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10 Tips for Doing Your First Family Portrait Session

30 Jan

The post 10 Tips for Doing Your First Family Portrait Session appeared first on Digital Photography School. It was authored by Louise Downham.

family portrait tips

Photographs from a good family portrait session will be treasured for many years to come. It’s an incredibly rewarding area of photography, but it can also be a little daunting for new photographers. You need to build a rapport with the family, keep the children on board, and meet the parents’ expectations with gorgeous photographs.

Family portrait family group

So where do you start? Which camera settings should you choose?

Here are some important pointers to make your first session go smoothly, and to help you take great family portraits every time!

1. Get down on their level

If you’re photographing children, get down on their eye level. This will lead to far more engaging photographs, and will also help you interact better with the child.

Family portrait girl with flowers

2. Use the center AF point to focus

Different focus settings suit different photographers, but using the center point to focus tends to be the most useful for family portraits. As you take more and more family images, you’ll get a feeling for whether this setting suits you.

But it’s a great starting point for your first session.

3. Choose an appropriate aperture

Your aperture settings will be influenced by the style of photography you prefer.

As a starting point, many lifestyle family photographers choose to shoot wide open for individual portraits (f/2.2 works really well if you’re after beautiful background bokeh), and around f/5.6 for group shots to ensure everyone is in focus.

Here’s an example of the effect you get with a wide aperture:

girl in the park family portrait
This image was shot at f/2.2.

And here’s what you get when shooting at f/5.6:

Family portrait dad and son black and white
This image was taken at f/5.6.

4. Choose a fast shutter speed

Children move fast, and sometimes unpredictably.

That’s why you generally want a faster shutter speed, at least compared to your average portrait settings. A good place to start is 1/250s, which will still deliver sharp photos, even if children are rolling over or waving.

If you have a situation where someone is moving very fast, such as a child jumping or racing off into the distance, choose a much faster shutter speed (such as 1/800s).

family portrait baby held up high
To capture a sharp shot of this child being tossed in the air, I shot at 1/800s.

5. Use Auto ISO

While you’re familiarizing yourself with the apertures and shutter speeds that work for family portrait sessions, consider setting your ISO to Auto. The results are usually satisfactory, and it’s one less thing to think about when shooting.

As you gain experience and confidence, you can start to select the ISO manually.

6. Experiment with metering modes

Certain metering options suit some photographers better than others. As you take more family portraits, you’ll soon see which mode works best for you.

To start with, try using Spot metering for individual portraits, and Evaluative metering (also known as Matrix metering) for group shots.

family portrait mother and baby
This photo was taken using Evaluative metering mode.

7. Shoot in RAW format

If you shoot in RAW, you’ll have a far greater range of colors and details in your images – which you can then use for stunning edits in Lightroom.

8. Use Auto White Balance

Set your white balance to Auto if you’re doing a location shoot.

Why?

Because you’ll be working with a variety of scenes with different lighting, and you won’t have much time to change the white balance as you go.

Plus, correcting white balance is an easy edit in Lightroom, so you’d be better off spending the time engaging with the family you’re photographing.

9. Choose your lenses carefully

Carefully consider which lenses to take to the family portrait session.

If you don’t have several lenses, consider renting some. This can be surprisingly economical, and it’ll give you the opportunity to try out different focal lengths to see which suit your style of shooting.

Family portrait baby at 85mm
This baby photo was taken with an 85mm lens.

Using several lenses in a family portrait session will also help you vary your compositions, and it’ll ensure you can cope with most locations. A zoom lens like a 24-70mm will give you lots of flexibility, while a popular prime lens for family portraits is an 85mm lens (it creates very flattering photos!). A wide lens, such as a 35mm prime, will help you set the scene.

As you gain experience photographing families, you’ll develop a sense of which lenses work best for your style. And once you know what you like, I recommend you invest in the highest-quality lenses you can afford.

family portrait siblings at 35mm
This sibling photo was taken with a 35mm lens.

10. Set limits

Limit yourself to capturing five versions of each scene. This will train your eye to look for the details and expressions you want to capture, and will teach you to include everything you need in a single photograph.

Family portrait photography tips: Conclusion

So there you have it – family portraits in a nutshell!

Practice makes perfect, though, so be prepared to work hard and hone your camera skills. Above all, a friendly and professional attitude combined with careful preparation for each family portrait shoot should make for happy clients and repeat business.

Do you have any family portrait photos you’re proud of? Share them in the comments below!

The post 10 Tips for Doing Your First Family Portrait Session appeared first on Digital Photography School. It was authored by Louise Downham.


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‘Who am I and what am I doing here?’ Introducing Roger Cicala

18 Oct
I like big optics.

A fair number of you probably know me as the Roger who started Lensrentals.com, and some may know I used to be a physician before that. A few know I sold most of my share in Lensrentals.com years ago and since then I’ve hung out as their director of Quality Assurance, Lovely and Talented Spokesmodel, and a major contributor to the blog. Other than QA, I haven’t actually managed anything for years.

When I started Lensrentals I had a lot of conversations with service centers that went like this. Me: “That lens you repaired still sucks”. Person at service center: “No, it’s within specs”. Me: “What are the specs?” Service center: “We can’t tell you”. One day, after I raised hell with a factory service manager, he patted me on the head and said, “testing lenses is complicated; you don’t have the background to understand.”

Any of you who has ever seen a physician after someone says something like ‘you wouldn’t understand; it’s complicated’ knows what happened next. I had no option but to spend a couple of years buying testing equipment, offering internships to really smart optical engineering students, and developing a lens testing center and methodology that was as good as anything in the industry.

Pictured: A lens testing center and methodology that was as good as anything in the industry. This machine doesn’t give us numbers, it’s used to optically adjust lenses in real time.

That probably sounds ridiculous, but the reality is that in 2010, everybody (manufacturers included) was still doing metrology (lens testing) the same way that they’d done it with film cameras in the 60s and 70s. In my previous life I’d done clinical research, and my first hobby was writing medical books for non-medical people; putting complex medical terms in plain words. When I started Lensrentals, I started writing again, blogging about the stuff we were doing.

I ended up doing testing and consulting for several major manufacturers, and a fair number of specialty manufacturers

So a few years later, when a service center told me “it’s within spec” I could send them their specs (because we’d tested enough lenses to know them) and the results from the lens in question and say, “NOPE, it’s not.” If you look back to my blog posts in those days, you’ll see I even posted some examples of what service centers claimed was ‘in spec’ versus what was really happening as well as posting actual MTF (as opposed to computer generated) data. As you might expect, this made me rather unpopular with manufacturers.

We then entered the traditional ‘exchange of threats and legal posturing’ period. I managed to convince most manufacturers that we were just reporting facts (emphasis on most). Eventually they started sending engineers to look at our testing methods. I ended up doing testing and consulting for several major manufacturers, and a fair number of specialty manufacturers. I don’t do that much anymore, since we gave our software and methodology to any that were interested, and most then started doing it themselves.

Test results for a lens that isn’t as sharp as it should be in the center, which actually is unusual. Usually the problems are away from center.

I still have a lab in one of Lensrentals’ buildings, but I just do whatever interests me at the moment. They let me put stuff up on their blog but much of what I write only gets widely seen when DPReview reposts it. I’ve worked behind the scenes with the DPReview staff for years, so when Barney offered me the chance to write directly for DPR we sat down and negotiated. I think the terms are fair; they aren’t going to pay me anything, but they won’t tell me what to write about or to STFU [Editor’s note: we offered to pay Roger but he said ‘I already have enough money’ and I didn’t push the matter in case I misheard].

I expect you might see a disclaimer about ‘the opinions expressed in this article don’t necessarily reflect those of DPReview, anybody who works here, or anybody we even know’ every so often. But otherwise I’ll be writing op-ed pieces here when the mood strikes me and when DPReview has a slow news day.

Roger


The opinions expressed in this article don’t necessarily reflect those of DPReview, its parent company, affiliates, anybody who works here, or anybody we even know.

Articles: Digital Photography Review (dpreview.com)

 
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Tips for Doing a Backyard Photo Safari

09 Jun

The post Tips for Doing a Backyard Photo Safari appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

dps-tips-for-doing-a-backyard-photo-safari

Have you ever thought about taking a trip to the other side of the world to get beautiful shots of exotic locations? You certainly can, and traveling is one of the best things you can do to take your photo skills to the next level. If flying across the world isn’t an option, what about stepping out of your door? A backyard photo safari is just a few meters away instead of a thousand miles, and you can take some beautiful photos without expensive gear too.

backyard photo safari dandelion
Nikon D7100, 50mm, f/2.8, 1/2000 second, ISO 100

While you could just drop what you are doing and head outside right now, it helps to do a bit of planning first. If you keep a few tips and techniques in mind, it will save you some frustration and give you a few ways to approach your very own backyard photo safari that will help produce the best possible results.

