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Posts Tagged ‘Failure’

How Failure Can Improve Your Photography

21 Jan

The post How Failure Can Improve Your Photography appeared first on Digital Photography School. It was authored by Mat Coker.

Failure is an indication that you’re not good at something, but it’s not a sign that you should give up.

Many people let failure stop them from moving forward. But you should use it as a guide to growth. If the taste of failure has convinced you to give up in the past, let me show you how to use it for your benefit.

Failure in photography can be defined in a number of ways, so let’s look at how failure can help you improve your photography.

You tried photography but you totally sucked at it

Maybe you wish you were a ‘natural’ and capable of taking amazing photos without lots of practice and disappointment. But I think it’s better that you have to struggle to get good.

Yes, some people seem to have a knack for picking up a camera for the first time and taking gorgeous photos without even knowing what they’re doing. But because people who are naturals don’t really know what they’re doing, they’re going to hit their limits pretty quick. Their photos may all look the same and they won’t know how to improve. But because you had to struggle to get good, learning tough new things will be comfortable and normal for you.

I started out as a kid with a film camera and almost all of my photos were terrible. I made very little progress over the years until I found people to teach me.

If you’re terrible at photography then you need a teacher. You can find teachers online or in person. Usually, a combination of online and in person learning works well.

Failure should lead you to learn more.

This was my first attempt at a formal portrait of my son. I had no idea how to work my camera or how light effects a photo.

With the help of Lightroom, I was able to salvage the photo to some degree. It’s not quite the emotion I was going for, but that’s what he and I were feeling in the moment. At that point, I never wanted to take another formal portrait again. Little did I know, I just needed to learn.

You fail to accomplish something simple

It can be so humiliating to fail at something simple! You might feel dumb or completely incompetent, but don’t give up.

When you fail at something you thought would be simple, you probably just underestimated how difficult it would be. You found out it would be tougher than you thought and you have a little more to learn.

As long as you understand what made you fail at something simple, you can learn how to improve.

Thinking that a quick head and shoulder portrait of my son would be easy to accomplish, this was the best shot I could get! I tried for half an hour but failed to get that simple photo. What I learned was that toddlers have no intention of sitting still for a photo. So I learned to work with toddlers and to embrace unexpected candid moments like the one in this photo.

You fail to achieve your vision

Maybe you have good photography skills, but you always seem to fall short of your vision.

That is perfectly normal. Nobody who aims high achieves their goals or vision easily. Most of your journey will be learning failure, but it will be so sweet when you do achieve it.

Having learned about light and the nature of toddlers, I decided to create a portrait that I envisioned based on a Charlie Brown Christmas movie. Working with a toddler, I knew that I would only have a minute or two to capture the image.

Even though I failed to work well with toddlers at first, learning how to do it helped me to hone my vision under pressure.

Follow failure until it leads you to success.

You lose competitions

Perhaps you pour your heart and soul into your photography only to lose competition after competition.

I actually recommend that at first, don’t enter competitions to win, but enter for the valuable feedback from the judges. Put your photos up against photographers who are better than you and listen to the feedback you receive. Learn to express your unique vision in a way that pleases viewers with high standards. In this way failure will be your guide, telling you exactly how to improve.

I had a “second runner up” photo that might have won first place, but one of the judges brought my score down a lot. He said the light was bad in my photo. At first, I was hurt by his comments. But to be honest, I hadn’t even thought about light when I took the photo. Light was the very next thing I learned about.

Invite failure to be part of your journey and you won’t mind it so much.

There are technical imperfections in your photos

If you find it difficult to live with technical imperfections then there are two things you should do.

The first is to relax your attitude toward standards a bit. At the very least don’t expect every photo to be perfect. Most photographers are thrilled if 10% of their photos turn out. But perhaps only 1% will be worth keeping. If you keep having the same technical problem then you should learn how to fix it.

The second is to occasionally embrace imperfections as part of your photo. Perhaps extreme conditions (light, weather, etc.) will inevitably lead to imperfect photos. Is that so bad?

Change your attitude toward technical failure.

I love walking into a chaotic scene and making a portrait from it. This picture has some technical errors though. It is quite grainy and a little misfocused. To me, that expresses the chaos of the moment all the more.

