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Olympus 12-200mm F3.5-6.3 pre-production sample gallery

13 Feb

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Covering a 24-400mm equivalent range, Olympus’ new zoom covers an awful lot of bases. It’s an ideal candidate for travel, whether you’re somewhere exotic or playing tourist in your hometown. That’s exactly how we put this lens to work – take a look at some samples from a pre-production lens.

See our pre-production Olympus 12-200mm F3.5-6.3 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3 boasts 16.6x magnification

13 Feb

Olympus has unveiled a super telephoto zoom for its Micro Four Thirds cameras: the M.Zuiko Digital ED 12-200mm F3.5-6.3. It’s a 24-400mm equiv. zoom boasting a class-leading 16.6x magnification. Though it lacks the ‘Pro’ designation of higher-end Olympus optics, the company claims that it offers the same dustproof and splashproof build quality as those lenses.

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The 12-200mm F3.5-6.3 does not offer built-in stabilization, and will rely on camera body IS. The lens uses Olympus’ MSC (Movie and Still Compatible) focusing mechanism and provides quieter operation – particularly useful for shooting video. The company’s ZERO (Zuiko Extra-low Reflection Optical) coating is also employed to reduce flare and ghosting.

The 12-200mm will go on sale in March for $ 900.


Official Olympus 12-200mm F3.5-6.3 sample images

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Press release

OLYMPUS ANNOUNCES M.ZUIKO® DIGITAL ED 12-200mm (35mm EQUIVALENT 24-400mm) F3.5-6.3 LENS

Powerful 16.6x Zoom is the Highest Magnification Available on an Interchangeable Lens for Mirrorless Systems

CENTER VALLEY, PA., February 13, 2019 – Olympus is pleased to announce the M.Zuiko Digital ED 12-200mm F3.5-6.3 (35mm equivalent 24-400mm) super telephoto zoom lens. Conforming to the Micro Four Thirds® System Standard, this lens features the highest magnification zoom available on an interchangeable lens for mirrorless systems at 16.6x . Users will experience excellent depictive performance across the entire focal length from wide-angle to telephoto, making it the perfect travel companion, packing high-speed and high-precision autofocus into an amazingly compact, lightweight form. The M.Zuiko Digital ED 12-200mm F3.5-6.3 lens features a dustproof and splashproof construction, making this lens durable enough to withstand the toughest shooting conditions, especially when paired with a weathersealed Olympus OM-D® camera body.

When shooting wide, the closest focusing distance is approximately 22 cm (approximately 10 cm from the end of the lens) from the main subject for capturing the subject along with an expansive background. When shooting telephoto, the maximum magnification of 0.46x (35mm equivalent) for close-up photography and for significant background defocusing. This do-it-all lens is perfect for close-ups of children’s expressions, indoor and outdoor situations and a variety of other subjects.

The M.Zuiko Digital ED 12-200mm F3.5-6.3 lens features the same reliable dustproof and splashproof performance as the M.Zuiko PRO lens series. When combined with a dustproof and splashproof camera , it can function in the most punishing of environments.

This lens is equipped with the MSC (Movie and Still Compatible) mechanism, an advanced inner focusing mechanism providing fast, smooth, quiet and accurate auto-focusing, ideal for video shooters. Users will enjoy a short shooting time lag, so split-second photo opportunities are not missed. Amazingly high-speed, precise autofocus performance on this high-magnification zoom lens will provide comfortable, fun shooting.

ZERO (Zuiko Extra-low Reflection Optical) coating, Olympus’ cutting-edge thin-coating technology, cultivated from multilayer film disposition technology used in microscopes, has been applied to the M.Zuiko Digital ED 12-200mm F3.5-6.3 lens to drastically reduce ghosts and flares, contributing to a clear, high-contrast image.

Separately Available Accessories

LC-72C Lens Cap: Equipped with a 72mm filter diameter that can be attached and removed without the need to remove the lens hood.

LH-76B Lens Hood: Protects the lens and reduces unnecessary light entering the lens when shooting in backlit conditions.

LSC-0914 Lens Case: A pouch-style lens case that protects lenses with three-layer construction. Lenses can be stored with the lens cap, protection filter and lens hoot (stored) attached.

ZUIKO PRF-ZD72 PRO Protection Filter: A lens filter equipped with ZERO coating and blackened glass edges, used to suppress flares and ghosting caused by reflections. The frame consists of a satin finish black aluminum. This filter is also compatible with other lenses of a 72mm filter diameter.

Specifications are subject to change without notice. Company names and product names contained in this release are trademarks or registered trademarks of their respective companies.

U.S. Pricing and Availability
The Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3 lens has an expected availability of late March 2019 with suggested retail pricing of $ 899.99 (USD) and $ 1,149.99 (CAD). The LC-72C Lens Cap will retail for $ 14.99 (USD & CAD). The LH-76B Lens Hood will retail for $ 49.99 (USD) and $ 64.99 (CAD). The LSC-0914 Lens Case will retail for $ 31.99 (USD & CAD). The ZUIKO PRF-ZD72 PRO Protection Filter will retail for $ 79.99 (USD & CAD).

Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3 specifications

Principal specifications
Lens type Zoom lens
Max Format size FourThirds
Focal length 12–200 mm
Image stabilization No
Lens mount Micro Four Thirds
Aperture
Maximum aperture F3.5–6.3
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 16
Groups 11
Special elements / coatings 3 Aspherical lenses, 2 Super ED, 2 ED, 1 Super HR, 2 HR elements + ZERO coating
Focus
Minimum focus 0.22 m (8.66)
Maximum magnification 0.46×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter No
Physical
Weight 455 g (1.00 lb)
Diameter 78 mm (3.07)
Length 100 mm (3.94)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 72 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Review of the Tamron 18-400mm F/3.5-6.3 DI-II VC HLD Zoom Lens

22 Nov

Tamron has been specializing in super-zoom lenses for the last few years. You may be familiar with their 16-300mm, 18-270mm or 150-600mm lenses. Their newest super-zoom is an even more astonishing focal length, the Tamron 18-400mm. I recently had a chance to review this lens for a few weeks so I thought I’d give you an idea of who this lens is for, the good, the not-so-good, and my overall recommendation.

Review of Tamron 18-400mm F/3.5-6.3 DI-II VC HLD Zoom Lens - Hibiscus

Hot pink hardy hibiscus bloom. Canon 7D Mark II, Tamron 18-400mm lens @ 400mm, f/9, 1/160th, ISO 100, handheld.

About this review

I know you already know this (because you read ALL my pieces for dPS, right? Right?!) but my lens reviews are pretty real world. I don’t sit in a lab or use techy gizmos to measure sharpness. I actually hold a lens in my hands and shoot with it. This lens was tucked in my favorite bag for most of August.

That said, my intention was to see how a lens holds up for an actual shoot. I used this lens to photograph Lipizzan horses at a dressage performance as well as at the racetrack. Then I used it on a mission to photograph old barns and finally to make some macro flower images.

Tamron 18-400mm lens -  Lipizzan Foal

Lipizzan foal at Tempel Farms, Old Mill Creek IL. Canon 7D Mark II, Tamron 18-400mm lens @ 300mm, f/6.3, 1/640th, ISO 500, handheld. 

The goal was to make images at most focal lengths with a variety of apertures, but a few might have been skipped because I was really out there shooting. I shoot at the focal length, shutter speed, ISO and aperture that each situation calls for. So let’s just say I apologize in advance if I’ve skipped something important to you. Give me a shout in the comments if that’s the case. I’ll dig through my notes and image archives to see if I can answer your question.

Lens specs

Let’s start off with a quick overview of the lens specs. This lens is for Nikon and Canon APS-C (crop sensor) cameras only. I tested the lens on a Canon 7D Mark II.

The Tamron 18-400mm super-zoom is a variable aperture lens. Meaning that at 18mm, the maximum aperture (largest opening) is f/3.5. But when you zoom into 400mm, the maximum aperture is f/6.3. The minimum aperture (smallest opening) is f/22 at all focal lengths.

Tamron 18-400mm - Red barn

Dilapidated red barn, McHenry County IL. Canon 7D Mark II, Tamron 18-400mm lens @ 71mm, f/9, 1/250th, ISO 200, handheld.

The lens has an HLD Autofocus Motor that is quick and quiet for a consumer lens at this price. It also has Tamron’s standard VC Image Stabilization. This feature enables you to get sharper shots while hand-holding at longer focal lengths. The lens also has what Tamron calls Moisture-Resistant Construction. I’m relieved to tell you I didn’t get to test this feature.

The minimum focusing distance – important especially if you want to try your hand at making macro images – is 17.72″ (45 cm). Macro is usually a 1:1 ratio and this lens only produces 1:2.9, but I was pleasantly surprised with my macro results.

Tamron 18-400mm - White bud

White hardy hibiscus bud. Canon 7D Mark II, Tamron 18-400mm lens @ 400mm, f/13, 1/320th, ISO 320, handheld.

If you use screw on filters, like a circular polarizer, the front thread is 72mm. The lens is 1.56 pounds (710 g) and approximately 3.11” in diameter by 4.88″ in length (79 x 123.9 mm). It’s an incredibly compact lens for this focal length range.

The price, at the time of publication of this article, is $ 649.00 USD.

Who is this lens for?

I would describe the ideal user of this lens as an amateur or enthusiast. If you’re an amateur photographer who travels but doesn’t want to carry more than one or two lenses, this is the perfect choice for you.

With an 18-400mm focal length, you might not need to ever change the lens, except in a dark indoor situation, when you need either flash or perhaps the fast f/1.8 maximum aperture of a nifty fifty.

Tamron 18-400mm - racehorse portrait

Low-key portrait of a racehorse, Arlington Park IL. Canon 7D Mark II, Tamron 18-400mm lens @ 400mm, f/6.3, 1/250th, ISO 250, handheld.

This lens would also be great for a busy parent who needs more than a smart phone to capture pictures of soccer matches and dance recitals but who doesn’t have a ton of extra room in her carryall bag. The compact size and weight of the Tamron 18-400mm make it an easy addition to any parent’s standard kit.

What’s good about this lens

The size of this lens just can’t be beat. At only a pound and a half and less than 5 inches long, it’s a lot of focal length in a very small package. I was really taken with how small it was since I normally shoot with such large neck-and-shoulder-busting glass.

Hand-holding this lens for an afternoon at the race track wasn’t even remotely painful. With the insane focal length capabilities, I didn’t even bother to carry a second lens with me (or even my camera bag!) and that made for a really care-free afternoon.

Tamron 18-400mm - size comparison

The Tamron 18-400mm lens, attached to the Canon 7D Mark II, with the Canon 100-400 lens alongside for size comparison.

Tamron 18-400mm lens comparison - extended

The extended Tamron 18-400 lens, attached to the Canon 7D Mark II, with the extended Canon 100-400 lens alongside for size comparison. Clearly you can see what a compact size this lens is and how beneficial that could be when you travel.

