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Posts Tagged ‘Faces’

Researchers release free AI-powered Fawkes image privacy tool for ‘cloaking’ faces

13 Aug

Researchers with the University of Chicago’s SAND Lab have detailed the development of a new tool called Fawkes that subtly alters images in a way that makes them unusable for facial recognition. The tool comes amid growing concerns about privacy and an editorial detailing the secret scraping of billions of online images to create facial recognition models.

Put simply, Fawkes is a cloaking tool that modifies images in ways imperceptible to the human eye. The idea is that anyone can download the tool, which has been made publicly available, to first cloak their images before posting them online. The name was inspired by Guy Fawkes, the mask of whom was popularized by the movie V for Vendetta.

The Fawkes algorithm doesn’t prevent a facial recognition algorithm from analyzing a face in a digital image — instead, it teaches the algorithm a ‘highly distorted version’ of what that person’s face looks like without triggering errors; it cannot, the researchers say, be ‘easily detected’ by the machines, either.

By feeding the algorithm these cloaked images, it subtly disrupts the machine’s attempt to learn that person’s face, making it less capable of identifying them when presented with uncloaked imagery. The researchers claim their cloaking algorithm is ‘100% effective’ against top-tier facial recognition models, including Amazon Rekognition and Microsoft Azure Face API.

As well, the team says their disruption algorithm has been ‘proven effective’ in many environments through extensive testing. The use of such technology would be far more subtle and difficult for authorities to prevent compared to more conventional concepts like face painting, IR-equipped glasses, distortion-causing patches or manual manipulation of one’s own images.

These conspicuous methods are known as ‘evasion attacks,’ whereas Fawkes and similar tools are referred to as ‘poison attacks.’ As the name implies, the method ‘poisons’ the data itself so that it ‘attacks’ deep learning models that attempt to utilize it, causing more widespread disruption to the overall model.

The researchers note that Fawkes is more sophisticated than a mere label attack, saying the goal of their utility is ‘to mislead rather than frustrate.’ Whereas a simple corruption of data in an image could make it possible for companies to detect and remove the images from their training model, the cloaked images imperceptibly ‘poison’ the model in a way that can’t be easily detected or removed.

As a result, the facial recognition model loses accuracy fairly quickly and its ability to detect that person in other images and real-time observation drops to a low level.

Yes, that’s McDreamy.

How does Fawkes achieve this? The researchers explain:

‘DNN models are trained to identify and extract (often hidden) features in input data and use them to perform classification. Yet their ability to identify features is easily disrupted by data poisoning attacks during model training, where small perturbations on training data with a particular label can shift the model’s view of what features uniquely identify …

But how do we determine what perturbations (we call them “cloaks”) to apply to [fictional example] Alice’s photos? An effective cloak would teach a face recognition model to associate Alice with erroneous features that are quite different from real features defining Alice. Intuitively, the more dissimilar or distinct these erroneous features are from the real Alice, the less likely the model will be able to recognize the real Alice.’

The goal is to discourage companies from scraping digital images from the Internet without permission and using them to create facial recognition models for unaware people, a huge privacy issue that has resulted in calls for stronger regulations, among other things. The researchers point specifically to the aforementioned NYT article, which details the work of a company called Clearview.ai.

According to the report, Clearview has scraped more than three billion images from a variety of online sources, including everything from financial app Venmo to obvious platforms like Facebook and less obvious ones like YouTube. The images are used to create facial recognition models for millions of people who are unaware of their inclusion in the system. The system is then sold to government agencies who can use it to identify people in videos and images.

Many experts have criticized Clearview.ai for its impact on privacy and apparent facilitation of a future in which the average person can be readily identified by anyone with the means to pay for access. Quite obviously, such tools could be used by oppressive governments to identify and target specific individuals, as well as more insidious uses like the constant surveillance of a population.

By using a method like Fawkes, individuals who possess only basic tech skills are given the ability to ‘poison’ the unauthorized facial recognition models trained specifically to recognize them. The researchers note that there are limitations to such technologies, however, making it tricky to sufficiently poison these systems.

One of these images has been cloaked using the Fawkes tool.

