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Documenting humanity’s journey into space: Over 2,400 iconic space images are up for auction

13 Nov
Lead image: ‘The ‘Blue Marble’, the first human-taken photograph of the Earth fully illuminated, December 7-19, 1972, Harrison Schmitt [Apollo 17]. Estimate: £15,000-31,500. Offered in Voyage to Another World: The Victor Martin-Malburet Photograph Collection, November 6-19, 2020, Online’ Caption and image courtesy of CHRISTIE’S IMAGES LTD. 2020

Christie’s has placed up for auction a massive collection of images, many of which document the American space program from the 1940s through the 1970s. The collection, ‘Voyage to Another World: The Victor-Martin Malburet Photograph Collection,’ includes 700 lots comprising more than 2,400 separate items.

Bidding began on November 6 and continues until November 19 for lots 1-325 and November 20 for the remaining lots. Christie’s states that the collection traces ‘the artistic heritage of the Apollo Missions and Golden Age of space exploration.’

‘The first photograph of man in space [Large Format], Ed White’s first American EVA over Hawaii, June 3-7, 1965, James McDivitt [Gemini IV]. Estimate: £6,000-8,000. Offered in Voyage to Another World: The Victor Martin-Malburet Photograph Collection, November 6-19, 2020, Online’ Caption and image courtesy of CHRISTIE’S IMAGES LTD. 2020

Martin-Malburet has built this collection over the last 15 years. He has been interested in images captured in space since he accompanied his father to an auction. ‘It was a sale of astronautical artifacts,’ says Martin-Malburet, ‘We bought various things, including an autograph of Yuri Gagarin. But the item that impressed me most was a photograph, the famous shot of Buzz Aldrin on the moon with the lunar module reflected in his visor. It is such a powerful image: one lonely figure in another world. And since Aldrin is anonymous inside his spacesuit, he seems to represent all humanity.’

Victor ultimately studied mathematics and physics at university, and he says he wanted to blur the boundary between art and science. Martin-Malburet says of the moon landing photos in particular, ‘Between 1968 and 1972, 24 privileged humans traveled a quarter of a million miles to a place that was not Earth and a record of it all exists. But the complete story has not been told. At the time, only a tiny fraction of the material was released to the media. The rest remained in Houston, unpublished.’

‘First human-taken photograph from space; orbital sunset, February 20, 1962, John Glenn [Mercury Atlas 6]. Estimate: £3,000-5,000. Offered in Voyage to Another World: The Victor Martin-Malburet Photograph Collection, November 6-19, 2020, Online’ Caption and image courtesy of CHRISTIE’S IMAGES LTD. 2020

Many of the images in the collection have not been seen by people outside of NASA and various research institutions. Many images didn’t include accompanying information, leaving Martin-Malburet to dig through NASA’s transcripts of space missions to determine when each photograph in the collection was captured, such as whether it was on the way into space or on the way back to Earth, information NASA didn’t record. Martin-Malburet also often had to determine who the photographer of each image was, as ‘crediting the author’ is very important to him. By collating the available information and filling in the gaps, we now, for the first time, have a more complete story of many important moments in our history of space exploration.

There are many great images in the collection, including a photograph of Neil Armstrong on the moon, seen below. For decades, even NASA didn’t know this image existed. Martin-Malburet determined that Buzz Aldrin picked up the camera only once and it was to record this photograph of the first man on the moon. Otherwise, Armstrong himself was the photographer for the duration of the mission.

‘The only photograph of Neil Armstrong on the Moon, July 16-24, 1969, Buzz Aldrin [Apollo 11]. Estimate: £30,000-50,000. Offered in Voyage to Another World: The Victor Martin-Malburet Photograph Collection, November 6-19, 2020, Online’ Caption and image courtesy of CHRISTIE’S IMAGES LTD. 2020

Further ‘firsts’ in the collection include the first image of the earth rising over the moon’s horizon. Ed White’s first spacewalk, seen is recorded as well, and is the first full-face portrait of the Earth itself captured during the very last Apollo mission.

