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Posts Tagged ‘easytouse’

Fujifilm Instax Mini 11 review: the best easy-to-use Instax Mini model

16 Oct

Fujifilm Instax Mini 11
$ 60-70 | Instaxus.com

The Fujifilm Instax Mini 11 is a fresh entry-level instant camera from Fujifilm and a refinement of the Instax Mini 9 (there is no Mini 10). As the name suggests the camera makes use of the Instax Mini film format.

Improvements include a new ‘Selfie Mode’ and better auto exposure compared to its predecessor. But unlike its higher-end siblings, the Mini 25/26, Mini 70 and Mini 90, there are no additional creative exposure modes or special features to speak of. That said, the camera is simple to operate and capable of producing lovely images in a variety of lighting conditions.

Key specs:

  • Retractable 35mm equiv. F12.7 lens
  • Full-automatic exposure control (flash always fires)
  • Variable shutter speeds from 1/2 to 1/250 sec and slow synchro flash for low light
  • Selfie mirror on front of lens
  • Selfie/close-up mode
  • Auto frame counter
  • Powered by two AA batteries (100 shots / 10 packs per fresh set of batteries)
  • Available in: Blush Pink, Ice White, Sky Blue, Lilac Purple, Charcoal Black

Operation

The Mini 11 comes with two accessory buttons you can affix to the shutter release via double sided tape (included). I attached the glow in the dark button (shown above).

The Instax Mini 11 is really straightforward to use, making it a great choice for kids. Simply press the button next to the lens to pop it out, switch the camera on and hit the shutter button by the viewfinder to take a photo; there are no other buttons to fumble with. When you’re done, push the lens back into the body to turn it off.

The Instax Mini 11 is really straightforward to use, making it a great choice for kids

The camera does a have a selfie mode as well as a small selfie mirror on the front of the lens. To engage the mode, pull the very front of the lens outward until the words ‘Selfie on’ appear (see image below); it admittedly took some digging through the instructions to figure this out.

Usability

Selfie mode = engaged.

The camera is, by default, held in the vertical orientation, making it good for portraiture. The viewfinder is a bit small, but that’s par for the course with these Instax Mini format cameras.

In use, I found the shutter button can be easy to bump accidentally, and given the high cost of film, that’s a bummer. Fujifilm does include two accessory shutter releases that affix to the button via double-sided tape – one glows in the dark! Installation is tricky, but once attached, I did find my self less likely to pop off an unintended frame.

The shutter button can be easy to bump accidentally and given the high cost of film, that’s a bummer

Another note about usability: the selfie mode mechanism is a bit hard to engage and feels like it could be a fail point of the camera. It takes a good bit of force to yank the lens forward into selfie mode and retracting the lens after selfie mode has been engaged is a fiddly affair.

The Instax Mini 11 is held in the vertical orientation.

Image quality

Selfie shot in the camera’s standard mode. Focus is a little soft, but the exposure is on the money. Selfie shot using the selfie mode. The subjects are sharp but the exposure is hot.

Image quality from the Mini 11 is good through-and-through. The camera handles balancing ambient light with its flash output with ease, in most shooting scenarios. The addition of variable shutter speeds and slow synchro flash definitely seem to give it more versatility in tricky lighting than Mini 9, which has a fixed shutter speed of 1/60 sec.

When shooting in bright daylight, the inability to turn off the flash from firing can be annoying. There’s also no infinity mode, so shots in which the subject is far away can look a tad soft (see examples in the gallery below).

Using the selfie mode can sometimes result in blown highlights

Like most Instax Mini cameras, the Mini 11 produces its best images in good and moderate lighting conditions with subjects at relatively close distances (within the maximum flash range of 2.7 m / 8.85 ft). Shots in very low light tend to come out darker than desired. This is where some sort of exposure compensation would be useful. The Mini 25/26 and Mini 70, for instance, both offer a ‘High Key’ mode that adds +2/3rds exposure compensation.

I’m tempted to say skip the selfie mode all together. From my testing, a selfie in normal mode seems to produce a better exposure, though focus may be a tad soft. Using the dedicated selfie mode can sometimes result in blown highlights. That being said, I did have some success using the selfie mode for close-up subjects, like the pup shot leading the gallery below (which was shot in a very dark room).

