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Texas report details the harsh realities, risks of being a wedding photographer during the COVID-19 pandemic

17 Dec

A recent report of out South Texas reveals the harsh reality of being a wedding photographer in the middle of the COVID-19 pandemic in the United States. In an article titled ‘Texas Wedding Photographers Have Seen Some $ #!+’ shared by Texas Monthly, reporter Emily McCullar tells the story of a wedding photographer who was diagnosed with COVID-19 after it was revealed the groom of the party had tested positive for COVID-19 and didn’t inform the wedding photographer.

The photographer, who remains unnamed throughout the article, was informed of the groom’s positive diagnosis by a bridesmaid in the party. But not before the photographer had spent ‘an hour or two inside the unmasked wedding party’ taking photographs. The photographer said ‘[the bridesmaid] was looking for me to be like, “Oh, that’s crazy,” like I was going to agree with her that it was fine.’

That wasn’t the case though. The photographer suffers from asthma, a serious comorbidity factor that can increase the risks of a positive COVID-19 diagnosis. Additionally, the photographer has three kids and a husband at home that she didn’t want to infect, should she end up COVID-19 positive.

After discovering the groom’s secret, the photographer and her assistant left. Texas Monthly notes ‘her exit was tense.’ ‘The wedding planner said it was the most unprofessional thing she’d ever seen […] Bridesmaids accused her of heartlessly ruining an innocent woman’s wedding day.’ The photographer even recollected a bridesmaid telling her ‘I’m a teacher, I have fourteen students. If I’m willing to risk it, why aren’t you?’

After leaving, the photographer ‘canceled her Thanksgiving plans with family, sent her kids to relatives’ houses so they wouldn’t get sick, and informed the brides of her upcoming weddings that she’d be subcontracting to other shooters,’ says Texas Monthly. Sure enough, a few days after the wedding, the photographer started feeling symptoms and eventually tested positive for the novel coronavirus.

The photographer said the couple whose wedding she was photographing ‘didn’t care’ about the diagnosis and ‘didn’t offer to compensate her for the test, nor did they apologize for getting her sick.’

The article goes on to point out that this incident is far from an isolated one. As you browse through the hashtag ‘#TexasWedding’ on Instagram, there are a handful of images that show groups of friends and family celebrating matrimony with what appears to be little regard for protocols suggested for mitigating the spread of COVID-19, a disease that’s confirmed to have killed over 302,000 individuals in the United States alone.

A screenshot of a few images that show up when you search ‘#TexasWedding’ on Instagram. Faces have been blurred for privacy sake.

The report details statements from other photographers, who share their experiences trying to shoot weddings throughout the pandemic. A reoccurring theme is a lack of masks, proper social distancing and little means of sanitation options, such as hand sanitizer.

As for the original wedding photographer, she recalled a heartbreaking conversation she had with a bridesmaid at the wedding:

‘I have children,’ she told a bridesmaid, ‘What if my children die?’ The bridesmaid responded, ‘I understand, but this is her wedding day.’

The report notes that not all wedding anecdotes it came across from photographers were as reckless as the featured one, but even in the anecdotes that featured more responsible weddings, nearly half of the guests were unmasked, including those who had high risk factors. While Texas reduced the size of wedding gatherings — from 500 to 250 individuals — there’s still plenty of risk in having that many individuals together at a single venue.

Vaccines are being distributed around the globe, but according to experts on the matter, it will still be a while before anything gets back to ‘normal,’ whatever that may look like. And until then, this unfortunate reality is what many wedding photographers (and other professions) will have to face as the death toll continues to rise, particularly in the United States.

Articles: Digital Photography Review (dpreview.com)

 
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NASA shares photos captured by its OSIRIS-REx spacecraft during its 6-second stay on an asteroid

23 Oct

NASA has released pictures taken by the OSIRIS-REx spacecraft that show the moment it touched down on the Bennu asteroid 200 million miles from Earth. The craft left Cape Canaveral a little over four years ago with the aim of intersecting the asteroid, and landed on the surface within three feet of the intended target on 20th October.

