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Hasselblad announces three XCD lenses, including its fastest lens ever

25 Sep

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Hasselblad has announced three new lenses and one teleconverter for its XCD lens system. The lenses are the XCD 80mm F1.9, the XCD 65mm F2.8 and XCD 135mm F2.8, all of which are designed for the X1D digital medium format camera. In all, this brings the system to nine focal lengths covering 21-230mm (16.6-178mm full-frame equivalent).

The standout lens for most users will be the XCD 80mm F1.9, which is not only the fastest lens currently in the X System, but the fastest lens Hasselblad has ever released. Offering a field of view equivalent to 63mm and depth-of-field equivalent to F1.5 on a 35mm full-frame system, Hasselblad claims that the lens comes with ‘superior optical surface precision’ on its aspherical elements to allow for smooth bokeh and a twin motor drive for quick autofocus.

At 1045g (2.3lb), the 80mm F1.9 is currently the heaviest lens in the XCD lineup.

It has 14 elements in 9 groups and, at 1045g (2.3lb), it’s currently the heaviest lens in Hasselblad’s XCD lineup.

Hasselblad has also announced the XCD 65mm F2.8, with a 51mm equivalent field of view. With a close-focus distance of 0.5m (20in), the lens is positioned as a versatile option for street and travel photography.

Lastly, the company has announced the XCD 135mm F2.8 alongside the X Converter 1.7. On its own, the 135mm F2.8 provides roughly a 107mm field of view and a close focus distance of 1m (3.3ft). The lens and 1.7x teleconverter were designed to be paired without any loss of optical quality, and together offer a 230mm (178mm equivalent) field of view, F4.8 maximum aperture and a minimum focus distance of 1.05m (3.5ft).

As with all current XCD lenses, the 80mm, 65mm and 135mm lenses come with built-in leaf shutters to allow for full flash synchronization up to 1/2000s shutter speed.

They are all available for pre-order now, and will begin shipping in December 2018. The 80mm F1.9 will retail for $ 4845 / £3690 / €3990; the 65mm F2.8 will retail for $ 2750 / £2090 / €2290; the 135mm F2.8 will retail for $ 4050 / £3090 / €3390; bundling the 135mm F2.8 with the X Converter 1.7 brings the retail price to $ 4845 / £3690 / €3990.

Official sample images

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Press release:

Hasselblad expands its X1D lens lineup with three new XCD lenses, including XCD 1,9/80, Hasselblad’s fastest lens ever

Increasing the capabilities of the X1D-50c mirrorless medium format camera, Hasselblad adds three new lenses to its XCD lens family, including the XCD 1,9/80, with the largest aperture of a Hasselblad lens ever, the XCD 2,8/65 and the XCD 2,8/135 telephoto lens with X Converter 1,7. The three new lenses and one dedicated teleconverter expand the XCD family to nine different focal lengths.

The XCD 1,9/80 represents a major milestone for Hasselblad with an impressive f/1,9 aperture, Hasselblad’s largest lens aperture, offering an extremely shallow depth of field and light-gathering ability. Thanks to Hasselblad’s optical design expertise and rigorous calibration standards, the XCD 80mm boasts superior optical surface precision, avoiding poor bokeh results or out of focus highlights often seen in high aperture lenses with aspherical surfaces. The lens’ distinct twin motor drive provides quick autofocus performance, while offering a precise manual focus experience. Maximizing the artistic potential of X1D image makers for a stunning shooting experience with a field of view similar to 63mm on a full frame system, it is especially suitable for portrait, nature and product photography with its ability to produce pleasing bokeh through excellent subject isolation and shallow depth of field.

The XCD 2,8/65 is the ideal standard lens in any X System photographer’s kit. With a 50mm full frame equivalency, it’s designed to achieve the ‘normal’ focal length and mimic the human field of view. Thanks to its f/2,8 maximum aperture and 0.5 m (20 in.) minimum focus distance, the XCD 65mm is the versatile option for street, travel and general photography.