Timing is everything

Familiar places can take on dramatically different appearances depending on the time of day. It’s not just about the quality of light but the type of things you are likely to find – especially in your backyard. In the morning, plants are covered in dew, and bugs and insects are seizing the day. You might also find familiar sights shrouded in fog. Revisit the same patch of earth in the evening, and the scene will be dramatically different.

backyard photo safari frog
Nikon D750, 50mm, f/8, 1/90 second, ISO 800. This frog wasn’t just in my backyard. It was on my back door! I shot this after the sun went down after a rainy day.

You already know your own backyard well, but have you ever gone out in the early hours of the morning, or as the sun was setting, or even late at night? It’s not the same place at all. You will quickly notice things that you just don’t see during the day. Familiar objects take on a whole new appearance when photographed in the early morning or late at night.

You can even take great shots after the sun goes down by using a long shutter speed.

backyard photo safari night stars
Fuji X100F, 23mm, f/8, 15 seconds, ISO 1250. I took this from my back porch very early on fall morning. It was only a few feet away from where I shot the photo of the frog!

It’s not just time of day that matters, but the time of year as well. Revisiting familiar places, even your own backyard, throughout the year can reveal amazing photo opportunities that were hiding right before your very eyes.

Act fast though! When you see an interesting picture idea, take the shot. Waiting even one day can change everything and suddenly your beautiful photo is nothing more than dust in the wind.

backyard photo safari leaf on ground
Nikon D7100, 50mm, f/2.8, 1/1000 second, ISO 100. I saw a photo opportunity on a Saturday morning right as the sun came up, so I ran outside barefoot to get the shot. The very next day, the leaves had all blown away!

Spring, summer, winter, fall – everything changes throughout the year, and this has a profound effect on the photos you can take in your yard.

Rich greens in spring, deep colors in summer, browns and yellow in the fall, and shades of gray in the winter.

Even if you think you’ve seen it all, try revisiting familiar spots in your own yard at different times of the year. The result may surprise you and give you some interesting photo ideas.

Tips for Doing a Backyard Photo Safari
Nikon D7100, 85mm, f/4, 1/30 second, ISO 800. Composite of several shots of a lunar eclipse I took from my back yard over the course of two hours.

Look at the light

No matter the time of day or season of the year, it’s essential to look for where the light is coming from.

Then think about how you can use the light to make a more interesting or compelling composition.

Most objects look great with standard front-lighting – that is, with the main source of light positioned behind you, the photographer. You might need to scoot around or shift your position to make this happen, but your photos will be better off for your efforts.

backyard photo safari sunflower
Nikon D200, 50mm, f/2.4, 1/80 second, ISO 100. This sunflower was right by my back porch, with the sun positioned behind my shoulder so the flower was evenly lit.

Backlighting is a fun technique to use also, especially on a backyard photo safari where you get fun and interesting colors. This involves placing the main source of light behind your subject, which can create really fun effects and make ordinary objects take on a whole new appearance.

It’s loads of fun if you have flowers. Even ordinary, run-of-the-mill flora that you probably have in your own yard.

backyard photo safari crocus
Nikon D7100, 50mm, f/2, 1/3000 second, ISO 100. These crocuses show up for a few days every spring, and each year I enjoy taking their picture. I didn’t plant them, but I sure enjoy having them while they bloom for a few days. I used backlighting to make it seem like they were glowing.

It’s not all about sunlight either. There are other sources of light that you can keep in mind when looking for photo opportunities right where you live.

Streetlights can cast an eerie, moody glow over everyday streets and sidewalks. Passing cars can make really fun motion trails. You can even create amazing artwork right in your yard with nothing more than a tripod and a flashlight – all it takes is a little creativity!

backyard photo safari foggy morning
Nikon D200, 50mm, f/16, 15 second, ISO 200. This is looking down the street from my driveway on a calm, foggy morning.

Adjust your angle of view

Most of the time, we see the world around us, especially our own domicile, from the same point of view. Our eye-level remains roughly the same throughout the day, altering between three to five feet off the ground, depending on whether we are standing or sitting. To really find some interesting photo opportunities, particularly in your backyard, try getting low to the ground. Really low. A whole new world awaits you if you have eyes to see it.

backyard photo safari Indian Paintbrush
Nikon D750, 85mm, f/1.8, 1/200 second, ISO 125. I had to position my camera very low to the ground to get this shot, but it was worth the effort.

Lots of interesting things start to show up when you change the angle from which you see the world around you. Even familiar settings can be transformed with a simple change in perspective. While you could get some really good shots by getting up high and shooting with a ladder, I find that it’s a lot more fun to literally crawl around on my hands and knees when looking for photos in my backyard.

backyard photo safari toys on ground
Nikon D200, 50mm, f/1.8, 1/3000 second, ISO 400. I put a few of my kids’ toys on the ground, laid down on my stomach, and photographed them in my own backyard. This picture isn’t going to win any awards, but I had fun taking it.

It might not be the most glamorous or flattering photographic pursuit, but photography can be a messy hobby. And if you’re more worried about how you look when taking pictures instead of the pictures you are taking, it might be time to reevaluate your priorities!

backyard photo safari bubble on grass
Nikon D7100, 50mm, f/1.8, 1/1500 second, ISO 280. My kids were blowing bubbles in the front yard. I had to practically lay on the ground to get this shot but the result was worth it.

Look for wildlife

I live in a small town in middle America. The most exotic animal I’m likely to see on any given day is what we call a Texas Speed Bump. (Think of what happens when an armadillo crossing the road meets a pickup truck.) It might seem like any attempt to take wildlife photos on a backyard photo safari would be an exercise in futility. However, while you might not have lions, giraffes, or gazelles out your front door, you probably have more interesting animals than you realize. You just have to look for them.

backyard photo safari spider and grasshopper
Nikon D750, 50mm, f/8, 1/180 second, ISO 5600. Shot with a +4 close-up filter. This was right outside my garage door. Cue the Lion King song “The Circle of Life”

Bugs, insects, worms, and other multi-legged creatures might give you the willies, but they can be fascinating photography subjects. The same goes for bees, butterflies, or anything with wings.

If you look closely and have a bit of patience, you can find all sorts of wildlife right where you live.

backyard photo safari wasp
Nikon D7100, 50mm, f/4, 1/125 second, ISO 400. Shot with +10 close-up filter. This wasp was hanging out on the lid of my trash can on a chilly autumn morning.

I’m no entomologist or zoologist, and when I’m out in my backyard looking for photo opportunities, I don’t even know what most of the animals are that I’m photographing. If it’s interesting to look at, and if the lighting is good, then I’ll take a picture. Sure I get a little grossed out from time to time, but I get some really cool images too.

backyard photo safari cottonwood borer
Nikon D200, 50mm, f/1.8, 1/750 second, ISO 200. I don’t know what this thing is, but it was hanging out in a pine tree in my front yard and it made for a really interesting photo.

You don’t just have to think small when taking pictures of animals on a backyard photo safari. Rabbits, squirrels, snakes, and birds – you probably have lots of animals come through your property that would be fun to photograph. The trick is to keep your eyes open, and it helps to have the tiniest sense of adventure too.

You don’t have to just look for small things either. Always keep your camera ready in case something larger comes your way! It might not be especially exciting, but it’s fun to get shots of everyday wildlife like rabbits, squirrels, birds, or other critters that call your backyard home.

backyard photo safari cardinal
Nikon D500, 200mm, f/2.8, 1/400 second, ISO 1600. A little patience was all it took to capture this photo of a male cardinal on my backyard fence.

Every now and then, you might see something a bit more exotic too. When those moments strike, it can be supremely rewarding to attempt a shot. Even if you don’t get the photo, you will at least have a fun story to tell.

backyard photo safari snake in grass
Nikon D200, 50mm, f/4, 1/160 second, ISO 200. My wife saw this snake slithering across our front yard, so I grabbed my camera and a broom. After I got a few photos I gently encouraged it to vacate the premises.

Get a set of close-up filters

One of the best things you can do if you’re looking for a way to get great shots of the world around you is to buy a set of close-up filters. When you think of going on a wildlife safari, you might imagine huge camera rigs and giant telephoto lenses. Close-up filters are the opposite: they let you get very close.

