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Posts Tagged ‘FEEL’

How To Feel Confident About Having Your Photos Critiqued

10 Oct

We all like other people seeing our photographs, but not many photographers like to hear what other people really think of their photos. Getting a ‘thumbs up’ on Facebook or a ‘heart’ on Instagram is okay. Even a few emoticons can be very encouraging.

But while they might make you feel good for a little while, they won’t help you grow as a photographer. Deep down you know most people have just scrolled past your photo. And your mother always sends a smiley face.

Thai Model and Elephant in a natural forest setting ©Kevin Landwer-Johan

©Kevin Landwer-Johan

Taking the bold step of asking for a genuine critique on your photos is a lot different.

It can be incredibly encouraging. You may get unexpected positive feedback on an aspect of your photography you weren’t fully aware of.

But you may also be devastated. Someone who shows little empathy and no care while sharing their thoughts about your photos can do more harm than good. You may also start feeling negative from the words of someone who isn’t experienced enough in photography.

Here are some steps to help you make a good choice in asking someone for an appraisal of your work.

Before you offer any of your photos for review, do some research.

  1. Is the person offering critique an experienced photographer?
  2. Do you like their photographic style?
  3. Do you appreciate their approach to critiquing photos?
  4. Do they ask questions about your experience before critiquing?
  5. Do they express a balanced perspective?
Waterfall photo made using a slow shutter speed©Kevin Landwer-Johan

©Kevin Landwer-Johan

How Can Having Your Photos Critiqued Help Improve Your Photography?

A constructive critique of your photographs can help you see them from another perspective. A good critique will include a healthy balance of positive encouragement and constructive feedback on how an image could be improved.

Something good can almost always be said about a photo. But beware of falseness. No-one wants a fake review of their work. A helpful positive analysis is more than just a few nice adjectives. The critic should tell you why they like your photo and describe the outstanding aspects.

The best constructive feedback is carefully worded and gentle. Honesty isn’t kind if it’s delivered with brutal assertion. And negative feedback spoken harshly doesn’t help anybody. It may make the critic feel superior, but being on the receiving end isn’t encouraging. A critique of anyone’s photos should’t be about the person offering the analysis. It should be about the photo, and directed primarily to the photographer.

A good critique should include a clear explanation of the weaknesses in a photo, along with suggestions of how it could have been improved. Sometimes when talking about a photo I’ll share ways it can be improved simply by a different crop or alternative post-processing.

©Kevin Landwer-Johan Beautiful young Thai woman poses against a dark background with pink fabric.

©Kevin Landwer-Johan

Choosing the Right Critic for You

Being confident and comfortable with the person offering their opinion is important. We all see the world differently, and express what we see in diverse ways. Finding the right person to learn from as they talk about your photos is essential to it being a positive experience.

To help find an appropriate person, ask yourself these questions.

1. Is the person offering critique an experienced photographer?

Having someone less experienced than you are, or minimally more experienced, will rarely be helpful. Having a group of friends to hang out with and discuss each other’s images is different because the relationship is casual.

Find a mature person with a good deal of experience. They’ll be able to offer their opinion in positive and helpful ways based on their experience.

©Kevin Landwer-Johan frog sitting the a pond close up

©Kevin Landwer-Johan

2. Do you like their photographic style?

There’s not much point asking someone who only photographs landscapes to comment on your street or sports photos. Hopefully you can find someone whose work is close to your own style (or what you are aspiring to) and have them critique your photos.

You should be able to see enough of their work to help you make this choice. Having an appreciation for the type of photography they create will help you relate more easily.

Leaves folded into flowers ©Kevin Landwer-Johan

©Kevin Landwer-Johan

3. Do you appreciate their approach to critiquing photos?

Accepting and appreciating the way a critic expresses themselves is very important. They may be extremely knowledgeable and experienced, but if they come across as arrogant their critique won’t be easy to receive.

If you can attend a session where they’re reviewing someone else’s photos, go along and observe. Maybe they have some video or written critiques online. Check them out and see if you’re confident they’ll be honest and respectful about your photos.

Durian fruit ©Kevin Landwer-Johan

©Kevin Landwer-Johan

4. Do they ask questions about your experience before critiquing?

If they know nothing about your experience or you want to express, the critique may not be helpful. I find it helpful to know a photographer’s experience level before offering my thoughts on their photos.

This information gives insight into the technical experience, and sometimes the creative expression. Most of all, it will give the critic the depth of information to offer. Giving a beginner too much detail about how to improve their composition may be detrimental. You need to clearly understand what the critic is telling you. For the same reason, I avoid using too much photography jargon when making critiques.

Market Porter at Muang Mai Market in Chiang Mai, Thailand ©Kevin Landwer-Johan

©Kevin Landwer-Johan

5. Do they express a balanced perspective?

Receiving a balanced appraisal of most (if not all) aspects of your photograph is helpful. But this may not be possible (or even necessary), depending on the photo.