Great for landscape images

It’s also a pleasure to catch a pretty landscape out of the corner of your eye and to simply zoom out to 18mm to capture it. Typically if you’re shooting with a long lens, you have to take the time to switch over to your wide-angle lens, take the shot and then switch back to your longer focal length lens again. Well, actually, if you’re me, you see that landscape and think ooh, pretty and then walk away without taking the shot.

Tamron 18-400 - at the track

Arlington Park Racetrack IL. Canon 7D Mark II, Tamron 18-400 @ 18mm, f/13, 1/100th, ISO 320, handheld. Processed in Lightroom.

I’m lazy that way so this was the first time I’ve actually made images of the racetrack itself. The lens performed really well in the 18-50mm focal range. It was both sharp and relatively distortion free. Lightroom’s Lens Correction easily managed the slight distortion there was too.

Things to be careful of

Remember I said we’d talk about the not-so-good too? It is a touch tricky to twist the lens in order to zoom in past 200mm to get to the 400mm focal length. First, your hand gets a bit “stuck” since anatomically, your wrist only twists so far before you have to reposition in order to continue the twisting motion.

Tamron 18-400mm lens - racetrack

Headed to the gate, Arlington Park IL. Canon 7D Mark II, Tamron 18-400mm lens @ 209mm, f/6.3, 1/1000th, ISO 250, handheld. 

Second, the lens has what I call a “hiccup” where you need to exert more pressure to push it past this point. I missed a few shots because the twisting motion wasn’t smooth enough and I jerked the lens a bit as I zoomed in from 200mm to 400mm.

Tamron 18-400mm lens - white hibiscus

White hardy hibiscus bloom. Canon 7D Mark II, Tamron 18-400mm lens @ 227mm, f/13, 1/400th, ISO 320, handheld.

Softness around the edges

There is a definite softness (or loss of sharpness) at the longer end of the lens, especially when your aperture is wide open, e.g., 400mm at f/6.3. If you crop in too much during post-processing or print too large, you’ll start to see the loss of fine details in your image since they weren’t tack sharp to start. You won’t see this loss of detail in a small 5×7″ print, or if you post to social media – so for many people, this actually won’t be a big issue.

Tamron 18-400mm lens Review - Riders up

Riders up at the paddock, Arlington Park IL. Canon 7D Mark II, Tamron 18-400mm lens @ 18mm, f/5, 1/500th, ISO 640, handheld.

Use the center focus point

The lens tends to be softest in the corners so sharpness improves if you use your camera’s center focus point. It also improves if you close down your aperture to f/8, f/9, or smaller. Because the lens is not tack sharp all the way through the focal length spectrum, I’m not recommending this lens for super serious wildlife shooters or anyone who likes to print really large. For you guys, I’m going to suggest sticking with a more standard zoom lens like a 100-400mm or 200-400mm. (I apologize in advance for the wear and tear this recommendation will cause your shoulders.)

If you predominantly shoot wide-angle images, like landscapes, and only occasionally shoot long, this lens will be a good fit for you when you don’t want to carry a ton of gear.

Final thoughts

Ultimately there were a number of things I really liked about this lens. The small size and super-zoom focal length make it a very practical tool to have in your bag. At $ 649.00 USD, it’s also a great value.

However, the softness at the long end of that focal length can become a real issue if you’re not careful. Because of that, I’m cautiously going to rate this lens 3.5 stars out of 5.

Tamron 18-400mm lens running foal

Running Lipizzan foal at Tempel Farms, Old Mill Creek IL. Canon 7D Mark II, Tamron 18-400mm lens @ 400mm, f/6.3, 1/640th, ISO 100, handheld. 

I’d love to hear your opinions too. Have you tried super-zooms lenses? Do they work for your type of photography? Which is your favorite one and how does it compare to the Tamron 100-400mm lens? Please share your thoughts with the dPS community in the comments below.

The post Review of the Tamron 18-400mm F/3.5-6.3 DI-II VC HLD Zoom Lens by Lara Joy Brynildssen appeared first on Digital Photography School.


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Sample gallery and impressions: Tamron 18-400 F3.5-6.3 Di II VC HLD

28 Jul

The Tamron 18-400 F3.5-6.3 wants to be the only lens you’ll ever need. In my experience, lenses of this nature tend to offer zoom versatility at the cost of sharpness, especially at the telephoto end of the zoom range. But I was pleasantly surprised by how solid this ‘ultra-telephoto’ performs at all focal lengths in bright, direct light.

More specifically, I found it produced adequately sharp images throughout the zoom range with acceptable levels of CA, distortion and vignetting. It’s also a fun lens to use, given its focal length range and reasonable size. As a bonus, it also offers a surprisingly close focus distance at the long end (see image at the bottom of this page).

See our Tamron 18-400mm F3.5-6.3 sample gallery

Available for both Canon and Nikon APS-C camera bodies (it offers an equivalent zoom range of 27-600mm on Nikon’s DX format, and 29-600mm on a Canon) I used the 18-400mm with the Canon EOS 80D, and and in terms of size and balance, it proved a good pairing. Despite having a plastic housing, the 18-400mm is reassuringly solid, and unlike some cheaper zooms the mount is made of metal. A small rubber ring around the mount is a reminder that the lens is also moisture-resistant.

Vibration Control is a useful feature given the insane zoom range – I definitely noticed it kicking in while shooting.

The wide, 27mm equivalent. And the tele, 600mm equivalent.

The lens also offers a nifty locking mechanism when zoomed to 18mm. This is a great way to avoid the dreaded ‘lens creep,’ though I found even without using the lock, the lens never crept when left at or near 18mm. The body also offers an AF/MF toggle, in addition to a VC on/off switch.