“Don’t like the high-ISO noise? Make a photograph that’s so good, so captivating, that no one notices it! If noise is what people notice, noise is not your biggest problem.” – David DuChemin

Your photos fail to move you

I’ve gone through long periods of boredom with photography and my photos. At times it has become a mechanical process. In those times I’ve plunged deeper into why I even take photos to begin with. I’ve come to realize that for me photography is an exploration of human nature – explaining man to man and each to himself, as Edward Steichen puts it.

Wrestling with why your photography fails to move you may actually take you deeper into your pursuit of photography. It may help you to understand what excites you about photography and get you back on track.

Inspired by a friend’s struggle with anxiety, I envisioned a candid portrait session on the theme “A Glorious Mess.” I didn’t allow any posing. I could only capture candid moments that happened naturally. This is one of the photos that I felt best expressed the theme.

Your photos fail to move others

My wife paid a lot of money to surprise me with a mentoring session with a famous Canadian photographer. He told me that my photos are technically fine but they don’t move him. He referred to them as saccharine (super sweet fake sugar).

Imagine putting it all there and paying big money to have a person tell you how terrible they think your photos are! He didn’t say it to be mean, he was just being honest.

This is a good example of photos I take that fail to move other photographers. It’s the same old golden light and cute toddler smile that they see everywhere. Though this photo may fail to move fellow photographers, It does move the families that hire me. That’s worth it for me.

If other photographers aren’t interested in your photos or editors reject them for publication, it doesn’t mean you’re a failure as a photographer. Your photos just didn’t interest them or weren’t useful to them. But listening to their critique or advice might help you to take photos that are more universally pleasing.

When others think you have failed, try to learn something from their perspective.

Failure should lead to refinement.

If you never grow – this is true failure

Perhaps you’re stuck because you need a teacher, or you’re stuck because you’re afraid to fail, or haven’t bounced back from failure.

Each type of failure has the potential to make you throw up your hands and quit. You’re more likely to quit when you believe that failure is a sign that you lack natural talent.

But failure also has the potential to help you grow, perhaps in ways you wouldn’t have grown without the failure.

Failure isn’t a reason to give up but a reason to go deeper.

 

Feature image: pixabay

The post How Failure Can Improve Your Photography appeared first on Digital Photography School. It was authored by Mat Coker.


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The Importance of Learning From Failure to Help You Grow as a Photographer

07 May

There’s a scene in the 1995 movie Apollo 13 when Gene Kranz, flight commander of the ill-fated moon mission, tells his team that, “Failure is not an option” as they struggle to find a way to bring three astronauts home from the depths of space. While that moment certainly makes for dramatic storytelling, it’s often far from the case when photography is concerned.

I would even go so far as to say failure is not only an option but necessary for you to grow as a photographer. There will be times in your photographic journey that things just don’t go as you had hoped despite how much you plan ahead. While some of these instances might slow you down the important part is learning from failure, growing from your mistakes, and becoming a better photographer as a result.

This picture turned out great, but there have been plenty over the years that didn’t.

I would like to share some things I’ve learned over the years from times that I have failed. Hopefully, this will help you benefit from my experiences.

Know your gear well

On some of my first sessions with clients, I had a very difficult time getting my camera to do what I wanted it to do, and many of my images were ruined because of it. A few were too bright, others were too dark, and some weren’t even in focus.

Luckily I shot in RAW so I could fix some of the issues in Lightroom. But things would have gone a lot smoother if I had just taken the time to understand my camera, learned how to use it, and knew what to do when shooting instead of spending hours adjusting images afterward.

The Importance of Learning From Failure and Your Growth as a Photographer - DLSR camera

Your camera is loaded with buttons, dials, menus, and options. Do you know what they all do?

Example

To illustrate what I mean by this, take a look at the following image I shot almost five years ago. Thankfully I did this session as a favor for some friends of our family because looking back on it I would feel terrible if I charged them money for these pictures!

dark family photo (underexposed) - The Importance of Learning From Failure and Your Growth as a Photographer

I remember being frustrated at seeing the LCD screen of my Nikon D7100 as I took these pictures because they were all coming out so dark! I didn’t know what was wrong, and I didn’t know what to change on my camera to fix the problem.