As the craft approached the asteroid its SamCam camera captured images at a rate of one every 1.25 seconds, recording the successful touch-down and the lift-off just six seconds later. While in contact with the surface OSIRIS-Rex used its Touch-And-Go Sample Acquisition Mechanism (TAGSAM) arm to collect samples of materials which it will bring back to Earth for analysis in March next year. The arm blasts the surface with pure nitrogen to force materials into the collecting chamber with the target of bringing back 60g of samples.

The aim of the mission and the sample collection is to help scientists learn more about the creation of the solar system and to see if organic molecules like those that make-up life on Earth can be detected. NASA says the value of this mission will be that it will be able to study materials that haven’t been subjected to the harsh process of entering the Earth’s atmosphere.

‘The O in OSIRIS-REx stands for Origins – understanding the origins of the solar system, which includes the origin of life on Earth. Bennu, the target of the OSIRIS-REx mission, will help us answer important astrobiology questions such as the role asteroids may have played in delivering life-forming compounds to Earth. It is a primitive carbonaceous asteroid that holds the record of our solar system’s earliest history.’

SamCam is only one of three cameras attached to the craft, the others being PolyCam which has an 8in telescope and was responsible for spotting the asteroid, and MapCam which checks the area on which the craft is to land.

The 82-image timelapse of the touch-and-go event shown here was taken over a five minute period, beginning when the craft was 82 feet from the surface and ending when it had backed away to 43 feet. It’s very cool but I have to say, if I’d driven all that way I would have shot it in color!

Here’s a video about how the craft approached the asteroid and mapped out the landing site.

For more information on the OSIRIS-REx mission visit the NASA website.

Articles: Digital Photography Review (dpreview.com)

 
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Photographer turned his front door into a large format camera to capture portraits during the pandemic

15 Aug
The ongoing COVID-19 pandemic has made social distancing critically important. While creating distance is good for our physical health, it is difficult for photographers, especially portrait photographers. To overcome this challenge, Kyle Roper, the producer behind The Skyscraper Camera Project, transformed the front door of his home into a large-format analog camera. This has allowed him to safely capture portraits and launch a new photo series, Door Frames.
A look at the makeshift front door camera form inside Roper’s living room.

Given ample time at home and the desire to continue creating images while observing social distancing restrictions, Roper converted his front door into a camera obscura using magnetic dry erase board, gaffer’s tape, cardboard boxes, a dark cloth, c-stand, clamps and sandbags. For photo paper and film, Roper uses Ilford RC IV Multigrade Photo Paper, Ilford Direct Positive Paper and Ilford Ortho 80 Plus. His lens of choice is a Nikkor-W 300mm F5.6 lens in a Copal shutter.

An overview of all the elements of the front door camera.

Roper states that he was inspired by his friend, Brendan Barry, an artist and camera builder we’ve featured many times before. Roper was also inspirited by the work of Dorothea Lange and Francesca Woodman. The former is a particularly interesting inspiration given Lange’s famous documentary and photojournalism work for the Farm Security Administration during the Great Depression.

The conveniently-located window in Roper’s front door.

Of Door Frames, Roper says, ‘When you have nothing but an abundance of time, you take the time and slow things down. You find that these antiquated processes can reveal and create such beauty.’ Below is a collection of portraits Roper captured with his front door camera:

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In order to communicate with his subjects outside, Roper speaks to them from inside his home using a speakerphone. Roper then affixes his photographic paper on the image box using the magnetic dry erase board and captures an image with his Nikkor lens wide open because his photo paper is ISO 3 or 6. Once an image is captured, Roper develops it in his bathroom, which he has converted into a darkroom.

Prints in the process of being made in Roper’s makeshift darkroom.

To view more Kyle Roper’s work, visit his website and follow him on Instagram.

Image credits: All photos used with permission from Kyle Roper

Articles: Digital Photography Review (dpreview.com)

 
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Canon’s CE-SAT-IB satellite camera destroyed during Rocket Lab’s Electron rocket launch

06 Jul

Two weeks ago, we reported on Canon’s CE-SAT-IB satellite camera, which was set to be launched alongside six other satellites aboard Rocket Labs’ Electron vehicle as part of its ‘Pics or It Didn’t Happen Mission.’ And, well, whoever chose the mission’s name might want to choose something a little less ominous next time, as in keeping with the theme of 2020, it’s been reported all payloads were destroyed during ascent due to a rocket failure.

