Posts Tagged ‘dSLR’

DSLR vs Mirrorless vs Smartphone vs Point and Shoot: Best Camera?

26 Mar

With technology rapidly changing and becoming better every year, many people are asking the age-old question “which camera is better?” You now have an array of options including DSLR Cameras, Mirrorless Cameras, Phone Cameras and Point and Shoot Cameras. Having so many options can become overwhelming and make you wonder, where should I invest my money? But the truth is Continue Reading

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Review: Does the Canon Rebel T8i DSLR make sense in an increasingly mirrorless world?

25 Nov


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The Canon EOS Rebel T8i (also known as the EOS 850D or Kiss X10i in some markets) is a 24MP DSLR camera that is compatible with the company’s EF and EF-S mount lenses. It has an optical viewfinder, but it also has a usable and responsive touchscreen interface and live view experience that’s a match for the company’s mirrorless camera options.

For much of the world, shifting consumer preferences towards mirrorless cameras have left DSLRs looking like relics of history, though Europe and the Americas remain holdouts. Last year, Europeans still bought about 1.4 DSLRs for every mirrorless camera sold, while in the Americas the ratio was even higher at 1.7:1.

So why might you consider a DSLR in our increasingly mirrorless world? Some photographers still prefer DSLRs for their crisp, lag-free through-the-lens viewfinders, and there’s a much wider array of lenses available to DSLR shooters without the need for adapters.

ISO 2500 | 1/100 sec | F5 | Canon EF-S 18-55mm @ 44mm

Yet relatively few manufacturers are left in the consumer DSLR market. Only Canon, Nikon and Ricoh (which makes Pentax-branded DSLRs) remain, making new models few and far between. Among these, Canon’s EOS Rebel series are the biggest sellers. The Rebel T8i now sits at the top of that line, replacing 2017’s T7i.

Priced at $ 749.99 body-only or $ 900 with an EF-S 18-55mm IS STM kit lens, the Canon T8i is available immediately.

Key specifications

  • 24-megapixel APS-C image sensor
  • EF or EF-S lens compatibility
  • ISO 100 to 25,600, extends to 51,200
  • 7 fps continuous shooting, or 7.5 fps in live view
  • 45 point, all cross-type phase-detect AF
  • 0.51x pentamirror viewfinder with 95% coverage
  • 3.0″ vari-angle touch-screen LCD
  • 24p 4K video with 1.6x crop, or full-sensor 1080p60
  • 800 shot battery life, or 310 shots with live view
Out-of-camera JPEG.
ISO 250 | 1/100 sec | F5.6 | Canon EF-S 18-55mm @ 55mm

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What’s new and how it compares

The AF-ON button and rear dial make the T8i a more flexible camera for users to learn and grow with than lesser Rebels.

Externally, the 24-megapixel Canon T8i looks very similar to its predecessor from most angles, although there are some control tweaks to be found on its rear panel including a new rear control dial and AF-On button. While Wi-Fi and Bluetooth connectivity remain, NFC has been dropped as the constant Bluetooth connection speeds up the connection process the way NFC used to. Lastly, the flash must now be raised manually when needed, as it can no longer pop up by itself. As we’ll see later on, this is a good thing.

On the inside, while the sensor resolution and sensitivity range are unchanged, a faster image processor allows a modest increase in burst performance. It’s now rated at 7 frames per second through the viewfinder, or 7.5 fps in live view mode, up from 6 fps in the T7i. There’s also a somewhat finer-grained 384-zone metering sensor in place of the earlier 315-zone sensor.

The Rebel T8i uses a familiar 24MP sensor with Dual Pixel AF that offers solid noise performance and resolution.

Canon has also added support for 4K movie capture, although this comes with several limitations including a significant focal length crop, contrast-detection autofocus (rather than the more reliable Dual Pixel AF you get in lesser Full HD modes) and a fixed 24 fps frame rate. And autofocus algorithms have been refined to add eye detection in live view mode, and face detection when shooting through the viewfinder.

How it compares…

Compared with two of its mirrorless rivals, the Nikon Z50 and Sony a6100, the Canon T8i offers much better battery life, so long as you stick to its optical viewfinder. The T8i is quite a bit bulkier though, despite not offering weather-sealing.

