RSS
 

Posts Tagged ‘f/2.8L’

Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L

08 Oct

The post Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon unveils a dual fisheye VR lens

Canon has announced a one-of-a-kind lens for EOS R cameras: the RF 5.2mm f/2.8L Dual Fisheye lens, which looks exactly as strange as it sounds:

RF 5.2mm Dual Fisheye lens side view

And check out the lens again, this time mounted to the Canon EOS R5:

virtual reality lens mounted to a Canon EOS R5

So what is this bizarre new lens? What’s it’s purpose? 

The RF 5.2mm f/2.8L is designed for virtual reality (VR) recording; it’s “the world’s first digital interchangeable dual fisheye lens capable of shooting stereoscopic 3D 180° VR imagery to a single image sensor.” In other words, the twin fisheye lenses offer two frames covering a huge field of view in total; when processed, this footage turns into a single, 180-degree image, and with the proper equipment (the press release mentions the Oculus Quest 2), viewers can feel truly present in the scene.

It seems that, when the RF 5.2mm f/2.8L debuts, it will be available solely for EOS R5 cameras, though this could change once the lens hits the market. Such a unique lens is bound to turn heads, and Canon has certainly been hard at work, offering a product with an outstanding form factor – for filmmakers who record on the go or who simply prefer to minimize kit size – along with weather resistance, a very nice f/2.8 maximum aperture, and most importantly, Canon’s in-built filter system. The latter allows you to use neutral density (ND) filters when recording, essential for serious videographers.

Unfortunately, processing dual fisheye images isn’t done with standard editing software. Instead, Canon is developing several (paid) programs capable of handling VR footage: a Premiere Pro plugin, and a “VR Utility.” The company explains, “With the EOS VR Plug-In for Adobe Premiere Pro, creators will be able to automatically convert footage to equirectangular, and cut, color, and add new dimension to stories with Adobe Creative Cloud apps, including Premiere Pro,” while “Canon’s EOS VR Utility will offer the ability to convert clips from dual fisheye image to equirectangular and make quick edits.”

So who should think about purchasing this new lens? It’s a good question, and one without an easy answer. Canon’s decision to bring out a dedicated VR lens suggests a growing interest in creating VR content. But the day when most video is viewed through VR technology seems a long way off, at least from where I’m sitting. 

That said, if VR recording sounds interesting, you should at least check out this nifty new lens. Canon suggests a December release date with a $ 1999 USD price tag, and you can expect Canon’s VR post-processing software around the same time.

Now over to you:

Are you interested in this new lens? Do you do (or hope to do) any VR recording? Share your thoughts in the comments below!

The post Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


Digital Photography School

 
Comments Off on Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L

Posted in Photography

 

Canon’s RF 70-200mm F2.8L IS USM will get a firmware update to fix the focusing issue next month

27 Dec

Next month, Canon will release a firmware update that fixes an autofocus problem reported by RF 70-200mm F2.8 L IS USM telephoto lens owners. The company says it’s confirmed this lens may produce a ‘slightly front-focused’ image when the photo is captured at close range with the focus distance set to around the 200mm end of the scale.

Canon will release the firmware with a bug fix for this problem in January 2020, the company revealed on its US website. The new firmware will be intended for RF 70-200mm F2.8 L IS USM lenses running firmware version 1.0.5 or earlier, something that can be checked within the camera’s menu.

The Canon RF 70-200mm F2.8L IS USM telephoto lens is available from B&H Photo and other retailers for $ 2,699.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon’s RF 70-200mm F2.8L IS USM will get a firmware update to fix the focusing issue next month

Posted in Uncategorized

 

Canon RF 15-35mm F2.8L IS USM sample gallery

10 Dec

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_7465384938″,”galleryId”:”7465384938″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Designed from scratch for Canon’s full-frame mirrorless system, the RF 15-35mm F2.8 is a fast, wide-angle zoom with built-in stabilization. As you’d expect from an L-series lens it’s sealed against dust and moisture, and its stabilization is rated to an impressive 5 stops. Take a look at what it can do.

See our Canon RF 15-35mm F2.8L IS USM sample gallery

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon RF 15-35mm F2.8L IS USM sample gallery

Posted in Uncategorized

 

Modern marvel: Canon RF 70-200mm F2.8L IS USM sample gallery

22 Nov

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8685700048″,”galleryId”:”8685700048″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

We’ve been eager to test out Canon’s impressively compact RF 70-200mm F2.8 ever since the company first made it known, and the day has finally come. Its capabilities combined with its small size make it nothing short of a modern marvel – see for yourself.