I always look to include commentary on:

  • Exposure
  • Composition
  • Color
  • Tone
  • Timing
  • Feeling

The best photo critiques include a balanced mix of technical and creative – left and right brain perspective.

©Kevin Landwer-Johan Tropical Flowers close up

©Kevin Landwer-Johan

Where to Find the Right Critic

The easiest way  to find someone to critique your photos these days is online. Do a search on Google or YouTube, or check out the link in my bio.

You could also try your local camera club. It will be worth doing your research carefully first. Sometimes these groups offer a group critique of members’ photos. You need a pretty thick skin to endure this. You’ll have people with a range of skill levels and temperaments all wanting to give their opinions.

gold Buddhist chedi against a blue sky taken during a Chiang Mai Photo Workshop ©Kevin Landwer-Johan

©Kevin Landwer-Johan

Be Encouraged

Give it a try. Having your photos critiqued can be extremely helpful to your development as a photographer. I regret not having much of an opportunity for my photos to be looked over and spoken about. Now I enjoy being able to offer this as a service to encourage photographers.

The post How To Feel Confident About Having Your Photos Critiqued appeared first on Digital Photography School.


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4 Tips for Helping People Feel Comfortable During Their Portrait Session

10 Sep

Sooner or later, almost everyone has to sit alone in front of a camera for a grad portrait or professional headshot. It is almost always an uncomfortable experience for portrait clients. But it’s easy to forget this as photographers.

When I great people for their portraits they often confess things like, “I’m terrible with photos,” “I feel sick,” or “I hate my face.”

Perhaps because I’m so empathetic, I’ve developed a knack for making the most nervous and hopeless people shockingly excited about their photos.

In this article, I’ll show you how I do it so that you can make even your most uncomfortable portrait clients happy with their experience.

Black and white head shots - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

I am personally drawn to black and white portraits.

1. Simple Light Setup

Since everyday life already throws you a heavy load of distractions and difficulties, I always encourage photographers to keep their projects as simple (but meaningful) as possible.

No matter how you choose to light your portrait subject, I recommend you do it as simply as possible. The point is to put all your focus on the person you’re photographing, not on equipment.

I either use natural light (a window and a reflector), or a one light setup inspired by Zack Arias.

Window Light

The benefit to natural light is that there are no flashes of light or large umbrellas to make the person feel as though they are at a high-pressure professional photo session. Your subject’s imagination is filled with the photo shoots they’ve seen on TV and you should relieve that pressure for them.

Natural light studio setup - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

This is my natural light setup.

Window light portrait - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

This is a portrait taken with that window light studio setup.

Using natural light and a silent shutter with a mirrorless camera allows the photography part to be as invisible as possible.

One Speedlight

My one light setup includes a speedlight with a 60-inch umbrella and a reflector.

One Light Setup - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

This is my one light setup. It’s one speedlight with a 60-inch umbrella.

One light portrait - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

This photo was taken with that one light setup.

Once set up, you should forget about your gear (the window, speedlight, and the camera) and focus 100% on your subject.

2. How to Focus

This isn’t about your camera, but focusing on your subject in order to make the best portraits possible.

If you are at all self-conscious as a photographer, it is absolutely critical that you do not focus on yourself.

Perhaps you’re nervous because of a lack of confidence, or because you’re worried they’ll hate their photos. Forget all that and just focus on your subject.

Small talk

“A portrait is not made in the camera but on either side of it.” — Edward Steichen

Female head shot - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

You can use small talk to distract the subject from their own nervousness and self-consciousness in front of the camera. Talk about their business, their kids, or the last trip they went on. Anything that will distract them from being camera shy.

Warm up

Feel free to warm up with some “test shots,” even if you don’t really need them. Have your subject sit in front of the camera for a few shots where you’re doing nothing but “testing the light.”

Direct them a little bit, but nothing too serious. I sometimes transition into the real photos by saying something funny like, “Okay the light is perfect, now let me see a cheesy smile.” It can often lead to some laughter and the first candid photo.

Female headshot, laughing - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

Candid portraits are the most joyful part of a portrait session for me. You don’t have to be a comedian to make people laugh. Just connect over something in your life and laughter will eventually flow.

Male headshot with suit. 4 Tips for Helping People Feel Comfortable During Their Portrait Session

I’ll often try to match the expression with the clothes my subject is wearing. I think a softer expression is more suitable for formal wear. But I’ll try everything at the moment and decide what looks best later.

Candid portraits

“There is one thing the photograph must contain, the humanity of the moment.” — Robert Frank

Yes, even a professional headshot session should include some informal candid photos. Candids are real, and even if you’re after a posed photo, candids are the path to discovering who they are when their guard is down.

Female headshot laughing - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

When people can laugh together there begins to be a comfortable connection.

Female headshot - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

We often laugh because of the tension created by a joke. But even real-life discomfort or tension can lead to the eventual release through laughter.