Canon T8i Nikon Z50 Sony a6100
MSRP (body) $ 749.99 $ 859.95 $ 750
Sensor 24.1MP APS-C 20.9MP APS-C 24MP APS-C
Type DSLR Mirrorless Mirrorless
Sensitivity (native) 100-25600 100-51200 100-32000
Lens mount Canon EF / EF-S Nikon Z Sony E
Viewfinder type Optical pentamirror SLR 2.36M-dot OLED EVF 1.44M-dot EVF
Viewfinder magnif. / coverage 0.51x, 95% 0.68x, 100% 0.71x, 100%
LCD 3” fully articulating 3.2” tilting 3” tilting
Touch-screen Yes Yes Yes
Included flash Pop-up Pop-up Pop-up
Weather-sealing No Yes No
Max. burst 7.0 fps (viewfinder) / 7.5 fps (live view) 5 fps (mechanical) / 11 fps (electronic) 11 fps (mechanical)
Max. shutter 1/4000 1/4000 1/4000
Video 4K/24p, 1080/24-60p 4K/24-30p, 1080/ 24-120p 4K/24-30p, 1080/ 24-120p
4K crop 1.6x None 1.2x (4K/30p)
Battery life (CIPA) 800 shots (OVF); 310 shots (Live View) 320 shots 420 shots
Dimensions 131 x 103 x 76mm 127 x 94 x 60mm 120 x 67 x 59mm
Weight 515 g 450 g 396 g

One thing that’s hard to capture in a table are the differences between the camera’s AF systems. In its optical viewfinder, the T8i’s 45 autofocus points are centrally clustered, which can get in the way of creative compositions. Switch into live view and you have autofocus points spread across the frame, the same as the other options give you on their rear screens and their electronic viewfinders.

Out-of-camera JPEG.
ISO 500 | 1/60 sec | F4 | Canon EF-S 18-55mm @ 18mm

Compared to the smaller and more affordable Canon Rebel SL3, the T8i offers more sophisticated autofocus through its slightly smaller finder, though the SL3 offers you a third more shots per charge. On the mirrorless side of the equation, the T8i bests the Canon EOS M50 Mark II’s 235-shot battery life whether you’re using the optical viewfinder or live view, but the mirrorless model is lower-priced, significantly more compact / lightweight and offers faster 10 fps burst capture.

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Body, handling and controls

Although its body is plastic, the Canon T8i is very solid in-hand, with no creaks or flexing. It’s also pretty light and compact for a DSLR. The main controls are well-placed and easy to locate by touch.

The new AF-On button is ideally situated for quick autofocus adjustments with a slight thumb motion. (And via a custom setting, can be set to AF-Off instead.) The Wi-Fi button and indicator lamp are gone but won’t be missed, as you won’t need them often. We recommend connecting via Bluetooth, which maintains a constant connection that draws little power, and also makes connecting via Wi-Fi to send images a snap.

Out-of-camera JPEG.
ISO 100 | 1/125 sec | F5.6 | Canon EF-S 18-55mm @ 55mm

The new rear control dial is also a nice addition, though since it’s integrated with the four-way controller, it can’t be reached without adjusting your grip. On the plus side, it’s only active when the exposure metering system is brought to life by a half-press of the shutter button or you’re in a menu, preventing accidental settings changes.

There will always be some photographers that prefer an optical viewfinder; the T8i’s is serviceable, but it’s on the small and dim end of the spectrum.

Sadly, the pentamirror viewfinder is dim and tunnel-like compared with the electronic finders of mirrorless rivals and even some rival SLRs, such as the less-expensive Pentax K-70 (which has a larger pentaprism design which is brighter than pentamirror designs).

The rear LCD is crisp and easy to see even under sunlight if you turn up the brightness. Its fully-articulated mechanism allows framing from most angles, even for selfies.

The vari-angle LCD allows selfie-shooting too, but the ergonomics aren’t ideal when holding the camera backwards. Out-of-camera JPEG.
ISO 2000 | 1/60 sec | F4 | Canon EF-S 18-55mm @ 18mm

The on-screen UI is standard Canon. It’s fairly clear and logically laid-out, and can be navigated with buttons, dials or the very precise touchscreen. Your most-used options can be saved in the My Menu section for quick recall.

Battery life is excellent when shooting stills through the viewfinder, and I never needed a second battery even during lengthy day trips. (I passed 500 frames captured without the charge level indicator dropping even a single bar, which impressed me.) If you shoot a lot of video or use live view frequently, the LCD can burn through power fairly quickly, though. For that reason, the T8i goes to sleep by default after ten seconds unless in menus or live view / playback modes.