See our Canon RF 70-200mm F2.8
sample gallery

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Modern marvel: Canon RF 70-200mm F2.8L IS USM sample gallery

Posted in Uncategorized

 

Canon Reveals the RF 70-200mm f/2.8L and the RF 85mm f/1.2L DS Lenses

30 Oct

The post Canon Reveals the RF 70-200mm f/2.8L and the RF 85mm f/1.2L DS Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

 

Canon-reveals-RF-lensesCanon has announced two new lenses for its mirrorless lineup:

The RF 70-200mm f/2.8L IS USM and the RF 85mm f/1.2L USM DS.

Let’s take a closer look:

The Canon RF 70-200mm f/2.8L Lens

Canon-reveals-RF-lenses

The Canon RF 70-200mm f/2.8L offers a classic focal length that’s useful for pretty much everything.

You’ll find a 70-200mm in practically every landscape photographer’s bag for those tight shots that require a longer focal length. Portrait photographers like 70-200mm lenses for their headshot capabilities. Sports photographers love the focal length for powerful action shots. And event photographers appreciate the way a fast 70-200mm zoom lets them shoot without getting in the way.

Up until now, Canon hasn’t produced a lens in this focal length range, unless you count the RF 24-240mm, which is nowhere near as fast as the RF 70-200mm f/2.8L, nor does it have the ‘L’ lens designation. Therefore, many of Canon’s serious mirrorless shooters will jump at the chance to add such a powerful lens to their bags.

Note that the RF 70-200mm f/2.8L seems specially designed for low-light shooters: A combination of an ultra-wide f/2.8 aperture and Canon’s image stabilization technology makes this a formidable piece of kit for any low-light shooting scenario.

The Canon RF 70-200mm f/2.8L will debut in November 2019 for $ 2699 USD.

The Canon RF 85mm f/1.2L USM DS Lens

Canon-reveals-RF-lenses

Canon already offers an RF 85mm f/1.2L lens, so what makes this lens stand apart?

The new RF 85mm lens is designed with a brand new DS coating, known as Defocus Smoothing. The DS coating promises a smoother bokeh effect when shooting at wide apertures by darkening the edges of lens elements. While this serves to create a beautiful background quality, it also decreases light transmittance, so you do lose a bit of the light-gathering capabilities that you generally expect from an f/1.2 lens.

That said, the RF 85mm f/1.2L DS is bound to be appreciated by portrait photographers. With the DS coating, you’ll be able to capture some of the creamiest bokeh you’ve ever seen, while the f/1.2 aperture is perfect for creating a beautiful shallow depth-of-field look.

The Canon RF 85mm f/1.2L USM DS will debut in December 2019 for $ 2999 USD.

Do these lenses excite you? Will you add them to your line-up? Share with us in the comments below.

The post Canon Reveals the RF 70-200mm f/2.8L and the RF 85mm f/1.2L DS Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


Digital Photography School

 
Comments Off on Canon Reveals the RF 70-200mm f/2.8L and the RF 85mm f/1.2L DS Lenses

Posted in Photography

 

Canon RF 70-200mm F2.8L and RF 85mm F1.2L DS will arrive before the end of the year

24 Oct

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_4708630478″,”galleryId”:”4708630478″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Canon’s RF 70-200mm F2.8 and 85mm F1.2 DS were announced some time ago, but as of today they’re official. Canon has revealed full details and pricing for these new additions to its full-frame mirrorless lineup.

The RF 70-200mm F2.8L IS USM boasts an impressively compact design, measuring 146mm (5.8″) in length when at its widest zoom position. It extends when zoomed in towards 200mm, marking a departure from its EF-mount equivalents.

The RF 70-200mm F2.8 includes a floating focus lens element for reduced focus breathing, with a total of 17 elements in 13 groups making up the optical construction. Its image stabilization system is CIPA-rated to 5 stops.

Defocus Smoothing works thanks to a special coating to two of the lens’ thirteen elements

The 85mm F1.2L USM DS sits alongside the standard RF 85mm F1.2, but is differentiated by what Canon calls Defocus Smoothing (DS). Defocus Smoothing works thanks to a special coating to two of the lens’ thirteen elements. This gives out-of-focus highlights smoother edges compared to those rendered by the standard version of the lens.

