RSS
 

Posts Tagged ‘favourite’

dPS Writer’s Favourite Lens: Canon 100mm Macro

21 Feb

The Canon 100mm macro lens was on my Want List for such a long time, next to the Canon 10-22mm Ultra Wide-Angle. Oddly, once I did get it, I never used it, and it sat gathering dust in the cupboard for a couple of years. Now it is my go-to lens for doing still life, food and of course, macro photography.

dPS Writer's Favourite Lens: Canon 100mm Macro

Why is it my favorite lens?

Sharpness, image quality, color, and versatility – it has it all!

I know when using this lens it is going to pick up absolutely every detail, and when it is sharp it is crystal clear. Unfortunately, due to the combined weight of the lens (625g) on my Canon 7D MK II, I find it difficult to handhold and get sharp shots. So I use it on my tripod to guarantee the focus is bang on.

dPS Writer's Favourite Lens: Canon 100mm Macro

Merits of the Canon 100mm macro lens

This lens has a richness to the colors that I appreciate, it gives the best color reproduction of any of my lenses. Also when you are shooting at its native 2.8, the soft background blur is quite delicious as well.

Finally, the versatility of this lens, given it is a macro lens, is impressive. I use it for macro, food photography, flower photography, and other still life subjects. It is also a favorite lens for portrait photographers due to the factors that make it my personal favorite.

It’s quiet, it’s fast and it’s a lovely lens to use. Once I mastered the art of fine focusing with a really tiny depth of field and was able to consistently get sharp shots, the quality of the images impressed me more and more.

dPS Writer's Favourite Lens: Canon 100mm Macro

How I use it

1 – Food Photography

Working with natural light in my home studio sometimes means the light is not always abundant. Or possibly you need to filter it quite heavily so you don’t blow out the highlights on some whipped cream or icing. So working in slightly less than ideal light conditions is where I find this lens really comes into its own.

With a 67mm filter diameter, it has a lot of surface area to bring in the available light.  The native f/2.8 aperture captures all the light possible. While I might have to increase ISO a small amount, it is not enough to affect the quality of the image.

With such high image quality, capturing the finest small details really adds character to food shots taken with this lens. Water droplets on fruit or the tiny hairs on a raspberry become things of wonder, brought into view by the capabilities of this lens.

dPS Writer's Favourite Lens: Canon 100mm Macro

2. Flower Photography

Doing photography of flowers is what finally forced me to get my Canon 100mm lens out of storage and start using it. I had become interested in still life photography and was using flowers as the subject to base my compositions around.

Flowers offer so many opportunities to be creative with this lens, you can shoot the whole flower, move in to shoot just a portion of it, or really get into the macro side of things.

dPS Writer's Favourite Lens: Canon 100mm Macro

The lovely colour and soft bokeh suit flower photography very well, and I enjoy using it a great deal. It is a lot of fun to experiment with areas of selective focus or just using depth of field in unexpected ways.

dPS Writer's Favourite Lens: Canon 100mm Macro

3. Macro photography

There is a whole world of things too small for our eyes to see naturally that suddenly become revealed when we shoot with a macro lens. It is fascinating to uncover tiny details in everyday objects.

Playing with abstracts of textures or just exploring the things we cannot normally see are possible with the 100mm macro lens. The ordinary becomes extraordinary when you can get up close and personal. When my camera is mounted on my tripod, I know that I can get sharp focus with a very narrow depth of field on a very small subject.

dPS Writer's Favourite Lens: Canon 100mm Macro

 

4. Other options

I am not a portrait photographer but I do have cats, and they are fun to shoot with this lens as it picks up so much detail. I personally struggle to sucessfully handhold my 7D Mark II with this lens and get sharp images, so I don’t shoot with it off my tripod very often.

dPS Writer's Favourite Lens: Canon 100mm Macro

Specifications

The Canon EF 100mm F2.8 IS L Macro lens – full specifications on Canon site – 625g, minimum focus distance 300mm, Hybrid Image Stabilization for handheld macro shooting.

