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Posts Tagged ‘Filmmaker’

Drone filmmaker Nathan McBride on DJI Mavic Air 2: ‘it’s like nothing else’

10 Aug

The DJI Mavic Air offers 48MP stills and 4K/60p video recording in an ultra-compact, folding body. A significant update to the original Mavic Air, the Air 2 is DJI’s smartest drone to date, and includes HDR capture, scene recognition to optimize the look of footage depending on your subject, as well as a suite of safety features, including front, rear and underside object avoidance sensors. Meanwhile, Spotlight 2.0 keeps the camera locked on a subject, and ActiveTrack 3.0 keeps subjects automatically centered, letting you concentrate on flying.

Should your flight still somehow get into trouble, DJI Care Refresh* (available separately or bundled with the Mavic Air 2 on Amazon for a special price of $ 1,049) covers up to two replacement drones per year.

Adventure filmmaker Nathan McBride was one of the first people to use the Mavic Air 2, and had just started working on a promotional video when the COVID-19 pandemic hit the US. In this interview he talks about the challenges of working with the Mavic Air 2 as the country shut down around him.

* DJI Care Refresh+ is also available, covering one more replacement drone for an additional year, for a small surcharge. Click here for more details.


What’s your background in photography and videography?

I started working in video about four or five years ago, doing action sports and story-based content. I also worked in the short film world for a while and then moved into commercials. For the last five or so years that’s been my full-time job.

The last two years I started diving into drone photography and videography pretty heavily.

Nathan McBride is a photographer and videographer based in Phoenix Arizona. He’s been using drones in his filmmaking for several years, and recently had the opportunity to create a launch video using the new DJI Mavic Air 2.

See more of Nathan McBride’s work on his website, Instagram and on YouTube.

What are the primary ways in which the technology has evolved since you’ve been using drones?

Size is the obvious one, and it’s so important. These days, so much filmmaking is run-and-gun style. How fast you can get up and running, and how safely, is really important. With these new drones, you can be hiking up a volcano with it in your backpack, pull it out, and you can be filming in minutes.

Build quality has improved over the generations, and battery life, too. Drone operators five or six years ago did not have the same flexibility and mobility as we do now. And it’s so much more affordable now, to become a drone pilot. It’s unreal.

Put a drone up in the air, and you can get a whole different perspective

What does working with a drone let you do, that a conventional camera rig wouldn’t?

Drones are cameras in 3D space. You can put a drone wherever you want. I love the potential you have with drones for movement. I started diving into the drone space just thinking ‘what could this look like?’ And instead of the conventional kind of drone shot, from high up, moving slowly, I decided that I was going to fly my drone like it was a gimbal, or get footage that looks like a hyperlapse.

There are only a certain number of angles you can get from ground level. But put a drone up in the air, you can get a whole different perspective. It’s like nothing else. You can put the camera wherever you want. That’s what I love about drones, and I want to keep pushing my filmmaking using that technology.

Nathan pictured in the desert near Hanksville, Utah.

How does preparing for a drone shoot differ from preparing for a normal stills or video shoot?

Weather is a massive factor. If the weather isn’t right, you can’t fly. There’s a lot of planning involved. I’m very much an ‘on the fly’ kind of creative, and I like working quickly, but it’s important to have a general sense of what you want to get out of a location before you go.

I’ll often do discovery flights. For example I went to a spot in Texas recently, and we shot a video there. I had the Mavic Air 2, and I knew I wanted to get really low to the water, through the trees. There were certain textures I was looking for, so I did a discovery flight, just to look around, see what looked good, where the sunlight was coming from, and to get a feel for how safe it was to fly, where the gaps were between the trees and things like that. Once I’ve done that, I’ll put in a fresh battery and start filming.

I ended up with three weeks to shoot, and decided I was just going to have to use every single day, and hit every location I could

What’s your favorite of the drone projects you’ve worked on?

Probably this video, with the Mavic Air 2. I was originally meant to fly to Brazil to shoot, but then the coronavirus hit, and things got really bad, really fast. The project turned into a road trip around the US – Arizona to Utah, then Oregon, then down the California coast. That was the plan, but then everything started falling apart.