Top plate controls are fairly typical Canon, and the quick switch over to video mode is a nice touch.

A standalone charger is included in the bundle, so you can leave a second battery charging while using the camera. Unfortunately in-camera charging via USB isn’t supported, so you can’t share a charger and cable with another device when you want to pack light. As well as USB, there are HDMI, microphone and remote control ports.

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Image quality

With the same sensor resolution and sensitivity range as its predecessor, you might expect similar image quality from the Canon T8i: and you’d be right. As an affordable camera aimed at entry-level photographers, it’s good enough but won’t win any awards. That’s not to say there are no differences, however.

Out-of-camera JPEG.
ISO 800 | 1/80 sec | F4.5 | Canon EF-S 18-55mm @ 24mm

Out of camera JPEGs mostly showed pleasing color both outdoors and under artificial light, although I found the latter a little more variable, with some images a tad warm and others a little on the cool side. In both the green fully-automatic mode and program autoexposure, the T8i’s metering proved pretty accurate, and at lower sensitivities there was a fair amount of fine detail as well, although I felt the default sharpening was a touch aggressive.

Comparison of ISO 100 and 25,600. See the sample gallery for a full ISO sensitivity series.

ISO sensitivity in auto mode is limited to a maximum ISO of 6400 by default, and that seems like a good cutoff point. Some noise and loss of saturation starts to become noticeable by ISO 3200, but it’s not until you reach ISO 6400 that it really begins to intrude. You’re best off avoiding ISO 12800 and above as there’s a significant loss of fine detail to noise, and colors can look decidedly washed out.

Out-of-camera JPEG.
ISO 3200 | 1/80 sec | F4.5 | Canon EF-S 18-55mm @ 18mm

Of course, shooting in Raw format helps somewhat as you can rely on the greater processing power of your computer to help tame noise while still holding onto color and detail. And there’s a fair bit of scope to correct exposure within a couple of stops, as well. Raws can also be processed in-camera, which is a nice touch for making quick adjustments on the go.

We’re honestly pleased to find that the T8i’s flash must be manually raised; previous Canon Rebels would often raise their automatically in situations where it actually has a negative impact on your images.

One notable change is that the Rebel T8i no longer tends to overexpose nearby subjects by raising and firing the flash when it’s not really needed, since it can no longer pop up automatically. You need to pay attention to your shutter speeds, though, and either raise the ISO, or lift the flash yourself. Sadly, there’s no warning in the viewfinder when shutter speeds stray below the point where exposures can safely be shot hand-held.

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The Canon T8i’s autofocus system has two distinct operating modes, depending upon whether you’re using the optical viewfinder or live view modes. Both systems are capable of locking focus quickly and accurately in good light. In darker conditions, both take a bit longer to achieve a lock, but if I was capable of seeing the subject through the viewfinder, the camera could usually manage to focus on it within a couple of seconds.

A simplified look at the T8i’s optical viewfinder AF system.

When shooting through the viewfinder there are a total of 45 autofocus points, all of which are cross-type. As you can see in the above illustration, they only cover about two thirds of the frame width and a little over a third of the frame height. For live view mode, almost the entire frame is covered vertically, and significantly more of its width as well.

Out-of-camera JPEG.
ISO 500 | 1/60 sec | F4 | Canon EF-S 18-55mm @ 18mm

Live view also offers both face and eye detection and lets you select which face or eye to focus on using the four-way controller or touch-screen. Viewfinder shooting only has face detection, and you can’t directly control which face to focus on, although if you aim directly at a particular face before half-pressing the shutter button, the camera will then try to follow that face.

Both systems detect faces pretty well, and the tracking implementation is fairly robust. In testing with my son running and riding a bike directly towards me, the T8i was able to accurately track his location and keep the focus locked on his face most of the time until he was very close to the camera. This isn’t by any means a sports shooter, but I think it’s more than capable of keeping up with amateur photographers’ needs in this respect.

Out-of-camera JPEG.
ISO 100 | 1/60 sec | F7.1 | Canon EF-S 18-55mm @ 27mm

Really, my only complaint with autofocus is that it can be confusing if you’re frequently switching between live view and viewfinder shooting. Each mode is configured separately, so for example switching one mode to continuous servo AF won’t affect the other mode’s setup. On the other hand, this separation of settings could be useful if you’re switching from shooting stills in the viewfinder and video in live view. Which brings us to…

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The addition of 4K video is one of the bigger changes in the Canon T8i, but it’s really rather a shame that it comes hobbled by several significant limitations.