Christie’s writes that ‘Anyone looking at such photographs is bound to feel awestruck.’ It continues, ‘So are they genuine art objects?’ To that question, Martin-Malburet answers, ‘They are absolutely works of art. Artists strive for new ways to express themselves, a visual vocabulary. The astronauts had the blank vistas of space as their subject and their canvas. And the fact that you have humans behind the camera is really important. They saw themselves as scientists, but somehow they embraced the sublime. Through them, art broke free of gravity.’

It’s a wonderful collection. To view the entire collection, visit Christie’s. While the images themselves certainly hold a lot of value, Martin-Malburet’s work in contextualizing each photograph and determining the photographer adds a lot. As mentioned earlier, bidding is ongoing and ends on November 19 or 20, depending on the lot in question. Each lot includes an estimated value, and the estimates range from around $ 1,000 USD to over $ 60,000.

Articles: Digital Photography Review (dpreview.com)

 
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Case dismissed against George Steinmetz, whose drone was confiscated for documenting mass burials

18 Aug

Back in April, an award-winning National Geographic and New York Times photographer, George Steinmetz, had his DJI Phantom 4 Pro drone confiscated by the New York Police Department (NYPD) while documenting mass COVID-19 burials on Hart Island. Steinmetz was issued a desk ticket for violating NYC Administrative Code § 10–126, which prohibits the takeoff and landing of drones within New York City.

A preliminary hearing was scheduled for early August. During that time, the NYPD held onto Steinmetz’ Phantom 4 Pro as ‘evidence.’ After an unsuccessful attempt to get it back, he went on to purchase two DJI Mavic 2 Pro drones. ‘I need to get back to work,’ Steinmetz explained. ‘The Mavic 2 Pro is in a real sweet spot for me. I prefer the optics and files from the big bird, the Inspire 2 with the X7 gimbal. But the Mav 2 flies really well, has a decent file…the compactness is quite revolutionary.’

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Preparing for burials of what appear to be more COVID-19 victims this morning on Hart Island, New York City. For over 150 years this island with no public access has been used to bury over a million souls who’s bodies were not claimed for private burial. With the morgues of NYC strained, the pace of burials on Hart Island has increased dramatically. I was cited by NYPD while taking this photo, and my drone was confiscated as evidence, for a court date tentatively scheduled for mid-August. #keepthememorycard

A post shared by George Steinmetz (@geosteinmetz) on

Steinmetz’ story has a happy ending, after all. ‘My case was spontaneously dismissed last week [the week of August 7th, 2020], so I went down to the Bronx Police HQ on Wednesday and recovered it. During the time it was confiscated I had to buy a replacement to keep working, and don’t know if I will pursue any further legal action,’ he tells DPReview.

We will keep you updated if any new developments come about.

Articles: Digital Photography Review (dpreview.com)

 
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15 Tips for Documenting Home Life

06 May

The post 15 Tips for Documenting Home Life appeared first on Digital Photography School. It was authored by Mat Coker.

Tips for documenting home life through photography

Documenting home life and capturing family moments is what inspired many of us to pick up a camera. But upon picking up a camera, we discovered just how challenging it is to capture those moments.

These 15 tips are ones that I’ve used over the years to capture my family moments. They will help you capture your moments more creatively, overcome lighting challenges, and use simpler camera settings.

The best part is, these tips work whether you’re using a DSLR or just your phone to take pictures.

15 Tips for Documenting Home Life
Learn to spot moments before they happen, what angles make your photos look best, and how to freeze action in dim indoor light.
ISO 6400 f3.8 1/200 sec

Moments

It’s important to capture a good moment because the moment overshadows everything else in your photo. Surprisingly, people will often overlook bad lighting and sloppy composition in your photo simply because you captured a powerful moment.  

The question is, how do you capture a moment well?

Remember that these tips apply to every photo you take, even if you’re using your phone.

1. Distinguish between two major types of moments

There are two types of moments; posed and candid.

With posed moments, you are in control of the details. You decide exactly what or who is in your photo, how they’re positioned, and how everything is interacting together.

When it comes to documenting home life, most of us prefer candid moments. Candid moments are spontaneous events that just happen naturally. By definition, you can’t force these moments to happen, you just see a great moment that happens spontaneously and you want to capture it. Of course, you can easily ruin the natural moments by stepping in and interrupting them.