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Conclusion

Ultimately, the Instax Mini 11 is for those seeking the easiest-to-use instant camera for the most popular instant film format. The addition of more reliable auto exposure is appreciated. And though I have hesitations about the selfie mode, my guess is most folks who didn’t read the instructions will never even find it. And that’s just fine.

The Instax Mini 11 is for those seeking the easiest-to-use instant camera for the most popular instant film format

For those desiring something with more creative control, we highly recommend spending a few more bucks and getting the Instax Mini 70, which is more feature-rich and our choice as the best Instax Mini camera, for the most people.

What we like:

  • Very easy-to-use
  • Powered by two AA batteries
  • Improved auto exposure over predecessor

What we don’t like:

  • No creative modes or exposure compensation
  • Easy to accidentally hit shutter before installing accessory button
  • Mechanism to engage ‘Selfie Mode’ feels fragile
  • Flash always fires

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS M200 tops our shortlist of best easy-to-use cameras

17 Nov

We recently named the Canon EOS M200 our top choice for cameras under $ 500, and we’re recognizing it again – this time as the best easy-to-use camera on the market.

Articles: Digital Photography Review (dpreview.com)

 
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Best easy-to-use cameras of 2019

13 Oct

If you want a camera that you can pick up and use without having to page through the manual first, then this guide is for you. Some of the cameras in this guide have robust auto modes that let you ‘set it and forget it’, while others have clever interfaces to translate more complex subjects into easily comprehensible language, often with visual guides.

We’ve included cameras in various classes (and thus prices) in this guide, from compacts costing a few hundred dollars to a full-frame model that will produce much higher quality images but sells for around $ 1300. Read on to see what we think is the most user-friendly camera on the market.


Our pick: Canon EOS Rebel SL3 (EOS 250D)

The Canon SL3 works perfectly well in its Auto (A+) mode, where it will select the correct settings for the detected scene, such as a sunset. It also gives you the opportunity to tinker with exposure and color settings using a clever interface known as Creative Assist. There, you can adjust things like background blur (AKA aperture), brightness and color saturation (helpfully illustrated with tulips).

When you switch into ‘regular’ exposure modes (like Program), the camera still provides visual aids showing the effect of changing things like aperture and shutter speed, but this time you actually see the values (such as the F-number) you’re adjusting. And this interface shows you how to operate the camera if you ever opt to remove the ‘training wheels.’

As a camera, the SL3 takes very good photos, uses Canon’s excellent Dual Pixel AF system for video and live view, and is as close to ‘pocketable’ as you’ll get on a DSLR.


While the Canon EOS Rebel SL3 (250D) was our winner, there are several other easy-to-use cameras that are also worth consideration. We’ve listed them all out below with detailed breakdowns of their features and performance:

  • Our pick: Canon EOS Rebel SL3 (EOS 250D)

Also available:

  • Canon EOS M200*
  • Canon EOS RP
  • Fujifilm X-A7*
  • Nikon D3500*
  • Olympus OM-D E-M10 III
  • Sony a5100

* This camera has not yet been fully reviewed and is thus not eligible for an award.

Articles: Digital Photography Review (dpreview.com)

 
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ACDSee Video Studio 4 Review – An Intuitive, Easy-to-Use Video Editing Software

16 Sep

The post ACDSee Video Studio 4 Review – An Intuitive, Easy-to-Use Video Editing Software appeared first on Digital Photography School. It was authored by Carl Spring.

In this review, we take a look at the new video-editing software – ACDSee Video Studio 4.

Video is something that, as photographers, we seem to be delving into more and more. Whether that be capturing behind the scenes of photoshoots to create marketing material or simply a video of your photo adventures with friends, video is something many of us are either doing or may want to do. However, it’s not always as easy as that.

Image: Video Studio 4 is great for editing short clips for social media or uploading to YouTube. It...

Video Studio 4 is great for editing short clips for social media or uploading to YouTube. It will not, however, enhance your skills in front of the camera, as you will see later in this review!