First and most importantly, there’s that significant 1.6x focal length crop on top of the crop imposed by its APS-C sensor size. In other words, a 2.6x effective crop even before you enable digital IS, which crops in still further. In 4K mode without digital IS, the optional 18-55mm kit lens yields an effective 47-143mm range, so your wide-angle options are seriously limited.

4K video has a significant focal length crop. Both videos above were shot at the same location and focal length. Note also the false-color artifacts in the water ripples in the Full HD clip.

The longer effective focal length also means that even with both optical and digital IS active, the stabilization system can struggle to smooth camera shake in 4K, especially if you’re walking.

4K mode comes with a fixed 24 frames per second capture rate, too, and uses contrast-detection autofocus which, compared to phase detection, is slower and has slight but noticeable hunting.

Dual Pixel AF, seen in this demo, is only available in Full HD. In 4K, you can expect more distracting hunting before the Rebel locks on to its targets.

The good news is that if you can put up with those limitations, 4K image quality is fairly good, with lots of crisp detail and pleasing color. And while there’s definitely some rolling shutter effect present, causing verticals to lean during subject motion or quick pans, it’s far from the worst I’ve seen.

Enabling Movie Digital IS causes a significant focal length crop, too. Both of these Full HD clips have optical stabilization active, but the second clip with Enhanced IS still can’t entirely steady the motion of walking, even at a wide 18mm (29mm equiv.) focal length.

But I think it’s better to look at this as a Full HD camera which can also shoot 4K with more distant subjects and relatively sedate motion in a pinch. In Full HD, where you get phase detection AF and access to frame rates as high as 60 fps, there’s less fine detail but focusing is quicker and more confident, and motion is rendered more smoothly. The biggest downside is that Full HD seems more prone to moiré and false color artifacts.

The T8i lacks significant scope for slow-motion video, but does offer a time-lapse movie mode, as well as supporting manual exposure, focus peaking and external audio recording.

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At the end of the day, the Canon Rebel T8i leaves me with rather mixed emotions. On the one hand, for fans of DSLRs like myself, there are fewer and fewer choices on offer, and it does pack quite a lot into a fairly compact, lightweight package by DSLR standards.

But on the other hand, it trails its mirrorless camera rivals in terms of both autofocus and burst capture performance. And the feature which differentiates it most clearly from those rivals – that mirror-based optical viewfinder – gives a disappointingly small and dim view of your subject.

Out-of-camera JPEG.
ISO 12800 | 1/60 sec | F4 | Canon EF-S 18-55mm @ 18mm

While 4K video capture is finally available in the Rebel T8i, it also comes with some major limitations that make it feel more as if it was added to fill out the spec sheet than for real-world use.

But with all of that said, the T8i does give you pretty good still image quality and usable high-definition video capture. And it does so at a pretty affordable pricetag, as well, and with battery life that’s in a totally different ballpark to mirrorless rivals if you tend to rely on the viewfinder.

The Rebel T8i isn’t the future for Canon, but it offers plenty of features and good ergonomics at an affordable pricetag.

There’s definitely something to be said for the vast range of Canon EF and EF-S mount lenses on offer, too; though keep in mind there isn’t a ton of variety in the more affordable EF-S range, and the EF lenses, designed for larger full-frame sensors, are bigger and pricier. And with Canon focusing on its new RF mount, we wouldn’t expect a glut of new EF and EF-S lenses to suddenly appear down the line.

Out-of-camera JPEG.
ISO 25600 | 1/25 sec | F5.6 | Canon EF-S 18-55mm @ 55mm

So, does the Canon T8i represent the future for Canon? Probably not. But does it offer plenty of camera for the money, particularly for the less experienced photographers at which it’s aimed? I’d say so, despite my reservations about its viewfinder and 4K video capabilities.

And I think that makes it a worthwhile buy, especially if you happen to spot it for sale below its list price.