But candid moments have a special problem, you don’t see them coming until it’s too late!

documenting home life posed moment
A classic example of a posed moment. See the tips below for the use of window light. ISO 1000 f/3.5 1/500 sec

2. Learn to see the future

You’ll be able to capture better moments when you develop the technical skill of seeing the future. Don’t worry, it’s not as impossible as you think.

The key to seeing the future is spotting patterns. When you see a pattern repeating itself, you can reliably predict what is going to come next. Look for patterns as you document home life, and you’ll be ready to capture the moment before it happens.

Documenting home life candid moment
My son spends a few minutes every day deeply engaged in picture books. As long as I don’t let him see the camera, I can sneak a few photos. I used his feet and the book as a frame around his face. This picture was backlit using a window. ISO 1600 f/4.7 1/400 sec

3. Take your camera and go looking for moments

You know that when things go strangely quiet, something interesting is happening. So pick up your camera and go see what your kids are up to. If you don’t take your camera with you, by the time you go find it, the moment will have passed. It will be too late. When the house is quiet, pick up your camera, then go looking.

Candid moments
I discovered him asleep, and it was the perfect time to photograph his curls before his first hair cut. ISO 1600 f/2.0 1/10 sec

4. Include action and emotion

One key to capturing better moments while documenting home life is to make sure that they include action or emotion. Again, if everything else goes wrong, the action or emotional element will make your photo stronger.

capturing action
Both the kite and the girl are in action. ISO 200 f/2.8 1/500 sec

Composition

As you improve your skill of capturing moments, you can begin to compose better photos as well.

Start with angles. They are one of the best compositional tools because they completely change the way your photo looks and feels.

5. Bug’s eye view

This angle is wildly dramatic. Get really low, look straight up and see things tower above you. When you take all your pictures from the same angle, they are boring to look at. So make 1 out of 10 a bug’s eye view.

Bug's eye view photo
Taken with an old iPhone. ISO 320 f/2.8 1/20 sec

6. Low angle

Low angles take your photos to a new level by adding drama to your photo. Use it when photographing action moments like the child jumping across beds in the photo above.

low angle photo
Taken during a wind storm. ISO 2000 f/2.8 1/200 sec

7. Face-to-face

This angle puts you eye to eye with your subject and makes your photo more captivating. This angle works especially well when combined with emotional moments.  

15 Tips for Documenting Home Life

8. High angle

High angles are great for capturing the cuteness of little kids. Partly because a higher angle can make people look a little smaller. It’s a friendly angle.

high angle photo
ISO 250 f2.8 1/160 sec

9. Bird’s eye view

Our last angle is the bird’s eye view. You get right up there and look straight down. You don’t have to be high up in the air for this angle, just higher than your subject.

bird's eye view photo angle
ISO 50 f2.4 1/20 Sec

Background 

10. Avoid cluttered backgrounds

A cluttered background will weaken your photo. There are two ways to deal with a cluttered background in your photo. The first is to change your angle slightly to avoid distracting elements. The second is to actually clean up your house. Of course, maybe a messy background is part of documenting home life!

15 Tips for Documenting Home Life

Use Frames

Look for objects that will frame your subject in an interesting way. Try shooting through cracks in doorways or window frames.

documenting home life framing
This photo is symmetrical, with the door in the background framing her. The funny expression on her face breaks the order of this photo. ISO 800 f/2.8 1/250 sec

Light

12. Use natural window light

Windows are a great source of natural light. You can use them for portraits, silhouettes, and just generally good lighting. Try to capture moments close to a window.

15 Tips for Documenting Home Life
It is window light that contributes to the contrast and depth of this photo.

13. Pay attention to the direction of light

Consider what direction the light is coming from. Front and sidelight are great for portraits, backlight is great for drama.

15 Tips for Documenting Home Life
Sidelight skims across his face and brings out the texture of the couch.
15 Tips for Documenting Home Life
The backlight in this photo creates a dramatic silhouette.

Think of all these elements as a stack. A couple of these elements will improve your photos, but the more of these elements you stack together, the stronger your photo will become. You don’t have to be an expert in light, moment, and composition. You only need to take small steps in each of these elements and the power is when you combine those small steps together.

Camera settings for dim light

One of the biggest problems you’ll run into indoors is dim lighting. Dim lighting can leave your photos looking dark or blurry from motion.