The main problem with video content isn’t necessarily shooting the video, but the editing process. I am sure some of you have lots of video footage that you always intend to make into a video (as I have), but it never gets made. You start with good intentions, but the editing always seems to be the sticking point. For those who don’t edit very often or are new to video, editing can be hard and so much software lacks user-friendliness.

Video software usually comes with a steep learning curve too. Those that many consider the standard, Premiere and Final Cut, aren’t particularly user-friendly to the novice user. You will end up spending hours of your time watching YouTube videos to simply understand the basics of how to create a simple edit for either of those pieces of software.

ACDSee has set out to change that. With their latest software, Video Studio 4, you get powerful video editing built into a software that is intuitive and simple to use.

Opening it up

When you launch the software, the layout you see may resemble others. However, with ACDSee Video Studio 4, this layout is streamlined, and the most useful stuff is there, ready and waiting.

On the left side, there are 10 different options for you to work with. They are laid out in a way that guides you through the process of editing from start to finish.

Let’s go through them to see how you can use each one.

The left panel

Media

Video Studio 4 accepts a wide variety of formats for audio, video, and images. These are:

  • Image formats: JPG, JPEG, GIF, BMP, PNG, HEIC
  • Audio formats: WMA, MP3, AAC, WAV, AC3, OGG, M4A
  • Video formats: AVI, MP4, WMV, FLV, MOV, TS, MTS, M2TS, ASF, M4V, MPG, MPEG

As you can see, the software can handle pretty much any format you want to use. It is great to see such a wide range of options available. It means you don’t need to worry about converting files before editing.

Image: Here is a variety of a png, JPEGs and HEVC iPhone footage. ACDSee Video Studio 4 handled them...

Here is a variety of a png, JPEGs and HEVC iPhone footage. ACDSee Video Studio 4 handled them flawlessly.

Captions

Adding in titles and captions is simple and easy. A wide variety of fonts and placement options means you can create a title for your videos quickly.

Image: There are several different styles to work with when it comes to adding titles and captions.

There are several different styles to work with when it comes to adding titles and captions.

Audio Recorder

If you make videos, sooner or later you will find yourself in a situation where you need to record a voiceover. With ACDSee Video Studio 4, you can record audio directly into the software, thus, keeping everything together. This means you don’t have to move between programs to record extra audio. A really fantastic little tool that you may not think is useful – until you need it.

Transitions

With 30 different transitions to choose from, you can easily apply transitions between video clips. Tweaking these to your desired length is simply a matter of dragging them onto the timeline. Some are cheesy, some are incredibly cheesy, but you have options. I am a simple “fade” guy, but if you want something different, you will definitely find it here.

Image: Whilst there are several to choose from, I rarely tend to look past a “fade” or...

Whilst there are several to choose from, I rarely tend to look past a “fade” or “fade to black” transition. If you do, there are several options.

Audio Effects

Adding fade in and outs to your audio tracks is simple and easy too. You can do it manually, but by using the presets and then tweaking to get the desired effect, you can really save some time. You’ll also get your content created much quicker and easier than ever.

Image: It is easy to add fade in and outs with audio in the program.

It is easy to add fade in and outs with audio in the program.

Animations

New in this version of ACDSee Video Studio 4 is the ability to use keyframes to make custom animations. This allows you to create bespoke animations for your clips, which is great when using a still image in your video.

There are also some great presets to use as starting points, which you can fine-tune to get your clips just how you want them.

Image: You can start with one of the inbuilt animations or start from scratch.

You can start with one of the inbuilt animations or start from scratch.

Behavior

Behaviors are customizable entrance and exit effects. You can use these on a clip to really emphasize the clips’ start and end. Simply tweak each effect to customize it to your taste.

I really didn’t see where I would use this, and it feels a little gimmicky. This is a feature most people will not use too often, but in the right hands, I am sure you can do something cool with it.

Filters 

ACDSee Video Studio 4 gives you many filter options to tweak the look of your clip. When applied, these filters tweak things like the clips color, and exposure. There are also several creative effects for quick and easy effects for your footage.

There are several options to explore here. Which ones you choose depends on your taste and preference, but there is something to please most people here. You will no doubt find your favorites when you have used the software a few times, and these will become your go-to filters.

You can add multiple filters should you need or want to. They stack on top of each other in the clip, and you can edit them individually.