According to Rocket Lab, its Electron vehicle, which housed Canon’s Earth-imaging camera and six other satellites, failed late in its journey after taking off from Mahia Peninsula on North Island, New Zealand (Te Ika-a-M?ui)

The optical imaging system inside the CE-SAT-1B (pictured) is based on Canon’s EOS 5D Mark III design. Image via Canon

In a Twitter post shared on July 4, Rocket Lab CEO Peter Beck apologized to Rocket Lab customers, saying ‘I am incredibly sorry that we failed to deliver our customers’ satellites today. Rest assured we will find the issue, correct it and be back on the pad soon.’

No specific cause for the issue has been shared at this time, but the launch video, which was live-streamed for the world to see (and embedded below), shows the video feed from the Electron rocket cutting out just shy of six minutes into its flight. Not long after, you can hear a Rocket Lab team member say the less-than-inspiring phrase ‘initiating mishap response plan.’

In a press release, Rocket Lab further elaborated on the incident saying ‘Today’s anomaly is a reminder that space launch can be unforgiving […] The launch team operated with professionalism and expertise to implement systems and procedures that ensured the anomaly was managed safely.’

Rocket Lab is already in the process of getting future missions in place and Canon already has its CE-SAT-IIB satellite ready for a Rocket Lab mission later this year. We have contacted Canon for comment on the incident and will update this article accordingly if we receive a response.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe Announces $1M Community Fund to Aid Artists During Pandemic

05 May

The post Adobe Announces $ 1M Community Fund to Aid Artists During Pandemic appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Adobe community fund creative residency

In response to the COVID-19 crisis, Adobe has announced a new Creative Residency Community Fund, designed to “help visual creators stay on track and achieve their dreams.”

The Fund is an offshoot of Adobe’s annual Creative Residency program, which supports several artists over the course of a year. But creatives have been hit hard by the coronavirus pandemic, leading Adobe to look for additional ways to support artists in need.

And so the Creative Residency Community Fund was born. With the support of the Fund, artists can undertake a project of their own or complete a project commissioned by Adobe.

Adobe Community Fund

The Fund has been given $ 1 million USD to offer creatives support through mid-2021. Several application deadlines have been established over the next year, and artists will be notified on a rolling basis of their acceptance into the program.

Successful applicants will receive a sum between $ 500 USD and $ 5000 USD to support the project. Applicants will also receive a Creative Cloud membership, in addition to “career guidance workshops.”

For those who are interested in applying, the details can be found on the Adobe website. Note that you must specify up-front whether you’d like to be considered for the personal project or the commissioned project. Your application will ultimately go before a selection committee, which will determine both the success of your application and the funds you’ll be allotted.

Creatives can apply from all over the world, though Adobe does require English proficiency (excepting Japanese applicants). Applicants must also be 18 years or older.

As for the type of project that will be successfully funded:

Adobe explains that they “always consider great projects of all types if they showcase Creative Cloud capabilities,” but will focus on:

  • Video
  • Photography
  • Photo art
  • Graphic design
  • Illustration
  • 3D
  • Motion design
  • Product or interface design

So if you’re a creative that’s looking to complete a new project, go ahead and apply! The first application deadline is June 1st, though you’ll also have an opportunity to apply in September 2020, December 2020, and March 2021.

The post Adobe Announces $ 1M Community Fund to Aid Artists During Pandemic appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canadian non-profit PPOC speaks out against ‘porch portraits’ during pandemic

17 Apr

The growing trend of ‘porch portraits’ has drawn criticism from a number of people, prompting an official advisory against the activity published by the non-profit Professional Photographers of Canada (PPOC). The organization recommends that any type of front porch-based photography be avoided at this time in order to help curb the spread of the novel coronavirus.

‘Porch portraits’ is the term used for a new type of photography session involving people, often families, posing on their home’s front porch. The photos commemorate the ongoing quarantines and this unique time in history, but have prompted criticism from some people, including many photographers, who have called the activity risky and unnecessary.