Overall, the Tamron 18-400mm F3.5-6.3 strikes me as a great and versatile lens for most daylight shooting scenarios. Travelers in particular will find it useful. And though it is heftier than your average kit lens, at 24.9oz / 705g, it shouldn’t weigh you down too much.

I was impressed by the close focus distance when shooting at the tele end.
400 mm | 1/1600 sec | F6.3 | ISO 800

Articles: Digital Photography Review (dpreview.com)

 
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Tamron introduces ‘ultra-telephoto’ 18-400mm F3.5-6.3 zoom lens

23 Jun

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Tamron has introduced what it is calling the ‘world’s first ultra-telephoto all-in-one zoom lens,’ the 18-400mm F3.5-6.3 Di II VC HLD. The lens, designed for Canon and Nikon crop-sensor bodies, is equivalent to 29-640mm and 27-600mm, respectively.

Built-in Vibration Correction reduces shake by up to 2.5 stops, and the lens’ HLD focus motor promises ‘accurate and quiet’ focusing, according to Tamron. The HLD motor also keeps the overall size of the lens down: It’s 124mm/4.9in long and 79mm/3.1in in diameter. The lens has 7 circular aperture blades, a minimum subject distance of 0.45m/18in and is moisture-resistant. Nikon owners will be pleased to hear the the lens uses an electromagnetic diaphragm system.

The 18-400mm F3.5-6.3 will be available in late July for $ 649.

Press Release

INTRODUCING THE WORLD’S FIRST1 ULTRA-TELEPHOTO ALL-IN-ONE ZOOM LENS WITH AN EXTENDED RANGE THAT COVERS 18-400MM

Dramatic extended range achieved by combining cutting-edge optical design and other new breakthrough technologies including a redesigned cam structure

18-400mm F/3.5-6.3 Di II VC HLD (Model B028)

June 23, 2017, Commack, NY – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of the new 18-400mm F/3.5-6.3 Di II VC HLD (Model B028), the world’s first ultra-telephoto all-in-one zoom lens for APS-C DSLR cameras, which covers a focal length range of 18-400mm. Since the 1992 launch of its AF28-200mm F/3.8-5.6 Aspherical (Model 71D), Tamron has dominated the all-in-one zoom category and has produced many lenses that cover wide-angle to telephoto zoom ranges. Tamron has now developed an ultra-telephoto all-in-one zoom that extends to 400mm (35mm equivalent of 620mm) and a 22.2x zoom ratio. Packed in a light, compact body (4.8in./24.9oz.)2 is Tamron’s accumulated knowledge and experience for all-in-one zoom lenses, including the most advanced optical and mechanical designs, an HLD (High/Low torque modulated Drive) for the AF system and the Vibration Compensation system. Photographers can now enjoy wide-angle to ultra-telephoto photography using one lens, which is ideal for travel photography and eliminates the need to carry extra lenses. The new Model B028 lens enables photographing a wide variety of ultra-telephoto images including everyday casual scenes. The 18-400mm will be available in the U.S. at the end of July at $ 649.

PRODUCT HIGHLIGHTS

  1. The world’s first3 ultra-telephoto all-in-one zoom lens to achieve 400mm telephoto

The new Model B028 is the world’s first lens for APS-C DSLR cameras that covers a focal length range of 18-400mm and achieves a zoom ratio of 22.2x. The focal length of 400mm on the telephoto end enables the capturing of ultra-telephoto pictures with the 35mm equivalent of 620mm angle of view. Now, with just this one lens, a photographer can readily enjoy the power of ultra-telephoto to bring distant subjects closer as well as the perspective-flattening effects that only extreme telephoto settings can achieve. This all-in-one zoom lens is ideal for travel and everyday shooting. It allows a photographer to switch from wide-angle to ultra-telephoto without changing lenses, making it faster and easier to capture a much wider range of subjects including travel scenes, wildlife, action sports, landscapes, cityscapes, portraits and food.

  1. Excellent image quality across the entire zoom range, from wide-angle to ultra-telephoto and macro

The optical construction of the B028 consists of 16 lens elements in 11 groups. The use of specialized glass elements such as LD (Low Dispersion) and aspherical lens elements effectively minimizes wide-ranging aberrations, including chromatic aberrations and distortion, thereby assuring outstanding image quality. Optimum power distribution among the individual lens element groups achieves both the optical performance and the compact size necessary for an ultra-telephoto all-in-one zoom lens that boasts 400mm focal length. Also, it enables tele-macro photography with a maximum magnification ratio of 1:2.9.

  1. Lightweight and compact design exhibits Tamron’s basic philosophy for all-in-one zoom lenses

Despite being an all-in-one zoom lens that achieves 400mm ultra-telephoto, Model B028 is light and compact with a total length of 4.8in. and a weight of 24.9oz.4 A new lens barrel design utilizing three-step extensions was developed to enable the necessary elongation to produce a 22.2x zoom ratio. Compared to the conventional approach, the division into a larger number of cams ensures comfortable operation and stability while zooming. Tamron’s philosophy for all-in-one zoom lenses is to allow each photographer to casually capture everyday photos with a lens of a practical size, and Model B028 fulfills this philosophy.

  1. HLD motor provides high-precision AF and enables compact lens construction

The AF drive system for Model B028 uses Tamron’s exclusive HLD (High/Low torque modulated Drive) motor. The power-saving HLD motor produces outstanding driving torque, and adjusts motor rotation from low to high speed to enable accurate and quiet focusing. The HLD motor takes up less space thanks to its small size and circular arc shape that allows the size of the lens to be reduced.