Growing the telephoto range, the XCD 2,8/135 and X Converter 1,7 expand the reach of Hasselblad’s X1D-50c. Available as both a paired kit or as a stand-alone lens, the XCD 135mm and dedicated teleconverter have been designed as a cohesive unit to ensure no decrease in image quality when the teleconverter is used. Without the teleconverter, the XCD 135mm has an aperture range of 2,8-32 and a field of view similar to 105mm lenses on full frame cameras and features a minimum focus distance of 1 m. With the X Converter 1,7, the lens’ focal length grows to 230mm (178mm full frame equivalent) with a f/4,8 maximum aperture and minimum focus distance of 1.05 m. The telephoto focal length is ideal for portrait, outdoor, and landscape photographers looking to document details and subjects with stunning image quality.

Like the other XCD lenses, the XCD 80mm, XCD 65mm and XCD 135mm feature an integral central shutter, offering exposure times from 60 minutes to 1/2000s with full flash synchronization through the entire range.

The XCD 80mm, XCD 65mm and the XCD 135mm lenses are now available for pre-ordering and will begin shipping in December 2018.

The XCD 80mm lens has an MSRP of €3,990, $ 4,845, £3,690, JPY¥ 576,000 (excl. VAT) / CNY¥ 38,500 (incl. VAT).

The XCD 65mm lens has an MSRP of €2,290, $ 2,750, £2,090, JPY¥ 331,000 (excl. VAT) / CNY¥ 22,100 (incl. VAT).

The XCD 135mm lens has an MSRP of €3,390, $ 4,050, £3,090, JPY¥ 489,000 (excl. VAT) / CNY¥ 32,700 (incl. VAT).

The XCD 135mm lens with X Converter 1,7 has an MSRP of €3,990, $ 4,845, £3,690 , JPY¥ 576,000 (excl. VAT) / CNY¥ 38,500 (incl. VAT).

For full specs, sample images and more info, please visit:
www.hasselblad.com/x-system-lenses/xcd-19-80mm/
www.hasselblad.com/x-system-lenses/xcd-28-65mm/
www.hasselblad.com/x-system-lenses/xcd-28-135mm/

About Hasselblad

Founded in 1941, Hasselblad is the leading manufacturer of medium format cameras and lenses. Made in Sweden, Hasselblad cameras are renowned for their iconic ergonomic design, uncompromising image quality and Swedish craftsmanship. For over half a century Hasselblad cameras have captured some of the world’s most iconic images – including the first landing on the moon – and helped shape the way we look at the world through genuine photographic artistry. Trusted by NASA and used by the greatest photographers in the world, Hasselblad continues to create products with uncompromising image quality that inspire.

The Hasselblad H Camera System with its professional lens family and unique advancements is widely acknowledged as the most comprehensive digital camera system of its kind available today. Hasselblad was the first to launch the fully integrated medium format camera system incorporating the latest in CMOS sensor technology. In 2016 Hasselblad launched the H6D, a technological feat with an all new electronic platform, delivering superior craftsmanship and image quality. Later the same year, Hasselblad introduced the world’s first compact mirrorless digital medium format camera – the X1D. Hasselblad’s X1D sensor benchmarked the highest score in the history of DxO Mark’s independent testing.

Headquartered in Gothenburg, Sweden, Hasselblad is a global brand with offices in New York, London, Tokyo, Paris, Copenhagen, Hamburg and Shenzhen with distributors throughout the world.

Articles: Digital Photography Review (dpreview.com)

 
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Magix celebrates 10th birthday with biggest ever performance update

20 Jun

Video editing software package Video Pro X has received what is described as its biggest update yet, to mark ten years since Magix Video Pro was launched. Owner Magix says the update focuses on speed and performance, and includes new tools to make editors’ lives easier.

Magix says that rendering HEVC/H.265 video can now done using the NVIDIA GPU encoder making export much faster than before, while AVX optimization speeds up image processing and improves the accuracy of color correction.

The company also says it has introduced easier methods for working with overlapping audio and video clips, and that its effects interface is now more clearly organized. Green screen work is improved, as is the package’s ability to handle and manipulate 360° content, and users can now edit stereo video footage as well.

Magix Video Pro X costs £299 / $ 399 and is available now. For more information visit the Magix website (link below).