Close-up filters are extremely inexpensive and screw on to the front of your camera lens. They take a bit of patience to learn, so make sure to plan some time to get acquainted with how to get the best results in order to avoid frustration when the moment strikes. Once you get the hang of it, close-up filters make even the most ordinary backyard subjects appear majestic and even otherworldy. In other words, they’re perfect for a backyard photo safari.

backyard photo safari mushroom
Nikon D7100, 50mm, f/11, 1/200 second, ISO 400. Shot with a +4 close-up filter.

Flowers, mushrooms, berries, leaves, sticks, even blades of grass take on a whole new appearance when shot up close.

These stationary objects work really well for macro shots because they allow you to try different focal lengths and experiment with manual focus.

When you’re ready for something a bit more challenging, you can combine close-up filters with bugs and insects. This involves a lot more skill, practice, and patience (as well as mastering the back-button focus technique, which I recommend for best results) but you will never look at your own yard the same way again.

backyard photo safari bee
Nikon D500, 50mm, f/5.6, 1/250 second, ISO 360, shot with +4 close-up filter. It took nearly a hundred shots over two days to get this image of a bee in my back yard, but it was worth the effort.

If you can find a bug that is relatively slow-moving, you can combine all the techniques in this article to get some really amazing shots. For this final image, I went out in the evening, looked at the angle of the sun, adjusted my own point of view accordingly, and used a close-up filter. I’m not even sure what kind of bug or insect this is, but I really like the photo.

backyard photo safari insect on tree
Nikon D750, 50mm, f/1.8, 1/100 second, ISO 900. Shot with a +4 close-up filter.

Conclusion

This list is really just scratching the surface of what’s possible when you go on a backyard photo safari. You don’t need a lot of expensive equipment, and you don’t need to hire a tour guide. These few simple tips will be enough to get you started, and then it’s up to you. How far will your creativity and sense of exploration take you when you’re right in your own yard? It could be a lot farther than you think.

Share your tips, tricks, and backyard safari photos in the comments below!

The post Tips for Doing a Backyard Photo Safari appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


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How to Setup For Doing Live Streaming and YouTube Videos at Home

10 May

The post How to Setup For Doing Live Streaming and YouTube Videos at Home appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

live streaming setup and youtube setup

Since many of us are spending most of our time at home at the moment, I thought I’d share this great video from the dPS founder, Darren Rowse, on how to do live streaming and YouTube videos from your own home as a way to reach your audience and promote your photography.

He shares his complete live streaming setup, which I have listed below so that you can see if you have some of this gear already. Of course, you can replace some of this gear with the equipment you already have too. Most DSLR and mirrorless cameras do video nowadays.

The great thing about this video is that Darren shows us how this equipment all works together too, which is perfect to see what parts may or may not suit your needs.

Want to do some photography videos for youtube, or post-processing videos? This could be an ideal setup for you too.

Livestreaming gear setup:

live streaming setup and youtube video setup
  • Sony A7 III – https://geni.us/BM6gBHA
  • Sony 28mm f/2 lens – https://geni.us/sony282
  • Sony 55mm f/1.8 Lens – https://geni.us/sony5018
  • Sony A6400 – https://geni.us/udaP
  • Sony 16mm f1.4mm – https://geni.us/qLanFq
  • Rode PodMic – https://geni.us/rodepodmic
  • Rode Podcaster (USB) – https://geni.us/rodepodcasterusb
  • RodeCaster Pro – https://geni.us/rodecasterpropb
  • Shure SM58 – https://geni.us/shuresm58mic
  • Neewer 480 LED Lights – https://geni.us/neewer480led
  • Softbox for Neewer 480 – https://geni.us/neewersoftbox
  • LEDGO LG-B150 – https://geni.us/ledgo
  • Manfrotto magic arm – https://geni.us/mfmagic
  • Manfrotto superclamp – https://geni.us/mfsc
  • Ecamm Live – https://geni.us/ecamm
  • Elgato Camlink – https://geni.us/camlinkpb

Do you have a setup that you use already and would like to share with us? Please do so in the comments section!

The post How to Setup For Doing Live Streaming and YouTube Videos at Home appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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5 Tips for Doing Photography While Social Distancing

29 Apr

The post 5 Tips for Doing Photography While Social Distancing appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

5 Tips for Doing Photography While Social Distancing

Are you having a hard time doing photography while social distancing?

Do you need some help determining what and how to photograph during these difficult times?

5 Tips for Doing Photography While Social Distancing
90mm | f/2.8 | 1/320s | ISO 320

You’ve come to the right place.

Because as hard as it is to deal with the current situation, there are still photographic opportunities everywhere.

You just have to know how to see them!

So if you’re looking to capture some great images, even now…

…read on.

1. Go on walks and photograph the scenery

Plenty of countries are currently in full lockdown, which means that you can only leave your home for exercise.

But while you’re out walking, why not take some pictures?

Obviously, don’t approach people on the street or linger too long in one place.

But there are plenty of gorgeous parks out there where you can capture some stunning landscapes as you walk along.

trees captured on walk
An image taken on a recent walk.
Canon EF 24-70mm f4L lens|70mm| f/8.0| 1/20s| ISO 200

And if you don’t live near a park, just go for a walk around your neighborhood! Take some photos of trees waving in the sunlight, of flowers starting to bloom in gardens, and more.

The opportunities are endless. The key is to be open to more unusual, spontaneous images.

By the way, I’d recommend using a telephoto lens for this, such as a 70-200mm zoom; that way, you can stay on paths and avoid approaching houses and other people.

I’d also recommend going out at sunrise or sunset, when the light is warm and golden. That way, you can capture gorgeous skies, gorgeous clouds, and just take in the beautiful world.

2. Capture gorgeous macro photos in the garden

It’s now officially spring in the Northern Hemisphere.

With spring comes flowers, and with flowers comes the potential for beautiful macro shots.

Get your closest-focusing lens, or a dedicated macro lens if you have one, and go out into your garden.

photography while social distancing –rose center from garden
You can easily photograph flowers like these in the garden!
Nikon 60mm f2.8 lens | 60mm| f/5.0| 1/200| ISO 320

Look for flowers, and try to capture some beautiful colors, textures, and even more abstract flora shots.

I recommend doing macro photography on cloudy days, because the diffused light will help bring out flower colors.

I also recommend getting down low, on a level with your subject, so you can portray the world from a more intimate perspective.

By the way, if you don’t have any flowers, that’s okay!

You can still photograph plants, trees, buds, or even weeds. The beauty of macro photography is that there are subjects everywhere.

3. Spend time creating a studio in your home

If you’re like me, you’ve always wanted to create a photography studio in your home.

But you just haven’t had the time.

Imagine what you could do with a studio (after all the social distancing is over, that is!).

You could do portrait photoshoots.

You could do pet photoshoots.

You could create all sorts of still life setups.

You could do high-speed photos of balloons popping, or of colored water, or of products, or of food…

Really, you can do tons with a proper studio.

photography while social distancing –studio shot taken at home of pet
A home studio is great for capturing photos of pets!
55mm| f/6.3| 1/160s | ISO 250

So why not set it up now, while you’re stuck at home?

Here’s what you need:

First, some sort of backdrop. A black tablecloth will work just fine for many purposes, but you can also use a large, white slab of cardboard, a proper photography backdrop (these can be purchased online), or even an interesting wall.

Next, you’ll want at least one light source. You can use natural light, in which case you should simply position your studio near a window (ideally with the window light coming from slightly in front of your setup, so you have light falling on your subject from the front and side).

You can also use artificial light, which is what I’d recommend; this gives you more options and limits you less in terms of shooting on poorly-lit days and at night.

If you do go with artificial light, you’re going to want several speedlights at the very least. I recommend two for beginners, though three is also a good number, and one is adequate if you’d like to keep costs down. These speedlights will need to be held up with light stands, so you’ll want a couple of those.

You’ll also need light modifiers. Options here include umbrellas, softboxes, diffusers, snoots, and more. Though I’d recommend going with a couple of basic umbrellas because these are great for softening the light and easy for beginners to get the hang of.

Last, if you’re doing any sort of product or still life photography, you’re going to want a table. A simple wooden option works well, and it doesn’t have to look new. A bit of texture can make your product shots and still lifes even more interesting!

And speaking of still life photography:

4. Level up your still life photography skills

If you’ve ever considered pursuing still life photography, now is a great time.

You can do still lifes with a studio setup, as discussed above.

Or you can do still lifes without much of anything, except a few subjects, some window light, a table, and a wall.