3. Finding Soul

“Look and think before opening the shutter. The heart and mind are the true lens of the camera.” — Yousuf Karsh

I don’t care whether I’m photographing real estate agents, future lawyers, high school grads, or “mompreneurs.” I treat everybody like an executive, valedictorian, or royalty during their portrait session.

We’re all much deeper than our occupation, even though it may be a deep expression of who we are. Fill your sessions with lightheartedness and true human connection. When you look through your photos later, you should be able to see the moment that your subject finally became relaxed.

Once relaxed, you’ll find the “real” person that was trapped below the surface of fake smiles and self-consciousness.

It may take you 10 minutes or more to get there, but it is the point in the session that you can move through your creative vision with your subject. You can show them how to squinch (Peter Hurley’s famous technique with the eyes), strike more advanced poses, or move in for close-ups.

Female headshot - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

Once I know I have made the portrait that the subject needs, I move on and try other things. I love this very soft expression and the way that her hair creates a frame around her. This won’t likely appear on her business card, but I think it’s a wonderful portrait.

4. Completely Candid

“It’s one thing to make a picture of what a person looks like, it’s another thing to make a portrait of who they are.” — Paul Caponigro

Being inspired by photojournalism and the idea of capturing truly raw, candid, spontaneous photos, I decided to try a portrait session with no posing. All there would be was conversation and pictures.

Here are some of the results, which I love.

Close up female headshot - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

This photo is all about the eyes, and whatever is going through her mind makes me want to laugh!

Female soft light headshot - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

A completely candid photo portrait session means taking a lot of photos. Some of them looked posed, but it was a matter of quickly noticing something that looked right and capturing it before the moment passed.

Window light headshot - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

I used a window as a natural light source. There were moments of silence during our conversation when she just looked out the window. Those were wonderful chances.

Portrait of a mother and her son - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

Leave room for surprises in your portrait sessions. You may find yourself thinking, “Did this client dare to bring their kids to a portrait session?” True, they’ll tear your studio to pieces and distract her from her professional portrait session. But along with a little chaos comes life and surprisingly human moments. In the middle of it all, her son came up to be nursed. Maybe this is what Robert Frank meant about the “humanity of the moment.”

Mother hugging son portrait - 4 Tips for Helping People Feel Comfortable During Their Portrait Session

The portrait session was supposed to have been for her. But who she is on her own isn’t who she is completely. We’re all much deeper than ourselves and are who we are partly because of the people around us.

Portrait of a mom nursing her baby. 4 Tips for Helping People Feel Comfortable During Their Portrait Session

Perhaps you know your subject has reached their maximum level of comfort when they can nurse their baby even while the camera is still clicking. I’m thrilled to photograph people one on one and make portraits that they’ll use as authors or business people. But I’m even more thrilled when those portraits become intensely human moments.

 Get Comfy

The next time you greet a nervous portrait client, remember that the experience has been hyped up in their mind. Distract them from their discomfort with small talk, warm them up with “no pressure” test photos, and make laughter a part of your session.

Include the candid photos when you deliver their photos. Even if they don’t use them for business purposes, they may be the photos they (and you) love most.

I’d love to hear what else you do to help people get comfortable in front of your camera. Let me know in the comments below.

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5 Tips for When You Feel Inadequate as a Photographer

01 May

Frustrating isn’t it? No matter what you do, some days you just don’t feel like a photographer. You feel like hanging up the camera for good because you ask yourself, what’s the point of it all? In other words, you feel sorry for yourself because you feel inadequate even calling yourself a photographer. Well, the good news is that you are not alone even if it seems that way.

Go on Facebook and Twitter and all you see are people showing you how great and happy their life is. Seems like every one of these photographers has their stuff together while you, poor soul, do not. The funny thing is, from time to time all of those social media superstars post something that reveals a different picture: Sometimes they are not happy, sometimes they are downright depressed.

5 Tips for When You Feel Inadequate as a Photographer

See, here’s what nobody tells you; feeling down about yourself, your work is an integral part of the creative process.

“I am not a painter.” Guess who wrote that in his diary? Michelangelo. No, not the Ninja Turtle, but one of the best painters that ever lived. It’s crazy to think such an able artist would have so much self-doubt, no? What do you need to DO if you feel so much self-doubt or inadequate that you just want to abandon your camera? Let’s find out.

The impostor syndrome

Ever felt like you are pulling a con on everyone by calling yourself a photographer? Afraid of one day being “found out”? Feel like a total fraud? All of these are symptoms of something called the impostor syndrome. It’s the failure to accept your achievements. And the crazy part? So many suffer from that specific syndrome:

Sometimes I wake up in the morning before going off to a shoot, and I think, I can’t do this.  I’m a fraud. – Kate Winslett (Titanic actress)

I have written eleven books, but each time I think, “uh oh, they’re going to find out now. I’ve run a game on everybody, and they’re going to find me out.” – Maya Angelou (Famous author)

How do you conquer those feelings of being a fraud? I personally have a written list of my accomplishments and also of nice comments people have made. When I feel down, I read them all and the impostor syndrome symptoms usually fade away. BUT, I hear you say, “I don’t have many accomplishments!”