14. Open curtains and blinds

If it’s daytime, make sure to open curtains and blinds.

15. Help your camera see in the dark

  • Try increasing your ISO to 1600, 3200, or 6400.
  • Open your aperture all the way (look for a smaller number like f/1.8) to let in more light.
  • Consider purchasing a 35 mm or 50 mm prime lens with an aperture of f/1.8.
  • Zoom lenses usually have smaller apertures and don’t let in his much light.

These settings will help your camera let more light in and have a quicker shutter speed so that your photos are less likely to be blurry. 

15 Tips for Documenting Home Life
You’ll need to hold very steady with such a slow shutter speed. ISO 5000 f/2.0 1/15 sec

Checklist for documenting home life

Remember, you don’t have to become an expert in every single one of these areas. As you stack these elements together, a slight bit of improvement in each of these areas will give you much better photos.  A bit of emotion, from the right angle, with some interesting light, just might produce a work of art.

Settings to help with dim light

  • ISO 1600, 3200, 6400
  • Aperture f1.8

Moments

  • See moments before they happen by spotting patterns
  • Include emotion or action

Composition

  • Angles
  • Background
  • Frames

Light

  • Use windows
  • Direction of light

Feel free to add your ideas about documenting home life, or share your images in the comments below!

15 Tips for Documenting Home Life

The post 15 Tips for Documenting Home Life appeared first on Digital Photography School. It was authored by Mat Coker.


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Photographer cited, had drone confiscated for documenting Hart Island mass burials with his drone

17 Apr
A drone shot of the New York skyline. Hart Island is located east of Manhatten at the western end of Long Island Sound.

George Steinmetz is a regular contributor for National Geographic and The New York Times. Over the span of his 30-plus-year career, he has received numerous accolades for his aerial photography work including three World Press Photo Awards. Steinmetz started out by piloting a foot-launched motorized paraglider to capture his aerial perspectives. These days he uses a drone.

This past Tuesday, while documenting a burial ditch located on Hart Island, due to the alarming number of COVID-19 fatalities in New York City, Steinmetz’ drone was confiscated by the New York Police Department (NYPD) and he was issued a Desk Appearance Ticket. He was cited for violating NYC Administrative Code § 10–126, which prohibits the takeoff and landing of drones within New York City (NYC).

A screenshot of Hart Island, captured in Apple Maps.

I’m not trying to be an advocate, but my encounter with the NYPD [on Tuesday] was not about any safety or privacy considerations that I assume the law was designed for. The officers who cited me were not local, and appeared to be working in conjunction with city employees involved with Hart Island interments. It was a clear example of a law being used for petty press intimidation. It doesn’t look good to see the city’s poor treated like toxic waste,’ Steinmetz tells DPReview.

Preparing for burials of what appear to be more COVID-19 victims this morning on Hart Island, New York City. For over 150 years this island with no public access has been used to bury over a million souls (whose) bodies were not claimed for private burial. With the morgues of NYC strained, the pace of burials on Hart Island has increased dramatically. I was cited by NYPD while taking this photo, and my drone was confiscated as evidence, for a court date tentatively scheduled for mid-August,’ reads the quote from Steinmetz’ official Instagram account.

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Preparing for burials of what appear to be more COVID-19 victims this morning on Hart Island, New York City. For over 150 years this island with no public access has been used to bury over a million souls who’s bodies were not claimed for private burial. With the morgues of NYC strained, the pace of burials on Hart Island has increased dramatically. I was cited by NYPD while taking this photo, and my drone was confiscated as evidence, for a court date tentatively scheduled for mid-August. #keepthememorycard

A post shared by George Steinmetz (@geosteinmetz) on

The post, documenting the mass burial site, currently has over 30,000 likes and 813 comments as of publishing this article. It has also ignited an online debate over ethics in photojournalism and the need to overhaul existing drone laws in NYC. While some online commenters criticized Steinmetz for invading the privacy of those being buried, and others questioned the legality of his flight, many more are supportive of the image he was able to capture.

This one hits close to home – George Steinmetz does incredible work and this photo is important. I hope some photojournalist groups will step in to defend him. There is a rough NYC working group forming to revise the avigation law. But it got stalled with COVID from what I understand. NYPD is supposed to get first crack at the rewrite which was scheduled for May before this happened,’ states Scott Harrigan in a comment on the Commercial sUAS Remote Pilots Facebook Group.