Visit magix.com

Press Release:

10 Years of Video Pro X: MAGIX publishes the largest update in the history of the video software

On the occasion of the software’s 10 year anniversary, MAGIX Software is introducing the largest update for Video Pro X ever to the market. The anniversary version of the professional video editing program includes numerous new functions and improvements for significantly more power, productivity, and design flexibility.

The latest Video Pro X has arrived. Right on time to mark the anniversary, the powerful video processing system from MAGIX offers an extensive program of intelligent new and optimized features that help ambitious users to achieve high-end results even faster than ever before.

FOCUS ON PERFORMANCE

The most recent update from MAGIX had already put a strong focus on increased performance. However, the new version introduces the largest performance leap ever. For the first time, HEVC/H.265 video export can now be rendered with the NVIDIA GPU’s encoder. This makes export speeds possible, which were inconceivable in the past. Also new to the latest version is the comprehensive AVX optimization in the internal image processing and the 3-way colour correction resulting in faster image processing and much more precise output quality during colour conversion. Additionally, the output of 4K source videos into FullHD quality has been optimized by reducing high-frequency image components. This results in fewer bit errors during the conversion of high-resolution recordings.

MORE PRODUCTIVE WORKFLOWS

With the new Video Pro X, MAGIX pushes ahead with its workflow optimization strategy. The latest improvements include the new time-saving J-L cut and the intuitive “Move object content” mouse mode. With J-L edits, video and audio tracks can now be modified individually without losing the advantages of working with grouping. For video editors who work regularly with overlapping objects, such as spoken audio spanning several scenes in documentaries and interviews, work will become noticeably easier, and object content can now be moved more flexibly. From now on, users can intuitively select and adjust image content from video objects with a click of the mouse while maintaining the editing rhythm.

NEW EFFECTS AREA & OPTIMIZED CREATIVE TOOLS

The Video Pro X effects area has been enhanced and is now more clearly organized and user friendly than ever. Users can quickly navigate to the effects they want and control plugins much more intuitively meaning the creative workflow stays uninterrupted. Chroma Keying has also been optimized in response to customer feedback. A new algorithm supports the ability to recognize and extract objects. 360° editing was also improved. 360° image stabilization, a set of spectacular 360° transitions, and special 360° effects from HitFilm now supplement the Video Pro X 360° editing package. And now even stereoscopic videos can be processed by Video Pro X.

“10 years of development have been invested in the new Video Pro X. We would like to introduce the largest update in the history of Video Pro X as a way to say thank you to our loyal customers. Without the continuous feedback from the Video Pro X community, the software would by far not be as sophisticated and powerful as it is today,” says Florian Liepold, Product Owner Video Pro X at MAGIX.

Video Pro X comes with a year of Update Service free of charge. So, users who now decide to purchase the software will automatically receive any upcoming updates. For example, the flexible anchor point positioning, an intelligent function that helps to individually select the object focus – for maximum design flexibility while scaling and rotating.

All new Video Pro X features at a glance:

  • Accelerated export with NVIDIA NVENC support
  • Optimized workflow including J-L cuts
  • New effects area and In-App Store
  • Precise chroma keying
  • Improved Full HD output quality
  • Complete 360° package, including HitFilm effects
  • AVX-optimized algorithms
  • OpenFX interface with multithreading
  • HEIF image import for optimal support of iOS devices
  • Includes Update Service for 1 full year of all new features

Prices and availability:

Video Pro X – £299 / $ 399

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad unveils its widest lens ever: the XCD 21mm F4

09 May

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Back in November, Hasselblad announced (among other things) that the originally-planned XCD 22mm lens on the mirrorless X1D lens roadmap would actually be released even wider: as a 21mm F4. This week, that promise became a reality.

Announced yesterday, the Hasselblad XCD 21mm F4 for the mirrorless medium format X1D camera, is officially Hassleblad’s widest lens ever.

“The high-performing 21mm f/4 lens brings together the compact format of the XCD range with the maximum optical quality across the frame with a wide field of view,” reads the press release. “The XCD 21mm has an extremely short focal length that provides a 17mm full frame equivalency.”