That’s probably not true, learning things like Aperture, Shutter speed, ISO and more are achievements. Making a better picture than you did yesterday is an accomplishment. You have to cut yourself some slack and give yourself credit where it is due. Always remember that when you feel like an impostor, it’s a syndrome, that doesn’t mean it’s true.

The thing about feelings

That leads us to the “thing” about feelings. You see, feelings are not truth, but opinions. Just because you don’t FEEL like a photographer doesn’t mean you aren’t. You can’t control feelings, they come and go on a whim. But what you CAN control, is accepting or rejecting them. The Good Book says, “Guard your heart with all diligence for out of it flows all the issues of life.” Meaning, watch what you tell yourself, it’s what you accept as true that will make the difference.

You just blew something. Feelings calling you a loser start popping up. You can either accept those feelings or chose to reject them. You are either a slave or a master of your feelings. If you start feeling like you are not a photographer, chose to ignore them.

The heart of photography

One thing that might make you feel really bad about yourself is the perceived success of other photographers. Just look at them. Thousands of likes, and popularity. You? Two likes, including one from your family member. You Facebook and you Tweet to only get silence in return. So what?

When feeling down about yourself remember what truly matters in photography is not the likes, the popularity, the accolades, or the gear you own. It’s the images. They are what matters most. Nothing illustrates this more than a quote from the movie Amadeus. Salieri, when he heard a piece of Mozart said, “I was staring through the cage of those meticulous ink strokes at an absolute beauty”.

Nothing illustrates this more than a quote from the movie Amadeus. Salieri, when he heard a piece of Mozart said, “I was staring through the cage of those meticulous ink strokes at an absolute beauty”. Salieri enjoyed financial success and high status while Mozart was often in poverty and rejected…but his music, his music was prodigious! He had fame and fortune…but what he didn’t have was what really mattered the most, Mozart’s skills.

Look, I’m not saying you or I are like Mozarts of photography, but you have to decide what really matters to you in photography. If that’s success in accolades, then go seek that. But if it is a success in making great images that matter to you, then do not feel bad if you do not get the response you seek. Being a good photographer and being popular are two different beasts. One comes from knowing photography, the other how to market yourself. It’s pretty well known that Van Gogh died an unknown artist, but he was a great artist nonetheless.

Change things up

Sometimes feeling down about your work is a function of redundancy. It’s the same old same old, every day. That might be a good time to change things up a bit. If you shoot color, try black and white. If you shoot film, try digital. One tried and true way they shake things up in art school is that they give you a subject to draw. But they want you to draw it upside down so that it shakes up your brain.

Also, try to change your subject matter. If you shoot family stuff, try street photography. If you shot sports, try landscapes. This is one of those things where you cannot know where it leads until you try. You might realize that what you have been shooting up until then was not something you actually liked!

Commit yourself

The brain goes into overdrive when you limit it in certain ways. Hence, commit yourself to certain things for a definite amount of time. Say you have a 15mm lens that’s been gathering dust. Commit to using only that lens for a month.

Or you can commit yourself in another way by simply starting a project. A project forces you to come up with patterns and links between the images. Plus it has the added effect of boosting your self-esteem because a complete project feels more substantial than one-off images. Plus if you make a project that is thematically close to you, you’ll be more connected to it, making it even more probable for you to make better images.

Conclusion

When Michelangelo wrote, “I am no painter.” in his diary, he had two choices – to ditch the brush or to press on. The world knows his work simply because he chose to press on. He moved beyond those feelings of inadequacy and ended up being stronger.

In everything, there are always hurdles of self-doubt. While many see them as negatives, I see them as tests. It’s like a guardian staring you in the face and asking you, “Are you SURE you want to continue? Do you REALLY want to be a photographer?”

So…let me ask you, how bad do YOU want it? Be yourself, stay focused and keep on shooting. Share your tips for getting out over your feelings of inadequacy in the comments below.

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How to Get Inspiration for Photography When You Feel Stuck

14 Feb

Let’s face it, we’ve all been here before. We start off being in love with photography. We live and breath everything related to it, we take pictures of everything and anything, we obsess over the latest gear and gadgets until we almost alienate everyone around us. Who wants to get up at ungodly hours in the morning just to catch the most beautiful sunrise? But soon enough, the enthusiasm starts to slacken and you feel like you are taking the same photos over and over again. The good and the bad news is that photography is one of these art forms that is constantly evolving. Every day there is some new technique, new gear or even new post-processing style that seems to be quite the rage. So there are some simple and easy ways to stay inspired with your photography.