The latter method is practically free, and it can result in stunning shots. So it’s a great way to get started with still life work over the next few months.

For basic still life subjects, fruit is a great choice (I’m partial to pears and apples, but you can use basically anything).

Flowers, including cut flowers you can grab when checking out at the grocery store, are an excellent option, as well.

In fact, you can do all sorts of cool photography with flowers or fruit. While it’s possible to do classic still lifes, you can also do more abstract shots, like this:

photography while social distancing –abstract still life flower
This type of black background, illuminated flower setup is something you can work on when doing still life photography.
Canon EF 100mm f2.8L Macro | 100mm | f/2.8 | 1/100s | ISO 200

Given the current situation, I don’t recommend taking trips to the store just to buy still life subjects.

But if you’re already at the store, there’s not much harm in grabbing a couple of extra apples or a bouquet of flowers.

And, by the way:

You can also do still life photography using objects you find in your home.

Objects such as bowls, plates, silverware, vases, jugs, antiques, and much more.

So don’t feel like you have to go out into the world to get subjects. Some of the best subjects are right in the house with you!

5. Get to know your camera while stuck inside

Cameras are complicated.

Which means that there are probably things you don’t know about them, but should be familiar with if you want to capture the best possible photos.

So, whenever you get the chance, I recommend you turn on your camera and explore.

Start with all the external buttons. Do you know what they can all do?

Then dig into the menu items. Scan over every single option.

photography while social distancing – chandelier hook in house
While getting to know my camera, I snap a lot of random pictures to test out functions. This is one of my most recent ones!
Canon EOS R | Canon 24-70 f4 lens | 70mm| f/4.0 | 1/160s | ISO 3200

And as soon as you hit something you’re not sure about, or you’re not completely familiar with…

…look it up.

(You can use your camera manual, or you can just do a quick Google search.)

If it’s an especially useful feature, then make a note. And ensure that, the next time you get a chance to do some photography, you try it out.

Make sense?

And by the way, every camera is different. So if you have multiple cameras, I recommend you follow this tip for each and every one of them.

That way, when things are better, you’ll feel much more at home with your camera.

Conclusion

Hopefully, these tips will help you continue to improve your photography while social distancing.

Because while things are tough, it really is possible to keep up your photography!

So good luck, and stay safe! And, as always, share your photos with us in the comments section!

blossom on tree

The post 5 Tips for Doing Photography While Social Distancing appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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5 Tips to Get Out of a Photographic Rut so You Can Get Back to Doing What You Love!

20 Jan

The post 5 Tips to Get Out of a Photographic Rut so You Can Get Back to Doing What You Love! appeared first on Digital Photography School. It was authored by Megan Kennedy.

tips-to-get-out-of-a-photographic-rut

Creative ruts happens to the best of us. Fortunately, there are many ways to combat the dreaded photographer’s block. Here are 5 tips to get out of a photographic rut and back into doing what you love!

Tips to get out of a photographic rut

Canon 5D MK II 50mm lens with Kenko extension tubes, f/1.8 at 1/80th of a second ISO 800

Research

Books research photography

Canon 5D MK II Canon 50mm lens with Kenko extension tubes, f/8 at 1/40th of a second ISO 200

Getting stuck into some artistic research is one of my first tips for getting out of a photographic rut. Whether it’s online or in-print, checking out what other photographers have done can stimulate fresh photographic approaches.

Having a look at contemporary photography can inform your practice with new perspectives. In addition, brushing up on your photo history can give you the motivation to expand on tried-and-true photographic methods.

Don’t limit yourself to researching one area of photography either. Branch out into different genres you are curious about. And don’t forget to explore other types of artistic practice. A lot can be gleaned from disciplines like painting and sculpture – practices that rely just as heavily on light and composition as photography does.

Create a visual diary

visual diary for photography

Canon 5D MK II Canon 50mm lens f/5.6 at 1/40th of a second ISO 100

Often, writers find that putting ideas on paper helps stimulate creative thought. It’s the same for photographers too.

A great way to organize your favorite research discoveries is to create a visual diary. Visual diaries (or art diaries) have been kept by artists for centuries as a way to consolidate ideas and cultivate inspiration.

Grab a blank visual diary (a portable size works best) and start to add prints, drawings, paintings, notes, journal entries, rubbings, whatever! The idea is that your visual diary is your own physical expression of the creative process. When organized into a visual diary, your photographic trajectory becomes clearer. It can be as neat or messy as you like, don’t overthink it and have fun!

Pick a theme

Tips to get out of a photographic rut blue abstract

Canon 5D MK II Canon 50mm lens with Kenko extension tubes, f/2.2 at 1/320th of a second ISO 100

Another tip to get out of a photographic rut is to choose a single theme to photograph. Pick any theme; abstraction, the seasons, portraits…anything that you find interesting or challenging.

Selecting a specific theme focuses your creativity. Having a theme also simplifies your photographic process, defining a clear goal for you to work on. Furthermore, when you work within a theme, you start to uncover interesting perspectives about a subject you may never have considered before. This feeds your creative momentum, helping to lever you out of photographer’s block.

Try something new

Trying something new camera tossing

Canon 5D MK II Canon 50mm, f/2.5 at 1 second ISO 100

Photography is made up of an endless amount of techniques and approaches. This provides photographers with many great tools to get out of a photographic rut. Trying something new can be exciting, and it can re-frame your whole photographic practice, kick-starting your creative flow and getting you back in the game.

Investing in new equipment is one way to change-up your photography, but simpler (cheaper) ideas work well too. For example, trying out portraiture or getting into black and white photography can help just as much. You could try photographing a new location or embark on a 365 project. You could also try camera tossing or set your sights on street photography – the choice is yours.

Keep a camera with you

Tips to get out of a photographic rut camera diana

Canon 5D MK II Canon 50mm lens with Kenko extension tubes, f/1.8 at 1/80th of a second ISO 200

Creativity can be fickle, and inspiration can strike at unexpected times. If you are in a photographic rut, capitalizing on these bolts of inspiration is important. The last tip to get out of a photographic rut is to keep a camera with you, ready for action.

Today, many people have a camera constantly within reach on their phones. Concepts like composition and settings on a camera phone are similar to a dedicated camera. This means that taking photos with a camera phone can, in itself, flex your photographic muscles. In addition, you can also record interesting subjects on your phone to return to later with a dedicated camera.

For me, I try to keep a small, plastic camera with me in my pocket or bag. There’s something about having a camera that inspires me to keep a lookout for new photographic opportunities. The whimsical nature of a plastic camera adds an element of surprise to photography too.

Conclusion

Photographic ruts are a stubborn burden suffered by many photographers. Luckily, taking active steps can alleviate the symptoms of a creative dry-spell.

While these tips are drawn from my own experiences, it is by no means an exhaustive list.

Have you been stuck with photographers block? Let me know your tips to get out of a photographic rut in the comments.

The post 5 Tips to Get Out of a Photographic Rut so You Can Get Back to Doing What You Love! appeared first on Digital Photography School. It was authored by Megan Kennedy.


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Tips for Doing Fine Art Underwater Bubble Photography

04 Nov

The post Tips for Doing Fine Art Underwater Bubble Photography appeared first on Digital Photography School. It was authored by Joanne Taylor.

tips-for-doing-underwater-bubble-photography

Doing underwater bubble photography is both fun and challenging! Read on for easy-to-follow techniques, tips, and tricks for you to try no matter which underwater environment you’re in!

underwater-bubble-photography

Safety

For your safety, have someone on land, in a boat or in the water with you to act as a spotter. Have them keep a floatation device with them at all times too. Underwater photography can be tiring, and you might feel the need for assistance from time to time.

Have drinking water accessible regardless of the weather. Be sure to have sunscreen on and beware of the sun reflections off the water: sunburns hurt!

underwater-bubble-photography

Equipment

There are many devices you can use, including a GoPro, underwater phones, and the disposable ones they sell at the drug store. However, the best way to achieve shots like these is to have an SLR camera within a professionally-made underwater housing. You can still try these types of shots with whichever device you do have, but it is easier to take them with a lot of control going in.

I achieved these shots with a Nikon D7100 and a custom Ikelite housing.

You can shop for professional underwater equipment from a variety of places, but Ikelite – www.ikelite.com has a strong reputation internationally, and for good reasons. You can also check out Mozaik Underwater Camera – www.housingcamera.com

Both websites sell camera and housing packages for underwater photography and also individual housing cases. You definitely want reliable, trustworthy equipment to achieve consistent, sharp images.