The Canon RF 70-200mm F2.8L IS USM will be available in late November for $ 2700; the RF 85mm F1.2L USM DS is scheduled to arrive in December for $ 3000.

Press release:

THE RF FAMILY GROWS BY TWO: CANON RF 70-200MM F2.8L IS USM LENS IS THE WORLD’S SHORTEST AND LIGHTEST LENS IN ITS CLASS AND RF 85MM F1.2L USM DS IS THE FIRST LENS TO FEATURE DEFOCUS SMOOTHING

New RF L-Series Lenses Aim to Provide Impeccable Performance, Handling and Unique Features to Photographers Shooting with EOS R and EOS RP Cameras

MELVILLE, N.Y., October 24, 2019 – Completing the “trinity” of RF lenses for the EOS R Full-Frame mirrorless camera system, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the RF 70-200mm F2.8L IS USM telephoto lens. Additionally, the company also announced its first lens to feature Defocus Smoothing lens coating, the Canon RF 85 F1.2L DS. The ninth and tenth lenses in the RF family are both powerful tools for photographers using the EOS R or EOS RP cameras, in particular, those shooting sports or wildlife photography with the RF 70-200mm F2.8L or portrait photography with the RF 85mm F1.2L USM DS.

Short and Light With All The Might: Canon RF 70-200mm F2.8L IS USM
The new lens features a large and bright f/2.8 aperture, which, along with the 70-200mm focal zoom ranges, presents an ideal workhorse lens for professional and amateur photographers shooting sports, wildlife, wedding and event action. The new RF lens is 27 percent shorter and 28 percent lighter than its EF counterpart with a large portion of the lens element arrangement closer to the camera body. This arrangement is designed to provide photographers with a more balanced feel and experience even at telephoto end of the zoom range. Additionally, the shorter and lighter design allows the lens to be more easily stowed away in a camera bag when not in-use.

A first for Canon lenses, the new RF 70-200mm F2.8L IS USM features two Nano USM motors providing an even greater level of high-speed autofocus for still image shooting and quiet and smooth autofocus for video shooting. The lens also incorporates a floating focus control, another Canon first, that drives the two lens groups individually while using the two aforementioned Nano USM motors. The floating focus lens element shortens focusing distance and help reduce breathing, providing users with fast, consistent and reliable performance.

Additional Features of The Canon RF 70-200mm F2.8 L IS USM Include:

  • Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • 17 lens elements in 13 groups including two aspherical lenses, one super UD lens and four UD lenses, that help to reduce chromatic aberration
  • CIPA standard five stops of image stabilization (IS) including three IS modes with dual-sensing and combination IS
  • 12-pin communication system
  • L-Series dust and weather resistant build with fluorine coating
  • Subwavelength Structure Coating (SWC) helps minimize lens flare and ghosting

Teaching an Old Dog a New Trick: Canon 85mm F1.2L USM DS
Canon has a rich history spanning over 40 years of producing 85mm lenses with f/1.2 apertures, and the new Canon RF 85mm F1.2L USM DS is no different, or is it? The lens ushers in a new lens coating from Canon, Defocus Smoothing , designed to enhance the appearance of bokeh in the images captured with the lens. DS coating is a vapor-deposited coating technology that is applied to the front and rear surfaces of a specific lens element inside the lens. The coating allows off-axis flux to pass through the periphery of the lens that gradually decreases the transmittance of light, which results in images with beautifully blurred backgrounds.

In addition, the new lens features a bright f/1.2 aperture which, along with the 85mm focal length, encompasses an ideal lens for portrait photographers. 85mm is often the preferred focal length selected by photographers when shooting portraits because it provides an appropriate depth and perspective of the subject relative to the background, helping to capture high-quality imagery with beautiful and desirable bokeh. The focal length also allows for the photographer and subject to maintain optimum distance apart to support strong communication, while not being too close.

Additional Features of The Canon RF 85mm F1.2L USM DS Include:

  • Minimum focusing distance of 2.79 feet/0.85 meters
  • Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • One Aspheric lens and one UD Lens, along with BR optics that help to reduce chromatic aberration
  • 12-pin communication system
  • L-Series dust and weather resistant build with fluorine coating
  • Air Sphere Coating (ASC) that helps minimize lens flare and ghosting

Pricing and Availability
The Canon RF 70-200mm F2.8L IS USM and RF 85mm F1.2L USM DS lenses are scheduled to be available late November 2019 and December 2019, respectively for an estimated retail price of $ 2,699.00 and $ 2,999.00 respectively . For additional information, please visit, usa.canon.com.