  1. Equipped with the Vibration Compensation system necessary for ultra-telephotography at 400mm

Despite its compact size, Model B028 is equipped with Tamron’s proprietary VC (Vibration Compensation) system, which effectively curbs camera shake under low light conditions (such as a dimly lit room or at dusk) and while taking ultra-telephoto pictures. This greatly expands opportunities for casual handheld shooting. The jitter-free stability of the viewfinder image allows for easier framing and enables the photographer to compose the subject quickly and comfortably.

  1. Electromagnetic diaphragm system now used also for Nikon-mount lenses

The electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses5. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.

  1. User-friendly features for everyday comfortable use

With an eye toward active outdoor photography, Model B028 features Moisture-Resistant Construction to ensure worry-free shooting as well as confidence while shooting under adverse weather conditions. Also, the Zoom Lock mechanism prevents undesired movement of the lens barrel under its own weight when the camera is angled downward while walking.

  1. Compatible with TAP-in ConsoleTM, an optional accessory product

The optional TAP-in Console provides a USB connection to a personal computer, enabling the user to easily update the lens’s firmware as well as to customize features, including fine adjustments to the AF and VC.

  1. External design placing importance on functionality and ease of use

While inheriting the design that makes use of many organic curves and the delicately polished form down to fine details that characterize the SP lens series, the new Model B028 comes with a highly sophisticated design that also places a lot of importance on the lens’s functionality and ease of use, featuring an overall form that faithfully encompasses the internal structures within, a slim Luminous Gold brand ring and the switch shape design.

[1] Among interchangeable lenses for DSLR cameras (As of May 2017; Tamron)
[2] Length and weight are based on the Nikon-mount lens
[3] Among interchangeable lenses for DSLR cameras (As of May 2017; Tamron)
[4] Length and weight are based on figures for the Nikon-mount lens.
[5] Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300S, D500) (As of May, 2017; Tamron)?

Tamron 18-400mm F3.5-6.3 Di II VC HLD specifications

Principal specifications
Lens type Zoom lens
Max Format size APS-C / DX
Focal length 18–400 mm
Image stabilization Yes (Up to 2.5 stops)
Lens mount Canon EF-S, Nikon F (DX)
Aperture
Maximum aperture F3.5–6.3
Minimum aperture F22–40
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 16
Groups 11
Special elements / coatings Low dispersion, aspherical, hybrid aspherical elements
Focus
Minimum focus 0.45 m (17.72)
Maximum magnification 0.34×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Extending front
Distance scale No
DoF scale No
Physical
Weight 710 g (1.57 lb)
Diameter 79 mm (3.11)
Length 124 mm (4.88)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 72.0 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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Canon EF-M 18-150mm F3.5-6.3 IS STM gallery updated

14 Jan

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We’ve added additional photos, most taken at 150mm, to our Canon EF-M 18-150mm F3.5-6.3 IS STM gallery. This lens, equivalent to 28.8-240mm when mounted to one of Canon’s EOS M mirrorless cameras, sounds like a good choice for travel photography. Click the link below to see for yourself.

View Canon EF-M 18-150 IS STM sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Canon EF-M 18-150 F3.5-6.3 IS STM real-world sample gallery

08 Jan

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The Canon EF-M 18-150mm F3.5-6.3 IS STM is a travel zoom for the company’s mirrorless cameras. It’s equivalent to 28.8-240mm when attached to an EF-M mount camera, such as the EOS M5 that we used for this gallery. Click the images above to open the gallery and see how the lens performed at the Disneyland Resort and beyond.

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces EF-M 18-150mm F3.5-6.3 STM and EF 70-300 F4.5-5.6 IS II USM lenses

16 Sep

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Canon has announced two new lenses ahead of Photokina, unveiling an updated EF 70-300mm with an LCD panel and a versatile EF-M 18-150mm for its mirrorless line.

The EF 70-300mm F4.5-5.6 IS II USM updates a lens from 2005 with a Nano USM motor, offering USM motor focusing for stills and a quieter STM stepping motor for video AF. It’s the second Canon lens to offer this type of motor; the first was the 18-135mm F3.5-5.6 IS USM introduced in February.

The 70-300mm II’s information panel can be used to display focusing distance, focal length and ‘shake amount’. The lens claims four stops of shake correction, uses one UD element to reduce chromatic aberration and offers a close focusing distance of about 1.2m/4ft.

The EF-M 18-150mm F3.5-6.3 IS brings a 29-240mm equivalent zoom to Canon’s mirrorless system. Its image stabilization also claims 4 stops of shake correction.

The Canon EF 70-300mm F4.5-5.6 IS II USM will go on sale in November for $ 550. The Canon EF-M 18-150mm F3.5-6.3 IS STM will sell for $ 500 in December in graphite and silver.

Press release

CAPTURE HIGH-QUALITY ACTION SHOTS AND VIDEO FROM AFAR WITH THE NEW CANON EF 70-300mm f/4.5-5.6 IS II USM lens

Affordable Lens Features NANO USM Technology, Enhanced Image Stabilizer and Information Display

MELVILLE, N.Y., September 15, 2016 – Having the right tool for the job has long been the mantra for professional photographers and hobbyists alike. Canon’s wide array of lenses provide users with a variety of creative options to help capture dynamic photos and videos with their DSLR cameras. Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the new Canon EF 70-300mm f/4.5-5.6 IS II USM lens featuring NANO USM technology for high-speed and near-silent focusing in both still and video modes. The lens also features a new LCD information display and four-stop* image stabilization.