Pros

  • Sharpness
  • Depth of field
  • Bokeh is smooth
  • Color
  • Hybrid Image Stabilizing
  • EF and EFS compatible
  • 1:1 magnification
  • Comes with a lens hood and carry bag

Cons

  • Heavy and can be difficult to handhold, requiring a tripod
  • Expensive
  • 300mm minimum focus distance

Conclusion

Overall for me, the pros of shooting with this lens far outweigh the cons. Have you used the Canon 100mm macro lens or one similar? Please share in the comments below if you enjoy it as much as I do.

dPS Writer's Favourite Lens: Canon 100mm Macro

The post dPS Writer’s Favourite Lens: Canon 100mm Macro by Stacey Hill appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on dPS Writer’s Favourite Lens: Canon 100mm Macro

Posted in Photography

 

My Favourite Travel Lens – The Tamron 28-300mm

20 Apr

Last year I was given an incredible opportunity to travel to the US for three and half weeks just to take photos. My trip was sponsored by an amazing woman, which spurred me to try and get other sponsors for my photography. When you are travelling you can’t take everything with you, so being able to get a lens that could handle a lot of the scenes that I wanted to shoot was very handy. To be able to go from a wide angle view, then zoom right in, was going to be a great lens for travelling, I hoped.

LeanneCole-tamronlens-28-300mm

Tamron 28-300mm Lens – image courtesy of Tamron for both Canon and Nikon mounts.

I had read about the Tamron 28-300mm lens, and how it was a good for travelling. I decided to contact Tamron Australia to see if they would loan me the 28-300mm for my trip, and they did. It is a full frame lens and if you have a cropped sensor then you need to remember that you won’t be able to get 28mm (more like 42mm), and that it will be far longer than 300mm (similar to 450mm).

LeanneCole-tamronlens-goldengatebridge-65mm

Golden Gate Bridge with US Flag, taken through a car window. Focal length 65mm

Physical Size

The first thing I noticed when I opened the box was the size. For a lens with such a big zoom length, it’s quite small. It isn’t a heavy lens either. Straight away it seemed like the perfect lens to carry, that wouldn’t contribute to breaking my back.

It fits nicely into any camera bag, due to its compact size. The bag I used on my trip was quite small, and it was easy to pack. The light weight meant I didn’t have to worry about making my bag heavier. Imagine how your back would feel if you had to carry a bunch of other lenses to cover that range!

LeanneCole-tamronlens-bodieghosttown-122mm

Some of the old building at the ghost town in Bodie, CA, focal length 122mm.

Versatility

When travelling you can’t always get close to places to get the best angles, and having a lens that allows you to take photos when you are close, or far away, is an advantage. You can take an image of a building and get most of it in, then zoom in to get some details of it as well.

The following images of the Flatiron Building in NYC, show how you can take a photo of the whole building, and then a close up of some detail using the 28-300mm lens.

LeanneCole-tamronlens-flatiron-28mm

The Flatiron Building in New York, focal length 28mm.

LeanneCole-tamronlens-flatiron-300mm

Detail of the Flatiron Building, focal length 300mm.

There is also the advantage of not having to constantly change your lens. If it is busy, or crowded, you won’t have to stop, get out another lens and change it. This compact lens is great for most situations.

LeanneCole-tamronlens-beemountain-300mm

A bee on a flower, taken at 300mm.

Compromises

With any lens that has this kind of focal length range, you are going to have to compromise somewhere.

Sharpness

When you take photos at 300mm, the images are not as sharp as they are at 150mm. This is a common problem with most lenses, and more so with ones that have longer lengths such as the Tamron 28-300mm.

Slower Lens

A lens is judged by the size of the largest aperture. A fast lens has a large aperture of f/2.8 or, as is the case with some of the prime lenses, maybe f/1.4. The largest aperture means that when there is lower light you can get a faster shutter speed, which makes it a faster lens.

This Tamron 28-300mm lens has an aperture range of f/3.5 – 6.3, which translates to being able to have the faster aperture of f3.5 at 28mm, but when you zoom out to 300mm the fastest (widest) one you can get is only f/6.3. Most of the time it isn’t a problem, and only becomes one when the light is low, or when shooting indoors. The compromise is, when those conditions arise you have to put up your ISO, which introduces noise into your images, or, in old terms, grain.

Vignetting when zoomed out

One of the things I found, was that there was some vignetting when the lens was zoomed all the way out to 300mm. I was a bit annoyed initially, but when I was given an opportunity to try out the Nikon 28-300mm I noticed it did the same. It is just one of the disadvantages working with lenses such as these.