Equipment check

Please note that human error causes most floods (where water breaches the housing compartment, and you risk losing your camera and every photo you’ve taken). Common causes of floods are sand, hair, or dust in the O-ring (which you should lightly lubricate every so often) and improperly secured latches.

With a professional underwater housing, you have the same capabilities underwater as you do on land. This saves much time if you’re in deep water – no need to climb in and out of the boat or in and out from the beach. Same for scuba diving – sometimes coming up from a deeper depth is simply not an option. For those using other devices, be sure to know the depth limit of the device, or you risk losing everything!

Tips for Doing Fine Art Underwater Bubble Photography

Camera settings and taking the first few shots

Make sure the lens on both the camera and the housing is clean. There is nothing worse than getting underwater, taking some fantastic bubble photos, and then seeing a sunscreen finger smear in the corner of each shot.

In underwater photography, your body will be moving, so too is the water and the bubbles. So if in doubt, use your camera in Auto Mode the first few times. Alternatively, try setting your camera to F22 and F20 at 1/2000th, 1/4000th, and rely on natural light.

Next, you are ready to get into the water and don’t forget to defog your goggles before putting them on (spit or a defogging spray work great).

Bring your equipment in and determine if it’s working underwater with a few test shots (aim at your feet) and then check the image on your viewfinder. Make any adjustments necessary.

Tips for Doing Fine Art Underwater Bubble Photography

Water and weather

Take into consideration the appearance of the water. You are looking for water clarity. Sometimes, the bottom can be churned up by a recent storm, and there can be a lot of debris. Debris can cause low visibility and definitely with underwater photography, the clearer the water, the better.

If you are in a controlled setting such as a pool, the clarity of the water will depend on the chemicals added. If the water is cloudy due to improper chemical balance, there will be a hazy quality in all of the photographs.

The weather affects the light in your photographs. A cloudy day will allow you to use a flash if you have one. Only add a small amount of flash, or you run the risk of blowing out the bubbles entirely.

If you don’t have a flash, keep shallow and try taking photos in the top two feet or so as the light will only decrease the further down you go. If it’s raining, you can still take photographs. It is fun to get the water droplets falling on the surface of the water while bubbles are rising towards them.

When it’s a sunny day, light streams through the water surface and lights up the bubbles from behind. Try to take a few pictures with the sun in the shot as well.

underwater-bubble-photography

How to create bubbles with containers

Use a variety of containers for different sized bubbles. Try sand buckets, Tupperware, or other plastic bowls. Children’s stacking cups are great too, as long as they don’t have a hole or holes in the bottom. Anything can work (re-usable drinking bottles are great too) but avoid all breakables like glass.

Bring them one by one into the water, so they don’t float away. You would benefit from a helper to pass them to you, so it’s easier to juggle your camera and the buckets.

Start with the smallest, easiest to manage container, and work up to the largest as they are the hardest to maneuver underwater.

Take the container underwater by holding the opening directly over the surface and pushing it down underwater to catch the air inside. Practice tilting the cup slowly underwater to let the air trickle out in a trail of bubbles and practice tilting the cup quickly to let all the air out at one time.

Now take a few test shots of the air escaping the container. You might have to practice a few times not to catch your hand or the container in the shot.

Try taking the container deeper. Be patient until you get the right balance of speed of the bubbles versus shutter speed. Check your viewfinder and make any necessary adjustments regarding shutter speed, focal length, or the strength of your flash if you’re using one.

Tips for Doing Fine Art Underwater Bubble Photography

Try taking a series of images of bubbles using multi-shot (continuous shooting) for a better choice of images later.

Move into another section of the water for a variety of images. If you’re using the sun as a backlight, you may also have to angle your camera up towards the surface of the water to get a better shot.

How to create bubbles without containers

Take the containers out of the water and try kicking your feet and making lots of tiny bubbles.

Tips for Doing Fine Art Underwater Bubble Photography

Editing

Once you have downloaded your images, you are ready to edit.

Adobe Lightroom will make editing easy – though, you can use any editing software of your choice. Cropping will be your most used tool as you eliminate any hands, containers, or debris. Cropping is also necessary to zoom in on a section as you attempt to create the most aesthetically pleasing bubble photograph.

Tips for Doing Fine Art Underwater Bubble Photography

Occasionally, you may want to adjust the color of the photograph by making it bluer or taking all color away to see the bubble shapes in black and white.

Tips for Doing Fine Art Underwater Bubble Photography

Conclusion

Fine art underwater bubble photography takes a lot of patience, so relax and have fun. Bubbles are fragile, finite, and often hard to predict. Your best shots may be a string of bubbles, a cloud of little ones, or a single, large one.

Let’s see what you can do! Please share your underwater bubble photography with us in the comments!

The post Tips for Doing Fine Art Underwater Bubble Photography appeared first on Digital Photography School. It was authored by Joanne Taylor.


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Tools for Doing In-Person Photography Sales to Boost Your Income Stream

21 Oct

The post Tools for Doing In-Person Photography Sales to Boost Your Income Stream appeared first on Digital Photography School. It was authored by Jackie Lamas.

in-person-photography-sales

It seems now many clients only want digital files, however, there are still photographers doing in-person photography sales and making more from their art than the shoot and burn photographer. You don’t need a lot to get started with in-person photography sales. You can add products, samples, and such as your sales increase. Learn the tips you need to get started by reading below!

Image: Photo: John Schnobrich

Photo: John Schnobrich

What are in-person photography sales?

In-person photography sales are where you set an appointment with your clients to give them a personalized viewing of their photos and conduct a sales meeting with them at the same time.

You can set the date for the in-person photography sales appointment before the actual session or when the photos are ready to view. It all depends on how you handle and schedule your calendar.

Image: Photo: Annie Spratt

Photo: Annie Spratt

An in-person photography sales appointment is for photographers who wish to sell products like prints, frames, and other specialty items. These have a set profit margin so you can make the most out of a portrait session or wedding.

Why have in-person photography sales to begin with?

When a photographer gives away their photos in digital format, the client is allowed to print outside of the photographer’s studio, resulting in a loss in money for the photographer. With in-person sales, you are able to offer your clients their most valuable photos of their family, or event, and get top-quality products in return.

Image: You can use a gallery mock-up like this to sell wall galleries, frames, or other products dur...

You can use a gallery mock-up like this to sell wall galleries, frames, or other products during the in-person photography sales appointment. It helps your clients visualize the final product.

In-person photography sales give your clients more personalized attention. It also allows them to get their photos off digital format and onto their walls.

Giving your clients this personalized attention will also make your clients feel taken care of in the most intimate way. This rounds out the whole portrait photography experience. You’ll have them come to you next time they need that personal experience again.

What do you need to get started with in-person photography sales?

To begin with, you need an action plan. You’ll need to determine how you’ll be conducting the sales appointment. Choose a location with minimal distraction and noise, so that you can tailor your sales appointment to have the atmosphere you want. It can be a shared space, a rented location, or even in your home or the client’s home.

Image: Photo: Brooke Cagle

Photo: Brooke Cagle

You’ll also need some sort of device to showcase the photos from the session. This can be a laptop, iPad/tablet, or even a screen projector to showcase the photos large. If you have a studio space, you can choose a room or location inside that has a TV or computer to show their images.

Sign up with a professional lab

Next, you’ll need to make a catalog of the products you’ll be offering. Make sure to use a top photographic lab and not your friendly neighborhood Costco. While there’s nothing wrong with Costco for personal printing, they are not a professional lab with professional printers and top quality control.

Image: WHCC offers a program you can use on your iPad called Studio to create mockups of products yo...

WHCC offers a program you can use on your iPad called Studio to create mockups of products your clients want to buy.

White House Custom Color, Bay Photo Lab, Black River Imaging are a few of the leading professional photography labs, among many, many more. Find one that you like best and give them a try. All of them offer a variety of products ranging from loose prints to specialty items like tree ornaments, bookmarks, and even mugs with photos on them.

After you figure out what products you want to sell to your clients, figure out the pricing. Factor in shipping and the cost of the product. Only then can you determine how much of a profit margin you want. Depending on your market, you might be at a 40% profit margin or perhaps more.

Image: A digital catalog can help you showcase your products and pricing to clients without having t...

A digital catalog can help you showcase your products and pricing to clients without having to order samples. Some labs offer free product guides without branding or prices.

If you have capital, get samples of the products that you think will be top sells, and loose prints in various sizes. If you’ll be offering to frame, get the sample corners.