For example, the person may be able to cloak images they share of themselves online, but they may find it difficult to control images of themselves posted by others. Images posted by known associates like friends may make it possible for these companies to train their models, though it’s unclear whether there exists the ability to quickly located people in third-party images (for training purposes) in an automated fashion and at a mass scale.

Any entity that is able to gather enough images of the target could train a model sufficiently enough that a minority of cloaked images fed into it may be unable to substantially lower its accuracy. Individuals can attempt to mitigate this by sharing more cloaked images of themselves in identifiable ways and by taking other steps to reduce one’s uncloaked presence online, such as removing name tags from images, using ‘right to be forgotten’ laws and simply asking friends and family to refrain from sharing images of one’s self online.

Another limitation is that Fawkes — which has been made available to download for free Linux, macOS and Windows — only works on images. This means it is unable to offer cloaking for videos, which can be downloaded and parsed out into individual still frames. These frames could then be fed into a training model to help it learn to identify that person, something that becomes increasingly possible as consumer-tier camera technology offers widespread access to high-resolution and high-quality video recording capabilities.

Despite this limitation, Fawkes remains an excellent tool for the public, enabling the average person with access to a computer and the ability to click a couple of buttons to take more control over their privacy.

A full PDF of the Fawkes image-cloaking study can be found on the SAND Lab website here.

Articles: Digital Photography Review (dpreview.com)

 
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Due to Coronavirus, Canon Faces Production Problems on EOS R5, R6

17 Mar

The post Due to Coronavirus, Canon Faces Production Problems on EOS R5, R6 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Due to Coronavirus, Canon Faces Production Problems on EOS R5, R6 featured image

The camera industry is feeling the effects of the coronavirus now more than ever.

According to Canon Rumors, Canon’s is facing significant shortages in the production of its two new mirrorless cameras, the EOS R5 and EOS R6.

These two mirrorless models are currently under development and were slated to launch this summer, but the appearance of coronavirus has seen the disruption of Canon’s supply chains and has brought production capacity on the cameras down to just 25%.

Canon is considering two ways of addressing these issues:

First, the company may decide to halt the release of the EOS R5 and EOS R6 until the fall, when production should be back at full capacity. This would allow for strong, albeit late, product launches.

Second, Canon may go ahead with the launch of both cameras. But Canon would be moving forward without the production numbers necessary to satisfy all customers, and so we would likely see shortages until the coronavirus pandemic has passed.

Obviously, neither of these measures is ideal. Both the EOS R5 and R6 have generated great excitement among Canon fans, and among the camera industry at large. Any delays or shortages will be met with frustration on all sides, especially by those who have been holding out for a true professional mirrorless model from Canon.

Note that the EOS R5 offers a number of features that were missing from Canon’s first two distinct full-frame mirrorless bodies, the EOS R and RP. These include dual card slots (essential for wedding photographers, photojournalists, and sports photographers, all who require redundancy in their work), as well as in-body image stabilization, which will debut in both the EOS R5 and EOS R6. The EOS R5 will also address concerns that videographers had with the EOS R; the R5 will reportedly offer true 8K video that utilizes the full width of the sensor.

And while Canon has not confirmed a megapixel count for the R5, it has been consistently rumored to feature a 45 MP sensor, which could position the R5 as a high-powered alternative to megapixel monsters such as the Nikon Z7 and the Panasonic S1R.

Canon has remained virtually silent regarding the EOS R6. But rumors suggest that the camera will feature a 20 MP sensor, in-body image stabilization, 4K/60p video, and 12/20 frames-per-second shooting with mechanical and electronic shutters, respectively. It may cater to hobbyists looking for a first full-frame mirrorless body, but who want true mirrorless-type features such as IBIS.

Here’s the bottom line:

The release of these two full-frame mirrorless cameras may well be a turning point for Canon. Whether it comes sooner or later is immaterial, though it will certainly be frustrating for anyone looking to purchase these cameras.

So keep an eye out for more information regarding both of these mirrorless bodies.

Are you looking to buy either the EOS R5 or the R6? Which camera excites you more? Share your thoughts in the comments!