Looking back there was any number of remedies for this overly-dark photograph that I could have used. Had I only known how to actually work the knobs and dials on my camera, simple things like the follow could have solved it:

  • Adjust the exposure compensation (duh!).
  • Change to spot metering instead of matrix metering (of course!).
  • Locked exposure on a bright part of the scene and recomposed the shot (why not?).

Thankfully I used RAW and not JPG so the image wasn’t a total loss, but the skin tones are washed out and the picture is not nearly as vibrant and dynamic as if I had just gotten it right at the time of the shoot.

family portrait in the park - The Importance of Learning From Failure and Your Growth as a Photographer

Clearly, I had a lot to learn about lighting, composition, and why having clients sit on a canvas drop-cloth with their feet out is not a good idea.

This advice is not just for newbies

This advice isn’t just for professional sessions with clients either. Something happens when you get new gear and want to put it through its paces. I attended a wedding recently as a guest, not as the official photographer, but I had my shiny new Fuji X100F with me and even though I thought I knew how to operate it, I made a crucial mistake that cost me a lot of good shots throughout the evening.

For a good 20 minutes I couldn’t figure out why my camera wasn’t focusing right and all my shots were coming out poorly exposed. Finally, I realized that I had accidentally activated the built-in ND filter. There was even an icon on the LCD screen indicating the ND filter was turned on, but I didn’t see it because I just wasn’t as familiar with the camera as I should have been.

people dancing at a party - The Importance of Learning From Failure and Your Growth as a Photographer

Suffice it to say I felt like a complete amateur when I realized that a mistake I made had ruined so many good photo opportunities, but I quickly learned from it and hopefully now you can too!

Familiarize yourself with the location beforehand

Years ago, not too long after I got my Nikon D200 and 50mm lens, I thought I was a pretty big deal and knew everything there was to know about pictures. After all, I had a prime lens! What else was there to understand? (Spoiler alert: A lot. A whole lot!)

One of the biggest mistakes I made during this early period was to show up for photo sessions without ever having been to the location beforehand. This made it impossible, as any seasoned photographer would know, to plan out some of the basic essentials of a photo shoot and look for things like lighting, foreground and background elements, and even where to have my clients sit, stand, or walk.

Hard lesson to learn

The worst offender of the bunch was a session I did for a high school senior where most of the pictures turned out –  well, let’s just say less than ideal because I failed to plan ahead in terms of the physical location. We agreed to meet at a cross-country track, with almost no natural shade, at 5 pm. This is what happened:

portrait in the shade - The Importance of Learning From Failure and Your Growth as a Photographer

From one of my first high school senior sessions, and one I wish I could erase from existence altogether.

After searching for something, anything, to block the sun so he wasn’t squinting – I finally found this set of metal bleachers behind a tree. But because I didn’t understand how to operate my camera to get the exposure right (see failure tip #1) I got shots that were lit like some kind of circus act and were far too over or underexposed.

If I had taken some time to visit the location first I could have at least mentioned some alternative places at the track, or even suggested a different location entirely. Instead, I got out of my car and met the client and his mom with the kind of overconfident swagger that only a new wet-behind-the-ears photographer has, and ended up biffing most of the shots.

I did scrape by with enough competent shots to make it worth their while, but nonetheless, I walked away having learned something I will never forget.

senior portrait - The Importance of Learning From Failure and Your Growth as a Photographer

This was from one of my more recent high school senior sessions. I think it’s just a bit better, don’t you?

A few more for good measure

There are a host of other times I have failed as a photographer but each time I have tried to engage in some self-reflection and understand where I went wrong, As well, I tried to talk with other photographer friends, so I don’t make the same mistakes in the future.

My work has grown, and so have I, as a result of these failures. I would almost go so far as to say that failure is downright essential if you want to refine your craft as a photographer.

dogwood flower - The Importance of Learning From Failure and Your Growth as a Photographer

It took years of poor decisions and overlooking the obvious for me to learn enough about photography to take this simple picture of a dogwood flower.

Without going into too much detail, here are just a couple of other times I have swung and missed, photographically speaking, over the years along with a bit of caution for others thrown in for good measure.

