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Posts Tagged ‘films’

65 Films About Photography: Our Picks to Watch

30 Jan

Photography and movies have a lot in common. While one is the art of capturing a frame, another is capturing moving frames. However, both are powerful creative mediums to tell a story. Apart from practicing photography yourself, one of the easiest ways to learn and improve your photography skills is to watch other people’s work and be inspired. And, what’s Continue Reading
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Sample gallery and impressions: Lomography Fantome ISO 8 and Babylon ISO 13 BW films

06 Nov

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Lomography recently announced two new low ISO black-and-white films: Fantome ISO 8 and Babylon ISO 13. Both films belong to their ‘Kino’ line, which has been created from cine film stock produced by a German company. These monochromatic films offer some of the lowest ISO on the market at the moment.

The slow speed means that they will produce negatives with very fine grain, but it also means it can be challenging to capture enough light for a proper exposure. With this in mind I loaded the test rolls into my Contax T2 and hoped that New York City would grant me some sunny September days.

Babylon ISO 13 is advertised as BW film that has a ‘high dynamic range’ and can capture very subtle gradient transitions. Fantom ISO 8 falls on the opposite side of the spectrum. This film is a high-contrast stock that renders images with super crushed shadows and bright highlights. It’s incredibly moody and the grain is very fine.

Impressions

For the most part, my favorite frames from these two rolls were ones shot in bright conditions and with a flash. Frames that were captured later in the day or on overcast days just didn’t work as well. Like most of Lomography’s speciality film stocks, the Kino films aren’t necessarily for everyday use, but these black-and-white rolls do seem a little more versatile than some of Lomo’s speciality color films.

Babylon ISO 13 worked nicely for daytime portraits and urban architecture

I love the way that Fantome ISO 8 rendered urban architecture, skies and close-up detail shots. But I found it difficult to get shutter speeds fast enough for scenes with lots of subject movement. As expected, Babylon ISO 13 was a little more forgiving. It worked nicely for daytime portraits, urban architecture and the subtle gradient shifts within a frame are quite lovely.

Recommendations

Both films are definitely best shot with a camera that has automatic metering and a fast lens. Having a camera with a small flash can also be helpful. Lomography recommends that both are processed using D-96 or Kodak HC-110, something you will definitely want to keep in mind if you are dropping it off at a lab.

These low ISO Lomography films certainly aren’t going to be for everyone, and shooters should definitely expect more ‘misses’ than when they are shooting with a standard film stock. That said, I’m happy with the way my frames turned out and would definitely give these films another go. Next time I think I’ll save a roll for an aggressively sunny day at the beach though.

Articles: Digital Photography Review (dpreview.com)

 
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SmugMug Films: An inspiring BTS look at photographing the autumn beauty of Slovenia

15 Jan

SmugMug Films has released ‘Framing the Journey,’ a short film that follows photographer Karen Hutton around the landscapes and cityscapes of Slovenia.

The seven minute film, which was made in partnership with Fujifilm, ‘unveils both the epic beauty of a charming country tucked between Italy and Croatia and the wonder of the artist experiencing it all for the first time.’

Hutton, whose past careers have included acting, singing, voiceover work, figure skating and horseback riding, says her ‘photography is about a philosophy […] It’s about the world, about life, and all the possibilities that exist in between.’

The short film does a great job highlighting the fantastic work of Hutton and showcasing the seemingly endless beauty across Slovenia. Sure it’s effectively a glorified ad for both SmugMug and Fujifilm (as well as DJI whose Mavic Pro 2 drone was used to capture much of the 4K footage), but that doesn’t take away from the inspiring and informative narration provided by Hutton nor the stunning scenery.

To see more work from Karen Hutton, visit her website. To see other SmugMug Films, head to the SmugMug Films’ YouTube Channel.