LeanneCole-tamronlens-NewYork-300mm

A view of New York Skyline from Staten Island ferry. Focal length 300mm,

The Other Factors

Weight

The lens weighs just over half a kilogram or 19oz. Compare it with the Nikon lens which is 800 grams or 28.2oz. As stated previously, it is quite a light lens, and an easy one to carry around and store.

LeanneCole-tamronlens-yosemite-28mm

One of the many mountains at Yosemite, focal length 28mm.

Price

The lens is around US$ 850, which makes it a good price for the versatility that you get. It makes it an affordable lens, and a very good option for a beginner who wants to find one lens that will suit almost any situation or occasion.

In conclusion

This was a perfect lens for travelling. I found it so versatile, and to tell the truth, while I took a couple of other lenses, this one was on my camera 80% of the time. I didn’t want to take it off. It was very sad when the lens had to be returned to Tamron, I know when I can get the money together, it will be the next lens in my kit.

LeanneCole-tamronlens-santacruz-135mm

Seal at Santa Cruz Boardwalk. Focal length 135mm.

googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );

googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );

The post My Favourite Travel Lens – The Tamron 28-300mm by Leanne Cole appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on My Favourite Travel Lens – The Tamron 28-300mm

Posted in Photography

 

Writer’s Favourite Lens – Nikon 24-70 mm F2.8

30 Aug

I’ve had the Nikon 24-70 mm f/2.8 lens for about three years now, and it is by far my most used lens, and really my go-to when I am heading out to take photos. It is mid-range when it comes to focal length, but for shooting most landscapes and architecture, it is nearly always enough. It is not a cheap lens ($ 1749 USD without VR, $ 2396 with VR), but it was a special treat, one I have to thank subsidies for. One year after getting a special payout I was able to afford this lens, just.

Nikon-24-70mm-favourite-lens-

Nikon-24-70mm lens

When I got the lens I was shooting cycling, both on the road and the track, and I was looking for a better lens to use rather than the cheap one I bought when I first started. This one seemed perfect. A good shorter, wide angle, and the focal length was almost a perfect match for my 80-200mm. I also thought I was going to start doing portraits and it seemed like the ideal lens.

favourite-lens-24-70mm-cole-0371

Portrait style photography

For personal reasons, I had to give up photographing cycling and never really got into portraits. It was something I never felt comfortable doing. I ended up concentrating more on architecture and landscape. This lens saw me through all that with its ability to be so versatile, I could really do anything with it.

Pros:

Lovely clear images

You notice it, you really do. If you’ve been shooting with a cheap lens, the moment you start taking photos with one of this quality, you will see the difference. There was something about how clear the images were; they seemed to shine. There is a clarity with the images, and if you get great conditions to take photos, such as a good day and good light, then it really shows in the images.

favourite-lens-24-70mm-cole-0366

Bay Crits racing

Fast lens

With the widest aperture being f/2.8, you know you have a fast lens, which means it gives you more choices. With the cycling, it meant I didn’t have to go to such a high ISO to be able to get photos inside the velodrome. I could still get great images that didn’t have a lot of grain/noise.

It is the same if you are doing astrophotography, as the f/2.8 means that you don’t need to have your ISO up as high, so you won’t get really grainy shots of the night sky.

Good size

The size works well for what I want, and what I am doing. I’m more of a wide angle person, but the extra length to 70mm is really fantastic, and gives me more options when I am out taking photos. It is, ultimately, the best of both worlds. I have the wide angle, but I can also zoom in a little bit.

favourite-lens-24-70mm-cole-0372

Rail Viaduct Malmsbury

Sometimes I wish it was a little longer, maybe to 100mm or 120mm, but it isn’t, so I have to compensate. I don’t often zoom right in on subjects, so it is rarely a problem.