How to Get Inspiration for Photography When You Feel Stuck

Draw up a plan for your success

Like any other professional industry, documenting your photography goals is also a great idea. Often just voicing and acknowledging what is in your head is the first step towards achieving success. If you are just starting out, maybe limit yourself to a couple of reasonable goals and while you are at it, also document some tasks that will help you achieve your goals.

Maybe it is getting comfortable in shooting in Manual mode, or maybe it is being comfortable using off-camera flash. No matter what the goal, it is easier to achieve when you have a solid actionable plan to help you get there. Take this even a step further by actually writing and planning the execution steps needed to achieve that goal. If you want to learn how to shoot in manual, check out the other resources here on dPS, like Getting off Auto – Manual, Aperture and Shutter Priority modes explained. Schedule time every week to shoot for an hour or so in manual mode. Ask a photographer friend to help you learn the ropes. There are many ways to execute on your photography goals.

Work on personal projects

While it is great to be busy and earn a living doing what you love, it can also start to drain the creative spirit. Give yourself permission to take on a few passion projects, otherwise known as personal projects. These personal projects are a way for you to fall back in love with photography without any pressures or expectations. They can be projects that last for years or they can be projects that get completed within a month. Not matter what you choose, choose a topic that is near and dear to your heart and give it your best shot (pun absolutely intended here!). Read: 12 Creative Photography Project Ideas to Get you Motivated

How to Get Inspiration for Photography When You Feel Stuck

Here I am representing everyday elements in black and white, almost like I am reliving the good old days of black and white film photography. This is just a personal exercise in looking for monochromatic patterns and frames that will work well without any color.

How to Get Inspiration for Photography When You Feel Stuck

To me, black and white for these blades of wheat brings out more texture than in the actual color image.

How to Get Inspiration for Photography When You Feel Stuck

A simple place setting looks more regal in B&W

Go shoot without an agenda

Pick up your camera – whether it’s a DSLR, film camera or even your cell phone, and photograph something – anything. Don’t put much thought or plan towards the outcome. Sometimes it’s just the act of pressing the shutter without thinking of the end result that can provide the right amount of stress release. You can either look at the images or choose to delete your work. The whole point of this is just to enjoy the act of photography without expectations or stressing about creating the perfect frame.

How to Get Inspiration for Photography When You Feel Stuck

How to Get Inspiration for Photography When You Feel Stuck

Take up another form of creative outlet

Creativity does not always mean artistic. Sometimes being creative has nothing to do with art but everything to do with creating with your own hands. Creativity can be found in cooking a meal from scratch, exercising a new fitness routine, knitting or sewing, gardening, writing in a journal, or even just going for a walk outside and studying leaf patterns (what can I say, I live in Chicago where it is cold for more than six months of the year!!).

Let any or all of these activities flow without structure or planning. They are simply a means to release all that creative energy building up inside of you. Be kind to yourself and just give yourself some leeway to take a break from photography.

Create a self-challenge and work towards that

Especially at the beginning of the year a lot of folks opt for creative challenges like a 365 project where you take one photo every day, or a 52 week where you document each week of the year with a series of images. There are other flavors of this like shooting a single color for a week, photographing your daily meals, etc. Whatever is your self-challenge, document it and work on it. Perhaps even join or start a group online where others can participate with you. That can motivate you even further to keep the inspiration alive.

How to Get Inspiration for Photography When You Feel Stuck

My personal project is to become proficient in old school film photography. To me, this is a great way to learn the basics of photography yet again. Plus there is something about the quality of film scans – they just have so much more depth and character to them.

How to Get Inspiration for Photography When You Feel Stuck

Using an old 30+-year-old film camera to capture some landscapes and animals.

Conclusion

I hope this article has inspired you to not give up if you are feeling uninspired or dejected with your photography. With a few simple exercises and a conscious effort to change your mindset, you can come back more inspired and hopefully more motivated to explore all these wonderful facets of this art form that has so many ardent fans all over the world!

What are some things you have found successful when you are in a photography rut? Feel free to share those in the comments below to help other readers as well.

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Light Touch: Sensual Installation Lets Visitors Feel Luminescence

12 Jun

[ By WebUrbanist in Art & Installation & Sound. ]

light art shimmering walls

In a new light art installation dubbed Sense of Field, Tokyo artist Hitomi Sato lets visitors simultaneously see, touch and shape shimmers of light all on sides.

The immersive experience is facilitated by thousands of transparent tendrils extending from two walls opposite one another. Each visitor walking between them,touches bristles on both sides, creating waves of motion that can be both seen and felt.

light art hallway installation walls

Perspective matters: observers outside the installation see it all from another angle, experiencing the setup differently primarily as a function of gleaming luminosity. Once engaged through physical contact, sensations multiply as clothing and skin brush beads of heat and illumination.

light art installation tokyo

Of her work, the artist says that “when [she] sees the shimmer of light, images of various natural light comes to her mind. For example, ripples on the water’s surface, sunlight through the leaves of trees, rays from a break in the clouds, and the reflections on window’s glass.”