When asked to elaborate, Harrigan shared the following information with DPReview:

‘As of today, NYC currently has the ‘avigation’ law still on the books. NYC has recently shown interest in overturning this law after an architect was tragically killed last December by falling debris from a facade that went un-inspected.

As a result, detailed in that article above, NYC council members outlined three goals:

1. That the 1948 avigation law would be revised to allow commercial drone use.
2. That a bill would be proposed requiring a facade inspection within 48 hours following any NYC 311 complaint of an unsafe facade
3. That a study would be performed determining the efficiency of using UAVs to inspect NYC owned buildings (performed by DOB)

An informal working group has been formed, to address this law – a coalition of local architects, real estate developers, drone pilots, and drone manufacturers. Mr. Steinmetz’ ticketing highlights how the avigation law is being used inconsistently by NYPD to penalize drone flights at the officer’s whim with no enforcement guidance, rather than in a standardized manner that takes into account public safety. This particular flight posed no threat to public safety, was conducted in compliance with existing federal UAV regulations and was an important act of newsgathering.

It is my hope that this event will spur NYC policymakers to create a consistent legal framework that allows drone operators to perform the many tasks that benefit the public, such as newsgathering, facade inspections, search and rescue, construction progress monitoring, etc.’

‘I could be misinformed but I don’t believe anyone flying a drone has actually been held to the 1940 statute. The prosecutor may not feel it is applicable. This is a reason to clarify and reform the provision so that there is actual accountability for things that matter in New York,’ adds Brendan Schulman, DJI’s Vice President of Policy & Legal Affairs, followed on the same comment thread as Harrigan.

New York City Mayer, Bill de Blasio, has confirmed unclaimed COVID-019 victims are being buried on Hart Island, but not en masse, saying ‘everything will be individual and every body will be treated with dignity.’ Below is the first of a thread of tweets wherein he addresses the subject:

This isn’t the first time a drone has been used to capture images on Hart Island, which hosts numerous gravesites and is accessible by appointment. Melinda Hunt, who founded the Hart Island Project, which documents the information of those buried on the small island located Northeast of the Bronx, insists that the burials aren’t disrespectful.

Articles: Digital Photography Review (dpreview.com)

 
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Sample Gallery: Documenting a bike build with the Fujifilm X-E3

18 Mar

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We recently got a chance to follow local frame builder Max Kullaway as he created one of his AirLandSea bikes. To document the process, we used the Fujifilm X-E3, the 18-55mm F2.8-4.0 R OIS and a selection of the company’s mid-price F2 prime lenses.

Here are favorites of the photos we got, as the project progressed from bare tubes all the way to rideable bicycle. For the full story, check out our video.


This is sponsored content, created with the support of Amazon and Fujifilm. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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Documenting a spontaneous cold-weather surfing trip to Maine

25 Mar

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It only took one message on a group chat to convince Ryan Struck, a New York-based photographer and keen surfer, to make a last-minute trip to Maine. Snow and waves were in the forecast, a combination that Struck couldn’t ignore.

Struck got the surfing and the photos he was looking for, but in a piece on Resource Travel he mentions another reason why the last minute trip was a no-brainer: community.

‘But, as much as I relish the visual trophies that I bring home from these spontaneous road trips, it’s the experiences and the friendships that come from these surf adventures that I will look back on and cherish forever. I am a surfer. I am a photographer. I am a surf photographer. And I am proud to be a part of this community.’

Head to Resource Travel for the full story and more photos. Are you spending some part of your weekend with your photography community? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Documenting Poverty Brings a Career and Recognition for Bangladeshi Photojournalist

25 Aug

photojournalists

Photography: GMB Akash

Few photographers will have started with the odds stacked so highly against them as GMB Akash. Born in Bangladesh, Akash had no access to photography galleries or darkrooms when he was growing up. There were no opportunities for him to work as an assistant to a well-known professional, learn the trade and begin to build a name for himself. The simplest image-making practiced today by any child with access to their parent’s smartphone was not a part of his childhood.