Articles: Digital Photography Review (dpreview.com)

 
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Lomography expands Kino Films line with new Potsdam 100 monochrome film

10 Jan

Lomography has expanded its Kino Films product line with its new Potsdam Kino 100 ISO 35mm black and white film. The new product joins the Berlin Kino 400 ISO B&W film Lomography introduced in November, its new Potsdam likewise inspired by the New German Cinema that experienced high popularity in 1960s Europe.

All of the maker’s Kino Films products are ‘extracted from rolls of cine film produced by a legendary German company that has been changing the face of cinema since the early 1900s,’ according to Lomography.

The triacetate-based Potsdam Kino Film is designed for scenes that require an attention to detail, as well as sunny environments. Resulting images have a fine grain structure coupled with ‘subtle contrast,’ making this what Lomography calls a ‘poetic film.’ The company promises Potsdam film development is ‘a breeze,’ but it has also launched the Lomography B&W Potsdam Kino Cookbook to help photographers get started with the film.

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Shipping won’t begin until April or May 2019, but Lomography is offering preorders through its online shop now. Each pack contains a single roll with 36 exposures for $ 7.90; buyers can also get a 5-roll bundle for $ 39.50 and a bundle of 10 rolls for $ 79.

Articles: Digital Photography Review (dpreview.com)

 
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Mapplethorpe movie trailer arrives ahead of film’s US theatrical premiere

09 Jan

A new trailer has given the public its first look at Mapplethorpe, a biopic chronicling the life of controversial photographer Robert Mapplethorpe, whose provocative work earned him fame in 1970s America. The movie, which was written and directed by Ondi Timoner, first debuted to a limited audience at the Tribeca Film Festival last year, but will receive a wider release in US theaters on March 1, 2019.

Mapplethorpe was best known for his black-and-white portraits and photographs of New York’s underground scene. The photographer’s first solo exhibition took place in 1973 at the Light Gallery in New York City featured photos captured with a Polaroid camera. Mapplethorpe later transitioned to a Hasselblad medium format camera. The photographer’s fame flourished through the 1980s up to his death from AIDs in 1989.

The biopic stars Matt Smith of Dr Who fame as Robert Mapplethorpe, Marianne Rendon as Patti Smith, and Hari Nef as Tinkerbelle.

Articles: Digital Photography Review (dpreview.com)

 
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Dubblefilm launches two new pre-exposed 35mm effects films

28 Mar

Analogue photography brand Dubblefilm has introduced a pair of new effects films with partner Kono!. Named Bubblegum and Monsoon, the latest in a line of pre-colored emulsions work at opposite ends of the spectrum—with Bubblegum injecting lots of orange warmth and Monsoon creating a cool cyan/blue effect.

Dubblefilm describes Monsoon as having “added tone producing deep colours inspired by the freshness of a post-monsoon rain,” while Bubblegum produces “sweet colour too [sic] spark your visual taste buds.” Monsoon seems to be very popular, as it has already sold out on the Dubblefim site, though it is still available on Kono! as of this writing.

An example shot with Bubblegum Monsoon produces a much cooler result

The films are created from existing film stock made by Kono!, some of it unusual, which is then passed through a machine named The Reanimator. This machine pre-exposes the film to deliver the characteristic effects of each stock. The films are all C-41 process color negative emulsions and can be handled by a standard mini-lab. Dubblefilm says “Results will vary depending on shooting conditions,” but that you should “expect something truly surprising every time.”

The films are priced at £11/€12/$ 16 for a 35mm roll of 24 exposures. For more information, visit the Kono! and Dubblefilm websites.

Articles: Digital Photography Review (dpreview.com)

 
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Future Fonts: Tracing the Role of Typography in Science Fiction in Films

04 Aug

[ By WebUrbanist in Design & Graphics & Branding. ]

Whether intentionally retro, as in Stranger Things, or overtly futuristic, as in RoboCop, the role of typography in a movie goes well past the title, subtly but powerfully shaping the world viewers are invited to experience.

Dave Addey, author and creator of Typeset in the Future, is as meticulous as he is obsessed, analyzing appearances of type in film line by line, providing insights, context and speculative answers to various uses (as well as typo corrections).