“To help photographers that are striving to create the most amazing pictures and videos possible, Canon is dedicated to developing the best tools to help them with their goal,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Having this new EF 70-300mm f/4.5-5.6 IS II USM lens in a photographer’s camera bag will surely help them achieve their creative vision.”

Designed with the user in mind, this affordable new lens includes technology to spark creativity and deliver excellent image and video quality from afar. This is the second Canon lens equipped with NANO USM technology, a focusing motor that combines the benefits of a ring USM (ultrasonic motor) for high-speed AF during still photo shooting and lead-screw type STM (stepping motor) for smooth and quiet video autofocusing (AF)

Features for the Canon EF 70-300mm f/4.5-5.6 IS II USM lens include:

  • High-speed autofocus for shooting stills and smooth, near-silent autofocus when shooting video is achieved by incorporating NANO USM technology.
  • New Lens Information Display shows focusing distance, focal length and shake amount.
  • One UD Lens helps reduce chromatic aberration and delivers outstanding high resolution and high-contrast results.
  • Image Stabilizer effect at up-to-4* stops of shake correction helps capture sharp images.
  • Circular aperture (9 blades) helps deliver beautiful, soft backgrounds.
  • Full-time manual focus allows manual focus adjustment while in AF Mode.

The Canon EF 70-300mm F/4.5-5.6 IS II USM lens is scheduled to be available in November 2016, for an estimated retail price of $ 549.99**. For more information: http://www.usa.canon.com/

* Based on CIPA (Camera & Imaging Products Association) standards. Testing performed using the EOS-1D X digital SLR camera at a focal length of 300mm.

** Availability, specifications and price are subject to change without notice. Actual prices are set by individual dealers and may vary.

Key Features of the Canon EF-M 18-150mm f/3.5-6.3 IS STM Lens Include:

  • Canon’s first EF-M high-zoom power lens covering a broad range of shooting scenes with a high-zoom ratio of up to 8.3x (29–240mm equivalent).
  • Compact and lightweight design allows for easy portability.
  • Optical design helps provide excellent image quality across a broad zoom range comparable to the EF-S 18–135mm f/3.5–5.6 IS USM lens.
  • Maximum magnification of 0.31x at focal length 150mm.
  • Image Stabilizer effect at up to 4 stops of shake correction helps capture sharp images.

Canon EF 70-300 F4-5.6 IS II USM / EF-M 18-150mm F3.5-6.3 IS STM specifications

  Canon EF 70-300 F4-5.6 IS II USM Canon EF-M 18-150mm F3.5-6.3 IS STM
Principal specifications
Lens type Zoom lens
Max Format size 35mm FF APS-C / DX
Focal length 70–300 mm 18–150 mm
Image stabilization Yes (4 stops)
Lens mount Canon EF Canon EF-M
Aperture
Maximum aperture F4–5.6 F3.5–6.3
Minimum aperture F32–45 F22–40
Aperture ring No
Number of diaphragm blades 9 7
Optics
Elements 17
Groups 12 13
Special elements / coatings UD element 2 aspherical + 1 UD element
Focus
Minimum focus 1.20 m (47.24) 0.25 m (9.84)
Maximum magnification 0.25× 0.31×
Autofocus Yes
Motor type Nano ultrasonic Stepper motor
Full time manual Yes
Focus method Rear
Focus notes Nano USM motor combines best of STM and ring-type USM
Distance scale No
DoF scale No
Physical
Weight 710 g (1.57 lb) 300 g (0.66 lb)
Diameter 80 mm (3.15) 61 mm (2.4)
Length 146 mm (5.75) 87 mm (3.43)
Sealing No
Colour Black Graphite or silver
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes No
Filter thread 67.0 mm 55.0 mm
Hood supplied No
Tripod collar No
Other
Notes Lens Information Display shows focusing distance, focal length and shake amount.

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces EF-M 18-150mm F3.5-6.3 STM and EF 70-300 F4-5.6 IS II USM lenses

15 Sep

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Canon has announced two new lenses ahead of Photokina, unveiling an updated EF 70-300mm with an LCD panel and a versatile EF-M 18-150mm for its mirrorless line.

The EF 70-300mm F4.5-5.6 IS II USM updates a lens from 2005 with a Nano USM motor, offering USM motor focusing for stills and a quieter STM stepping motor for video AF. It’s the second Canon lens to offer this type of motor; the first was the 18-135mm F3.5-5.6 IS USM introduced in February.

The 70-300mm II’s information panel can be used to display focusing distance, focal length and ‘shake amount’. The lens claims four stops of shake correction, uses one UD element to reduce chromatic aberration and offers a close focusing distance of about 1.2m/4ft.

The EF-M 18-150mm F3.5-6.3 IS brings a 29-140mm equivalent zoom to Canon’s mirrorless system. Its image stabilization also claims 4 stops of shake correction.

The Canon EF 70-300mm F4.5-5.6 IS II USM will go on sale in November for $ 550. The Canon EF-M 18-150mm F3.5-6.3 IS STM will sell for $ 500 in December in graphite and silver.

Press release

CAPTURE HIGH-QUALITY ACTION SHOTS AND VIDEO FROM AFAR WITH THE NEW CANON EF 70-300mm f/4.5-5.6 IS II USM lens

Affordable Lens Features NANO USM Technology, Enhanced Image Stabilizer and Information Display

MELVILLE, N.Y., September 15, 2016 – Having the right tool for the job has long been the mantra for professional photographers and hobbyists alike. Canon’s wide array of lenses provide users with a variety of creative options to help capture dynamic photos and videos with their DSLR cameras. Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the new Canon EF 70-300mm f/4.5-5.6 IS II USM lens featuring NANO USM technology for high-speed and near-silent focusing in both still and video modes. The lens also features a new LCD information display and four-stop* image stabilization.