Image: This shows the exposure filter in action. It worked well on a clip that was underexposed. The...

This shows the exposure filter in action. It worked well on a clip that was underexposed. There are many others – some good, some that you probably won’t use.

Overlays

Overlays are effects that sit on top of your clips. Some of these, such as the animated hearts and bubbles, are an acquired taste and most of you probably won’t touch them (but will no doubt serve a great purpose for the young generation). However, light leaks and film scratches can give a great effect, depending on the look you are going for with your project.

Image: You can add filters to give your footage a certain look. Some are a little cheesy IMHO, but t...

You can add filters to give your footage a certain look. Some are a little cheesy IMHO, but there are some really nice ones, such as old film, which I used here.

Advanced Effects

This is where the software gets seriously impressive. Here you will find some features most commonly found in high-end editing software, yet they come with the ease and simplicity of use that makes Video Studio 4 so user-friendly.

Starting with one of the new features in Video Studio 4 is Remove Color. This is most commonly used for green screen work. This allows you to shoot against a green screen (or other color backgrounds) and remove it from the clip. You can then add in a background of your choice. This is great for YouTube videos, where you can buy a cheap green screen (or even use a green sheet) and then add in a background you created in Photoshop or similar. It can give you a host of creative options, is incredibly simple to use, and really powerful.

A new cool feature is Color LUTS. These allow you to add a variety of different color grade options to your footage to enhance their look.

Another new addition allows you to adjust the speed of your footage. You can create time effects such as slow-motion, or speed up the timing of your clip.

The last new addition is Mosaic, which is great to blur out items in clips, such as car number plates. This can then be sized and tweaked to match your clip. Again this is one of those tools that you probably won’t use very often, but when you do need it, you will be glad the software includes this handy tool.

Image: You can add LUTS to color your footage. Start with a preset or upload your own. For the short...

You can add LUTS to color your footage. Start with a preset or upload your own. For the short video I created, I used Tinsel.

Using ACDSEE Video Studio 4

It’s one thing to list all the features of a software, but it is another thing entirely to put it in practice. With this in mind, I put a few things together in ACDSee Video Studio 4.

The first project involved taking a couple of clips from a photoshoot on my iPhone and making them into a quick clip for Instagram. I also wanted to try out the screen recording software that comes with Video Studio 4 so I used this to make a quick tutorial on creating custom animations in the software.

Lastly, I wanted to test one of the key new features, Remove Color.

Green screen test

As this was one of the new features of the software, I was keen to test it out. However, rather than test this with a perfectly lit green screen, I tested it in a more common situation. At first, I tried against a blue block wall, not expecting it to work at all.

Then I used a green screen I borrowed from a friend. Now, this is by no means a high-end green screen. In fact, one of the stands fell to pieces when we were putting it up and had to be held together with tape! I also didn’t iron the green material (as you can see in the clip). It was a very cheap eBay purchase, but it is the type of setup the most people will use when starting with a green screen, so I wanted to see the results.

I used no specialist lighting in the setup either. Again, with the right type of equipment, this is super easy, both for the editor and the software. But, I wanted to push it a little…

Here are the results:

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As you can see, the software worked pretty well on the green screen (just a slight issue with the reflection in my glasses) and surprisingly well on the blue wall, even if it didn’t manage to get it quite perfect. I think that a simple, smooth painted wall, with decent natural light, would work perfectly well for this type of work. Moreover, with an ideal studio lighting setup, it would work great.

The tutorial video

ACDSee Video Studio 4 also comes with software that allows you to record your screen, which I wanted to test to create a simple instructional video. As I am reviewing the software, I decided to make a quick tutorial on creating a logo animation. I simply selected the inbuilt Mic and Webcam and hit the record button.

When you have finished recording your footage, it drops it directly into Video Studio 4 ready to edit. Editing is then simple.

Here is the result:

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If you are looking to get into creating tutorial videos for your photography, or tutorials for any software, Video Studio 4 is great. 

The Insta edit

What I see as the biggest possible use of this software is for quick, simple edits for Instagram. This software is perfect for that purpose –one of those situations where you just want to put a few clips together and make an edit as quickly as possible.