It started with Eurostile Bold Extended, which has made appearances from Star Trek to Wall-E. Since then, he has written about typography in Alien, 2001: A Space Odyssey, Moon, and in anticipation of the sequel: Blade Runner.

With fonts you get a lot of context for free,” says Addey. “You’ve established the time frame for your movie in seconds without a lot of special effects or backstory.” It also tells you something about the world, like: when a single megacorp runs everything and its typeface is consequently found everywhere.

He watches films over and over again, taking notes then tracking down type, sometimes manually by searching through old books to find exact matches (in other cases: the typography is custom, making the process frustrating).

And type is just part of the equation: he looks at iconography and other design elements too, piecing together a larger picture of the various strategies in play and how they relate to the core narrative.

By zooming in on this one aspect of films, he often traces connections that are easy to miss, like: a newspaper being held by the lead character in Blade Runner later appearing as the liner for a drawer. For fans of sci-fi and design, his blog will take you deeper into films than you realized you could go — it is well worth checking out.

More about the project: “This site is dedicated to typography and iconography as it appears in sci-fi and fantasy movies and TV shows. It’s inspired by the Typeset In The Future trope I added to TV Tropes. (If you know of more good sci-fi font examples, please do add them to that page.)”

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SmugMug Films: Point, Click, ShootTokyo

21 Jul
SmugMug’s latest film features street photographer Dave Powell, the man behind the popular blog ‘Shoot Tokyo’. In the video, Powell takes us on a tour through the streets of one of the most visually distinctive cities on earth. In an accompanying interview, Powell explains why he moved to Tokyo, and what it is about the city that keeps him inspired as a photographer. 

Check out the latest video above and subscribe to the SmugMug Films YouTube channel to get first access to each new episode!

Articles: Digital Photography Review (dpreview.com)

 
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Urban Dystopia: 11 Short Sci-Fi Films Set in Future Cities

14 Jul

[ By SA Rogers in Drawing & Digital. ]

LIMA

The science fiction of the past thirty years has evolved beyond the midcentury’s optimistic space-age visions into a darker, grittier place, where technology is out of control and resources are running out. Whether you think these imagined dystopian futures are overly dramatic or prescient of harder times to come, their depiction of our downfall can be absolutely riveting, and worth watching for the urban scenery alone. Short films offer an ideal medium for filmmakers of all skill levels to explore these concepts, including architecture that’s taken on a life of its own and high-tech surveillance societies.

In fact, if you want to know what sci-fi films might be coming out in the next few years, keep an eye on the digital shorts that are proliferating across the internet, as many of them get snapped up by major studios to become full-length features.

Spatial Bodies by AUJIK

OSAKA 1

OSAKA 2

OSAKA 3

OSAKA 4

Architecture in Osaka, Japan takes on a life of its own and begins to grow organically like vines and trees in the short ‘Spatial Bodies’ by AUJIK. “Spatial Bodies depicts the urban landscape and architectural bodies as an autonomous living and self replicating organism. Domesticated and cultivated only by its own nature. A vast concrete vegetation, oscillating between order and chaos,” say the creators, a collective referring to itself as a ‘mysterious nature/tech cult.’

Megalomania by Factory Fifteen

factory fifteen 1

factory fifteen 2

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From digital film studio Factory Fifteen, which has produced a number of striking shorts set in the future, Megalomania imagines a world in which cities are constantly in active construction mode. “The built environment is explored as a labyrinth of architecture that is either unfinished, incomplete or broken. Megalomania is a response to the state of infrastructure and capital, evolving the appearance of progress into the sublime.”

TEARS OF STEEL by Ian Hubert/Blender Institute

Tears of Steel

Tears of Steel 2

Tears of Steel 3

This Creative Commons-licensed short made entirely with free and open source software was made in the Netherlands by the Blender Institute, which crowd-sources funding in online communities of 3D artists and animators. In ‘Tears of Steel,’ a group of warriors and scientists gathered at Amsterdam’s Oude Kerk attempt to stage a crucial event from the past in a desperate attempt to rescue the world from destructive robots.

