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Gallery: 100 best lockdown portraits revealed from Duchess of Cambridge’s Hold Still project

18 Sep

100 best lockdown portraits revealed from Duchess of Cambridge’s Hold Still project

Kate Middleton, the Duchess of Cambridge, and the UK’s National Portrait Gallery have put together a digital exhibition of the 100 best portraits taken during the lockdown and submitted to the Hold Still photographic contest. The images, centered around the themes of Helpers and Heroes, Your New Normal and Acts of Kindness, will become a print exhibition later in the year and will tour the UK.

Set up to document aspects of life in England, Scotland, Wales and Northern Ireland during the global coronavirus pandemic, the Hold Still project was launched by the Duchess, a keen photographer herself, in May and was open for entries for six weeks.

Organizers say they received 31,598 entries which were judged by the Duchess alongside the Director of the National Portrait Gallery, a poet, a photographer and the Chief Nursing Officer for England. The judges said they selected the winning images based on the ‘emotions and experiences they convey rather than on their photographic quality or technical expertise’.

We’ve rounded up ten of the 100 images in the following gallery, but for more information and to see all 100 portraits visit the National Portrait Gallery website.

THE DUCHESS OF CAMBRIDGE AND NATIONAL PORTRAIT GALLERY LAUNCH HOLD STILL DIGITAL EXHIBITION

Final 100 images unveiled in landmark community project to create a photographic portrait of the nation

The Duchess of Cambridge and the National Portrait Gallery have today unveiled the Hold Still digital exhibition, featuring one hundred portraits selected from 31,598 submissions during the project’s six-week entry period. Focussed on three core themes – Helpers and Heroes, Your New Normal and Acts of Kindness – the images present a unique record of our shared and individual experiences during this extraordinary period of history, conveying humour and grief, creativity and kindness, tragedy and hope.

Launched by The Duchess of Cambridge and the Gallery in May, Hold Still invited people of all ages, from across the UK to submit a photographic portrait which they had taken during lockdown. The project aimed to capture and document the spirit, the mood, the hopes, the fears and the feelings of the nation as we continued to deal with the coronavirus outbreak.

The Hold Still judging panel included: The Duchess of Cambridge; Nicholas Cullinan, Director of the National Portrait Gallery; Lemn Sissay MBE, writer and poet; Ruth May, Chief Nursing Officer for England and Maryam Wahid, photographer

The panel assessed the images on the emotions and experiences they convey rather than on their photographic quality or technical expertise. The final 100 present a unique and highly personal record of this extraordinary period in our history. From virtual birthday parties, handmade rainbows and community clapping to brave NHS staff, resilient keyworkers and people dealing with illness, isolation and loss. The images convey humour and grief, creativity and kindness, tragedy and hope – expressing and exploring both our shared and individual experiences.

A selection of the photographs featured in the digital exhibition will also be shown in towns and cities across the UK later in the year.

International law firm Taylor Wessing are supporting the Hold Still project in partnership with the National Portrait Gallery. They are long-term supporters of the Gallery and have sponsored the Taylor Wessing Photographic Portrait Prize for the past 12 years.

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Making bread

Photographer: James Webb
Location: Colne, Cambridgeshire

This is me and my son Jake making bread together. Baking was something that I enjoyed but didn’t get to do very often. Lockdown gave me the opportunity to bake and enjoy this passion with my children. During this time we started off making flatbreads, cupcakes, muffins and the like, and then moved on to bread. Baking became a daily pleasure we were all able to enjoy together. We’ve continued to bake as a family and my children have enjoyed learning how to knead dough and the process of proving before baking. Making bread has become the new normal in our house and is a hobby now enjoyed by the whole family.

Glass kisses

Photographer: Steph James
Location: Cowfold, West Sussex

My 1-year-old little boy and his 88-year-old great grandma, who miss each other so much at the moment. I captured this beautiful moment between them whilst dropping off groceries. Kisses through glass.

This is what broken looks like

Photographer: Ceri Hayles
Location: Bridgend

This is what broken looks like. This is operating for 3 hours in full PPE. This is dehydration. This is masks that make your ears bleed because the straps have slipped and you daren’t touch them. This is fighting an invisible enemy that becomes more visible each day. This is a face I never thought I’d show the world, but one which I wear more and more. I took this photo to have as a reminder of how far I’d been capable of pushing myself when I needed to. I sent it to my family to tell them what a hard day it had been and they were all so shocked by it. The person they know as being so well put together, always wearing a smile, was not the person they saw that day. Looking back on it now, I feel immensely proud of the commitment shown by myself and my colleagues to provide safe care for patients, even in the depths of a pandemic. We still wear full PPE for all of our cases, and you never get used to it, but I know we’ll keep doing it for as long as it is needed.