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Flickr for iOS update brings camera roll look and feel

08 May

Image sharing service Flickr has released a major update to its mobile app for iOS devices. In the new design images are displayed in a similar way to Apple’s own Photos app, with images grouped by capture date. The new version of the app also emphasizes the auto upload feature, trying to convert Flickr from an image-based social network into everybody’s go-to photo app. Read more

Articles: Digital Photography Review (dpreview.com)

 
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28 Emotional Images That Make You Feel

20 Mar

Photography, like any art, when done well can really express and show emotions. This week I went searching for images that do just that.

See what emotions you feel when you view these images:

Photograph ...have you seen my chew bone? by Christoph Oberschneider on 500px

…have you seen my chew bone? by Christoph Oberschneider on 500px

Photograph Dies, Nox et Omnia by Mathieu Degrotte on 500px

Dies, Nox et Omnia by Mathieu Degrotte on 500px

Photograph Standing in the rain... by Sham Jolimie on 500px

Standing in the rain… by Sham Jolimie on 500px

Photograph Angry Boy by J.J. Taylor on 500px

Angry Boy by J.J. Taylor on 500px

Photograph My thougths are anchors and I'm drowning at sea. by Romana Kreider on 500px

My thougths are anchors and I'm drowning at sea. by Romana Kreider on 500px

Photograph Dove Love by Jon Rista on 500px

Dove Love by Jon Rista on 500px

Photograph Enjoy solitude by Isabel Membrado on 500px

Enjoy solitude by Isabel Membrado on 500px

Photograph The Chair by Phil Grieve on 500px

The Chair by Phil Grieve on 500px

Photograph A.W. by davide mezzalira on 500px

A.W. by davide mezzalira on 500px

Photograph Fog Invasion - Original WB by Craig Fraser on 500px

Fog Invasion – Original WB by Craig Fraser on 500px

Photograph Window Into Infinity by Ken Lee on 500px

Window Into Infinity by Ken Lee on 500px

Photograph Road to Home by Vince Ha on 500px

Road to Home by Vince Ha on 500px

Photograph Fantasia by tvurk  on 500px

Fantasia by tvurk on 500px

Photograph The Dreamy Island by Ratul Maiti on 500px

The Dreamy Island by Ratul Maiti on 500px

Photograph ~The flood~ by Christian Wig on 500px

~The flood~ by Christian Wig on 500px

Photograph Dreamy by Dheny Patungka on 500px

Dreamy by Dheny Patungka on 500px

Photograph Locked by Tracy Williams on 500px

Locked by Tracy Williams on 500px

Photograph Internal Thinking by Kevin Kent on 500px

Internal Thinking by Kevin Kent on 500px

Photograph Best Friend by chegu diman on 500px

Best Friend by chegu diman on 500px

Photograph Cloud Atlas by Meer Sadi on 500px

Cloud Atlas by Meer Sadi on 500px

Photograph ?????????? by Srinavin Kumar on 500px

?????????? by Srinavin Kumar on 500px

Photograph Eyjafjallajokull 2010 Iceland by Gunnar Gestur  on 500px

Eyjafjallajokull 2010 Iceland by Gunnar Gestur on 500px

Photograph I'll Be Black! by Ashley Vincent on 500px

I'll Be Black! by Ashley Vincent on 500px

Photograph The goofy goober by Elke Vogelsang on 500px

The goofy goober by Elke Vogelsang on 500px

Photograph The Roof ... by Yacine Edga Photography on 500px

The Roof … by Yacine Edga Photography on 500px

Photograph *** by Luis Valadares on 500px

*** by Luis Valadares on 500px

Photograph Unconditional Love by William Roberts on 500px

Unconditional Love by William Roberts on 500px

Photograph Sun Kissed by Ernie Manzano on 500px

Sun Kissed by Ernie Manzano on 500px

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How to Make an Architecture Space Look and Feel Natural in a Photo

24 Feb

The New Age of Architectural Photography

Gone are days of interior photos looking like furniture showrooms. So, too, are the days of exterior photos being full of uplighting accents and HDR effects.

NewAge2

Today, architectural photography is all about lifestyle. The appeal of luxury has shifted away from the material luxury and flashy spaces of high society to an intangible luxury that transpires during quiet moments with loved ones. It’s more about quality of life than quality of goods.

When shooting interiors, your goal as photographer is to create a space that makes the viewer want to be there. You want them to imagine themselves in that space, and most importantly, to escape to it.

As a photographer, you not only have to read a space for its light, material, and flow, but you also need to feel the space. Consider a sleek urban condo in a downtown high-rise versus a historic Victorian house in family neighborhood versus a new construction in a suburban development. Each architectural development stirs up different feelings, and these are what you want to capture in your photography.