Fits filters

Doing long exposures is something that I have spent a lot of time learning, and this lens is a great choice for this. The 77mm filter size means that I can use filters. I also have the 14-24mm lens, and not being able to put filters on that has been frustrating, but the 24-70mm still gives me the wide angle view, and the option of using filters.

favourite-lens-24-70mm-cole-0368

Long exposure of bay

Can photograph things close-up

One of the unexpected bonuses has been how close I can get to objects to take photos. Nowhere near as close as a macro, but very close nonetheless. It’s great when I’m out to be able to take close-up photos of objects that I see, like flowers, cakes, etc.

favourite-lens-24-70mm-cole-0370

Flowering gum

Versatility

This is one of those lenses that you know could photograph anything. I purchased the lens for portraits and cycling, but it soon became apparent that I could use it for almost anything I wanted to do. I now shoot landscapes and architecture primarily, and it has been great for doing both of those. The lens is very versatile, and I am confident that no matter what I need to shoot it will do a great job.

favourite-lens-24-70mm-cole-0369

Pier at bay

Cons:

Weight

There is no doubt that it is a heavy lens, weighing in at 1.98 lbs. (900 g). Most people are shocked at how heavy it is when they pick it up alone, or with my camera attached. It isn’t something I notice anymore. I have been using heavy cameras for quite a few years and it is just normal now. When I was still photographing cycling events, I would use two cameras, one with the wide angle, and the other with a telephoto lens. People asked me how I carried it all, and I said the two cameras helped balance me. You just get used to it.

If you are someone who has issues with their hands or arms, and find it hard to carry or use heavy objects, this wouldn’t be a good lens for you. You may find it too heavy to hold up to take photos. Don’t forget, it isn’t just about holding it up when shooting, it is also about carrying it around as well. I have to admit that often, at the end of the day, I’m very happy to put the camera down.

Price

It isn’t a cheap lens in any way, but quality always comes with a price tag. The lens is approximately USD $ 1800, but, if you are serious about your photography, it is worth it. I definitely think it was.

Finally

I wouldn’t go anywhere without my Nikon 24-70 mm f/2.8 now. It has been rained on, had the hot sun beaming on it, been sprayed with salt spray, it’s dirty, it’s well-used. You can be sure that it will always be in my camera bag, whether it is attached to my camera or not. I love using it, and am never disappointed with the images that I get from it.

Do you have a favorite lens? Tell us. Read about some other dPS writer’s favorite lenses here:

  • Writer’s Favorite Lens: Olympus Zuiko 12-40mm f/2.8
  • Writer’s Favorite Wildlife Lens – Tamron 150-600mm
  • Writer’s Favorite Lens: 50mm f/1.8
  • Writer’s Favorite Lens – The Canon 24-105mm f/4
  • Writer’s Favorite Lens – the Canon 40mm Pancake Lens
  • Writer’s Favorite Lens – the Tamron 18-270mm

googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );

googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );

The post Writer’s Favourite Lens – Nikon 24-70 mm F2.8 by Leanne Cole appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Writer’s Favourite Lens – Nikon 24-70 mm F2.8

Posted in Photography

 

My Favourite Nightmares

30 May

© Marcel Meyer

Ein Beitrag von: Marcel Meyer

Als ich auf die bewegten Fotografien von Marcel Meyer stieß, war ich fasziniert und wusste sofort, dass ich sein Projekt auf Kwerfeldein vorstellen wollte. In ihm setzt er sich mit Hilfe einer ganz besonderen Technik mit seinen Kindheitsängsten auseinander.
kwerfeldein – Fotografie Magazin | Fotocommunity

 
Comments Off on My Favourite Nightmares

Posted in Equipment

 

Favourite Ghost

28 Oct

Ein Beitrag von: Aaron Gutsche

Die Idee für diese Serie kam mir in zwei Teilen. Es gab einen Abend, an dem ich mit meinem besten Freund Paul ausprobierte, was man so bewerkstelligen kann, wenn man im Besitz einer demontierten Straßenlaterne und einer Nebelmaschine ist.

Eine neblige Landschaft, Licht und ein Baum.

Sie schoss mir wieder durch den Kopf, als ich gerade dabei war, meine Schwester Nelly zu portraitieren. Ich hatte bereits meine anderen drei Schwestern, meinen Bruder und meine Eltern in Arten und Weisen gezeigt, mit denen ich zufrieden war, die ihnen gerecht wurden, als Kombination der beiden Kriterien „wer sind sie“ und „wie sehe ich sie“.

Nur Nelly fehlte noch, in ihrer oft wirren, unnachgiebigen und offensiven Art als Ausdruck ihrer geistigen Behinderung, bedingt durch den Drogenkonsum ihrer leiblichen Mutter während der Schwangerschaft.