Last precious moments

Photographer: Kris Tanyag and Sue Hicks
Location: Chicester, West Sussex

This portrait was taken by Kris, the clinical lead in the care home where Phil lived. Kris took the photograph for Phil’s daughter, Sue who submitted the work. Sue said: ‘As I approached the window my father’s smile lit up the world. Probably belying the fact that he couldn’t really comprehend why, after normally frequent visits and companionship in his twilight years, his daughter hadn’t been allowed to visit for the last three weeks. Easter Saturday 2020 and these precious, intensely emotional moments, will stay with me forever. One week later our wonderful dad, grandad and great grandad passed away peacefully. I can never fully express my gratitude to the carers who, sensing the situation and having looked after my father with love, care and compassion for seven years (as well as my mother for 3 of those years), made those moments possible.’

Kris explains: ‘We devised a plan for Phil to see his daughter Sue via a glass wall and communicate using mobile phones. Hearing our plan gave Phil a burst of energy to go in his wheelchair, hold a muffled conversation, reaching over to put his hand on the glass wall, convinced that he was touching Sue. Struggling to speak but hearing Sue made him so very happy. Their expression of emotion through tearful, smiling eyes and touching hands; the entire conversation was just one amazing moment!’

Funeral heartbreak

Photographer: Bonnie Sapsford and Fiona Grant-MacDonald
Location: Cockermouth, Cumbria

My brother, Barry, lives in the Lake District and could not travel to be with his family when our beloved Gran died of Covid-19 on 3 May 2020. Her cremation took place on 13 May in Edinburgh with only 8 people in attendance – and Barry had to watch it live online – but we were so proud he suitably dressed for the occasion. His wonderful partner, Bonnie took this powerful picture and sent it on to us. The family all missed him greatly and our hearts were shattered at the realisation that our grandmother’s first grandchild could not be with her on her final resting day.

At the end of a shift

Photographer: Neil Palmer
Location: Reading, Berkshire

This is a studio portrait of Tendai, a recovery and anaesthetics nurse, who was born in Zimbabwe, and now lives in my local town – Reading, Berkshire. I wanted to portray her caring side as well as a look of concern and uncertainty that many of us have experienced during this pandemic. It’s why I chose a lower than normal angle and asked her to look off camera, placing her half way down in the frame.

Justin, from the outside in

Photographer: Sara Lincoln
Location: London

Justin didn’t know about my project when I turned up at his window with a camera. I just so happened to be across the road, capturing his daughter Safi and her family, who had volunteered to be a part of my ‘Outside In’ project, which documents my community living life in lockdown, through the window. Safi asked if I wouldn’t mind popping over to capture a frame or two of her father and I am very grateful that I did. It was wonderful meeting this brilliant man albeit through the window. We spoke about this project, his art collection and how he manages to keep his plants so well. We talked about how surreal everything is right now, how the weeks have been for him isolating alone and his plans to jet off to France as soon as this madness is over. He finished up by telling me he had a spot of hay fever… A session that wasn’t meant to happen, happens to be one of my favourites.

We’re really lucky to have a garden

Photographer: Robert Coyle
Location: Sale, Manchester

The weekend is here, lockdown continues and Bernadette and Francis enjoy the garden. One Friday, as I finished emailing at the kitchen table, my wife had taken a chair and a drink outside to enjoy the evening sun. We were doing our best, like the rest of the country, with work, childcare and news of daily death tolls. Our son, had taken to relieving himself on the plants, much to our initial amusement and then slight frustration.

Everyday hero

Photographer: Arnhel de Serra
Location: London

When I drove past Richard I had to do a double-take, as I couldn’t believe he was out on his postman’s round in fancy dress. I asked if I could photograph him, and over a few days we got to know each other. Given the doomsday scenario that the media were portraying in the early days of the COVID-19 pandemic, I felt very strongly that here was a man who had something deeply personal and positive to offer his community. Is it an earth shattering news story? Probably not. As a human interest story however, I feel that his generosity of spirit should be celebrated, and I am delighted that he will be part of this very important project.

Never without her grandma

Photographer: Melanie Lowis
Location: Teddington, London

Millie (5 years old) made a cut out of her much loved grandma (73 years old). Millie sees Grandma almost daily and lockdown prevented the pair from seeing each other. As a retired teacher, Grandma would have made the perfect partner to help Millie with home schooling. The bond between this grandma and granddaughter is truly a special one and when lockdown ends, and the real grandma can return, it will be a very happy and emotional reunion.