Canon RF 70-200mm F2.8L IS USM and RF 85mm F1.2L USM DS specifications

  Canon RF 70-200mm F2.8L IS USM Canon RF 85mm F1.2L USM DS
Principal specifications
Lens type Zoom lens Prime lens
Max Format size 35mm FF
Focal length 70–200 mm 85 mm
Image stabilization Yes No
Lens mount Canon RF
Aperture
Maximum aperture F2.8 F1.2
Aperture ring No
Focus
Autofocus Yes
Motor type Ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Power zoom No
Zoom lock Yes
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon RF 70-200mm F2.8L and RF 85mm F1.2L DS will arrive before the end of the year

Posted in Uncategorized

 

Canon RF 24-70mm F2.8L IS USM sample gallery

21 Oct

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6757450635″,”galleryId”:”6757450635″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The RF 24-70mm F2.8 isn’t a showstopper like the RF 28-70mm F2. But it’s a lens that will appeal to a lot of EOS R photographers, with its bright, constant aperture covering a handy zoom range, and weather-sealing to help keep it protected from the elements. It became available at the end of September along with the nearly-identical RF 15-35mm F2.8, further expanding the range of options for full-frame Canon mirrorless shooters.

We snagged some time with the lens during what’s likely to be some of the last nice weather of the season – take a look.

See our Canon RF 24-70mm F2.8
sample gallery

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon RF 24-70mm F2.8L IS USM sample gallery

Posted in Uncategorized

 

Canon patent details schematics for a possible RF 90mm F2.8L IS Macro lens

28 Dec

A recently published patent from Canon details a set of optical formulas for what appears to be an RF 90mm F2.8L IS Macro lens.

Japanese Patent Application Number 2018-205435, first detailed by Northlight Images, is fairly standard as far as patents go, but there is one interesting element worth noting.

The image stabilization elements inside the lens — labelled L12 — are located within the first optical group towards the front of the lens. More often the image stabilization component is towards the center of the lens, but that doesn’t appear to be the case here.

This could be for a number of reasons, but the patent text specifically mentions that in order to get the most accurate image stabilization, larger optical components and accompanying motors are needed. As such, the larger front area of the lens makes more sense than the middle of the lens where the optics are more confined, especially with the aperture mechanism located there (represented by ‘SP’ in the illustrations).

It’s also worth noting that the focusing component of the lens is towards the rear of the lens. The patent text says this too is due to the larger focusing motor(s) needed, but it could also have an added benefit of creating a more balanced lens with the heavy image stabilization component towards the front of the lens. As Canon showed the world with its RF 35mm F1.8 IS STM lens, the RF mount makes it possible to put larger elements and more electronics towards the rear of the lens due to the larger mount size.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon patent details schematics for a possible RF 90mm F2.8L IS Macro lens

Posted in Uncategorized

 

Lensrentals tears down the Canon 400mm F2.8L IS III

20 Dec
Photographs kindly provided by Lensrentals

Roger Cicala, founder of Lensrentals, has torn apart the 400mm F2.8L IS III to see what Canon has done to remove 2.2lbs of weight from the third-generation super telephoto lens.

It’s only been a few weeks since Cicala shared Lensrentals 50mm F1.2L RF lens teardown, but as he hinted at in that teardown, it’s time for Canon’s much larger larger lens to get the signature treatment.

‘We tend to not publish tear-downs of super-telephoto lenses. They’re big and heavy, always well made and well engineered, like you would expect in something that costs as much as a used car,’ says Cicala in the teardown post. ‘But when the new 400mm f/2.8 lenses were released we decided it was finally time to publish a teardown of one. Largely, because they are amazingly light (you see what I did there? largely light?) and we were really interested in how they did that.’

Cicala also says he’s interested in doing a direct comparison between Canon’s latest 400mm F2.8 lens and its Sony counterpart. So it’s safe to say a Sony 400mm F2.8 teardown is just around the corner as well.

The small spring-loaded mechanism used to help lock the lens in place while rotating inside its collar.