So how do you transfer these feelings into your images? Here are four steps to get you started.

1. Set the Stage

Focus on the personality and live-ability of the space. Luxurious bouquets of roses set in an empty room at sunset won’t do the trick. Instead, emphasize the day-to-day moments — an open book and some cushions on the seat of a bay window, a comfy throw blanket draped over the couch, or jewelry laid out on the dresser of a walk-in closet.

NewAge1

2. Mixing Cleanliness with Reality

Yes, the space should be clean. Yes, it should be cleaner than usual. However, it shouldn’t feel sterile. You want it to feel lived in, but not dirty.

All flat surfaces should be wiped down and cleared, except for staging items. Every light fixture should be in working order since they’ll be turned on to ensure the space has adequate lighting. Floors should be mopped or vacuumed. Any areas where the carpet or hardwood floors look old and worn, such as in high traffic areas, should be covered up with inexpensive area rugs. Be aware of any clutter that we get used to in our day-to-day life. A small pile of clutter goes a very long way in photos, and so all those stacks of mail, magazines, and books should be tucked away out of sight.

NewAge3 2

3. Use Optimal Lighting

A well-lit space is crucial! You want to create a look that feels natural, happy, and real, so use all of the light resources available to you. Photos should be shot during the day so you can take advantage of any soft sunlight that pours in.

As a secondary light source, be sure to turn on all of the lights. Yes, all of them. They’ll be turned on to give the space a warm and inviting feel. Long exposures shot on a tripod help brighten up shadows a bit, but you can also use a flash to bounce light off walls and ceilings to fill in shadows.

NewAge4

4. Vary the Photo Set

Wide shots are vital and dramatic and show the overall space well. However, details can be just as compelling.

Materials and traditional luxuries themselves are not important to show in detail. Rather, you must show the personality in the details. Staged items are perfect for shooting close-ups and setting the tone.

That pen and paper on the desk. The pastry and coffee cup on the side table next to an arm chair. The puzzle in progress by the bay window with a view. The tea kettle steaming with boiling water on the stove. These touches take your shots from a simple set of interior photos to the story of a lifestyle.

What are your tips for giving architectural photography a natural look and feel? Share your thoughts and photos in the comments section below.

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My Favorite Lens of All, the Sharp, Smooth, Feel of the Canon EF 135mm f/2L USM

26 Oct

One Last Hand

For those of you who know me or follow my work, you probably already know about my love affair with the Canon EF 135mm f/2L USM telephoto lens. Simply put, this is my favorite lens I have ever used in my life. It’s also the lens I use for probably 70% of the photographs which I produce. This is a workhorse lens and I believe it is the sharpest lens that Canon makes. If I could only own a single Canon prime lens, this would be it.

Bet Red

Professional grade Canon L series lenses are not cheap. Canon’s L series represent their top of the line optics. They are what almost all Canon professional photographers shoot with. That said, I think the EF 135mm f/2L USM is one of the best values as far as Canon L series lenses go. The lens costs a little over $ 1,000 and is amongst the most economical L series lenses you can buy.

I probably shoot this lens at f/2 the majority of the time. This gives you a super clean point of focus, with the beautiful out of focus bokeh away from your primary point of interest. For those low light shallow depth of field photos, it does not get better than this lens in my opinion. The portraits you can make with this lens are beautiful — sharp as tack but with the subtle bokeh around the edges that a lens like this can produce.

Two Hearts Can't Be Wrong

The autofocus on this lens is the most responsive of any lens I’ve ever used. It autofocuses so lightning fast and allows you to quickly lock in on the action that you want to see. It’s a very quiet and very smooth feel when you hit your focal point perfectly on the mark.

The photos in this blog post were all taken on my recent trip to Vegas with this lens. I cannot recommend this lens strongly enough. An example of why I like this lens so much can be seen in the first photo in this post. Forget about it as it appears in this post, click here to see it in full high res glory. Look at how sharp the details are on that photo. Notice the individual neon tubes as visible in the Harrahs and Flamingo signs. I took this photo from the balcony of the Cosmopolitan of Las Vegas, a great distance away. The 135mm EF f/2L USM gave me the distance I needed to shoot down with such clarity on the neon signs in the photo.

The photo of the roulette wheel and the mannequin in the post show how great the bokeh and depth of field is around an isolated focus point. This is another of my favorite characteristics of this lens. Shooting portraits at f/2 on this lens feels just perfect to me.

In addition to portraits, this lens is great for street photography, sports, concerts, abstracts, and so many other types of photography.

As a reminder, my analysis of my Canon gear is being done in partnership with Canon and I am receiving compensation for this work with them. More on Canon telephoto lenses here.

Teardrop

I'll Take Two

Seeing Red


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Photography projects that make you feel alive

15 Jan

Malawi orphanage 2

We live in a new digital world of social media and computer games which makes it all too easy to keep the real world at arms-length.