The Sand Storm by Jason Wishnow and Christopher Doyle

Sand Storm 3

Sand Storm

Sand Storm 2

Starring Chinese dissident and artist Ai Weiwei, ‘The Sand Storm’ by Hong Kong-based cinematographer Christopher Doyle and director Jason Wishnow examines a dystopian future that’s not so far away, where society is facing water shortages and technology is not as helpful as we might hope.

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Urban Dystopia 11 Short Sci Fi Films Set In Future Cities

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[ By SA Rogers in Drawing & Digital. ]

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Hands On: RNI All Films 4.0, analog presets for Lightroom and ACR

06 Jul

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All images in the gallery above were processed using presets from RNI All Films 4.0 – Pro (the duplicate is the un-edited version for comparison). Click through for larger previews and more info on which presets were used.

Really Nice Images has announced RNI All Films 4.0, the latest version of its film simulation presets for Lightroom and Adobe Camera Raw. It will be sold in two versions, Pro and Lite. 

In the full ‘Pro’ version, 58 film stocks are organized into 5 categories including Negative, Slide, Instant, Black & White, and Vintage. And because most film stocks have several versions, in total RNI 4.0 offers more than 300 presets, 170 of which are brand new from the previous release.

Processed using the new ‘Fuji Natura 1600 – 01’ preset.

RNI specifically highlights Fuji Natura 1600, Fuji Velvia 2.0 and Fuji Pro 400H among its new film stocks, but many more have also been added. Furthermore, according to RNI, the vast majority of presets included from previous releases have been fine-tuned or completely reworked for more accurate skin tones and more realistic grain.

RNI’s film simulations are created from analyzing actual film stocks, so if you are an analog purist, this may be the easiest way to dial in the look of some of your favorite films. RNI 4.0 also now features customized camera profiles, with support for most modern digital cameras.

The software also includes RNI 4 Toolkit, a set of presets that allows users to quickly adjust parameters like grain and softness. They’re useful if you are going for a ‘very analog’ look. Though I personally found the Toolkit presets made my images look over-processed. And when working with film presets, there is a fine line between good processing and over-processing.

Once installed, RNI presets will show up in the left-most Lightroom panel. Hovering over a preset will show a quick display in the thumbnail (upper left) of what it will look like once applied.

Of course, there are quite a few companies marketing realistic film emulations and presets. Two of the most popular are VSCO Film and DxO Filmpack. VSCO Film, like RNI All FIlm, is a set of analog-like presets for Lightroom and ACR. However, unlike RNI All Film, VSCO Film is packaged into 8 different packs of presets, sold separately. Each pack goes for $ 59 and includes around 20 film stocks (each film stock has multiple variations, some have up to 10). 

DxO Filmpack 5 on the other hand is both a plugin for LR and ACR and a stand-alone program. It is sold in two editions: the Elite edition is $ 99, the Essential Edition is $ 49. The former includes 120 different ‘styles,’ 80 of which are based off of film. 

RNI All Film 4.0 also comes in two flavors, Pro and Lite. Pro will run you $ 122. The Lite version, which is stripped down and includes a curated selection of presets from the Pro version will cost you $ 59, the same as one VSCO pack. Of course, if you’re upgrading from a previous RNI Pro version, the price is cut in half, same goes if you’re upgrading from a previous RNI Lite version to RNI Lite 4.0.

Processed using the ‘Fuji Fortia SP’ preset. 

I’ve long been a user of VSCO’s film presets, but in just briefly trying out RNI 4.0, I’m eager to keep using it in the future for processing. Most of the actual film stocks (not Toolkit presets) are well-judged and there are plenty to experiment with. Not to mention, RNI 4.0 offers quite a few film stocks not available from the competition.

 You can download All Films 4.0 directly from RNI here.

Articles: Digital Photography Review (dpreview.com)

 
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