Sample Photo Credit: Hasselblad

The 17mm full-frame equivalent lens features an optical design made up of 13 lens elements in 9 groups, including 2 aspherical elements. The aperture range runs from F4 to F32, an integrated leaf shutter lets you flash sync up to 1/2000th of a second (like all the XCD lenses), and there’s also a 32cm “close distance setting” that gets you a 1:10 magnification ratio.

The lens is already live on Hasselblad’s website and available for pre-order online. It’s scheduled to ship “mid-May” for $ 3,650 USD / 3,000 Euro / £2,750 GBP excluding VAT. To learn more, visit the Hassleblad website.

Lens Specifications (source):

  • Focal length: 21.8 mm
  • Equivalent Focal length (24×36): 17 mm
  • Aperture range: 4 – 32
  • Angle of view diag/hor/vert: 105°/92°/75°
  • Length/diameter: 106 mm/83 mm
  • Weight (excl. covers and lens shade): 600g
  • Filter diameter: 77 mm

XCD Lens Roadmap:

Press Release

Hasselblad’s Widest Lens Ever, XCD 21mm F/4, Now Available for the X1D

Continuing the development of the XCD lens line, the previously announced XCD 21mm f/4 lens is now available for ordering. As Hasselblad’s widest lens yet, it opens doors for even more creative possibilities for the X1D user.

The high-performing 21mm f/4 lens brings together the compact format of the XCD range with the maximum optical quality across the frame with a wide field of view. The XCD 21mm has an extremely short focal length that provides a 17mm full frame equivalency. It features a 32 cm close distance setting (1:10 image scale) and an aperture range between 4 and 32. Offering a new versatility to the X1D user, the lens is especially suitable for both landscape and interior and exterior architectural photography.

Like the other XCD lenses, the XCD 21mm f/4 lens has an integral central shutter offering a wide range of shutter speeds and full flash synchronisation up to 1/2000th second. “The automatic Lens Correction Tool in Phocus will generate images from the XCD 21mm f/4 that are completely free from any distortion, rendering all lines perfectly straight!” says Ove Bengtsson – Product Manager.

The XCD 21mm lens will begin shipping mid-May 2018 with an MSRP of € 2999 / $ 3750 / £ 2749 excl. VAT.

Articles: Digital Photography Review (dpreview.com)

 
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ESA unveils most detailed 3D star map ever captured

04 May

The European Space Agency (ESA) Gaia mission has released a new star map of the Milky Way, giving us the most detailed view of our galaxy to date.

Launched in December 2013 from Kourou, French Guiana, the mission of the Gaia space observatory is to create the largest and most detailed 3D space catalog in existence. To do this, it uses what the ESA calls the ‘largest digital camera in the Solar System,’ a one-billion-pixel camera made up of more than 200 CCD sensors.

Gaia’s sky in colour. Image provided by ESA

This new set of data, released on April 25th, details the location and movement of more than 1.3 billion stars. For context, the first set of data released by the ESA in May 2016 contained similar information of a mere two million stars. It’s not only the position and movement of the stars either.

As well as positions, the data include brightness information of all surveyed stars and colour measurements of nearly all, plus information on how the brightness and colour of half a million variable stars change over time. It also contains the velocities along the line of sight of a subset of seven million stars, the surface temperatures of about a hundred million and the effect of interstellar dust on 87 million.

The new information will be used for many years to come by scientists all over the world. “Gaia will greatly advance our understanding of the Universe on all cosmic scales,” says Timo Prusti, Gaia project scientist at ESA, in the announcement blog post. “Even in the neighbourhood of the Sun, which is the region we thought we understood best, Gaia is revealing new and exciting features.”

The ESA expects many more datasets to be released in future years, with the full and final catalogue set to be published sometime in the 2020s. Originally, Gaia was only set to operate until mid-2019, but the ESA has already approved an extension to its mission that should see it functioning well into 2020.

You can access the data from Gaia’s first release on the ESA’s archive site and view a collection of 360-degree videos in a dedicated VR page.