Do you ever find yourself thinking you want to do more, feel more and live more, but comfortable familiarity and lack of confidence holds you back?

Think about why you love photography. For many of us it’s that we’re fascinated by the world we live in and want to share our vision of it. To create great photos you need to feel, but to feel more you may need to push yourself to do things that take you out of your comfort zone.

How to push your boundaries

On a Monday morning you probably daydream about doing something more exciting, yet when Friday comes around it ‘s easy to slip into your old routine. How do you break the monotony and start doing something that really excites you, without feeling overwhelmed?

Photography projects that make you feel alive

  1. Malaysia.jpgStart dreaming. There’s nothing wrong with daydreaming. What kind of photography project would have you leaping out of bed each morning? What ideas haven’t been done before? What do you love? What do you aspire to?
  2. Plan it. Think about what’s stopping you and find solutions. Do you need to negotiate some free time away from your family? What are the steps you need to carry out to take you from where you are now to where you want to get to? Write it all down. Each time you think of a reason not to do it, think of how you might feel if you never gave it a try.
  3. Repetition breeds confidence. The first time is always the scariest, whether you’re photographing a wedding, or learning to scuba dive. Things that scare you can quickly become a breeze, if you’ll just try.
  4. Announce it to the world. If you tell your friends and family that you’re going to do something, it forces you to go through with it. It’s no longer a dream, it’s real.
  5. Start small. You can have the grandest idea in the world, but don’t think about the enormity of the project, just focus on what you need to do first. Once momentum gathers you’ll find that your early successes drive you onwards.

Malaysian child

Be a photojournalist

Do you have a boiling passion that longs to tell an untold story? Maybe it’s a great injustice that needs unearthing, an unsung hero who needs championing, or a wondrous event that deserves attention.

Do something that’s never been done before

The human race has an inherent desire for a sense of self respect, achievement, fulfilment and recognition. Any first year psychology student can tell you that. It’s called “Maslow’s Hierarchy of Needs”.

By endeavouring to accomplish something that has never been tried before you’re satisfying the natural desires the modern world does such a good job of suppressing. To come to the twilight years of your life and be able to proudly state “I did that!” is one of the hallmarks of a life well lived.

“Get busy living, or get busy dying” Andy Dufresne, Shawshank Redemption

A great train of thought to start with when dreaming up this kind of project is “I’d like to photograph every (fill in the blank) in the world, or country”. Alternatively you could be the first person to ever photograph a “blank”.

Massage charity Labuan Bajo

An exhaustive study of a single subject

Most things in this world have been photographed at least once, but there are still many subjects that haven’t been studied photographically for an extended period. If you photographed a year in the life of a dementia care home or a homeless person it would be far more interesting than one passing photo.

A helpful project

If you have the nagging feeling that you want to do more with your life and your photography, then a project that helps others can help you find your mojo. There are many studies that show lasting happiness and fulfilment can be found through helping others. If you can combine helping people with your passion for photography then so much the better. This is the approach I took.

For two years I had an idea that wouldn’t leave me alone. I kept putting it to the back of my mind as the idea seemed too big to handle. The idea was to do something nice for someone from every country on earth.

Finally I took the plunge. I followed my own advice by planning the idea, laying out the rules, and announcing it to the world through my website and social media. I could no longer back out.

A project like this encourages you to keep picking up your camera and exploring the world around you. You end up experiencing things and talking with people you would normally have overlooked. Without this project I never would have reached out to a local care home to create poignant family portraits for the residents. Now I have happy memories and this fabulous testimonial of how my photography touched people’s hearts:

Care home

“I treasure the lovely photos that you took of my mother, husband and me at Avery House back in February of this year. My mother became very ill shortly after those photos were taken with advanced Alzheimer’s disease. She also broke her leg and had a partial hip replacement in August of this year, no mean feat at the age of 87. She had to be placed into nursing care at Wentworth Croft, as Avery House couldn’t meet her needs any more. Sadly she passed away on 19th November after seven weeks in nursing care. So you see those photos are priceless to me, everyone says how natural and professional they are and I always tell them who took them. So a BIG THANK YOU to you for a lasting memory of my mum.” Janice Osborne, Peterborough

Visiting and helping an orphanage in Kenya was one of the most humbling experiences of my life. Far more fulfilling than wallowing by the pool like a drunken hippo.

Kenyan Orphanage 1

Kenyan orphanage

Throwing yourself into situations you’d never normally experience opens up a whole new world of photographic opportunities. Great photos often tell a story and projects like this naturally create the necessary environment and atmosphere to help you produce your best work.

What projects are you working on or dreaming of? When will you take the plunge and get started?

For more ideas on projects see:

  • 8 Photo Projects in Your Own Backyard
  • 11 Hot Photography Tutorials, Projects, Stories and Tips to Improve Your Photography
  • Start a Personal Photography Project
  • The Importance of Personal Projects

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