The first order of business for Cicala and team was to remove the lens collar. While it might seem like a small detail for such a massive — and expensive — lens, the collar itself is quite complicated in its own right and often one of the first things that can break, due to an internal clicking mechanism that helps lock the lens into place at 90-degree intervals while rotating it on a tripod. As expected, the tripod collar assembly was solid and fairly straightforward — good news for photographers who prefer a more DIY approach to fixing smaller issues like a stuck collar tripod.

From there, it was onto the drop-in filter, which was probably the easiest part of the lens to remove. Cicala says ‘we really, really, really like [the drop-in filter] Because instead of being a proprietary $ 200 filter, it’s a holder that you can attach any 52mm filter to.’

With the easy stuff out of the way, now it was onto the lens itself. Without giving away all of Lensrentals findings, it’s worth pointing out a few details discovered during the teardown.

One of the adjustable screws can be seen in the internal structure of the lens (surrounded by red)

Starting with build quality, Cicala says that despite being light, the ‘inner, weight-bearing barrel is very sturdy magnesium alloy.’ It was at this point in the teardown Cicala noticed two adjustable elements integrated into the lens. The first is a set of screws found just in front of the rear element group, while the other was a set of adjustable collars where the two halves of the lens are joined together.

Regarding the image above, Cicala says ‘a couple of interesting things are in this image […] First, you see the two barrel halves are joined without shimming and held tightly together with 12 large screws – it’s a very strong joint with interlocking pieces. Also, as we saw with the RF 50mm f1.2 teardown, there are springs going down to the focusing ring, we assumed to put tension on a ball bearing ring for a smooth focusing feel in this electronically focused lens. We assumed wrong.’

A little deeper into the build, Cicala and team come across the image stabilization unit. Cicala notes the unit is roughly 2cm thick and full of various electromagnets, springs, sensor inputs and optical elements.

A look inside the intricate image stabilization unit.

In his 50mm F1.2L RF teardown, Cicala said the USM motor used by Canon in its fast prime is the exact same one used in the 400mm F2.8L IS III. Sure enough, that’s been confirmed again with this teardown, complete with the tension spring that continues to leave Cicala and team bamboozled.

A profile view of the ultrasonic motor in all its glory.

‘This is really interesting information, that the same motor and electronic focusing system is used in both lenses,’ says Cicala in the blog post. ‘Obviously, there is a business advantage in using the same subsystem in several lenses. But putting the same electronic focusing system in this EF lens makes me think that going forward Canon lenses may have a lot of internal similarity in either RF or EF mount. Converting the Canon 400mm f/2.8 to an RF wouldn’t be quite as simple as a different rear element and an RF bayonet mount, of course. The additional electronics for the RF Control Ring would have to be stuffed in here and probably some optical tweaks made, but the core structure could be very similar.’

Further disassembly of the USM section also revealed it’s the section of the lens that contains the aperture assembly. From there, it was onto the front optical elements of the lens, some of which were held in place by another adjustable element, which included screws to account for centering and tilting.

The aperture assembly shows all nine aperture blades in action.

After a little more work, the focus ring comes off and bears the various springs and more adjustable components. Cicala and team come up with a theory or two as to why the tension spring is there and what it does, but a definitive purpose is still unknown. Cicala says ‘one day we’ll spend 4 or 5 hours playing with them and figure it out. But don’t tell Canon that; they get aggravated when we do void-the-warranty stuff.’

In the conclusion section titled “So What Did We Learn Today,’ Cicala shares a few of his final thoughts regarding the teardown. The first thing Cicala mentions is the movement of the optical elements inside the glass. Canon said when it announced the 400mm F2.8L IS III that it had moved elements more towards the mount of the lens to create a better center of gravity and that proved to be the case. Also, Cicala says that ‘Despite being far lighter, it’s still very solidly built with a very strong frame, tons of big screws holding everything together, and no weak joints that we can see […] It’s what we expected; Canon’s been building super telephotos for a long time.’

The USM is also elaborated on. Cicala says it’s a very likely possibility Canon will continue to use this motor for all electrically focused lenses, or at least in lenses with a hefty amount of glass in the focusing element.

Overall, it appears as though the 400mm F2.8L IS III is roughly what Cicala was expecting from Canon. A well-built lens with plenty of adjustments in a tightly packaged frame. As interesting of a teardown as this was though, Cicala says the more interesting teardown will be the Sony 400mm F2.8 G lens. ‘Hopefully, it is awesome and for once the Sonyfans* won’t line up 6 deep to explain how what I find is wrong again.’