Articles: Digital Photography Review (dpreview.com)

 
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ProGrade demonstrates first ever 1TB CFexpress card with 1,400MB/s read speed

10 Apr

Memory card manufacturer ProGrade claims to have shown off the first public demonstration of a CFexpress Type B card with 1TB capacity at NAB 2018 in Las Vegas. The card, which is backwards compatible with XQD formats, makes the most of the CFexpress specifications with blistering read/write speeds of 1,400MB/s and 1,000MB/s, respectively.

CFExpress is the latest standard from the CompactFlash Association, and is seen by many as the natural successor to the CFast and XQD formats. It was first announced in September of 2016, and the final specifications for version 1.0 were published in April of 2017. According to the specification list, version 1.0 of CFexpress Type B cards has a maximum transfer speed of 1970MB/s—roughly twice the maximum speed of XQD 2.0 cards—so ProGrade isn’t leaving much on the table with its debut version.

In its statement to DPReview last month, ProGrade said, “XQD cards [can] be upgraded to operate with the new CFexpress Type B cards if the original equipment manufacturer (OEM) chooses to update firmware in those devices.” This puts the onus on camera manufacturers such as Nikon and Sony to upgrade the firmware in its cameras with XQD card slots so CFexpress cards can be used.

ProGrade says its CFexpress cards will be available in 256GB, 512GB and 1TB capacities when they’re released later this year. We have reached out to Nikon and Sony regarding whether or not they plan to support CFexpress cards in the future, and will update this article accordingly when we hear back.

In addition to teasing its upcoming CFexpress cards, ProGrade also launched a collection of V90-rated SD cards with maximum read/write speeds of 250MB/s and 200MB/s, respectively. The cards will be available in early May in 64Gb, 128GB, and 256GB capacities for $ 100, $ 190, and $ 380, respectively.

ProGrade Digital is First To Publicly Demonstrate CFexpress™ 1.0 Technology in 1TB Capacity

1,400MB/Second Data Transfer Speed Reaches New Milestone

NAB, LAS VEGAS, NV – April 8, 2018 1:00 am Pacific—ProGrade Digital, founded with a mission to provide the highest quality professional grade digital memory cards and workflow solutions, has become the first company to publicly demonstrate the CFexpress™ 1.0 technology with 1TB of capacity. Debut of this important next generation digital memory card form factor, presented by CEO Wes Brewer and VP of Marketing Mark Lewis at NAB in Las Vegas, provides solid proof that the industry is moving toward productization of this new standard.

“The CFexpress standard has been evolving for several years within the CompactFlash Association as a successor to both CFast™ and XQD™ formats. We are pleased to be working within the CFA and aside device manufacturers to bring to market this next generation removable storage standard,” said Brewer. “Industry adoption of CFexpress will allow for much higher resolution and higher bit rate image capture than ever before in many still image and video capture devices. Faster offload speeds will also greatly benefit the post-capture workflow through the extremely high read speeds it provides. With our demonstration today, we’ve also been able to show compatibility for the CFexpress Type B form factor with XQD memory cards–showing operation of both card standards in a common Thunderbolt™ 3 reader.”

ProGrade Digital demonstrated performance benchmark speeds exceeding 1,400MB/second and burst write speeds of greater than 1,000MB/second–nearly three times faster than CFast memory cards and more than four times those for SDXC™ UHS-II.

CFexpress 1.0 Demonstrated Technology Key Features:

  • Industry-leading speeds
  • Greater than 1,400MB/second read
  • Greater than 1,000MB/second burst write
  • CFexpress Type B format factor with two lanes of PCIe® and NVM Express® support
  • XQD form factor interoperability
  • Dimensions: 29.6 mm x 38.5 mm x 3.8 mm

The founders of ProGrade Digital are industry veterans in the removable storage and digital photography industries. Each, having spent time at leading companies such as Lexar and SanDisk, brings extensive expertise in the design, development and manufacture of digital storage products, plus longstanding relationships with key manufacturing and supply chain partners. The company focuses exclusively on development of memory cards, card readers and workflow software for professional imaging markets. Flagship products, ProGrade Digital CFast 2.0 and ProGrade Digital SDXC UHS-II, are optimized to render maximum performance when paired with high-end DSLR, mirrorless, ­­­camcorder and digital cinema cameras from manufacturers such as Canon, Nikon, Panasonic, Sony and Blackmagic. ProGrade Digital memory cards expand the creative visions of cinema and photography professionals around the world.