Often I’d drive for hours to shoot at locations that ended up being closed, but I didn’t want to fail, so I decided just to do as much as I could, wherever I could. I ended up with three weeks to shoot, and decided I was just going to have to use every single day, and hit every location I could until I got what I needed. A lot of it was very last-minute.

The DJI Mavic Air 2 is a tiny, powerful drone which folds up to be very compact. This makes it ideal for travel and outdoor adventure work.

In the video you describe shooting in your ‘back yard’. That’s a big back yard!

Yeah! I live in Phoenix Arizona, and I was shooting everywhere from within a few minutes from my house, all the way out across the state. I think the farthest I went was about seven hours north. People see the video, and see that part of it was filmed in the snow, and part was filmed in the desert, and they don’t believe that it was all shot in the same area, but those two locations were probably only about 45 minutes away from one another.

It was fun to have a month, basically, where I didn’t shoot anything else.

The snow was just good luck – I had driven to Flagstaff to get my buddy back to the airport, and we woke up to about three feet of fresh snow. So we made the most of it. Because I was shooting every day, I knew I’d win eventually!

It was fun to have a month, basically, where I didn’t shoot anything else. I didn’t pick up my DSLR, I didn’t pick up my other drones, I just shot with the Mavic Air 2. The first time I took the Mavic Air 2 up, I was amazed by how smooth it was, and the quality of the footage, especially at night. The handling is so good, it doesn’t feel like a consumer product.

Nathan’s road trip took him across the southwest states of the US, shooting with the Mavic Air 2.

Where’s your favorite location to shoot?

Bali, Indonesia. It’s one of those spots where you can find shots everywhere you look. It was a real eye-opener. I was able to get so many different shots there. I’d say that Nusa Penida, which is an island just off the coast of Bali, is my favorite place.

What’s your advice for someone just getting into drone shooting?

Always shoot H.265 if you can. There’s definitely a difference when it comes to post-production. And make sure you have enough light. Get a good set of ND filters – hitting your optimal shutter speed is key. And if it’s safe, and you’re not around people, fly as low as you can. Having foreground detail in your shots is a game-changer. The motion blur from having foreground elements makes the footage look so filmic. Obviously it’s risky, and you’ll need to practice.

Droning is all about immersing yourself in the environment that you’re in

Also don’t rush – leave yourself enough time. Droning is all about immersing yourself in the environment that you’re in. Slow down, actually take a breath, and find the angles that you want to explore. And do it safely.

Always have someone with you, to be a spotter, and be respectful. Don’t fly near people, and don’t go where you’re not meant to go. But most importantly, go out and explore and have fun because in the end that’s what it’s all about.


This is sponsored content, created with the support of DJI. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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Filmmaker uses COVID-19 work lull to make and sell $10 3D-printed camera battery cases

07 May

A documentary film maker from Utah has designed and built a series of battery holder magazines that he says help to solve the problem of knowing which batteries are fresh and which are depleted. The 3D printed magazines hold three or four batteries from common cameras and allow the batteries to be inserted contacts up for dead batteries and down for fresh ones.

Tim Irwin, who is printing the magazines in his basement, had been meaning to come up with a solution to this problem for a while, and had tried downloaded plans for 3D printed magazines in the past, but found they always broke. ‘I originally found files on Thingiverse that worked for a bit. But all the designs I tried from there ended up breaking because of a weak point in the print’ he explains. ‘When the travel restrictions around Covid 19 hit every one of my gigs was cancelled or postponed, so it seemed like prefect time to dive into this side mission. I designed my own from scratch and refined it over a long period of time until I was happy with the product. I’m always looking for ways to make my kit more efficient, quick, and organized. The Battery Mag was born out of that.’

Tim has designed the magazine so that when fresh batteries are loaded with their contacts down they are isolated from each other and from anything else the magazine might come into contact with, so the risk of shorting is avoided. And with deads loaded with the contacts facing up it is easy to see at a glance which battery to reach for next in fast moving situations.

Tim, who owns Functional Films, makes commercial video documentaries and says he is usually on the road shooting about 140 days a year. That has all stopped due to the coronavirus out-break, so this is how he is filling his time.

The Battery Mags are available for Panasonic DMW-BLF19, Canon LP-E6/N, Pentax DLI90, Sony NP-FZ100, Sony NP-FW50 batteries and he says a unit for Panasonic S cameras is also in production. The magazines are $ 9, $ 10 and $ 14 each, respectively, and can be ordered via the Battery Mag website.