What we like What we don’t
  • Through-the-lens optical viewfinder is crisp and lag-free
  • Good ergonomics and solid build
  • Compatible with a vast range of Canon EF and EF-S lenses and accessories
  • Excellent battery life (if you stick to the optical viewfinder)
  • Good still image quality, albeit not as good as some newer models
  • Fully articulating touchscreen display is very versatile
  • Relatively small, dim viewfinder, even by APS-C DSLR standards
  • Wide-angle possibilities are very limited for 4K capture
  • No PDAF and only 24fps for 4K, too
  • Full HD video is prone to moiré and false color
  • Less point-dense AF than mirrorless rivals
  • No in-body stabilizer
  • AF points for viewfinder shooting clustered near the center of the frame
  • No ability to charge battery over USB

Sample gallery

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Canon EOS Rebel T8i (EOS 850D / EOS Kiss X10i)
Category: Entry Level Interchangeable Lens Camera / DSLR
Build quality
Ergonomics & handling
Metering & focus accuracy
Image quality (raw)
Image quality (jpeg)
Low light / high ISO performance
Viewfinder / screen rating
Movie / video mode
The Canon EOS Rebel T8i is well-built with comfortable ergonomics and provides solid image quality for users that prefer an optical viewfinder. Unfortunately, its video capabilities aren't that impressive, and the viewfinder autofocus system is a little basic compared to what you get on mirrorless cameras through their electronic finders. Still, if you're in the market for a reasonably affordable DSLR, the EOS Rebel T8i is worth a look.

Good for
Amateur photographers looking for a solid camera to learn and grow with, users looking for a fairly compact camera with an optical viewfinder.

Not so good for
Photographers that want the best autofocus and exposure performance through the viewfinder, users that are looking for good 4K video and those looking for even more compact options.
Overall score

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Ricoh shares the name and specifications of its forthcoming Pentax APS-C DSLR

27 Oct

Ricoh Imaging has officially given its forthcoming flagship APS-C DSLR a name and confirmed a few specifications we can expect from the camera.

In both the above video and on a development update on its website, Ricoh Imaging says its new DSLR will be called the Pentax K-3 Mark III. The camera will feature an entirely redesigned 26-megapixel CMOS sensor, 5-axis in-body image stabilization (CIPA rated for 5.5 stops of compensation), dual SD card slots (no details on whether both or just one is UHS-II), an ISO range of 100–1,600,000 and a maximum burst rate of 12 frames per second.

The viewfinder will have approximately 100% coverage, the rear of the camera will have a 3.2” 1.62M-dot LCD live view display and the autofocus will be powered by the SAFOX 13 sensor with 101 points (25 cross-type points).

Ricoh Imaging says the Pentax K-3 Mark III is scheduled to launch ‘around the period of the CP+ camera exhibition,’ which is set to take place from February 25 to 28 in 2021. No pricing has been decided at this point in time, but the video does note it will retail in the ‘upper 200,000 yen (approximately $ 1,900) range.’

You can find more detailed specifications on the Ricoh Imaging progress report page.

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Ricoh releases Silver Edition version of its Pentax K-1 Mark II DSLR, three D FA* lenses

27 Aug

Ricoh has announced the limited release of a Silver edition of its Pentax K-1 Mark II DSLR as well as, for the first time ever, silver versions of its D FA* lenses.

The limited-edition camera is identical to its black counterpart, complete with a 36MP full-frame CMOS sensor, Safox 12 autofocus system with 33 AF points and a maximum ISO of 819,200. The only difference is the paint scheme, which is silver with contrasting parts, including a black shutter release and hot shoe.

In addition to the camera, Ricoh is also releasing Silver edition versions of three lenses: the HD Pentax-D FA* 70–200mm F2.8, 50mm F1.4 and 85mm F1.4. Like the camera, these lenses are identical to their black counterparts, but unlike the camera, just 600 units for each model will be produced.

This isn’t the first time Ricoh has released Silver editions of their gear. In March 2010, the Pentax K-7 Limited Silver camera was released and, more recently, the Pentax K-1 Limited Silver was released in September 2017.

The Pentax K-1 Mark II Silver Edition camera body will be available in September for $ 2100. The lenses will also be released in September with prices ranging from $ 1200–2100. All Silver Edition cameras and lenses will come with specially designed product boxes.

Press release:

Ricoh announces Silver Edition of PENTAX K-1 Mark II, plus three HD PENTAX-D FA? Silver Edition lenses

PARSIPPANY, NJ, August 26, 2020 – Ricoh Imaging Americas Corporation today announced the PENTAX K-1 Mark II Silver Edition, a special silver-colored version of its digital single-lens reflex (SLR) flagship model. Ricoh is also releasing for the first time silver versions of its D FA? series lenses, with high-grade silver coating that is especially well suited to the top-of-the-line PENTAX optics.

