable for producing different types of VR content depending on which lens version is used. The lenses are made in Japan, where the company estimates its price at ¥388,000 / $ 3,730 / €3400. Entapano has the released date scheduled for ‘end of 2016.’

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Entaniya 250 Micro Four Thirds fisheye lenses feature 250-degree FOV

Posted in Uncategorized

 

Quick review: Apexel 8mm fisheye lens for smartphones

02 Sep

Fixed focal length lenses are one of the key limitations of smartphone cameras. So it’s no surprise that add-on lenses, which allow you to vary the focal length, are among the most popular smartphone accessories.

We have had the chance to test one of the more extreme variants, the Apexel 8mm fisheye lens, which provides a whopping 238-degree field-of-view. The lens comes with a clip that makes it very easy and quick to attach to most mobile devices – Apexel claims it is compatible with 98% of all smartphones – but we’ve found it to work best with the latest generation Apple iPhones, as the back of the lens slots onto the iPhone’s lens protrusion, where it is firmly held in place. On other devices, without a protruding camera-module, things can get a little more difficult and you might have to optimize the position of the lens by moving it around very slightly until you find a position that gives the best image quality. 

The provided clip makes lens attachment very easy and quick. Lens construction features six elements in five groups.

The lens construction features six elements in five groups and a multi-layer coating. The glass is housed in an aluminum body and the clip is made from very robust ABS plastic. Apart from the lens and clip you’ll find a lens cap, storage case and lanyard in the box.

In use

Image quality does of course vary depending on the smartphone camera you are using, and can be a little hit and miss. We tested the lens on the iPhone 6s Plus and the Lenovo Moto Z Force. On the iPhone, the lens clips neatly onto the protrusion of the phone camera but still, many images are very soft across the frame. During our testing the iPhone’s AF system clearly found it more difficult than usual to find a lock and, so it seems, sometimes simply did not focus correctly before the shutter was triggered. Other images are relatively sharp at the center of the frame and only show softness around the edges.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1546006066″,”galleryId”:”1546006066″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

In general, sharpness was better on the Moto Z Force but you’ll have to make sure the lens lines up perfectly with the smartphone camera. That said, even in a best case scenario vignetting is much more pronounced than on the iPhone – in sunny conditions lens flare is visible and again the AF occasionally takes much longer to lock than without the clip-on lens. With the Apexel’s extreme angle of view it can also be difficult to keep fingers and other body parts out of the frame, so check the preview image carefully before pulling the trigger.

Of course, the lens also works in video mode. The sample below was recorded in the Lenovo Moto Z Force’s 1080p video mode. It shows most of the same imperfections as the still images but thanks to the lower video resolution they are not quite as intrusive. 

Conclusion

The Apexel 8mm fisheye lens for smartphones is a nicely made accessory lens that is very easy to clip onto most phones (as long as you don’t use a case). The fisheye effect is extreme and can be an interesting additional weapon in your creative mobile imaging arsenal. However, image quality purists won’t be happy with the strong softness, vignetting and some lens flare we’ve seen in our sample pictures. Not that we were expecting Zeiss quality from a smartphone accessory lens, but the Apexel is generally quite a bit softer than we’d like.

That said, the lens can be fun to use and capture image results that are different from your usual smartphone pictures. The Apexel 8mm Fisheye is currently available for approximately $ 44 on Amazon.com*.

Pros:

  • Extremely wide angle-of-view
  • Nice fisheye effect
  • Solid build quality
  • Easy and quick attachment
  • Compatible with most smartphones (although works best with iPhone 6/6s generations)

Cons:

  • Strong image softness
  • Varying degrees of vignetting (depending on smartphone camera)
  • Some lens flare in sunny conditions
  • Slows down camera AF
  • Exposed front element prone to scratching and fingerprints
  • Clip not compatible with many phone cases
 
 
* dpreview.com is a wholly-owned subsidiary of Amazon but is editorially independent of our parent company.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Quick review: Apexel 8mm fisheye lens for smartphones

Posted in Uncategorized

 

Olympus 7-14mm F2.8 Pro and 8mm F1.8 Fisheye Pro real-world galleries posted

12 May

Olympus has just announced a pair of wide-angle ‘Pro’ Micro Four Thirds lenses, and over the past few days we’ve been able to do a little shooting with them. The M.Zuiko Digital ED 7-14mm F2.8 and 8mm F1.8 Fisheye bring some new options to the table for Micro Four Thirds shooters – click through for a link to our sample galleries

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Olympus 7-14mm F2.8 Pro and 8mm F1.8 Fisheye Pro real-world galleries posted

Posted in Uncategorized

 

Sony adds wide-angle and fisheye adapters for full-frame and APS-C lenses

04 Mar

Sony has officially announced four new conversion lenses – two for full-frame and two for APS-C – that can be screwed onto a select group of lenses. On the full-frame side there are ultra-wide and fisheye adapters for the new FE 28mm F2, which drop the focal range to 21mm and 16mm, respectfully. The adapters for APS-C lenses – the 20mm F2.8 and 16mm F2.8 specifically – and reduce the focal lengths by 0.75X for the ultra-wide adapter and 0.6X for the fisheye. More details.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony adds wide-angle and fisheye adapters for full-frame and APS-C lenses

Posted in Uncategorized

 

Olympus 8mm F1.8 ‘pro’ fisheye in development

08 Feb

Olympus has revealed plans for an 8mm F1.8 fisheye lens with its ‘Pro’ designation. The super-wide lens will offer a 16mm equivalent angle on a Micro Four Thirds body. Keeping with the trend in the Pro line, the lens will boast a splash and dustproof design. Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Olympus 8mm F1.8 ‘pro’ fisheye in development

Posted in Uncategorized