When in doubt, take more photos

I was born in 1980 and grew up in the era of physical film, so when I got my first digital camera I carried that mentality with me. As a result, I missed out on a lot of good shots, especially with clients, because I thought I already had enough and didn’t want to fill up my memory card.

With the price of memory cards being so astronomically low, there is no excuse for not taking enough pictures, and you can just delete them later if you need to.

Control your depth of field

After I got my 85mm f/1.8 lens I took it out to a photo session with clients before thoroughly using and understanding it, which is always a big mistake. I also thought that I could shoot everything at f/1.8 because it gave me such a cool background blur!

What I didn’t realize at the time was the extra-large aperture was also causing half the people to be out of focus due to the insanely shallow depth of field. Just because your lens has a super wide aperture doesn’t mean you should always use it. When in doubt, stop it down a bit.

family portrait outdoors - The Importance of Learning From Failure and Your Growth as a Photographer

I focused on the mother, front and center, and shot this with my 85mm lens at f/1.8 to get a blurry background. What I didn’t realize was that also meant the husband was out of focus as a result.

Know when enough is enough

This one is going to vary depending on the type of photography you do. But as someone who takes a lot of family and child photos, it’s important to know when to hold ’em and know when to fold ’em.

Kids, and even parents, can be fickle and there were times early on when I would drag out photo sessions long after I should have called it quits. “Hey let’s get some more shots over there!” I would say. My clients would begrudgingly oblige while I scampered off ahead of them in a vain effort to capture authentic smiles and emotions.

Dragging out a photo session won’t help you get better pictures. But it will make your clients roll their eyes and think about booking someone else next time. Someone who will take a hint and pay attention to their needs!

family photo - The Importance of Learning From Failure and Your Growth as a Photographer

I learned over the years that kids just don’t last long at family photo sessions, so I took a ton of pictures and tried to keep things interesting by switching up the poses. 20 minutes later these kids were ready to be done, and I could have tried to stretch things out further but it would have only led to frustration.

Conclusion

These are just a few of the many lessons I have learned over the years that, while painful at the time, have served me well in the long run.

What are some of the ways in which you have failed, fell down, or otherwise came up short and what did you learn from it? I’d love to hear your thoughts and experiences in the comments section below. Hopefully, we can all learn from each other’s mistakes.

The post The Importance of Learning From Failure to Help You Grow as a Photographer appeared first on Digital Photography School.


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Faded dream: blogger looks back at the failure of the Silicon Film project

20 Aug

SiliconFilm.png

In the early days of digital photography a small American company, Imagek, started developing a digital sensor module that could be installed in film SLRs. The idea still generates excitement today, more than ten years after the company (by then named Silicon Film) failed. Photographer and blogger Olivier Duong has taken a look back at the promise and disappointment of the Silicon Film dream.

News: Digital Photography Review (dpreview.com)

 
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Congestive Heart Failure Animation

11 May

This is one of our most complex animations to date. With a total runtime of over 8 minutes across three modules, the program incorporated over 50 separate models, from the molecular (Angiotensin I, BNP, Endothelin), to the microscopic (red blood cells, platelets, endothelial cells), to whole organs (heart, lungs, kidney, liver, vascular system) and even a whole body. Creating, managing, and animating all of these digital assets into a coherent program with a strong narrative using a team of 4 modelers and animators working concurrently – was a challenge. Our client also had a specific tradeshow in mind to premiere the final movie, which was only 12 weeks from project initiation and gave us a fixed deadline. We managed to bring the whole program in on time and on budget – an innovative achievement.
Video Rating: 5 / 5

www.nucleusinc.com This 3D medical animation demonstrates techniques used in bariatric surgery (weight reduction surgery) for obesity, including stomach staple. Bariatric surgery is performed if weight loss efforts through lifestyle changes and medications have been unsuccessful and your body mass index, or BMI, is above 40 or above 35 and you have life-threatenign condition, such as heart disease of diabetes. There are two types of bariatric surgeries; restrictive and malabsorptive. Gastric bypass or Roux-en-Y is both a restrictive and malabsortive procedure, while banding techniques are restrictive procedures and biopacreatic diversion procedure is a malabsorptive procedure. ANH00003