The post Due to Coronavirus, Canon Faces Production Problems on EOS R5, R6 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Axibo camera slider system uses AI to track faces and objects

21 Sep

Axibo Media has launched a Kickstarter campaign for Axibo, an AI-powered camera slider system with tilt and pan functionalities. The company bills Axibo as a more affordable and simplified professional alternative to existing robotic camera systems. The product features an integrated 6 + 1 AI core CPU, powering its ability to learn faces and track ‘just about any object.’

Axibo is claimed to be the first AI-powered camera slider on the market. The device supports shooting in a variety of modes, including simple to 3-axis multi-point complex time-lapses, face tracking while sliding back and forth, and more.

The system supports payloads up to 20lbs (slider) to 24lbs (Pan & Tilt unit), speeds up to 1m/s (slide) and 300 deg/s (pan/tilt), and it supports voice control. Features include USB-C compatibility, HDMI-in, power for the mounted camera, and a universal app for controlling the device.

The 1m (3.2ft) slider is made from carbon fiber, supports angled and vertical motion, and including dual 1/4″-20 mounts on both ends. The Axibo slider can be used without the companion Axibo Z1 Pan & Tilt unit when applicable. The slider is joined by the companion Axibo controller, which includes WiFi, Bluetooth, USB-C, HMDI, axis inputs for camera control, and a Sony NP-F dual battery receiver.

The aforementioned Pan & Tilt unit features an intreated 4MP camera for 40fps face and object tracking, support for operating in inverted mode, modular mounting options (including support for tripods), and aluminum construction.

The Axibo camera slider system is being offered through Kickstarter, where backers who pledge at least $ 1,192 CAD are offered the slider, controller, z friction mount and cable package. Other pledge options include the Pan & Tilt unit for pledges of at least $ 1,315 CAD and both the slider and Pan & Tilt unit for pledges of at $ 2,105 CAD. Shipments to backers is estimated to start in April 2020


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Photo chemistry manufacturer and supplier Tetenal Europe faces closure

30 Jan

Photo chemistry manufacturer and supplier Tetenal Europe GmbH is reportedly set to close up shop after a prolonged search for new investors failed to secure its future. Under voluntary insolvency protection since last October, the German-based firm is set to complete its current production run and close its doors at the end of the financial year on April 1st, according to a report on the German imaging + foto contact website.

The closure could have serious consequences for the film processing industry as Tetenal manufactures chemicals under its own name as well as for many third party brands across Europe. It is also the main supplier of materials for the Kodak Express chain across the continent and the only supplier of consumables and service for Konica Minolta minilabs. It is also the distributor of Kodak Aerial Imaging Films and Chemicals in Europe, Africa and the Middle East.

The company can trace its roots back to 1847 when drug wholesaler Theodor Teichgraber started distributing chemicals for wet collodion plates. Since then it has moved into the production of film chemistry for professional, high street and home users. It also has branched in to other chemical areas, such as agriculture, but has also become an important distributor for Epson, Eizo, Kodak and a range of inkjet and dye sub media.

The company had a change of management in April 2017 when Matthias Hübener stepped down from the day-to-day running of the firm for make way for Daniel Middendorf, who was still MD until this month. Hübener, who remains the business’ main shareholder, managed Tetenal for 24 years from 1993, taking over from his father Fritz who had become CEO and the main shareholder in 1960.

It isn’t clear at this stage how the closure of the Europe HQ will impact subsidiary companies in France, Poland and the UK. For more information see the Tetenal Europe GmbH website.

Articles: Digital Photography Review (dpreview.com)

 
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Photojournalist faces death penalty in Egypt for covering anti-government protests

10 Mar

Mahmoud Abou Zeid, a 31-year-old photojournalist also known by the alias Shawkan, is among more than 700 individuals currently facing a death sentence in Cairo. According to Reporters without Borders, Shawkan and the others were arrested in connection with the anti-government protests that took place in Cairo’s Rabaa al-Adawiya Square in August 2013.

On March 3rd, the prosecution in the trial requested that all 700+ individuals, including Shawkan, be sentenced to the maximum penalty of death by hanging. Charges lobbed against the entire collective include accusations of being members of the Muslim Brotherhood, attempted murder, murder, and more.

