Panasonic has announced firmware v2.2 for the GH4 to make it easier to use anamorphic lenses with the camera. The new anamorphic mode allows the camera to capture video from a 4:3 aspect ratio chunk from the middle of the sensor to match the projection of specialist lenses, allowing genuine anamorphic capture, rather than digital simulation of the look.
Articles: Digital Photography Review (dpreview.com)
Panasonic has announced another firmware update for the Lumix DMC-GH4, this one following closely after the update it pushed out in September enabling tethering and 4K photo mode. The software is scheduled to release on an unspecified day in December, and will bring with it changes revolving around video output options. Read more
Articles: Digital Photography Review (dpreview.com)
Our comparative review of the Panasonic GH4 and Sony Alpha 7S started with a look at their designs, handling and video spec. They’ve set new benchmarks for the sophistication of their video capabilities, but they’re both potentially very capable stills cameras as well. That brings us to part two of our review, which adds six pages including analysis of image quality and dynamic range. We’ve also expanded our look at the video modes on each camera. Read more
Articles: Digital Photography Review (dpreview.com)
With our comparative review underway, we’ve added studio test scene results from both the Panasonic Lumix DMC-GH4 and Sony Alpha 7S to our comparison tool. The 16MP Micro Four Thirds Panasonic GH4 and 12MP full-frame Sony a7S both shoot 4K video, and we spent some time in part one of our review taking a look at those features. Take a look now at the stills capabilities of both of these cameras by comparing them to each other and an ever-growing list of competing models in our studio test scene comparison tool. Read more
Articles: Digital Photography Review (dpreview.com)
Though they come with vastly different sensor sizes and price tags, the Panasonic Lumix GH4 and the Sony Alpha 7S are similar in spirit. They’re both meant for video recording as much as they are for stills. To that point, the 12.2MP full frame A7S and 16MP Micro Four Thirds GH4 are both capable of 4K video output and offer extensive video features. Our comparative review takes a detailed look at how these cameras perform in terms of video and stills, as well how they stack up against one another. Read part one
Articles: Digital Photography Review (dpreview.com)
The Panasonic Lumix GH4’s headline features revolve around its 4K video capture capability, but it’s still a very attractive stills camera. It offers a newly developed 16-megapixel Live MOS sensor, 12 fps burst shooting (7 fps with continuous focus) and up to ISO 25600 sensitivity. A built-in 2.36-million dot EVF and a fully articulated LCD are also provided. Take a look at our gallery of real-world samples and see how it performs in the field. See gallery
News: Digital Photography Review (dpreview.com)
Panasonic UK has announced pricing and availability for its flagship 4K video-recording mirrorless camera, the Lumix DMC-GH4. It’ll go on sale on 5th May for £1299.99 body only, £1749.99 with 14-140mm zoom, or £2499.99 with the specialist DMW-YAGHE video interface unit.
News: Digital Photography Review (dpreview.com)
Panasonic has announced its latest flagship Micro Four Thirds camera, the Lumix DMC-GH4. It’s designed as a ‘hybrid camera’ that can shoot both stills and videos, and the emphasis of the improvements is clearly on the latter. Its revised 16MP Live MOS sensor and Venus Engine IX processor allow for 4K video, 12 fps continuous shooting and 1080p shooting at bitrates as high as 200Mbps. An optional ‘interface unit’ adds five SDI and two XLR terminals, and permits 10-bit 4:2:2 output with time code.
News: Digital Photography Review (dpreview.com)