In this example, I had three phone clips I wanted to use. I also had my logo and background I created in Photoshop. With all I needed ready to go, I jumped into Video Studio 4 for the first time.

It is super simple to use, and within minutes I had a completed video.

The first thing I wanted to do was to create a quick intro using my logo. I saved my logo as a .png file so that I could keep the background transparent so it would work with layers. Then I placed both the background and the logo into the software. To add some animation, I used the custom animation feature in Video Studio 4. By dragging and dropping this onto the logo, I was able to quickly add two 360-degree motions to the logo to add interest.

It was easier than I imagined. Within 20 seconds, I had my animated logo.

Then I added transitions to the start and end of the clip as well as adding an old film overlay. That was it. One minute and I had a finished animated logo. If I wanted to, I could export this clip and use it in all future videos as an intro. That saves even more time when creating clips like this.

Next, I needed to insert my clips. Again, it was simply a matter of drag and dropping them to get them onto the timeline. To trim the clips to the required length, you have two options:

  • drag the ends of the clip to where you want them, or
  • split the clip where you want the edit and delete the part that you want to trim.

I found this splitting quicker, and this is what I did for the rest of the clip.

With my clips trimmed, I also needed to remove the audio. There are two ways you can do this: Method one is to adjust the sound level of the clip by right-clicking on it and selecting Edit Audio. This is great when you want to adjust the sound levels of a clip. In this case, however, I didn’t need the audio at all, so split the clip into separate audio and video tracks. This way, I was able to delete the audio from the clip quite simply.

Image: You can either edit the audio level of clips or split the audio, which is what I did here. As...

You can either edit the audio level of clips or split the audio, which is what I did here. As I didn’t need sound, I simply deleted the audio from the clips.

I then added transitions between clips. While there are loads to choose from, you will probably find yourself going back to a select few. In my case, I have always tended to use Fade to Black or Cross Fade (called Fade in Video Studio 4).

For the last stage, I easily added a LUT to the footage. There are several LUTs in Video Studio 4, or you can upload them into the software. I decided to use the Tinsel LUT, which adds a color grade to the footage.

Adding music

When I watched the footage back, I decided I wanted to add some music.  I used a track by A Himitsu, the details of which are as follows:

Adventures by A Himitsu, Creative Commons — Attribution 3.0 Unported— CC BY 3.0 

Music released by Argofox Music provided by Audio Library

Once I had the music in, I wanted to move my edits a little to match the music. Even though I had LUTs applied and fades in place, this was easy, and there was no lag when dragging clips around. The software felt speedy throughout using it, which was reassuring. With the music added, and clips altered, I just needed to add an audio transition to fade the music out, which I then tweaked until I was happy with it.

All complete, it was time to export my project. You can see the final edit below.

Export

Exporting is quick and easy and helped by Video Studio 4 holding your hand through the process. You can export and save to a file, or you can upload directly to YouTube or Vimeo. Just log in to YouTube and follow the instructions. In terms of time, the software exported quickly, and I didn’t notice a difference in export times compared to using other editing software.

You can also export to an animated gif, which is ideal for things like action sports clips.

As you can probably guess, the theme of simple and easy continues here. Video Studio 4 guides you through things in the beginning while allowing you the ability to be more creative as your confidence grows.

Image: Video Studio 4 guides you through the export process. You can export to file or upload direct...

Video Studio 4 guides you through the export process. You can export to file or upload directly to YouTube, which is what I did. It was simple and worked perfectly.

Support

ACDSee has some great training videos for their software on their website. For those of you new to video editing, these are well worth a watch to get you started with Video Studio 4. I am sure that more will be added over time, but they have everything you need to get started. There is also great technical support should you have any other issues.

Below is an example of their training videos with Director of Photography, Alex Watson. Before anyone says it in the comments, I know his delivery is a little better than mine.

Who is this software for?

If you use Premiere or Final Cut, you will have more than likely not even made it this far. It is not as fully featured as these programs and is in no way a replacement, but that is not the purpose of this software.

ACDSee Video Studio 4 is for those who are new to video editing or who just want to create quality content without having to spend large amounts of time learning to use software.

While Video Studio 4 is incredibly user-friendly for the beginner, it also contains many features for those wanting to delve deeper and use more advanced features such as the green screen.