Shawkan, however, was merely covering the protests as part of his job. The photojournalist was reportedly working on assigned for Demotix, a British photo agency, when he was arrested on August 14th, 2013.

The UN Working Group on Arbitrary Detention is aware of Shawkan’s arrest, which it has classified as arbitrary. According to a report from the group, Shawkan was held without charges or trial until March 2016. The group states that Shawkan has been deprived of medical treatment, adequate access to his lawyer, and due process… among other things.

Reporters without Borders has called for Shawkan’s release, also noting that RSF’s World Press Freedom Index ranks Egypt among the lowest in the world.

Articles: Digital Photography Review (dpreview.com)

 
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Karsh, Beaton and Swannell featured as Camera Press celebrates 70 years with exhibition of famous faces

13 May

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An exhibition of portraits that chart the last seven decades of celebrity photography will mark the 70th birthday of British photo agency Camera Press. Emma Blau, granddaughter of founder Tom Blau, has searched the 12 million images of the agency’s archive to find the photographs that demonstrate how portrait photography has changed since the agency started in 1947. The first photographer to join the business was Yousuf Karsh and the first event covered was the wedding of the Queen of England by society photographer Baron.

The exhibition ‘Camera Press at 70 – a lifetime in pictures’ will feature archival work by Karsh, Cecil Beaton, Baron and Jane Bowen, as well as by more recent photographers such as John Swannell, Clive Arrowsmith, Jason Bell and Chris Floyd.

Celebrities caught by the lenses of the exhibited photographers will include Kate Bush, The Queen, the Gallagher brothers from Oasis, Amy Winehouse, Marilyn Monroe, Winston Churchill and JFK.

The free exhibition will be held the Olympus-sponsored Art Bermondsey Project Space in London from 17th May to 10th June 2017. For more information see the Camera Press website, and for more of the images see the Daily Mail website. 

Information from Camera Press

Founded in 1947, Camera Press celebrates its Platinum anniversary this year with Camera Press at 70 – a lifetime in pictures. Drawing on an unparalleled collection of images, and featuring work by some of the most iconic names in the industry this exhibition offers a fascinating insight into photography from the 1940s to the present day.

On display will be the work of photographic legends such as Yousuf Karsh, Cecil Beaton and Jane Bown through to contemporary names that include Andy Gotts, John Swannell, Jason Bell, Jillian Edelstein, Chris Floyd and Laura Pannack.

The exhibition will feature two further 70th anniversaries: 1947 was the year the young Princess Elizabeth wed Prince Philip and the British Academy of Film and Television Arts (BAFTA) was founded. The first photographs distributed by Camera Press were of the wedding of the future Queen, and this famous image by Baron will sit alongside more recent unique portraits of Princess Diana, The Queen’s Jubilee and the christening of Prince George. The exclusive BAFTA portrait collection will shine a light on many of our best loved actors from the worlds of TV and film.

Also included in the show are photographs by three generations of the Blau family: founder Tom Blau, his son Jon and granddaughter Emma.

Articles: Digital Photography Review (dpreview.com)

 
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Emoji Facade: Dutch Architects Decorate Brick Building with 22 Smiley Faces

05 May

[ By WebUrbanist in Architecture & Offices & Commercial. ]

Instead of gargoyles, grotesques or ornate decorative details, this somewhat silly facade expresses an array of emotions through circular icons familiar to anyone with a smartphone or social media account.

Located in suburban Vathorst near Amersfoort, this design by Attika Architekten (images by Bart van Hoek) looks quite conventional at a glance. At each level, horizontal rows of light concrete break up stacks of dark brick and divide the tops and bottoms of windows.

Upon closer inspection, however, the mixed-use project has a detail that varies from one location to the next — round faces featuring a broad range of emotional states and attitudes.

“In classical architecture they used heads of the king or whatever, and they put that on the façade,” explains the architect. “So we were thinking, what can we use as an ornament so when you look at this building in 10 or 20 years you can say ‘hey this is from that year!’.” If nothing else, they seem to have hit that target.

“The cast concrete characters express a range of familiar emoji emotions, including the classic sad and happy styles, the instantly-recognizable kissing face, and the much-loved heart eyes personality.”