“In my surroundings and the place I brought up no one can ever thought a boy can devote himself to photography,” he recalls. “Throughout my childhood I did not have access to photographers, their work, or even a camera.”

The closest Akash came to being able to take pictures, experiment with compositions and f stops, and play with light was holding his father’s old camera, closing his eyes and imagining himself taking pictures.

His imagination seems to have worked. Today, GMB Akash travels the world taking photos that have appeared in more than 80 major international publications including National Geographic, Vogue, Time, and the  New York Times. He was the first Bangladeshi selected for the World Press Photo Joop Swart Masterclass in the Netherlands and the first to receive the Young Reporters Award from the Scope Photo Festival in Paris. In 2006, the same year he released his first book “First Light,” he received the World Press Photo award. He’s been named Travel Photographer of the Year and Nikon have selected him as one of their eight influencers in the Asia Pacific region.

“I Have No Time to Play.”

It helps that what Bangladesh lacks in opportunities for photographic training it more than makes in opportunities to tell powerful photographic stories. Akash specializes in the kind of photojournalism that makes a difference. His projects have included Bangladesh’s shipbuilders, its sex workers and its child laborers. It’s those stories that have inspired him to build a career as a photographer.

“Once an eight-year old balloon maker told me: ‘I took some damaged balloons for my little sister. I have no time to play. I have only time to support my parents,’” Akash recalls. “It was at that point that I realized I should turn my lens on lives like hers.”

Akash’s most recent project, “Survivors,” focuses on the people at the bottom of society and spans ten years and seven countries: Bangladesh, India, Nepal, Sri Lanka, Philippines, Pakistan and Bhutan. In addition to the sex workers and child laborers with whom Akash has worked over the last decade, the project also includes people coping with the results of climate change as well as the homeless.

The project was funded on Emphas.is, a crowdfunding site for photojournalists. Aiming for $ 9,250 to produce a book made up of the images of people living on the edge of society that Akash has collected over the last decade, he managed to collect $ 10,450 from 94 backers.

That’s an even bigger achievement than it sounds. Bangladesh has no Paypal connection so Akash was unable to collect funds from local friends and family, the first stop for most crowdfunding campaigns.

The success of the campaign he puts down to transparency. Emphas.is users should make a plan, says Akash, identify the project’s strengths and weaknesses, use social networking to build contributions and offer good rewards. (In addition to copies of the book for those donating $ 65 or more, Akash’s rewards included signed thanks from the subjects of the book, a private workshop and a three-day tour of Dhaka.)

“Most importantly if one can evince true dedication for the project, ‘success’ will come,” says Akash.

Giving Back

There may be more to it than that, though. Akash also donated a quarter of the book’s sales price to projects that he runs with friends and well-wishers to help the poor in South Asia escape the cycle of poverty. A portion of the pledges made to the campaign on Emphas.is went to buy rickshaws and sewing machines, as well as education for children. The opportunity not just to see poverty and injustice depicted dramatically in a book of images but, in viewing those photographs, to be able to do something about it, is likely to be a far more effective benefit than any of the rewards offered on the campaign page.

photoreportage

Photography: GMB Akash

But while Akash’s backers are able to enjoy both wonderful photography and contribute to a good cause, Akash himself has been able to build a rewarding career taking pictures of subjects that are both meaningful and important. He says that he only ever photographs the subjects that he finds interesting and inspiring, and never with the aim of winning an award or landing a job with a publication.

He concedes, though, that the awards and recognition do help to land good assignments. The jobs tend to come in directly from magazines, agencies and organizations whenever they need help with a project or want to assign a commission. Ultimately, he argues, it’s his choice of topics to document and shoot, the injustice and poverty that he can see in his native Bangladesh, that have allowed him to build his career.

“Taking photos to feed my passion may be the most important invisible factor to win competitions/publications,” he says.

For most people today, the first steps towards a career as a photographer aren’t difficult to make. The cheapest digital cameras now cost less than the price of an electronic toy and with over a billion smartphones now sold, few children are far from the chance to point at a lens at a flower, a friend or the family pet. The satisfaction that comes with framing, shooting and making an image are now available to everyone.

Turning those first shots into a career, though, may now be harder than ever. It requires determination and talent but it’s also possible to do it with an eye for a story and the determination to use a camera to document injustice and help those who need it.


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