Under present social distancing efforts, the public is encouraged (or, in some places, required) to stay home except when necessary, with the only acceptable exceptions including work in cases where in can’t be performed at home, as well as trips for essential items like prescriptions and groceries. In some cases, the public is also encouraged to go out for exercise, but to maintain a distance from other people.

Traditional photography sessions aren’t something that can be performed under these restrictions, but a number of photographers have started conducting ‘porch portrait’ sessions, which, in the spirit of the activity, involves the photographer maintaining a distance from the subjects and remaining outdoors. That intention doesn’t always pan out in real life, however, and the PPOC notes that mistakes happen.

In its newly published advisory, the PPOC says:

‘We have been contacted by several photographers upset to see this happening in their area when they are abiding by the suggested public health measures and are staying home. We have also heard from photographers who don’t understand why they should not do these kinds of photography sessions, if they are being safe about it, are doing it for charity, and are following their region’s suggested public health restrictions.’

The PPOC’s official position against ‘porch portraits’ is based on concerns that, in addition to ultimately being unnecessary and nonessential, photographers may also make mistakes that put themselves and their communities at risk of contracting and spreading the virus.

PPOC Chair Louise Vessey explained:

‘I understand that photographers are suddenly cut off from most ‘in real life’ social contact and thus their clients; but this type of photography is not a necessary interaction, nor is it an essential service. Although most do it with the very best of intentions, it still leaves room open for mistakes that could potentially cost lives. Some photographers may knock on the door or ring the doorbell, pass someone in the street, a child could run over to hug them, or their built in photographer instinct to go over and fix hair, pose the client and assist could easily kick in. These potential actions risk passing on, or catching COVID-19.’

The PPOC ultimately states that photography is not an essential business or service and that it ‘strongly recommends’ that photographers do not conduct porch portrait sessions at this time. Vessey states:

‘These stories will still be there once the dust settles and we are on the other side of this Pandemic crisis. We can photograph and tell their stories when the time is right. This is serious! Any risk is not a risk worth taking no matter how small you believe it is.’

Some photographers have turned to other unique types of photo sessions that help maintain distance from other people. Ohio-based photographer Nick Fancher, for example, has started shooting ‘Remotrait’ sessions, which involves using FaceTime to capture unique portraits of clients projected on to different backgrounds in order to compensate for poor connection quality.

Articles: Digital Photography Review (dpreview.com)

 
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Nine things working photographers can do for their business during isolation

14 Apr

Things photographers can do for their business during isolation

The COVID-19 pandemic has wreaked havoc on a lot of creative industries, including professional photography. For the past 7 years, I’ve been a self-employed photographer shooting mainly corporate events and restaurants. Just a month ago, my business was starting to pick up, and I was excited for a packed year of photography gigs. But COVID-19 started to spread and in less than 2 weeks, all of my photoshoots for the year were canceled or postponed indefinitely. It was a blow that I genuinely did not see coming.

Today, I have been self-quarantining at home for nearly a month, looking for any excuse to flex my creative muscles. In doing so, I’ve come up with 9 things that professional photographers can do while in isolation at home.

Evaluate your camera gear

Use this time to take inventory of your camera gear and accessories. Thoroughly clean your camera sensor and lenses (if you don’t know how now’s a good time to learn). If you find any gear that needs to be repaired, make a note of it, but don’t send it in to the manufacturer as many servicing facilities have closed down recently.

Make a list of all of your gear with details such as serial numbers for your own records and for insurance purposes. There are mobile apps for this, such as MyGearVault or Zither (iOS only) but a Google Docs spreadsheet will also work just fine. Speaking of insurance, make sure all of your gear is properly insured to give you peace of mind if you happen to damage or lose your gear.

Finally, take note of your camera inventory and evaluate what you really need. If you’re low on funds and really need the money, selling camera gear is one way to help make ends meet.

Rework your photography contracts

Before you perform any photography service in exchange for money, it is wise to have your client sign a photography contract. There are a number of reasons why photography contracts are important, but there’s one reason in particular that stands out right now. A good photography contract will have a section detailing what happens if a photoshoot needs to be canceled. This is important during times of economic prosperity (ie. what happens if you, the photographer, gets sick and can’t shoot?). But it is more important than ever now that nearly every type of photoshoot has been put on hold or canceled.