Articles: Digital Photography Review (dpreview.com)

 
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Duchess of Cambridge launches photo competition to document lockdown life in the UK

08 May

The Duchess of Cambridge has launched a photography competition in partnership with the National Portrait Gallery to document stories of human kindness and suffering during the coronavirus pandemic lockdown in Britain. A keen and very capable amateur photographer herself, the Duchess says that she hopes the competition will showcase life under the lockdown and tell stories of how the inhabitants of the UK were affected.

The contest, called Hold Still, will culminate in an online exhibition of 100 of the best images entered. Though not categories as such, the themes of Helpers and Heroes, Your New Normal and Acts of Kindness have been suggested, and Kate expects to see images depicting harrowing stories, stories of sadness as well as uplifting stories that show how the population has come together to help each other.

The competition will be judged by the Duchess herself along with the Director of the UK’s National Portrait Gallery, Dr Nicholas Cullinan as well as members of the gallery team. Entry to the competition is free and you can one images along with a short explanation of what the picture is about. The Gallery says ‘Images must involve people, and can be captured on phones or cameras. Each image will be assessed on the emotion and experience it conveys rather than its photographic quality or technical expertise.’ The images must also have been taken in the UK.

The Duchess of Cambridge is a patron of the National Portrait Gallery as well as being patron of the Royal Photographic Society. She has become recognised for her touching pictures of her children, and is known to be a Canon DSLR and Powershot user, and has taken lessons from a well-known UK press photographer. She recently released images taken as part of a project to commemorate the 75th anniversary of the end of the Holocaust.

The competition is open now, and closes on 18th June 2020. You can find more information and submit your entry on the National Portrait Gallery website.

Press information

Why is the project called ‘Hold Still’?

Today our society had been told to isolate, to stay inside, not to travel unnecessarily or go out unless vital –to hold still to protect our helpers and heroes.And while many people’s lives are on hold, there are some that work harder than ever, and others that endure the upheaval of hardship and loss.

Through this project we hope to record these experiences, holding still to capture moments in time.

So for both those whose lives have been forced to slowdown and those working at a hectic pace, we hope this project will provide an opportunity to record our personal experience through one still image. And that by bringing together these individual moments we can create a collective portrait of lockdown reflecting resilience and bravery, humour and sadness, creativity and kindness and tragedy and hope.

‘Hold Still’ is a portrait of our nation as we pause for the good of others, and a celebration of those who have continued so we can stay safe.

What are the three themes?

  • Helpers and Heroes
  • Acts of Kindness
  • Your New Normal

These have been suggested to help entrants think about what they may like to photograph.

Please note these themes are not categories that entrants will specifically enter but are intended as inspiration for the content and will be in the minds of the panel when they are selecting the final 100.

What are the entry dates?

Entry opens on 7 May 2020 and the closing date 17.00 on 18 June 2020

Are there any restrictions on who can enter?

The project is about recording the experience of people in the United Kingdom so we would like the photograph to have been taken in the United Kingdom.

There is no age restriction, and the project is open to adults and children alike. However, when submitting an image, entrants will need to confirm that the image is their own work and is not defamatory and does not infringe any UK laws (see Terms & Conditions for full details) and that anyone under the age of 18 has the consent of a parent/guardian to enter. Consent will also be needed for any sitter who is identifiable in the photograph (for those under 18 from a parent/guardian).

We will ask entrants to follow current social distancing rules when taking part.

How do I enter my photograph?

Visit www.npg.org.uk/holdstill, complete the entry form and upload your image, along with a short title telling the story of the photograph.

How many images can I upload?

You can upload one digital image.

Any format restrictions on entries?

What are the requirements for the image that I upload?

Each image must be saved as a JPG/JPEG and be smaller than 3 MB.

How many photos will end up in the final selection?

The final selection will be 100 photographs.

What other requirements will be needed?

If your image is part of the 100 selected, you will be required to complete a form to provide information about yourself and the image.

Will there be a cap to the total number of entries to the project?

There will be no cap on the total number of entries to the project.

Who will be making the selection?

The selection will be made by a panel including members of the National Portrait Gallery team, The Duchess of Cambridge and Director of the National Portrait Gallery, Dr Nicholas Cullinan.

When will the selection be on view?

The selection will be available to view as a ‘virtual’ exhibition on the Gallery’s website in August 2020. Following this ‘virtual exhibition’ we hope to show the images across the country later in the year although we are unable to confirm details at this point due to the current restrictions.

Can I send in my application by post?

All submissions must be made online via the website.

I would like to take a picture via an app of someone I miss who is based in another country, is this allowed?

Yes, this allowed as the picture is taken in the United Kingdom.

What will you do with my personal information?

Please see terms and conditions. All personal data given will be held securely by the Gallery and only be used to administer your entry. It may be used for internal research/statistical purposes. It will not be passed to any third parties apart from the project partners for administration of the project.

Articles: Digital Photography Review (dpreview.com)

 
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