In a nutshell, the aim of Video Studio 4 is to create professional videos quickly and easily for those new to video. It does this impressively well.
It is really competitively priced, and for those who are new to video and use PC, I can’t think of a better alternative.

Final thoughts

ACDSee Video Studio 4 is a simple to use, yet surprisingly powerful video editor. It is not a replacement for Premiere, nor is it intended to be. There are some really powerful features in here, but it also contains some stuff that I would personally never use. For example, some of the fades and overlays feel cheesy and overdone. Then again, as a teen starting out with video editing, these will more than likely be fun, and I am sure they will get used in creative ways. Maybe it’s more me being an old stick in the mud for the classics?

If you have been thinking about adding video to what you do, I would recommend you try Video Studio 4. This is simple to do as ACDSee have a free trial, allowing you to try before you buy. When it comes to purchasing, you also have options. You can purchase the software outright, or you can get it as part of the ACDSee 365 plan, which also includes ACDSee’s Photo Studio software for a simple monthly payment.

ACDSee is known for offering alternative software that is feature-packed, simple to use, with a great price tag. With Video Studio 4, ACDSee has definitely cemented that reputation.

ACDSee is a paid partner of dPS.

The post ACDSee Video Studio 4 Review – An Intuitive, Easy-to-Use Video Editing Software appeared first on Digital Photography School. It was authored by Carl Spring.


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Review: Kodak Scanza film scanner is easy-to-use, but overpriced

24 Nov

Kodak Scanza film scanner
$ 169.99 | Kodak.com

The Kodak Scanza is a simple, non-professional film scanner. It wears the Kodak logo, but has no affiliation with Kodak Alaris, the company bringing back Kodak T-Max P3200 and Ektachrome.

Key features

  • Tilting 3.5″ LCD
  • SD card slot
  • Video out, HDMI and USB connectivity
  • Works with: 35mm, 126, 110, Super 8 and 8mm formats

What’s included

Opening the box you’re greeted with HDMI, USB and video out cables, an AC adapter, user manual, the scanner itself (in bubble wrap below), a toothbrush shaped surface cleaner and a handful of plastic film holders. Pretty much everything is plastic and feels a little cheap in its construction quality.

Format compatibility

In terms of film format flexibility, the Scanza is… okay. There’s no option for medium format, though you can scan 35mm, 110, and 126 formats as well as 8mm/Super 8. The 8mm/Super 8 option is misleading, though. This is not for scanning a whole reel of 8mm film, this is specifically for scanning individual frames of 8mm or Super 8 slides.

One of the plastic film holders with 35mm slide.

In use

The biggest thing the Scanza has going for it is ease-of-use. Even if you’ve never scanned film before, you can expect to be up and running in around 10 minutes.

To operate it, plug in the power (the scanner uses a widely available micro-USB to USB cable for power) either to an AC outlet or your computer, insert an SD card (this is where scans are saved), press the power button, select your film type, load the holder with your film, insert it and press the capture button. Done. Scanning takes only a couple of seconds per negative/slide.

Despite some gripes with the Scanza, the usability of this thing is awesome and for those intimidated by the more technical conundrums of photography/scanning, it is super freeing.

If you’re plugged into the wall and the 3.5″ LCD feels too small to view your images, don’t fear: In addition to the Micro-USB, you’ve got Video-out and HDMI-mini ports (cables included for both) so you can view your scans on a TV or monitor screen. This additional connectivity feels like a bit of an unnecessary feature, but I’m not going to count it against the Scanza because connecting it to a TV reminded me of using a slide projector and that is the most Kodak thing about this product.

A 35mm Elite Chrome slide scanned at 22MP with no corrections or cropping.

The scanner is 14MP but offers a 22MP scan option that interpolates the images and ups the resolution from 4320×2880 pixels to 5728×3824 pixels. In use, we found the 22MP mode entirely unnecessary. There’s no option for TIFFs or DNG, only JPEG. (Prosumer scanners like the Nikon CoolScan 9000 and Epson V-series accommodate TIFF and DNG workflows, giving your film scans a lot of editing flexibility). Also, the scanning area ends up slightly cropping your photos, mostly horizontally – if you’re a perfectionist, this may bother you.