I am not a legal professional and cannot provide specific guidance, but here are a few things to consider spelling out in your photography contracts:

  • If a deposit is paid to secure your services, under what terms (if any) is that deposit refundable?
  • What happens if the client needs to postpone or cancel the photoshoot?

When it comes to enforcing the contract terms, it depends on your relationship with the client, but it doesn’t hurt to have some flexibility, especially since everyone is suffering right now. I’ve had a number of relatively positive outcomes including clients who credit the deposit toward a future photoshoot, some who decided not to collect the deposit back even though they had every right to, and many who have promised to rehire me for the photoshoot when they are able to reschedule it.

Back up your photos

If you don’t already have a solid backup system for your photography content, now is a great time to start one. There are a lot of backup options out there including NAS and RAID systems, cloud storage, and simply using physical hard drives. According to the 3-21- backup strategy, you should have at least 3 copies of your data, 2 copies that are on different devices (think 2 different hard drives), and 1 copy offsite (think cloud storage).

The great news about backups is that the cost of physical hard drives has dropped dramatically. Western Digital 10TB hard drives are under $ 200 right now, and Costco likely has not sold out of hard drives yet. My backup strategy uses a combination of physical hard drives, and cloud backups to both Backblaze and SmugMug.

Update your portfolio

While you’re backing up your photo archives, take time to comb through your library of images for work that can be used to update your photography portfolio. Add new work to existing albums, and consider making new categories. A section for Personal Projects is always great for showcasing creativity.

If you don’t have a photography portfolio or are considering switching platforms, now is a great time to look into different website options. Today, photographers are using everything from WordPress, Squarespace, SmugMug, and Instagram to showcase their work. Some sites are free and others are paid; many paid sites are offering discounts or extended trials right now, so consider taking advantage of them.

Also, don’t forget to update your LinkedIn profile. Although photography resumes are rarely needed, LinkedIn is a great place to keep a digital resume and professional presence. It can also help you generate new photography leads if you use the platform regularly.

Experiment with different photography techniques

It takes about 10,000 hours to master a skill, and it’s still possible to keep taking photos even if you’re stuck inside. Play with different photography concepts such as natural lighting and artificial lighting, macro photography – you get the picture. Explore these concepts in-depth and consider participating in or setting up a daily photography challenge for motivation. You may end up new skills that you can use in the future, or a new section in your portfolio.

One particular photography genre worth exploring is product photography. Online sales everywhere are up even during this pandemic which means that product photography is more important than ever before. Product photography requires proficiency in lighting and composition, and many of these skills are transferable to other types of photography including headshots and stock photography. You can also make a makeshift product photography “studio” in your home without buying expensive gear.

Consider selling stock photos

Stock photography doesn’t always have a positive reputation because payouts can be small and you typically have to upload a large number of photos over a long period of time to see results. However, this is a good time to consider stock photography because 1) we have a lot of time on our hands, and 2) any long-term passive income payment is better than nothing.

If you’re curious about stock photography, there are a number of websites out there where you can sign up and start uploading almost immediately. Shutterstock is my favorite since it is relatively quick and easy to upload and keyword content, and I have consistently made sales there since I started uploading two years ago. Just sign up for an account, read the fine print that details what quality standards they require and start learning about how to keyword your images since keywording is ultimately what will help you sell more images.

But before you start uploading, make sure that the images you want to sell are not prohibited for re-sale if you shot them for a client (refer to your contract), or a unique image that you might want to sell for yourself at a higher value down the road.

Diversify your income

This point may be hard to act on right now as many industries are not hiring, but start thinking of ways to diversify your income outside of taking photos. The reality is that outside of a pandemic, there are many reasons why you may not be able to perform your job (ie. prolonged illness, personal situations). In times like this, it’s important to have other streams of income or jobs that you can do that don’t require you physically picking up a camera.

Think editing photos for other photographers, being an image quality reviewer for stock photography websites, teaching photography classes, etc.