To see the full teardown in all its glory (and to discover the footnotes on what Sonyfans* means), head over to the Lensrentals blog and take in every bit of detail.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lensrentals tears down the Canon 400mm F2.8L IS III

Posted in Uncategorized

 

Canon 400mm F2.8L IS III and 600mm F4L IS III are lighter than predecessors

05 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8118953092″,”galleryId”:”8118953092″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Amid its full-frame mirrorless announcements, Canon has also made room for some L-series lens updates. Canon has focused on reducing weight and so its EF 400mm F2.8L IS III USM and EF 600mm F4L IS III USM both lay claim to the title of “world’s lightest” in their respective focal lengths. The 400mm F2.8 has shed 1kg / 2.2lb and the 600mm F4 is 0.86kg / 1.9lb lighter. Both lenses feature advanced coatings, improved image stabilization and circular nine-blade apertures.

The Canon EF 400mm F2.8L IS III USM will sell for $ 12,000 and the Canon EF 600mm F4L IS III USM is priced at $ 13,000. Both lenses will ship in December 2018.

Press release

Canon Redesigns Premium L-Series Super-Telephoto Lenses With Its New EF 400MM F/2.8L IS III USM AND EF 600MM F/4L IS III USM Lenses

New Compact and Lightweight EF Super-Telephoto Lenses Are Well Suited for a Variety of Photographers’ Needs

MELVILLE, N.Y., September 5, 2018 – Most professional photographers need to carry multiple lenses in their camera bags. Helping to lighten their load, Canon U.S.A. Inc., a leader in digital imaging solutions, introduces two new super-telephoto lenses, the EF 400mm f/2.8L IS III USM and EF 600mm f/4L IS III USM. Both lenses possess a dramatic weight reduction and high-image quality, making it ideal for shooters to easily transport and capture images during action-driven scenarios, such as sports and wildlife. Both lenses now hold the title of world’s lightest in their respective focal length*. The weight of the EF 400mm f/2.8L IS III USM and EF 600mm f/4L IS III USM lenses has been reduced by 2.2 lbs. (more than 25 percent) and 1.9 lbs. (more than 20 percent) respectively.

“When developing updates to some of Canon’s most popular legacy lenses, one common question that is asked by photographers was ‘can they be lighter,’” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “The significant reduction of weight in these two lenses addresses this customer need and delivers thoughtfully designed, high-quality optics .”

The new lenses are must-haves for advanced and professional photographers shooting wildlife, aviation, sports and news with Canon’s new EOS R full-frame mirrorless camera (with use of one of the three new Canon mount adapters), as well the EOS 1D and 5D series of DSLR Cameras. Both lenses feature two of Canon’s most advanced propriety lens technologies – Air Sphere Coating (ASC) and Super Spectra Coating (SSC), helping to reduce flaring and ghosting, and suppressing the reflection of light, leading to vivid images. These updated lenses inherit the excellent overall build-quality and ruggedness photographers have come to expect and admire from the Canon EF L series of lenses. In addition, the minimum focusing distance has been improved for both lenses, from 2.7m to 2.5m (8.8ft to 8.2ft) for the EF 400mm f/2.8L IS III USM and 4.5m to 4.2m (14.8ft to 13.8ft) for the EF 600mm f/4L IS III USM.

Additional noteworthy features of the lenses include:

  • Upgraded Optical Image Stabilization from three-and-a-half stops to five shutter speed stops1 of correction over the previous f/2.8 lens
  • Improved, flexible focus control with a customizable electronic-focus ring
  • Two fluorite lenses and one super UD lens, helping to provide high image quality
  • Circular nine-blade aperture
  • 17 lens elements in 13 groups
  • Heat-shielding paint helps prevent lens temperature from rising during excessive exposure to sun
  • Fluorine coating on front and rear optical elements, helps to reduce smears and fingerprints
  • Inner focusing system with Ring Ultrasonic Motor

Availability and Pricing

The Canon EF 400mm f/2.8L IS III USM is scheduled to begin shipping in December 2018 with an estimated retail price of $ 11,999. The Canon EF 600mm f/4L IS III USM is scheduled to begin shipping in December 2018 for an estimated retail price of $ 12,999^. For additional information regarding the lenses predecessors please visit, visit usa.canon.com.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon 400mm F2.8L IS III and 600mm F4L IS III are lighter than predecessors

Posted in Uncategorized