Formally speaking, this decor adds a layer of interstitial detail often found in early Modern architecture urban architecture (derived historically from Gothic influences). It adds an element that spans the fine grain of the brick columns and otherwise featureless and monolithic concrete rows.

Whether or not these emoticons will look funny, cool, creative, unique, dated or all of the above in a few decades remains to be seen. Still, it is certainly is a fun way to think about decor in the post-Postmodern world where rote historicism has become a thing of the past.

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Fearless Girl: Powerful Statue Faces Down Famous Charging Bull of Wall Street

19 Mar

[ By WebUrbanist in Art & Sculpture & Craft. ]

fearless womens day statue

Located in the heart of the financial district in New York City, the Charging Bull statue has long been an icon of the industry, but now faces its first opponent: a young girl cast in bronze.

wall street bull

Sponsored by city officials and a local firm and crafted by sculptor Kristen Visbal, The Fearless Girl was erected in recognition of International Women’s Day. Its intended message is to encourage companies to put women on their boards, but of course it carries a series of meanings in the face of Wall Street and the political climate.

fearless girl statue

“One of the most iconic images on Wall Street is the charging bull,” explains a representative of State Street. “So the idea of having a female sort of stand against the bull or stand up to the bull just struck us as a very clever but also creative and engaging way to make that statement. Even though it’s a little girl, her stance is one of determination, forwardness, and being willing to challenge and take on the status quo.”

Whether the statue will stand the test of time remains to be seen, but its persistence would certainly not be without precedent. Per Colossal, the “Charging Bull was originally an act of guerrilla art by Arturo Di Modica, and only became permanent after its soaring popularity, leaving some to wonder if Visbal’s statue could follow the same story.”

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Chinsekikan: Japanese Museum of Found Stones that Look Like Human Faces

18 Nov

[ By WebUrbanist in Art & Sculpture & Craft. ]

japanes-rock-faces

An unusual collection of found-object art in Chichibu, Japan is home to nearly 2000 rocks that naturally feature what appear to be facial expressions.

japan-rock-faces

japanese-face-stone

A jinmenseki (or: rock with human face) can look like anything from an abstract emoji to a famous figure, including ones in this array that are purported to resemble Donkey Kong, Nemo and Elvis Presley.

japan-elvis-presley-head

japan-face-rocks

japanese-stone-collections

The founder of the museum, Shozo Hayama, passed away after 50 years of collecting and left the space and its collection to his wife Hayama six years ago. The key criteria: nature is the only artist in the mix (no modified rocks allowed).

rock-museum

japanes-faces

japan-evil-face

japan-rock-collector

Some of the rocks are named while others simply set on the shelves, left open to interpretation. Visitors can simply show up but are advised to call ahead since the hours of opening are not entirely consistent or predictable (h/t Spoon & Tamago).

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The Crying Forest: Faces of Indigenous Brazilians Fill the Amazon Rainforest

11 Nov

[ By SA Rogers in Art & Installation & Sound. ]

crying-forest-main

Many times larger than life, the faces of indigenous Brazilian people illuminate the darkened Amazon Rainforest, projected directly onto the trees as a symbolic representation of their connection to the land. The Suruí Tribe, led by chief Almir Surui Narayamoga, are being displaced by massive deforestation that has already destroyed nearly 20% of the forest over the past 40 years, with another 20% projected to be lost within the next 20 years.

crying-forest-3

crying-forest-1

The chief invited French photographer and street artist Philippe Echaroux to bring attention to the plight of the tribe through land-based art. Capturing portraits of individual members of the tribe, Echaroux enlarged the images and projected them onto trees in the village’s section of the rainforest in strikingly beautiful and often eerie compositions.

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“Victims of massive deforestation and gold washers who did not hesitate to violate the Surui’s territory to seize deposits of precious stones, the Surui people want to raise awareness of this horrible and greedy slaughter that endangers a territory and its people,” says Echaroux.

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The installation, entitled ‘The Crying Forest,’ was never meant to be seen in person by the public. It’s almost like a private ceremony just for the forest and the people who know it so intimately – but photographs of the display will be on exhibit at the Taglialatella Gallery in Paris from November 10th through December 15th 2016. You can catch more of Philippe Escharoux’s work on his Instagram.

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