Prioritize your spending

This is probably a no-brainer if your business has ground to a halt as mine has, but it bears repeating. Now is the time to save your money as much as possible. We don’t know how long this pandemic will be around or how long it will be before business is back up and running. Realistically, not all of our clients’ businesses may make it, and budgets for photography may shrink or dry up after all of this is over. So count your pennies now and do what you can to make your money stretch.

And if you don’t already have one, consider starting an emergency saving account that you chip in to on a regular basis. This may not be possible to start right now, but this pandemic is a good reminder of why it is essential to have emergency savings on hand in the future.

Take up a new hobby

Even though it’s important to keep practicing photography right now, it’s also worth taking a break from it. Taking some time away from photography is great for inspiring different types of creativity. We have so much time on our hands right now, that you can make the most out of it by learning a new skill or taking up new hobbies. Is there a language you always wanted to learn? Or a recipe you want to perfect? Think of a time when you’ve said, “If only I had more time, I would do ___” and start doing it.

Articles: Digital Photography Review (dpreview.com)

 
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How to Keep Your Photographic Muscles Flexing During the Times of Isolation

05 Apr

The post How to Keep Your Photographic Muscles Flexing During the Times of Isolation appeared first on Digital Photography School. It was authored by Ana Mireles.

How to Keep Your Photographic Muscles Flexing During the Times of Isolation

We’re currently facing challenges that most of us haven’t faced before. How do you keep photographing when you can’t visit interesting locations or meet your models? Here are some ideas for you to exercise your photographic muscles during this time of isolation.

Keep Photographing without leaving the house
1/13 sec. f/8; ISO 800

According to where you live, you may be more or less constrained regarding your travel distances. Maybe the problem is not even reaching an adventurous place but you can’t even get to your studio. Whichever is your case, these ideas are meant for you to keep photographing with minimum resources.

Get smart

If you happen to be in insolation and unable to reach your equipment, maybe it’s time for you to go into mobile phone photography, if you haven’t done so already. Smartphones today have multiple cameras, a wide range of focal lengths and super-high resolution. This is not to say that you can’t do great things with lower-range devices.

The device itself is only one part of the equation, then you can go into the huge variety of apps you’ll find on the market. There’s one for every need and budget. Firstly, you can use a camera app to control the settings of the camera, and then other ones for post-production.

Mobile Photography examples
I took this image with a Sony Xperia Z3 using the default camera app.

In this example, you see the original photo on the left made with a very basic (and old) device.

The middle image is a version processed for Instagram. I used ‘A Color Story’; an app that has some basic retouching tools, sets of filters constantly updating according to the trends, and a grid to schedule your feed.

In the image on the right, I used the Photoshop app for normal post-production as I would have done on my computer. I cropped and fixed the perspective, and also did some fine-tuning of the exposure. You can sync it up with your Adobe CC account or you can use a lighter version for free if you are not subscribed.

Self-portrait

If you’re housebound and you live alone, you can use yourself as a subject.

If you’re a portrait photographer, this can keep you going while gaining insight into what it feels like to be on the other side of the lens. However, if you’re not used to doing portraits, this is your chance to experiment with new types of photography. If you’re shy, you can go abstract or conceptual; so no excuses – keep photographing!

I decided to go with a creative collage.

Keep photographing by doing a self-portrait

You don’t have a problem getting models? Still, these times are giving everybody the extra push into boosting their online presence. A self-portrait may be just the thing you need to build your brand identity.

Look back

Photography is not just about the shooting, it starts with the idea and planning. Then it continues during development and post-production.

So, to keep photographing, you can also work on the other steps in the process. If you have your hard drive with you, or have your work in the cloud, use this time to dive into your old photographs to do any of these exercises:

  • Catch up with all the editing, cleaning and back-ups that you just haven’t had the time to do until now.
  • Do a self-reflection exercise by reviewing your work. There’s a lot that you can learn and improve while looking at the evolution of your projects and techniques. Find your style and what drives you. If it helps, start writing down your thoughts.
  • Save an old photo. We all have one (or more) photos that didn’t really come together in-camera, but we couldn’t bring ourselves to delete. Maybe you have some new skills that can improve it? Perhaps you just have a new take on it that you didn’t see before? Maybe it still won’t be great, but it will surely serve as practice.
Post production is another way to keep photographing
1/1600 sec; f/5,0; ISO 400

Post-processing

Use this time to improve and experiment with your digital darkroom skills by processing old files.