For examples of Tim’s work see his Instagram page.

Articles: Digital Photography Review (dpreview.com)

 
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Hollywood filmmaker claims Apple won’t let villains use iPhones in movies

28 Feb

Rian Johnson, the filmmaker best known for his work on Star Wars: The Last Jedi and Knives Out, recently discussed his work and some aspects of the filmmaking process with Vanity Fair. During the approximately 20-minute interview, Johnson revealed an interesting tidbit about Apple product placement: the company reportedly doesn’t allow the iPhone to be used on-screen by villains.

As Johnson points out in the video, this fact can function as a spoiler — if you see a character in a movie who may be the villain but they are visibly using an iPhone, then it is safe to assume they are not, in fact, the villain. That’s due to the product placement rules Apple has in place for filmmakers, which allows iPhones to be used, but only if they’re associated with ‘good’ characters.

It’s unclear whether the public awareness of this fact may influence future movies. Some filmmakers may choose to have their characters exclusively use Android phones to avoid ruining the surprise. If that happens, Apple may feel compelled to loosen this restriction in order to return its handset to the big screen. ‘Every single filmmaker who has a bad guy in their movie that’s supposed to be a secret wants to murder me right now,’ Johnson quipped.

Articles: Digital Photography Review (dpreview.com)

 
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Filmmaker Mode TV setting will be available on select Philips, Samsung and other TV models

14 Jan

Motion smoothing, the controversial TV setting that uses interpolation to reduce motion blur, will be addressed with a previously announced television feature called Filmmaker Mode. During CES 2020, the UHD Alliance offered an update about this setting, revealing that Samsung, Kaleidescape and Philips/TP Vision will offer Filmmaker Mode on some of their 2020 television models.

Filmmaker Mode was first announced by the UHD Alliance in August 2019 with support from directors like Martin Scorses, Christopher Nolan and Rian Johnson. The goal of this setting is to present movies in the way they were intended by the filmmaker, including with the original frame rates, aspect ratios and colors.

Below is a brief video explainer of motion smoothing, provided by Vulture:

Motion smoothing has proven controversial among consumers and filmmakers alike. Though the technology is effective at reducing motion blurs, many viewers complain that it adds an unwanted visual effect that makes the content less enjoyable to watch. Most modern TVs, including many budget models, now offer motion smoothing as a standard feature, though some manufacturers make it possible to disable the setting.

In addition to the manufacturers announced at CES, Vizio, Panasonic and LG were previously revealed as companies that will also offer Filmmaker Mode on select television models starting in 2020.

Articles: Digital Photography Review (dpreview.com)

 
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Pro mountain filmmaker Jimmy Chin takes the DJI Mavic 2 Zoom to Greenland

09 Nov

Professional mountain photographer and filmmaker Jimmy Chin has worked on all seven continents, in some of the most remote places on earth. A hugely experienced climber, Chin has had more than his fair share of brushes with disaster in the mountains, where every ounce of weight counts when it comes to getting great shots – and getting down in one piece.

Jimmy Chin’s current film ‘Free Solo’ follows climber Alex Honnold as he became the first person to ever free solo climb Yosemite’s 3,000ft high El Capitan Wall last summer. Only slightly less hazardous was a more recent trip to Greenland for DJI, with professional ski mountaineer Kit Deslauriers.

Over a more than 20-year career, Chin is still inspired by the challenge of “going to new places and exploring mountains in remote places”. For the Greenland trip, alongside his normal DSLR kit Chin brought along DJI’s newest consumer drone, the 4K-capable Mavic 2 Zoom to capture footage of their adventure.

Chin describes the Mavic 2 Zoom as a “multi-tool”, which he used for everything from high production-value shots to scouting locations

The DJI Mavic 2 comes in two versions – the high-end ‘Pro’ with a 1-inch sensor, and the less costly but more flexible ‘Zoom’, which offers an optical zoom lens. Chin describes the Mavic 2 Zoom as a “multi-tool”, which he used in Greenland for everything from high production-value ‘dolly zoom’ and tracking shots to scouting locations and routes. When you’re shooting in the mountains, it might take hours to get up to a certain peak, but with the Mavic 2 Zoom, he could go in search of great-looking locations – and look out for hazards – remotely.