“To help photographers that are striving to create the most amazing pictures and videos possible, Canon is dedicated to developing the best tools to help them with their goal,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Having this new EF 70-300mm f/4.5-5.6 IS II USM lens in a photographer’s camera bag will surely help them achieve their creative vision.”

Designed with the user in mind, this affordable new lens includes technology to spark creativity and deliver excellent image and video quality from afar. This is the second Canon lens equipped with NANO USM technology, a focusing motor that combines the benefits of a ring USM (ultrasonic motor) for high-speed AF during still photo shooting and lead-screw type STM (stepping motor) for smooth and quiet video autofocusing (AF)

Features for the Canon EF 70-300mm f/4.5-5.6 IS II USM lens include:

  • High-speed autofocus for shooting stills and smooth, near-silent autofocus when shooting video is achieved by incorporating NANO USM technology.
  • New Lens Information Display shows focusing distance, focal length and shake amount.
  • One UD Lens helps reduce chromatic aberration and delivers outstanding high resolution and high-contrast results.
  • Image Stabilizer effect at up-to-4* stops of shake correction helps capture sharp images.
  • Circular aperture (9 blades) helps deliver beautiful, soft backgrounds.
  • Full-time manual focus allows manual focus adjustment while in AF Mode.

The Canon EF 70-300mm F/4.5-5.6 IS II USM lens is scheduled to be available in November 2016, for an estimated retail price of $ 549.99**. For more information: http://www.usa.canon.com/

* Based on CIPA (Camera & Imaging Products Association) standards. Testing performed using the EOS-1D X digital SLR camera at a focal length of 300mm.

** Availability, specifications and price are subject to change without notice. Actual prices are set by individual dealers and may vary.

Key Features of the Canon EF-M 18-150mm f/3.5-6.3 IS STM Lens Include:

  • Canon’s first EF-M high-zoom power lens covering a broad range of shooting scenes with a high-zoom ratio of up to 8.3x (29–240mm equivalent).
  • Compact and lightweight design allows for easy portability.
  • Optical design helps provide excellent image quality across a broad zoom range comparable to the EF-S 18–135mm f/3.5–5.6 IS USM lens.
  • Maximum magnification of 0.31x at focal length 150mm.
  • Image Stabilizer effect at up to 4 stops of shake correction helps capture sharp images.

Canon EF 70-300 F4-5.6 IS II USM / EF-M 18-150mm F3.5-6.3 IS STM specifications

  Canon EF 70-300 F4-5.6 IS II USM Canon EF-M 18-150mm F3.5-6.3 IS STM
Principal specifications
Lens type Zoom lens
Max Format size 35mm FF APS-C / DX
Focal length 70–300 mm 18–150 mm
Image stabilization Yes (4 stops)
Lens mount Canon EF Canon EF-M
Aperture
Maximum aperture F4–5.6 F3.5–6.3
Minimum aperture F32–45 F22–40
Aperture ring No
Number of diaphragm blades 9 7
Optics
Elements 17
Groups 12 13
Special elements / coatings UD element 2 aspherical + 1 UD element
Focus
Minimum focus 1.20 m (47.24) 0.25 m (9.84)
Maximum magnification 0.25× 0.31×
Autofocus Yes
Motor type Nano ultrasonic Stepper motor
Full time manual Yes
Focus method Rear
Focus notes Nano USM motor combines best of STM and ring-type USM
Distance scale No
DoF scale No
Physical
Weight 710 g (1.57 lb) 300 g (0.66 lb)
Diameter 80 mm (3.15) 61 mm (2.4)
Length 146 mm (5.75) 87 mm (3.43)
Sealing No
Colour Black Graphite or silver
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes No
Filter thread 67.0 mm 55.0 mm
Hood supplied No
Tripod collar No
Other
Notes Lens Information Display shows focusing distance, focal length and shake amount.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma 18-300mm F3.5-6.3 DC Macro Lens Review

18 Dec

It seems that in the world of photography today the demand for lighter, and more versatile, gear is at an all time high. The average photographer (if there is such a thing) wants to be able to cover a huge variety of subjects, and carry as few lenses as possible. Shooting quick and light has become the goal of many. In addition, even the hobbyist photographer has become more knowledgeable and more discerning about what cameras and lenses they choose to use. This has lead to an increased demand for all-in-one lenses that are built to higher performance standards than we’ve saw since, well, ever.

Enter the Sigma 18-300mm F3.5-6.3 DC Macro OS HSM C Lens

Lens 1

Now, take a mental breath after reading that title and then we’ll continue. Don’t let the name for this lens (which I will shorten to Sigma 18-300mm) trouble you, because we’ll talk more about all those letters and their meanings soon. Sigma has attempted to squeeze a lot of features, versatility, and performance into a lens that won’t break the bank. Let’s see if the good folks over at Sigma have succeeded.

The lengthy title for the Sigma 18-300mm is simply a road map so that you know exactly what the lens brings to the table.

  • The DC of course means that it is intended for digital camera bodies.
  • OS designates the lens is equipped with image stabilization technology.
  • HSM relays that the lens sports a hypersonic motor drive autofocusing mechanism.
  • The macro designation means that it has a relatively close minimum focusing distance and is capable of producing macro images (1.0x or 1.1x magnification).
  • Lastly, C stands for indicated this lens is part of Sigma’s Contemporary series. This lens is designed to be mounted only to APS-c(cropped) sensor cameras.