Each photographer has their own set of top sellers. With time, you can accumulate samples of those products. However, if you don’t have money to invest in samples, create a sales catalog in Illustrator or Photoshop. That way, your clients can see the products.

Image: Having sample albums in smaller sizes can help your clients visualize the final product.

Having sample albums in smaller sizes can help your clients visualize the final product.

WHCC has a site without any branding that you can use to get your clients excited about products. Many professional labs also offer samples at a discount so that you can afford some of the products to help you sell.

Payments

Sign up with a merchant account of some sort so that you can take credit card and debit card payments. You can get a card reader with some services like Square and PayPal to make processing credit cards and debit cards much easier. These also allow you to email receipts to your client.

Image: Photo: Thomas Drouault

Photo: Thomas Drouault

Some gallery services like Instaproofs offer merchant services and invoicing to photographers right from the gallery. They can also provide direct printing straight from the gallery.

Figure out what works for you and which service offers a better plan for you. It’s really helpful when more and more people use these types of services.

To recap, you’ll need the following:

  1. Figure out your plan. Where will you have the in-person photography sales appointments?
  2. Sign up with a professional photography lab.
  3. Figure out the products and pricing you’ll be selling.
  4. Invest in samples or create a catalog of products to show clients.
  5. Get a merchant account, Square, or PayPal for payments with cards.
  6. Stick to your plan!

What are the benefits of having in-person photography sales?

The benefits are many in that you are giving your clients something that they won’t get anywhere else – your personalized attention throughout the whole photographic experience.

Tools for Doing In-Person Photography Sales to Boost Your Income Stream

By having an in-person photography sales appointment with your clients, you are showing them their beautiful portraits via slideshow or even just in the gallery one by one. You are helping them choose their favorites, and setting them up with products that they’ll treasure for many years to come.

When you hand over digitals via an online gallery, you are missing out on the emotion behind the whole experience. They download, print, and buy somewhere else – leaving you with a loss.

Image: Showing your clients what their photos can look like in their home is also a good way to sell...

Showing your clients what their photos can look like in their home is also a good way to sell products.

Even if you offer digital products, having an in-person photography sales appointment with clients is the best way to show them that you not only take great photographs but care about your clients. It shows then that you are there with your knowledge and expertise to find the right product, photo, and gift to make their photos stand out.

In-person sales appointments are a great way to end the whole experience and create a deeper bond with your clients that an online gallery or digital photos never will.

What if my clients can’t meet or live out of town?

Although it’s better to be physically face-to-face with your clients, sometimes you can’t, and that’s okay. Luckily, there are other ways to hold an in-person photography sales appointment.

Image: Even digital mockups of products can help you sell more to your clients. Show them on your la...

Even digital mockups of products can help you sell more to your clients. Show them on your laptop or tablet after you show your clients their gallery.

If they can’t meet with you in person, offer a video chat style of sales appointment that best fits into their busy schedule. It’s understandable that clients can get busy with their families, life, work, and travel, however, make it a point to have some type of face-to-face appointment with them.

Use Skype so that you can share your screen with them and show them the slideshow of photos you’ve prepared. You’ll see their reactions and emotions to the beautiful photos and can then begin the process of selling your products.

Image: On the left is a catalog unbranded from a professional lab. On the right is a digital mockup...

On the left is a catalog unbranded from a professional lab. On the right is a digital mockup of various products using my own photos.

Make sure to send your product guide/catalog to them before the meeting so that they are aware of what type of products you offer and at what price points they begin.

Make the most out of in-person photography sales appointments

If you offer digitals with your packages, don’t make them readily available to your clients before your sales appointment. Chances are, they’ll walk away with the digitals and forget to make or go to the appointment since they’ve gotten their digitals.

It’s best to schedule the sales appointment before you have the actual session. That way, you can set a time and day that works best for everyone ahead of time. Families especially need careful planning so that they can attend the sales meeting.

Image: Photo: S O C I A L . C U T

Photo: S O C I A L . C U T

Set the tone for the in-person photography sales appointment. Even if you don’t have physical products yet, bring copies of your catalog. Perhaps offer drinks or snacks during the appointment and have the slide show and gallery ready to view. Make sure there is no need for an internet connection in all of your prep, just in case you meet at a place that doesn’t have wifi.

Give your clients an incentive for purchasing their photos. You could offer a gift print with purchases over a certain amount. Or if it’s part of your business plan, include a digital print of the photos that they get in prints or products so that they can keep that as well.

Image: Photo: Brooke Cagle

Photo: Brooke Cagle

Offer a payment plan to your clients. Put their credit card on file with a payment date so that you can automatically charge their cards when the payment is due. This allows them to have the products that they want most. Sometimes, payment plans can increase your sales because they offer more flexibility to your clients.

Set about two minutes worth of favorite images to music and create a slideshow. After, have your order form, catalog or samples, and begin showing the rest of the gallery to your clients. This creates excitement around seeing the rest of the images.

In conclusion

Having an in-person photography sales appointment doesn’t mean you have to have a studio or even samples.  You can get started right away with a catalog of products and prices. You can use a rented or shared space, or even have the in-person sales appointment in your clients’ home or via video chat.

Image: Photo: John Schnobrich

Photo: John Schnobrich

Either way, giving your clients this personal and handheld experience to get the most out of their photos will mean more income for you and wall portraits for them. This makes the whole photographic experience more meaningful!

Do you make in-person photography sales? What tips can you offer other photographers? Share in the comments!

The post Tools for Doing In-Person Photography Sales to Boost Your Income Stream appeared first on Digital Photography School. It was authored by Jackie Lamas.


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21 Tips for Doing Stock Photography

14 Jul

The post 21 Tips for Doing Stock Photography appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

Being a stock photographer is a bit like being in a band. Not many make it to rock star status, but they love what they do and enjoy earning some extra cash on the side.

Producing photos to sell through stock photo agencies can bring more purpose to your photography. It can help you focus and build your skills more than if you are doing photography purely as a hobby.

21 Tips For Stock Photography Back Packer On The Train

© Kevin Landwer-Johan

Over the years the digital stock photography industry has gone through many changes. In the past, it was arguably easier to make some decent money, even very good incomes. But the percentage of contributors who made a full time living selling stock photos was proportionately very small.

Approach stock photography with a healthy attitude and without grand expectations. You may be surprised at how much you learn, how much you enjoy it and even how much you can earn.

Here are a few tips for doing stock photography that I’ve put together. They will encourage those of you thinking of dabbling in the stock photography market.

1. Treat it like a business

The more business-like you treat stock photography, the more success you will have with it. A casual approach will bring casual returns. There’s no problem with this if it’s what you want.

If you’re serious about making real money from stock photography set up a business right from the start. Make a plan and stick to it. Keep records of your expenditure and earnings. Dedicate time regularly to focus on the mechanics that will make it work.

Having no plan and a relaxed attitude towards producing stock photos will not get you very far. Maybe you don’t have the time or inclination to make it a full-time occupation. Having some kind of plan in place and a business attitude about what you are doing will still help.

21 Tips For Stock Photography Merlion Park, Singapore

© Kevin Landwer-Johan

2. Choose your niche

One of the biggest challenges you’ll face is getting your images noticed. The stock photography market is so saturated that it can be difficult to get your photos in front of buyers.

Choosing your niche, a few topics and concepts to concentrate on can help this. Pick some subjects you are passionate about. Purposefully become an expert at photographing them. Build up a portfolio of photographs that will grab attention.

21 Tips For Stock Photography Burmese Dancer

© Kevin Landwer-Johan

3. Study design trends

Designers buy stock photos. Study the current trends and stay up to date as they change. Look at styles, colors, and image usage to see what buyers need.

Flip through magazines. Browse websites. Watch TV. You’ll begin to see stock photos everywhere. Take note of the ones you like the best and mimic them.

21 Tips For Stock Photography Boy With A Note Book

© Kevin Landwer-Johan

4. See what’s worked before

Spend time on stock photography websites. Look at the best selling images and think about why they are so popular. What makes them work? Why have so many people bought them? How can you improve on them?

Trends and fashions change. Think about how you can rework older stock photos that have been very popular to make them more current.

21 Tips For Stock Photography Tropical Palm Tree Sunset

© Kevin Landwer-Johan

5. Aim at the market

Know your market. Find out what people are buying. Fill the gap with what’s missing.

Learn about the potential market for your niche. Study it and supply the type of images that will be popular. You may have to try different styles and ideas for a while before you hit on some that work. Experiment until you have a breakthrough.

21 Tips For Stock Photography Commuters

© Kevin Landwer-Johan

6. Check out the masters

Find rockstar stock photographers. Look at their portfolios. How have they made it a successful enterprise?