Another choice is to download images from the web and practice on them. If you’re not buying them from a stock photo website, then remember to keep an eye on the copyright so that you’re not breaking any laws. Some good free stock sites are Unsplash and Pexels.

Try new techniques on old photos
1/50 sec. f/8; ISO 1250 Processed with the wet-plate filter from the NIK Collection

For inspiration, you can check out many of the DPS tutorials on basic and creative post-processing.

DIY

I’ve always been a fan of DIY even when I’m not facing any specific limitations. I think that doing things yourself can make you fully understand how they work. Anyway, regardless of one’s philosophy, now we’re facing some difficulties in mobility, availability, and maybe even budget.

If you haven’t done it yet, it’s time for you to try some DIY. Luckily here at DPS, you can find many tutorials on the subject.

If you’re limited in lightning you can try:
Creating Effective DIY Studio Lighting with Household Items.
DIY Flash and Lighting Hacks for Digital Photographers.

If you’re missing your accessories:
How to Use Ordinary Items to Make DIY Photo Filters.
How to Make a DIY Lens Hood to Eliminate Lens Flare.

If you’re lacking props and backgrounds:
DIY Food Photography Props on a Budget.
DIY Lighting and Background Accessories for the Budget Conscious Photographer.

If you just want to have fun and try something new:
DIY: How to Create a Coffee-Stained Texture for Aging Images in Photoshop.
DIY Photography: How to Make Your Own DIY Lightstick for Cool Photos.

Conclusion

Being isolated doesn’t mean that you have to stop doing the things you love. Keep in mind that you’re not alone. Share in the comments section, your exercises and ideas so we can support each other as a community of photographers. And, also share any of your images as a result of trying any of these exercises. We’d love to see them.

The post How to Keep Your Photographic Muscles Flexing During the Times of Isolation appeared first on Digital Photography School. It was authored by Ana Mireles.


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Helping You the Way We Know Best During These Trying Times

18 Mar

The post Helping You the Way We Know Best During These Trying Times appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Helping You the Way We Know Best During These Trying Times
Many people are stuck in their homes at the moment. So let’s make the most of it and do some photography! Image by dPS writer, Lily Sawyer

Let’s face it – we’ve all been stressed about the Coronavirus (covid-19).

For many people, they have had to self-isolate (including members of the dPS team). This can be anxiety-inducing and people can also start feeling isolated and down.

So we want to do what we do best. We want to give you all some photography exercises that you can do in and close to home. That way, you’ll get to focus on your creativity, keep the boredom at bay, and, hopefully, feel less stressed with life until this all starts to resolve itself.

How this will work is that each week over the next month (mid-week before our weekly newsletter goes out, starting tomorrow), we will publish a 7-day challenge. In this challenge, we will give you a challenge idea per day that you can do right within your own home or yard. We will also publish more articles on things you can photograph around the home, as well as some post-processing articles.

We care about our community and wish you all the best at this time. Please stay safe and keep in touch with us – whether by commenting on posts or heading over to our FB group where you can chat and share your photos.

Let us know if there is anything else you’d like to see here on dPS that will help you through these times too.

All the best,
Caz and the dPS team

The post Helping You the Way We Know Best During These Trying Times appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Quick and Easy Poses for any Couple During a Photoshoot

11 Jul

The post Quick and Easy Poses for any Couple During a Photoshoot appeared first on Digital Photography School. It was authored by Jackie Lamas.

Engagement sessions can feel intimidating and you might feel like your poses or photos are starting to look all the same. Or perhaps you’re having trouble getting a start at sessions? If that is the case, these poses will help you at your next engagement session and they work for all couples!

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The following poses work for all couples. Give them a try and add variety to your photo session.