The biggest thing the Scanza has going for it is ease-of-use

When scanning you’ve got the option to perform color adjustments which includes Brightness, Red, Green, and Blue levels, all on an arbitrary scale of -3 to +3. In testing, just +1/-1 on any of these scales was too drastic a change to be used effectively. Unless your film is severely expired and has a significant color shift, I’d stay away from these settings to keep your scans as accurate as possible.

Scan quality

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The scans in the gallery above are from a 35mm roll of Fujifilm Natura 1600. Below is an example of an image scanned using the Scanza (left) next to the same image scanned by a local photo lab here in Seattle (right). For what it’s worth, said lab charges $ 18 for processing and scanning a roll of 35mm color film.

Scanned in Scanza. Scanned by lab.

Scan quality isn’t terrible, but a quick comparison to a professional lab scan shows the limits of the Scanza. For simply preserving memories, or scanning to share on social media, the Scanza’s quality should be good enough.

Bottom Line

This is not a bad product, it’s just an overpriced one for what it is. For similar cash, you can invest in a decent flatbed scanner with film trays – like the Epson V550 – which offers higher-quality scans and greater versatility, but at the cost of speed and ease-of-use.

For those simply wishing to painlessly make digital copies of years of photos, the Scanza is a decent option. But we have a hard time believing it is much better than this similar option with no Kodak label, priced half as much.

What we like:

  • Extremely easy to use
  • Fast at scanning
  • No computer needed

What we don’t:

  • Similar products available for much less cash
  • Limited scanning resolution
  • Can only save JPEGs
  • Scanza sometimes crops images
  • No option for scanning medium format

Articles: Digital Photography Review (dpreview.com)

 
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The Chroma is a lightweight, affordable, easy-to-use 5×4 field camera

22 Feb

A UK photographer and custom-built camera maker has launched a Kickstarter campaign to help fund a new 5×4-inch field camera that he intends to be lightweight, easy-to-use, unique, affordable and upgradable… as well as a bit funky. To that end, the Chroma will be made from brightly colored sheets of acrylic, laser-cut for accuracy.

Steve Lloyd has spent fifteen years creating custom cameras as one-offs, but decided to make a production 5×4 camera using modern materials and technologies.

The 3mm and 5mm acrylic sheets he uses allow cameras to be made in a range of colors—including Red, Pink, Blue, White, Green, Matte Black, Glossy Black, Purple and Yellow—while the lightweight nature of the material means the Chroma will weigh much less than a traditional wooden model. Even with the ground glass screen, the camera weighs just 1592g.

Here’s a quick intro to the colorful Chroma camera:

Lloyd has designed Chroma to provide a good range of movements in both the front and rear standards, with 40mm of rise and fall when both standards are in operation, and 30mm of shift in either direction at the front. Both standards allow 45° of tilt forwards and backwards, and Lloyd claims swing is limited only by the coverage of the lens in use and the ability of the bellows to flex.

The camera uses a clever back that is fixed with magnets built into the body, so it can be lifted off and rotated in seconds. The back is designed for standard 5×4 double dark slides, and Lloyd says he is working on designs for roll film and Graflok backs, as well as one for wet plate holders.

When fully extended the Chroma can stretch its bellows to 300mm, and it can be used with focal lengths from 65mm to 280mm. In the extended pose the camera measures 180x330x235mm, but it folds away to just 210x180x117mm.

The camera comes with a ground glass screen and a pin-hole lens to get new 5×4 photographers started. Users can choose Copal 0, 1 or 3 sized holes in a Linhof/Wista-style lens board, and those with existing Linhof/Wista boards will be able to fit them.

The Chroma starts at £250 (approx $ 350) for Kickstarter backers, and Lloyd says he expects to deliver between June and November 2018 according to the pledge you choose. Of course, no crowdfunding campaign is a guarantee, but given he’s already raised over $ 40K on a $ 13K goal, Lloyd is well on his way to a successful delivery.

For more information or if you want to put down a pledge and pick up a Chroma for yourself, visit the camera’s Kickstarter page.

Articles: Digital Photography Review (dpreview.com)

 
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