Articles: Digital Photography Review (dpreview.com)

 
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The Canon EOS 4000D might be the cheapest DSLR ever launched

27 Feb

Canon Europe has launched the EOS 4000D, a still more cut-down version of the EOS 2000D/T7 announced earlier today. The entry-level model will launch for around £330/€380 body only, which would equate to somewhere around $ 385 without tax. That’s the lowest launch price of any DSLR we can remember.

Canon’s four-digit-D series cameras, from the 1000D (Rebel XS) onwards, have always hit aggressive price points in the market by recycling existing components and features—we called the original 1000D a “reheated” 400D/Rebel XT at the time. But the EOS 4000D takes this to a new level.

The 4000D shares its body and viewfinder with its more expensive sibling (and previous cameras of this series), but relies on a version of the 18MP sensor first introduced nine years ago in the EOS 7D, and the Digic 4+ processor that made its debut in Canon’s 2014 model-year compacts. The camera’s rear display is a 2.7-inch LCD that we last encountered in 2011’s EOS 1100D/Rebel T3.

Finally, some kits of the camera will include the unstabilized 18-55mm F3.5-5.6 III first announced in February of 2011, although we’re pretty sure the plastic lens mount is a first for a digital EOS.

That’s not to say that Canon has just launched a DSLR from five years ago’s parts bin. Although it loses the NFC feature of the 2000D, it does retain Wi-Fi connectivity. This feature, a more modern version of Canon’s Auto modes, and its much-loved JPEG engine means the EOS 4000D is likely to be a pretty credible super-budget DSLR.

Still, we’ve not seen such aggressive corner cutting unit cost optimization since Sony’s a3000 (which was seemingly made from upcycled yogurt containers), and can’t think of a DSLR that has ever launched at a lower price.

Is there one we’ve overlooked? And what do you make of the EOS 4000D? Let us know in the comments.


Note: While the Canon EOS 4000D has only been launched in Europe thus far, don’t rule out seeing a wall of them at your local BestBuy just as soon as Canon US has worked out which random letters to call it.

Step up to effortless DSLR storytelling with Canon’s new EOS 2000D and EOS 4000D cameras

London, UK, 26th February 2018 – Canon Europe today unveils the launch of the EOS 2000D and EOS 4000D, Canon’s latest entry-level DSLR cameras. With a wide range of practical and easy to use features, these new cameras cater to the storytelling needs of individuals taking their first steps into interchangeable lens photography and those wanting to create superbly detailed DSLR quality pictures and cinematic Full HD movies with ease.

The newest additions to Canon’s entry-level DSLR range, the EOS 2000D and EOS 4000D have been designed for people who seek out new experiences and want to share their adventures seamlessly to social media. The cameras’ powerful combination of APS-C sensor technology, DIGIC 4+ image processor, seamless Wi-Fi connectivity and straightforward in-camera feature guides enable stories to be captured and shared with highly detailed photos and Full HD movies.

With the EOS 2000D featuring a new 24.1 Megapixel APS-C sensor, and the EOS 4000D using an 18 Megapixel APS-C sensor, each camera allows for compelling storytelling with superb control over depth of field for beautifully blurred image backgrounds. Shooting rich, atmospheric photos during night-time adventures is also made possible with both models capable of low light shooting up to ISO 6400, expandable to ISO 12800.

The DIGIC 4+ image processor, used in both models, powers Canon’s Scene Intelligent Auto mode, enabling simple point and shoot photography with superb image results, as it automatically optimises every shot. The fast and responsive DIGIC 4+ image processor enables the Full HD video capabilities in both models, breathing cinematic life into captured memories.

In addition to a rear mounted LCD screen (7.5 cm on the EOS 2000D and 6.8 cm on the EOS 4000D), both cameras feature a centrally mounted optical viewfinder, providing a distinctly authentic photography experience and allowing stories to be told just as they were experienced with the naked eye. Decisive moments in unfolding stories can be captured with responsive and precise nine point auto focus and continuous shooting at 3.0 frames per second.