Wir sehen eine Frau auf Knien hockend mit dem Rücken zu uns.

Etwas liegt unter einem weißen Laken.

Der Name „Favourite Ghost“ ist dem gleichnamigen Song der Band Team Me entliehen. Er handelt von einer vergangenen Liebe, die aber weiterhin als Favourite Ghost im Kopf herum spukt, zunehmend undeutlicher und verschwommener, aber immer da. Das zum einen. Zum anderen die vielen Menschen, denen man begegnet, mit denen man innig eine bestimmte, gemeinsam verbrachte Zeit teilt, die aber an anderen Orten, in anderen Ländern zuhause sind.

Ich bin nicht so der Kontakthalter. Man könnte mein Nicht-Antworten auf elektronischem oder postalischem Weg als Beleidigung ansehen. Ich finde nur, es gibt keinen Ersatz für Anwesenheit. Ich bin stattdessen jederzeit bereit, die Lieben zu beherbergen, die mich besuchen kommen möchten und zu versuchen, mit jedem dort anzuknüpfen, wo wir bei der letzten Begegnung aufgehört haben.

Außerdem bin ich selber viel unterwegs, um wiederzusehen. Und manchmal wird ein Wiedersehen eben nicht stattfinden.

Zwei Geister stehend am Schwimmbeckenrand.Ein Geist geht die Treppe hoch.

Viele Geister unter Bäumen.

Die Bilder könnten ohne Vertrautheit nicht entstehen. Ich sage: „Los, komm(t) mit, ich möchte Dich (Euch) an dem und dem Ort mit einem Laken über dem Kopf fotografieren.“ – „Hä!?“ – „Ja. Vertrau mir mal. Es wird gut!“

Das mit voller Überzeugung jemandem zu sagen, den ich nicht kennen gelernt habe, dafür bin ich nicht der Typ Mensch und mir liegt dann auch einfach nichts daran.

Ein leuchtender Geist im Dunkeln.Zwei Menschen am Rand eines Schwimmbeckens.

Die Bilder sind für mich ein Symbol für die gemeinsam verbrachte Zeit. Natürlich kann man das als persönlichen Aspekt nicht ohne Worte transportieren.

Was aber dann noch bleibt, ist die Ästhetik des Bildes, der gewählte Ort in Kombination mit dem „Geist-Thema“ und vielleicht ruft sie dann – im Ergebnis sicher purer Pop und leicht zu durchdringen – doch noch Assoziationen und Stimmung beim jeweiligen Betrachter hervor.

Zwei Lakengeister rennen in den Wald.

Ein Mensch unter einem Laken leuchtet und Du siehst die Hand.

Ich betreibe die Sache mit den Bildern aus Freude und Schmerz, aus Langeweile und Stress, aus Liebe und sicher auch aus Hass. Vielleicht bin ich unter dem Namen „blaueturnschuhe“ einigen von Euch bereits auf Flickr begegnet. Dort gibt es mittlerweile nichts mehr zu sehen.

Dafür auf Tumblr, das einen viel spezielleren, freieren und chaotischeren Umgang mit Inhalten ermöglicht. Ich lade Euch ein, mal vorbei zu schauen, auch die Serien „Who thought we have no one“ und „Full of Fire“ zu betrachten und mich dann – langsam aber stetig – wieder zu vergessen.


kwerfeldein – Fotografie Magazin | Fotocommunity

 
Comments Off on Favourite Ghost

Posted in Equipment

 

18 January, 2013 – Briot’s Favourite New Photoshop CS6 Features

18 Jan

Though it’s been out for quite a while, many photographers are still making the transition to Photoshop CS6.

Last fall Alain Briot write a piece titled Alain’s Favourite CS6 Features. Things were a bit hectic for me at the time, and I neglected to publish it then. Sorry Alain. Here it is now though.

         

"Yes I downloaded the videos. THEY ARE AWESOME!!! I learned so much I think my brain is going to explode.

 

Now I need to get the LR4 video to see how much of Lightroom 4 I don’t know". 


The Luminous Landscape – What’s New

 
Comments Off on 18 January, 2013 – Briot’s Favourite New Photoshop CS6 Features

Posted in News

 

My favourite bits from my 2nd year of photography

11 Sep

A few of the shots from my last year in my 20’s.