T-Bone Pose

This pose works for any couple as it is in the shape of a “T.”  Place one person (the taller person) 45-degrees from the camera. Then place the other person’s shoulder into the armpit area of the taller person.

From here, the couple can hold hands, snuggle into the pose, look at each other, and even hug. Also, you can have the taller person, or the person standing at 45-degrees, kiss the person who is leaning into them on the forehead or cheek.

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See the shape of the “T” as the woman leans into the man’s chest in this photo and they snuggle close.

You can use this same pose with a little distance between the two and have them hold hands. Doing the pose this way can make it feel more powerful and strong.

Standing with arms interlocked

Start by having both people stand facing the camera. Ask one person to wrap their arms around the other person’s with the hands around the tricep/bicep area. Once they are in that pose, you can have the person who is wrapped around also lean their head on the shoulder.

Here you can add variety by getting up close and photographing the rings. Have the leaning person look down at their hands and get detail photos of their face. Alternatively, get one from farther back and have the couple look at each other in this pose.

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This particular pose also works if you photograph the couple from behind and ask them to touch noses, foreheads, or to kiss lightly.

One person in front and one person behind

This pose can offer many different photos since you can photograph it from different angles. Have one person standing slightly in front but off to the side of the other person.

Here they can stand holding hands, or you can even have one person facing backward and angled so that their back is to the camera but facing the other person. From here, you can ask them to look at each other. Have one person look at the camera, or have them get closer little by little while you capture their reactions.

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Have them face the camera and ask them to walk a bit with one person trailing behind. Do this a couple of times with them looking down, looking at each other, laughing or talking, or strolling. All of which will bring about authentic expressions while you’re photographing the pose.

Sitting down

Sitting down is another great pose for any couple. It can offer lots of different variations all within the same spot. You get different photos and won’t have to move your couple very much.

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A combination pose sitting down using the t-bone set up along with the arm wrapped around and the head leaning on the shoulder.

This pose works best if you have a staircase, ledge, or stool of some kind to offer different height options. However, don’t worry, it also works if they sit on a curb or the grass.

The key here is to have the couple sit comfortably as if they were sitting on their own during a date. From there, you can make adjustments to hand positions and where they are facing.

Have the couple sit next to each other at an angle. Or have one person leaning into the other in a sitting t-bone shape. You can even have one person sitting and the other standing.

Photograph them in this position from behind, side, and front. This will give you a lot of variety within the same pose. Have them snuggle, hold hands, caress or fix each other’s hair, kiss, close their eyes and go forehead to forehead, or touch noses. All of these are great variations of the same sitting down pose.

Using different focal lengths and apertures will give you a lot of different types of photos of the same moment.

Natural posing

When in doubt, natural posing may just be the best pose for all couples. It can be extremely useful at times during the session when it can seem like the poses are getting stale or repetitive.

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Natural posing is when you ask the couple to simply walk and enjoy the moment, or just sit and tell each other something they love about one another. You can also tell them to enjoy their surroundings or that you’ll be photographing them hanging out together as if you weren’t there.

This can bring about a lot of natural expressions, gestures, and relaxed poses from the couple that is much more authentic than any other pose you can put them in.

Usually, this works if you give them something to do like enjoying the moment or walking and exploring the location where they are. You can also tell them that you’re getting the settings right and just catch them being natural and relaxed.

This type of posing is really helpful at the beginning of sessions since most couples are nervous about having their photos taken. Getting them to relax while not having the pressure of looking at the camera or knowing how to pose can help them look natural.

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Also, use this when you feel like your poses are getting repetitive, or you feel like you’re out of ideas. Natural posing can also lead to natural cuddles that you can ask your couples to repeat and hold so that you can get the shot.

Natural posing can break up the session and make it more fun, especially if you’re at a location like a coffee shop, carnival, or doing an activity with the couple.

In conclusion

Using poses that work for all couples can a great solid foundation when you’re getting started in couple shoots.

Also, these poses work for all couples and therefore, can be helpful when you have run out of ideas or need something new to use at your next couples shoot.

Which pose will you try at your next couples session?

 

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The post Quick and Easy Poses for any Couple During a Photoshoot appeared first on Digital Photography School. It was authored by Jackie Lamas.


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