The camera will be available in a limited quantity of 1,000 units worldwide, and the three lenses— HD PENTAX-D FA? 70-200mm f/2.8, 50mm f/1.4 and 85mm f/1.4—will be available worldwide in limited quantities of 600 units for each model. These lenses join the silver-edition PENTAX full-frame lenses currently available: SMC PENTAX FA 31mm F1.8 LTD, SMC PENTAX FA 43mm F1.9 LTD and SMC PENTAX FA 77mm F1.8 LTD.

The limited-edition silver models of the camera and lenses are coveted by PENTAX photographers worldwide. The PENTAX K-1 Mark II Silver Edition camera sports contrasting black parts–a shutter release button and hot shoe—to provide a handsome complementary color and enable it to be color coordinated whether used with traditional black or the special silver-colored lenses.

Previously issued limited-edition cameras include the PENTAX K-7 Limited Silver (March 2010) and the PENTAX K-1 Limited Silver (September 2017).

Pricing and Availability

The PENTAX K-1 Mark II Silver Edition camera body will be available in September for a manufacturer’s suggested retail price of $ 2099.95. The HD PENTAX-D FA? Silver Edition lenses will be available in September with prices ranging from $ 1199.95 – $ 2099.95. Both the camera and lenses can be purchased at and at select Ricoh Imaging-authorized retail outlets.

Main features of the PENTAX K-1 Mark II Silver Edition

  • ? The camera body and detachable battery grip feature a high-grade, fine-textured silver coating, with an exclusive silver SR badge placed on the front of the body.

  • ? The camera’s shutter release button and hot shoe, as well as the battery grip’s shutter release button, feature black parts, so the camera is coordinated with either black or silver lenses.

  • ? Each camera has been given a unique serial number, from 0000001 to 0001000, to further support its exclusivity.

  • ? Two exclusive batteries are included in a product package to simultaneously power both the camera body and the battery grip.

  • This special camera and its accessories come in a specially-designed product box.

  • The camera body comes with the latest firmware version pre-installed.

Main features of the HD PENTAX-D FA? Silver Edition lenses

  • The lenses’ high-grade silver coating complements their use with silver-edition camera bodies.
  • Each lens has been given a unique serial number, from 0000001 to 0000600, to further support its exclusivity.
  • The lenses come in a specially-designed product box.

NOTE: The features and specifications of this camera body and lenses are identical to those of standard models, except for the camera firmware

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Nikon releases beta Webcam Utility for Windows with support for select DSLR, mirrorless cameras

08 Aug

Today, Nikon has announced the release of a beta version of its Webcam Utility software for numerous Nikon DSLR and Z series mirrorless cameras.

Similar to the webcam utility software released by Canon, Nikon and others, Nikon’s Webcam Utility makes it possible to use the live view from your camera as a webcam feed for use with video conferencing programs such as Skype and Zoom, as well as livestreaming production programs such as OBS Studio.

For now, Nikon’s Webcam Utility is available only for computers running 64-bit versions of Windows 10. Below are the Nikon DSLR and mirrorless cameras currently supported:

  • Z7
  • Z6
  • Z5
  • Z50
  • D6
  • D850
  • D780
  • D500
  • D7500
  • D5600

Being this is a beta (version 0.9.0 — not even a version 1.0 product), don’t be surprised if you come across a bug every once in a while. You can find out more information and download the beta Webcam Utility for free from Nikon’s website.

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Ricoh shares additional information about its upcoming APS-C DSLR, lenses

24 Jul

In a video shared to YouTube yesterday, Ricoh offered more information on its upcoming Pentax APS-C DSLR. The video, embedded above, is the latest in a series that Ricoh is creating ‘to reinforce its commitment to DSLR photography.’

The 24-minute video, which offers embedded translated subtitles in English, is a dialogue between professional photographer Keita Sasaki and Wakashiro Shigeru of Ricoh’s Product Planning department.