If you can find successful stock photographers who work in the same niche as you, this is great. Search for trends and patterns in their work. Seek to find fresh ideas. Don’t copy, make sure you add your own flare.

21 Tips For Stock Photography Dancing Shoes

© Kevin Landwer-Johan

7. Polish your technique

Having technically strong photographs will mean more of them are accepted by the stock agencies. Standards appear to have slipped over the past years. This is still no excuse for not submitting technically correct photos.

Modern cameras, even on phones, and new software make it very easy to create high-quality photographs. The higher your standard, the higher your sales will be.

21 Tips For Stock Photography Sunrise Dinghy

© Kevin Landwer-Johan

8. Use lots of light

One trend that never has gone out of fashion in stock photography is photos with an abundance of light. Well-lit images often convey positive emotion. Advertisers like this and will buy feel-good photos.

Make sure to produce some photos from every session that have more light than you would normally use, especially if your photos tend to be dark and moody. There’s room for that style of image to sell as stock, but bright photos often sell better.

21 Tips For Stock Photography Empty Water Bottles

© Kevin Landwer-Johan

9. Make sure it’s sharp

Good sharp images will always sell. Clarity in your photographs is important to buyers. Too many images in your portfolio with a shallow depth of field will make it of limited appeal.

Be precise with your focus too, especially when using a shallow depth of field. Your photos must be sharp in the right place or they are not likely to make it through the inspection process.

21 Tips For Stock Photography Thai Sunset

© Kevin Landwer-Johan

10. Compose for copy space

Stock photos are often used in advertisements or design layouts which include text. Leaving some negative space in your compositions can make them much more practical for designers.

Experiment with your compositions. Leaving more space around your subject can mean the photo is more useful to a designer.

21 Tips For Stock Photography Red Umbrellas on a Tropical Island Beach

© Kevin Landwer-Johan

11. Take a series of photos

Whenever you’re creating a new set of photos for stock, make sure to take a whole series. Look at your subject from as many different angles as you can. Vary your compositions and aim to provide variety for the buyer.

Don’t only take the first angle you think of. Consider how the photo might be used and look at it in different ways. Producing a series of photographs is more practical for buyers as it gives them more choice.

21 Tips For Stock Photography Thai Traditional Costume

© Kevin Landwer-Johan

12. Be prolific

The more photos you take, the more you can upload. The more you can sell.

Make sure you supply a good variety of images as often as you can from a subject or concept. Building a strong portfolio of photos means you give buyers more options.

21 Tips For Stock Photography Thai Model and Elephant

© Kevin Landwer-Johan

13. Be practical

Don’t imagine producing photos set in a hospital or commercial kitchen if you don’t have ready access to such locations.

If you want to take product photos, set yourself up a good studio space, so it’s easy to take this style of photo. The more hassle-free you can work, the more photos you can take with less expense. Your profit will increase.

21 Tips For Stock Photography Old Bibles

© Kevin Landwer-Johan

14. Develop your own style

Style takes time to develop. Have a plan and purpose, and a clear idea of the type of photographs you want to produce. This will lead to the development of your own personal style.

Don’t stress over this. Letting it come about naturally will make it more distinctive. When buyers see your style consistently represented in your portfolio, they will watch what you do and buy from you more often.

21 Tips For Stock Photography Karen Grandma

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15. Post-process consistently

The look and feel of your photos created during post-production have a lot to do with the development of your style.

Presets can help make this easier. Using the same set of preset actions to govern the way your images are rendered will help tie your portfolio together.

21 Tips For Stock Photography Sad Young Asian Woman

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16. Diversify the agencies you upload to

If you have time, it’s a good idea to send your images to more than one or two stock photo agencies.

When you are starting out, this can take up a lot of your time. By uploading too many, you will see which ones sell and which ones do not sell so well. Look at the statistics, not only for your sales, but also for how many views your photos receive on each platform. If your images are not being looked at, consider uploading less to that site or not at all.

21 Tips For Stock Photography Hanging Asian Lanterns

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17. Stick with one agency to save time

If your time is limited, you might find it’s best to enter into an exclusive contract with one agency.

Some stock photo agencies offer incentives if you only upload to them. This may mean they pay you a higher percentage of each sale.

21 Tips For Stock Photography Young Couple

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18. Learn about copyright issues

Understanding copyright will help you when you are deciding what to photograph. There are two basic types of stock photo license. Commercial licenses restrict photos which are subject to copyright. Editorial licenses are less restrictive, but the use of the photos is more limited.

Any photo with;

  • A trademark,
  • design made by someone else,
  • commercial branding
  • or recognizable people

means you need a property or model release to sell them with a commercial license because of copyright laws.

21 Tips For Stock Photography Airport Plane

© Kevin Landwer-Johan

19. Use model release forms

Have every person you photograph sign a standard model release form. This means you can sell these photos with a commercial license. Having model releases makes photos of people more practical for buyers.

These forms are readily available on stock photography websites. A good generic release form can be used when uploading to multiple agencies.

21 Tips For Stock Photography Mad Scientist With Red Liquid

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20. Keyword well

Good keywording of your images is essential. There is no point uploading photos if you don’t add appropriate keywords. Without them, your photos will never be seen.

Spend some time to research how to add the right words. Don’t load your photos with too many, just enough relevant information about them so they will show up in search results.

21 Tips For Stock Photography Gears

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21. Upload a little and often

Uploading a few images every day will help keep your portfolio fresh. Stock photography agencies reward constant uploaders by making their photos float to the top of search results.

If you only upload occasionally, you will not sell so many. If you’ve had a major photo session and produced a lot of images, spread out when you upload them. As you start to post-process them, upload them in batches rather than waiting until the whole project is complete.

21 Tips For Stock Photography Close Up Table Setting

© Kevin Landwer-Johan

Conclusion

Experimentation is essential to find out which of your photographs will sell the best. Try different approaches using the tips I have outlined here, and find what works for you.

Stock photography is not a get rich quick scheme. It takes time and a lot of hard work to be very successful. The more methodical you are at creating images to sell, post-processing, and keywording them well, the more you will sell.

Do you have any other tips for doing stock photography that you’d like to share with us in the comments below?

 

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The post 21 Tips for Doing Stock Photography appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Tips for Doing Drone Photography and How it Improve All Your Images

28 Aug

In this article, I’ll share with you some of my experiences doing drone photography in my first month with my new flying camera. You’ll see how learning to use and fly a drone can help you improve all your photography as well.

Getting into drone photography

A filmmaker friend of mine brought his DJI Mavic Pro (a small drone with a built-in 12-megapixel camera) to our house several months ago. I told him that I’d been thinking about all the photos I could take if I had a drone. He insisted that I try his out, so I did.

Bad move. I probably raved about it far more than was wise. My family took my enthusiasm seriously. Thus, for a combined Father’s Day/Birthday/Christmas present (since these flying cameras don’t come cheap), they got me a DJI Mavic Pro. I then owned a drone. And had no idea what to do with it.

You may be in the same situation if you’ve recently purchased a drone or are considering doing so. If you’re still determining which one to get, check out this helpful overview. Or take a look at these tips and reasons why you might want a drone.

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What we’ll focus on here are the issues no one tells you about when you do finally get a drone. Learn how to speed up the learning curve and some surprising discoveries about how using a drone can make you an overall better photographer.

Take time to learn the basics

How long it will take you to learn to fly your drone depends in part on the drone you get. With the DJI Mavic Pro, I spent time reading the manual (somewhat helpful), watching the DJI videos (more helpful) and then watching other people’s YouTube videos (super helpful).

Even if you’re a “forget the instructions, let’s get going” type of person, spend time watching some of these videos. It will be worth the effort since not everything about your drone, especially from a photography perspective, will be intuitive. Besides, you can do it while your batteries are charging.

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On most drones, the controller connects to your smartphone. Your phone’s screen becomes your remote viewfinder. Let’s state what may seem obvious but isn’t if you’ve never owned a drone.

You need a smartphone to fly most drones for photography purposes.

It took me three days of trying to get the detested DJI app (just read the app reviews and you’ll see what I mean) to work only to find that it was incompatible with my older phone. I switched to my wife’s phone and voila, everything suddenly worked.

If your drone doesn’t connect immediately once you download the app, it’s likely the app/phone combo. My advice is to focus on solving the phone/app connection first.