Down to business…

Lens 4

Build Quality and Function

The lens arrived well packaged from Sigma. The optics were all clean and free of smudges and dust. First handling of the lens proved to be immediately impressive.

Lens Elements

Specs

The lens felt very solid but in no way overly heavy. Both the focus and zoom rings are rubberized, and provide a suitable grip for cold or damp fingers. Everything is exceptionally tight and smooth. Some telephoto lenses of this type arrive a little too tight and require some use before the zoom ring operates easily, but the Sigma 18-300mm was just right out of the box. Autofocusing performed very well and was quite fast using my Canon 7D, but the image stabilization was not the best. It became virtually unnoticeable at longer focal lengths, so it remained off for the majority of the test images.

The overall body of the lens is finished with a very understated yet attractive matte black appearance, in case you love form as much as function. Included in the box is quality petal-type lens hood, which fits the lens perfectly and mounts in reverse for storage. Sigma also placed a small rubberized ring at the base of the hood which really helps in the on/off application. It’s a small detail but worth mentioning.

Speaking of details: The effort (or lack thereof) a manufacturer puts towards the little things is of great importance. Here are a few small points that stand out about the Sigma 18-300mm.

  • Zoom-Lock: The zoom-lock switch is a great feature for any zoom lens in my opinion, by preventing gravity from gradually extending the lens while carrying your camera on a strap.
  • Raised mounting indicators: Attaching your lens to your camera can be difficult in low light or if you’re in a hurry. Sigma has chosen to use a small white bead embedded into the lens body instead of merely paint. It makes lining up the lens much easier, and is longer lasting.
  • Lens Hood Indicators: In addition to the rubberized ring, the lens hood also has mounting markings to help mount the hood on the go or in low light.

Lens 3

Lens 9 Lens 10

Lens 8

Lens 12

Image Quality

Sharpness and Distortion

Test images showed that sharpness is acceptable/good across all apertures for a lens in this range, and likewise with contrast. Each of these images were shot at 18mm, at apertures ranging from f/3.5 to f/22. Maximum sharpness seemed to be achieved between f/8 and f/16.

F3 5

Shot at f/3.5

F5 6

Shot at f/5.6

F8

Shot at f/8

F16

Shot at f/16

F22

Shot at f/22

There is some moderate softening at the corners, and minor vignetting at 18mm, but it’s not overly distracting. Very minimal, if any, distortion was encountered even at the shortest focal length.

Wide

This is a scene shot at the shortest focal length of 18mm and at f/6.3.

For comparison, here are two images shot from the previous vantage point, after zooming to 300mm (shot at f/6.3).

300mm 1

300mm 2

Color

Color rendition is very good with the Sigma 18-300mm. Colors came through true to life, and quite crisp across all focal lengths. However, it had a significant amount of chromatic aberration which was quite apparent, and worsened towards the edges of the frame. Fortunately, it was easily removed with one click using Lightroom, so all is not lost.

Macro Use

After-all, this lens bears the designation of a macro lens so let’s talk a little about how it truly performs as such. Dedicated macro lenses produce images with a magnification factor of around 1.0 or 1.1x (meaning the subject is life size on the camera sensor). The Sigma 18-300mm has a maximum magnification factor of 1.3x. Though it may not be considered a true macro lens, it performs astonishing well for a lens with such a large focal range.

Macro

Sigma lists the minimum focusing distance at around 15.3 inches (39cm), but in my tests focus was achieved even closer. You can really get up close and personal using this lens. In addition, there is an optional macro adapter (great build also) available for this lens which will further enhance its macro capabilities.

Macro Adapter

Extras

An interesting accessory available for this, and most Sigma glass, is a USB dock which can be used for tweaking the parameters of your particular lens. This could be of some use to the sports and wildlife crowd. Here is a description of the docking station provided by Sigma.

“The Sigma USB dock works in conjunction with Sigma Optimization Pro software in order to connect a photographer’s lens to their personal computer to update firmware, calibrate the lens and other customizations such as the focus parameter. For the Sports category, changes can be made to: Autofocus speed, focus limiters, manual focus override and optical stabilization functionality. Updating the firmware can be done via the internet. Sigma Photo Pro is available for Mac and PC computers.”

Summary

Overall, the Sigma 18-300mm lens does a fantastic job of combining high telephoto zoom capabilities with macro functionality. While not perfect, it performs well in many ways.

Here’s what you’ll probably like:

  • Great focal range for a multitude of shooting situations.
  • Low optical distortion.
  • Surprisingly acceptable macro performance.
  • Build quality is absolutely fantastic.
  • Attention to detail and usability is superb.
  • Good sharpness for a lens in this price range.
  • Fast autofocus.
  • Silky smooth operation of zoom and focusing rings.
  • Available USB Calibration Dock.

Lens 14

Here’s what you may not like:

  • Moderate but resolvable chromatic aberration.
  • Image stabilization performance is questionable.

The Sigma 18-300mm F3.5-6.3 DC Macro OS HSM C is a more than capable lens option for those where are seeking to combine the local focal range of a telephoto lens, with the close-up capabilities of a macro.

Does this lens offer the best of both worlds? No.

Does this lens bring you a little bit of both, while offering great image quality at an affordable price? Yes.

Sigma has produced a very capable lens option which will delight those who maintain realistic performance expectations from their gear. It is an impressive lens at a budget price. Give it a try!

Have you tried this lens or any other all-in-one? What are your thoughts?

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