The pair give a little hands-on with the new camera and lenses and discuss many facets of the upcoming Pentax APS-C DSLR. Here are a few of the highlights from the conversation:

  • The new optical viewfinder will be brighter and clearer than the one found in the Pentax KP; it uses a new high-refraction glass pentaprism first developed back in 2017.
  • It will be compact and offer a new grip for ‘increased comfort.’
  • The camera will have a joystick on the back (for autofocus and more) and use larger buttons for better tactile feedback
  • The shutter release will use the same ‘leaf switch’ mechanism found in the Pentax 645Z and Z-1.
  • The rear LCD display will be ‘extra large’ (no specific size is shared, however).
  • The new sensor will be improved across the board, at lower and higher sensitivities

Shigeru also reveals the camera will come in silver (alongside the standard black version) and have a set of silver lenses to match (a 70–210mm F2.8, 50mm F1.4 and 85mm F1.4). A silver version of the K-1 Mark II will also be released in the near future alongside the silver D FA 21mm lens announced back in May.

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How DSLR Lenses Work: DSLR Lenses Explained

24 May

A camera lens is arguably the most important part of a photographers set-up, to the point where most professional photographers would rather shoot with an ok camera body as long as they had a top-quality lens rather than the other way around. However, if you are just entering the world of DSLR lenses, at first glance they can be a Continue Reading

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Ricoh video details the next flagship Pentax APS-C DSLR

15 May

In a video published on YouTube, Ricoh has announced details of its upcoming flagship Pentax APS-C DSLR. The company was originally going to make tshe announcement at CP+ 2020, but the show was cancelled due to the coronavirus. A prototype of the camera was shown at an event in the Netherlands last fall.

According to Ricoh, the most notable feature on this as-yet-unnamed camera is its entirely new optical viewfinder, which uses a special glass that ‘excels in refraction’. The company is targeting a magnification of 1.05x (0.7x 35mm-equivalent), which is the same as on the full-frame K-1. An eye sensor below the viewfinder automatically dims the LCD panel, and the eye cup protrudes further away from the back of the camera than previous models. The shape of the pentaprism is a bit different, as well.

Ricoh claims that autofocus subject tracking has been improved, without providing further detail.

A battery grip will be available for the camera, which will share the same dials and AF joystick as the body.

Ricoh says that despite the coronavirus delaying the introduction of the camera, the company hopes that it will still ship on schedule by the end of the year.

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Video: Turn almost any mirrorless or DSLR camera into a high-end Zoom webcam on macOS

13 May

Fuji X-Photographer Kim Farrelly recently published a video explaining how to use a mirrorless or DSLR camera as a webcam with Zoom without using a capture card. The tutorial is only applicable to macOS, enabling photographers who are now working from home to utilize the camera hardware they already own rather than having to purchase a standalone webcam, which are increasingly hard to find.

Though the tutorial may seem a bit intimidating to users who are less tech-savvy, it’s fairly simple. Firstly, users are advised to check whether their camera supports tethering and live view, something that can be done on the Capture One website.

Assuming the camera does support these functions, the user must first download Zoom followed by XCODE from Apple onto their computer using the following command in the Terminal application:

  • xcode-select –install

After Xcode is installed, use the following command in terminal to open up access to use external cameras with Zoom:

  • sudo codesign –remove-signature /Applications/

The path in the second line of code must be the same as the path where Zoom is installed on the Mac. By installing Xcode and executing these two lines of code, Farrelly explains that Zoom will be able to use external webcams — or, in this case, a mirrorless or DSLR camera.

The process requires two additional applications called Camera Live and CamTwist, in that order, as well as a USB cable for tethering the camera to the computer. Farrelly explains that Camera Live version 13 works “100%” with his Fuji X-T2, but it’s unclear whether this version is needed for every camera model.

Farrelly walks viewers through this entire process, including some notes and links in the video’s description on the processes that will ‘piggyback’ each application so that the camera can ultimately be used as a webcam for Zoom video calls. Viewers who experimented with the process also dropped some additional tips, such as adding a zoom effect in CamTwist in order to remove the black bars from the video feed.

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Nikon releases firmware update for its D780 DSLR to fix SD memory card errors

24 Apr

Nikon has released a very minor firmware update for its D780 camera system.

Firmware version 1.01 (up from 1.00) addresses just a single issue, wherein some SD memory cards wouldn’t work inside the camera. Nikon doesn’t specify what memory cards caused problems, but a two-month-old DPReview forum post, embedded below, from ‘JS Photo’ noted his Lexar 2000x SD cards (a 128GB and a 64GB card) were throwing errors during a wedding shoot.

We have contacted Nikon to see if any further clarification is available on what cards were causing the problems and will update this article accordingly if we receive an appropriate response.

In the meantime, you can head on over to Nikon’s D780 support page to download firmware version 1.01 for macOS and Windows computers.

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