Both cameras are Wi-Fi enabled for seamless smartphone connectivity via the Canon Camera Connect app (iOS and Android), enabling adventurers to rapidly shoot and share their content on social media whilst on the move. New images can be conveniently backed up to Canon’s cloud storage service, irista, via a Wi-Fi connection, ensuring stories and memories shared are never lost.

These processes are made even easier for the EOS 2000D with the inclusion of Near Field Communication (NFC), which can establish a Wi-Fi connection to a smartphone by simply tapping the device on the camera (available on compatible Android devices).

Both models include simple in-camera feature guides, perfect for those looking to improve their storytelling potential as they upgrade from a smartphone. Both cameras include six image settings outside of basic auto modes and a variety of creative filters, enabling experimentation with manual control and the artistic freedom to tell dynamic and vibrant stories. Those embarking on their first DSLR adventure will also benefit from the Canon Photo Companion app, which provides the necessary tips on getting the best out of the cameras.

The EOS 2000D and EOS 4000D’s excellent battery life delivers approximately 500 pictures, or one hour 30 minutes and one hour 15 minutes of HD video respectively, allowing for peace of mind during extended outdoor adventures and the freedom to explore.

Both DSLR models are compatible with over 80 Canon EF and EF-S lenses and range of accessories, giving beginners the greatest choice of systems as they grow and develop their photography skills. The new cameras will be sold as a body only option or with a selection of lens kit options, including an 18-55mm f/3.5-5.6 IS II lens.

Canon’s latest entry-level DSLR cameras offer a fantastic gateway to the joys of interchangeable lens photography. The Canon EOS 2000D and Canon EOS 4000D provide an easy and reliable shooting experience that enable users to capture detailed images and sharp Full HD video. As people step-up from their smartphone and expand their creativity, Canon’s new DSLR cameras will intuitively capture superbly detailed professional-looking images, time after time.

The Canon EOS 2000D is available to pre-order from Canon’s online store from 26th February 2018.

For more information, please visit: Canon EOS 2000D and Canon EOS 4000D

Articles: Digital Photography Review (dpreview.com)

 
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Thingyfy launches Pinhole Pro S: The widest modern professional pinhole lens ever

06 Dec

Thingyfy is back with another Kickstarter campaign, and this time they’re trying to fund the Pinhole Pro S-Series lenses. As with the original Pinhole Pro campaign launched this past summer, the new Pinhole Pro S seeks funding for a modern pinhole lens. Unlike the original, however, the latest campaign is for a model that Thingyfy calls the widest pro-tier pinhole lens in the world.

Pinhole Pro S comes in two varieties: the Pinhole Pro S11, an 11mm lens with a 120 degree FOV, and the Pinhole Pro S37, a 37mm lens with a 60 degree FOV. Both lenses feature a fully aluminum body. The S11 version is designed for mirrorless cameras with Micro Four Thirds, Sony E, and Fuji X mounts; the S37 is designed for SLR/DSLR cameras with Sony A, Nikon F, Canon EF, and Pentax K mounts.

The wide-angle S-Series weighs less while being wider and nine times sharper than the original Pinhole Pro lens, according to Thingyfy. The company explains that its Pinhole Pro lenses offer a very precise pinhole aperture due to the use of a micro-drill that is robotically controlled. The drill produces a “perfectly round” and smooth hole, says Thingyfy, whereas alternatives like chemical etching and laser etching have downsides, such as corroded or burnt, fuzzy edges.

Thingyfy is funding its new Pinhole Pro S lenses on Kickstarter, where an early bird unit of any camera mount is offered for $ 59 CAD / $ 46 USD with an estimated shipping date of April 2018.

Articles: Digital Photography Review (dpreview.com)

 
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Sony a7R III ties Nikon D850: Best mirrorless full-frame camera DxOMark has ever tested

28 Nov

DxOMark has just published their review of the Sony a7RIII’s sensor, and no surprises here: it ties the Nikon D850 as the best full-frame camera they’ve ever tested with a score of 100. This also makes it the best mirrorless full-frame camera DxOMark has ever tested, besting the former king, the Sony a7R II, which scored a 98.