Starting to fly

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The first time I actually flew the drone, I freaked out seeing it go up so high. The second time, not so much. The third time, I stopped looking at the aircraft (which, DJI reminds you repeatedly, is the proper name for the device, not a drone. Drones shoot missiles and spy on terrorists. Aircraft are, well, aircraft, I guess, even if this one can fold up and fit in a purse).

Instead, I just watched the screen. That is much easier. In short, while you want to have your drone in visual range at all times so you’re aware of hazards (that’s actually the law in most areas), concentrate mostly on your screen and you’ll gain confidence in flying it faster.

Learning how to make photos

I posted my first drone shots on Instagram and found some nice folks out there who liked them and have inspired me with their own drone photos. After looking at their photos (I’m only concentrating on photos initially, videos will come later), it gave me additional ideas on how to use my aircraft as a photography tool.

Here are some of the lessons learned in my first month of flying:

Lessons Learned from Drone photography 6

Learn to fly before you learn to shoot

This means finding a really open space and learning the controls well so don’t have to consciously think about every lever and button and what it does. You’ll have plenty of time for making photos later. Get the feel of the aircraft now.

Visualize before you take off

On the Mavic Pro, you get about 26 minutes of flying time on each battery (so definitely consider buying extras). Because of that, try to visualize your shots before you take off so you’re not spending that precious 26 minutes of battery life just flying around aimlessly.

You must realize, however, that when you first start working with a drone, everything will look different from above. Don’t worry. As you get more experienced, you’ll learn how to “read” a scene better and you’ll spend less time searching and more time setting up the shots you want.

Lessons Learned from Drone photography 13

Shoot RAW

Consider photographing in RAW (the camera’s native format for images as opposed to JPEGs) if you know how to process them in a program light Lightroom. For me, it is too hard to see all the lighting nuances on my phone screen. RAW gives me more latitude than JPEGs for fixing later.

Consider bracketing your shots as well (if your drone has that feature) to allow for even greater flexibility with exposure.

Don’t let the initial images fool you

DJI’s RAW files look pretty bad right out of the camera. But pump up the Blacks (for contrast) and increase the Vibrancy and the images can be stunning. Overall, the camera and the Mavic Pro aircraft are surprisingly good.

Lessons Learned from Drone photography 11

Learn the focus and metering buttons

Switching between the focus and metering buttons is easy once you locate them on the controller. Both are very useful since you get strong contrasts from the air.

At first, I blew out a lot of highlights. Once I learned to meter on the right areas of the scene, my photos improved dramatically. Start by sticking with the auto functions of the camera but quickly learn and use the other focus and metering functions available.

Consider getting a polarizer

Lessons Learned from Drone photography

A polarizing filter reduces glare but you can’t just twist it like a circular polarizer on your DSLR (it’s a bit out of reach when the drone is 300 feet above you). You can only adjust it by changing the angle of the aircraft which isn’t always helpful when composing a particular shot.

But the polarizer does protect the lens and makes the sky pop in your images. My next purchase will be some ND (Neutral Density) filters to knock down even more of the light and glare. Because you’re shooting from above, you’ll experience new angles of light that you don’t usually get with traditional photography.

Pay attention to the weather

Wind and moisture are big limiters in some areas. I recently returned from a trip to England (yes, most airlines allow drones on board as long as your batteries are in your carry-on) and was only able to fly the aircraft three times in 10 days.

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Mostly, it was either rainy (moisture will ruin your battery) or too windy. But I did learn that I can fly in more wind than I initially thought, up to about eight mph of wind. I have gotten the high wind warning on the controller (which warns you about wind, if you’re in a restricted area or are too close to an object), but otherwise, no problems. But use your own discretion as one bad gust could ruin your day and your aircraft.

Don’t fly too high

Overhead shots can become more intriguing when you limit your altitude. As the photo above of the couple reveals (shot at a height of about 12 feet/three meters), you can get great images with a drone that no one but you will even know were shot with a drone.

Lessons Learned from Drone photography 10

Play with the color

Because sunlight is hitting the subject from a different angle than you’re used to, that will affect the color of your photos in surprising ways. Some familiar objects such as trees will be more vibrant when shot from above than from the side.

Just be prepared to experiment a good deal in your editing software with color.

Compensate for parallax

Lessons Learned from Drone photography 5

There’s a parallax phenomenon that takes time to understand. Compare the photos of two bridges above and below. In the first, I wasn’t directly over the bridge and the photo isn’t as good as the second one where I took the time to turn the drone sideways while rotating it at the same time to get the shot lined up perfectly.

Lessons Learned from Drone photography 7

It seems simple until you try it. But with practice, you’ll learn little tricks on how to maneuver your drone to get the shot you want. And the image stabilization, at least in my Mavic Pro, worked better than expected. Thus, if you can line up the shot, you’ll likely get a good image.

Start with photographs

As noted, I’ve held off on shooting more than quick snippets of video. Why? Because with still photography, the aircraft is essentially a floating platform that I can nudge into position. If my turns are awkward, it doesn’t matter.

But when you’re shooting video, flying is everything (or a whole lot). You want your aircraft’s movements to flow smoothly. In my first month of periodic flying, I just wasn’t experienced enough for video. But I did ask my friend Randy (who’s had a drone about as long as I have) about his experience with video.

Lessons Learned from Drone photography 18

He noted that a) videos are smoother when you lower the frame per second rate, and b) it’s far better to keep the focus on a single element rather than panning around to capture everything at once.

Learn how to avoid obstacles

In the early stages, you’ll likely be a bit freaked out by trees or other objects that seem to reach out toward your drone. Personally, I haven’t yet gotten close enough for the aircraft to employ its obstacle avoidance procedures.

Randy tested the sensors out by flying his aircraft directly at him. He figured that unlike flying into a tree, he could move out of the way if the sensors failed. As it turns out, they worked great. The aircraft stopped a few feet before him.

You still want to fly carefully, but it is nice to know you have the sensors working for you.

Recognize the limitations of where you can fly

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There are restrictions where you can fly your drone (no national parks, no crowded areas, no flying near airports, etc.) but there are still vast regions you can explore by air that you can’t when tied to the ground. Also, scenes that look boring from the ground (a wheat field, for example), take on new possibilities when viewed from above. You just have to rethink what makes for a great image.

Try direct overhead photos

Shots taken directly overhead will likely be more intriguing to you when you first start. Remember when Instagram was first getting going? Everyone took photos of their feet because they were more enamored with the filters on Instagram than in taking great photos.

You’ll likely soon grow to improve and get better shots at angles, but as a beginner, the direct overhead shot is fun because it is a completely new way of seeing things. And don’t rule them out even as you get better. You’ll still find scenes where the direct overhead shot tells the best story.

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Compare, for example, the two shots of the wrecked fishing boat above and below. Which is better? It’s all a matter of taste, but now you have options.

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Learn to shoot at angles

Angled images are tougher to shoot at just the right height, distance and direction than direct overhead ones. But they don’t scream “DRONE SHOT” the way some higher-altitude-direct-overhead photos do.

Also, a benefit of angled shots is that you can isolate your subject from distracting foreground or background items. For example, in the shot of the ruined church above, using a drone allowed me to avoid several unwanted foreground elements.

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Photograph like a designer

Back to direct overhead shots, another benefit is that they can help you think differently about photography. You may, in fact, start perceiving the world more from a design perspective, being more aware of line, texture, patterns, and colors.

You’ll see shapes, arrangements and interesting connections you wouldn’t otherwise just because you’re viewing scenes from different heights and angles. Check out these 11 drone tips for inspiring examples of using design principles in your photography.

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The added benefits of photographing with a drone

For most photographers, a good quality drone is a luxury, not a necessity. But its greatest value isn’t just in allowing you to take photos you cannot without it. It’s helping you to make better photos even when you’re not using it simply because it will cause you to rethink how you see a scene and thus make a photo.

When I was in college, I played on the school’s tennis team. Part of the training included a class on how to teach others to play the game. For the month that the class lasted, each participant had to play using his or her non-dominant hand. Not easy.

Shooting with the drone/aircraft is similar. Because it is initially so unfamiliar, it will rewire how your brain thinks about the subject you’re photographing and how to compose the image the best way. Without a drone, your photography will likely be two-dimensional and you’ll probably continue shooting in the same way as you always have.

With a drone, you have to factor in height and different angle possibilities. That, in turn, will affect your more terrestrial shots as well since you’ll see more possibilities than you did before.

It may take time to master drone photography. But along the way, you’ll likely capture some surprising and astounding images. And best of all, you may become a better overall photographer as a result.

The post Tips for Doing Drone Photography and How it Improve All Your Images appeared first on Digital Photography School.


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