Speaking of remote, in such extreme conditions, gear needs to be reliable, but it also needs to be easy to use. In Chin’s words, “you need equipment that’s intuitive, and which you don’t have to spend a bunch of time figuring out how to make it work” because, as he says, “a lot of your mental bandwidth is taken up by making sure you’re being safe”.

Behind the scenes in Greenland with the DJI Mavic 2

Among Chin’s favorite shots from the trip are the aerial tracking sequences, showing Deslaurier descending down the mountain slopes. In the past, Chin says, “I couldn’t have got those shots in the past without a helicopter. They’re very difficult angles to get when you’re high up in those remote areas. Traditionally, those kinds of shots are expensive, they’re high production-value shots, and being able to create them with a drone I can carry in the top of my pack is incredible”.

As well as its portability, Chin praises the quality of the video that the Mavic 2 Zoom can capture. “You need a camera which offers high quality, because shooting in a location like Greenland, you know it might not be possible to ever go back. Every shot is potentially a once-in-a-lifetime shot”.


This is sponsored content, created by DJI. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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Filmmaker and photographer collaborate to show natural beauty of ocean waves

10 May
 

How do you capture the beauty of an ocean wave with a single still image? You turn it into a cinemagraph, of course.

After discovering the potential of the Puppet Warp tool in Adobe effects, Dutch cinematographer Armand Dijcks started to experiment with creating ‘cinemagraphs’ of images of moving water, using Flixel Cinemagraph Pro to create the infinitely looping animations.

After perfecting the technique, Dijcks reached out to Australian ocean photographer Ray Collins for source images. Their collaboration, titled ‘The Infinite Now’ can be viewed above.

Read more about the process of creating ‘The Infinite Now’

Articles: Digital Photography Review (dpreview.com)

 
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Filmmaker ScottDW trades his pro video gear for Canon EOS 80D: Watch the results

19 Dec

What happens when you swap out a video pro’s cinema-grade gear with a Canon EOS 80D?

Filmmaker ScottDW found out, when he put down his usual pro kit and picked up the 80D to shoot an installment of his High School Dance Off video series.

 ScottDW is a professional filmmaker with over 880,000 YouTube fans

ScottDW put Canon’s Video Creator Kit to use filming the short. The bundle was introduced alongside the 80D and includes a Rode directional microphone along with a power zoom adapter for the camera’s 18-135mm F3.5-5.6 kit lens. Take a look at how it all came together in the video above.

The Canon 80D offers a touch screen, handy for things like AF point selection

Though you won’t find any choreographed dance routines, you can also check out the 80D’s performance in DPReview’s video feature Barney Builds a Boat.

Articles: Digital Photography Review (dpreview.com)

 
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Filmmaker links 50 Lumia 1020s to create ‘bullet time’ effect

24 May

Arc-of-Wonder-feat1.jpg

Filmmaker Paul Trillo has teamed up with Microsoft to build an apparatus which they call the ‘Lumia Arc of Wonder’. It consists of 50 Nokia Lumia 1020 smartphones fixed to a custom-built metal arc on casters, some networking equipment and external power sources. Click through to read more, and see the results on connect.dpreview.com

News: Digital Photography Review (dpreview.com)

 
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Amateur filmmaker builds ‘bullet time’ rig for less than $100

02 Jul

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Ever wanted to add a little spice to your video creations, perhaps your next Matrix fan-fiction video, by adding a little slow-motion bullet-time effect? Jeremiah Warren did just that, employing a ceiling fan, a GoPro 3 video camera, and a handful of bits of wood, effectively eliminating thousands of dollars worth of individual cameras and rigging, not to mention computer-controlled timing equipment. Click through for more details and to see the results.

News: Digital Photography Review (dpreview.com)

 
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Filmmaker shoots with fifteen GoPro’s for a Matrix-like bullet time effect

19 Mar

gopro_15cams.png

Amateur filmmaker Marc Donahue of Permagrin Films recently shot a video with an array of fifteen GoPro action cameras to achieve Matrix-like bullet time special effects. The arc-shaped rig allowed him to shoot simultaneously from all cameras. In post, Donahue added the freeze frame and slow motion effects. Click through to watch the video. (via Mashable)

News: Digital Photography Review (dpreview.com)

 
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