From the moment Sony debuted the a7R III, it became clear there was only one competitor for this mirrorless beast: The Nikon D850. And as DxO makes clear in their review headline, the D850 has now met “its mirrorless match.” In fact, it would be a stretch to call one of the cameras better overall than the other. Here’s how their scores break down:

As DxOMark makes clear in its conclusion, which camera you prefer (or should prefer) has to do with your own use case:

Comparing the A7R III sensor to the Nikon D850’s reveals the advantage that the Nikon camera’s lower minimum sensitivity (ISO) value brings. Photographers who predominantly shoot in bright light or capture motionless subjects with the camera on a tripod will record the most information, be it color, tone, or detail with the Nikon D850 set to ISO 32. However, if they require values above that, the Sony A7R III sensor produces marginally better images.

By now it should be obvious why the Sony a7RIII tied with the Nikon D850 for our best camera above $ 2,000: it’s next to impossible to pick one over the other unless you have a specific use case in mind. Check out DxOMark’s full review for a deeper dive on this particular camera sensor, and if you want even more you can read our full review as well.

Articles: Digital Photography Review (dpreview.com)

 
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TIME calls Sony a7R III ‘one of the best mirrorless cameras ever made’

25 Nov

When we finished our full review of the impressive Sony a7R III, we wrapped it up with a conclusion that started:

The sheer capability of the Sony a7R III is hard to overstate […] Like the Nikon D850, the a7R III is a camera that you can shoot just about anything with, from landscapes to fast action.

But it seems we weren’t the only ones blown away by Sony’s newest flagship mirrorless full-frame camera, because TIME just named it one of its Top 10 Gadgets of 2017, and crowned it “one of the best mirrorless cameras ever made.”

TIME’s Top 10 this year included everything from the DJI Spark to the iPhone X, but the Sony a7R III has the distinction of being the only true-blue camera to make the list. Combine this with the fact that demand for the camera is so high Sony Japan had to issue an apology about pre-order delays, and you see why the Sony shares the top spot in our over $ 2,000 category for 2017.

To learn more about the Sony a7R III, why people are lavishing the camera with such praise, and what its weaknesses are despite this praise, check out our full review below:

Sony a7RIII Review

Articles: Digital Photography Review (dpreview.com)

 
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DxOMark: Samsung Galaxy Note 8 ties iPhone 8 Plus as best ever smartphone camera

07 Oct

News that Apple’s new iPhone 8 Plus had suddenly taken the top spot on DxOMark’s smartphone camera rankings was met with the expected range of praise and critique—everything from “of course, iPhone’s are awesome cameras” to “how much did Apple pay DxOMark for this result!?” But it turns out the iPhone 8 Plus’ ranking as the best smartphone camera DxOMark had ever tested didn’t last very long.

As of today, the iPhone 8 Plus has been tied by the Samsung Galaxy Note 8, which significantly bested its Photo score and only tied the iPhone 8 Plus overall because Apple’s smartphone does so much better in the video category.

The full breakdown of the results can be found on DxOMark, but this comparison between the two phones’ scores speaks volumes:

The Photo categories where the Note 8 really outperformed the iPhone include Autofocus (94 vs 74) and Zoom, where the Note 8 got a score of 66 to the iPhone’s 51. DxOMark’s conclusion is appropriately praiseworthy:

When all the tests are verified, the scores calculated, and the perceptual analyses discussed, the Samsung Galaxy Note 8 comes out as an outstanding choice for the smartphone photography enthusiast, matching the top overall score of 94 points of the iPhone 8 Plus. Dual-cam setups offering a second telephoto zoom for portraits are a real step forward for high-end smartphone photography, and the implementation on the Note 8 is exceptional, making it the best smartphone for zoom shots we’ve tested.

Read DxO’s full thoughts and see all of their sample and test photos at this link. And if you’re an Android user in need of some serious photography power from you smartphone, the Galaxy Note 8 should definitely make it to the top of your list.

Articles: Digital Photography Review (dpreview.com)

 
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