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Posts Tagged ‘discs’

Video: a Retro Review of Sony’s 24-year-old Mavica FD5 camera, which used floppy discs for storage

04 Oct

Gordon Laing has shared another episode of Retro Reviews, this time reviewing the 24-year-old Sony Mavica FD5, one of Sony’s earliest digital cameras that recorded cameras directly to 3.5” floppy discs.

The Mavica FD5 was released in 1997 and retailed for around $ 600. While not the first Mavica camera, it was the first digital Mavica camera. As Gordon explains in the 13-minute video, the selling point of the FD5 was its use of the ubiquitous 3.5” floppy disc as a storage medium. Whereas most other digital cameras in the mid-to-late 1990s either used built-in storage or more expensive (and sometimes proprietary) storage solutions, Sony opted to go for a solution that didn’t require most consumers to go out and purchase additional hardware.

Naturally, this solution made for a rather large, square-shaped camera. But, aside from its brick-like ergonomics [insert Sony ergonomics joke here], Gordon suggests the camera is fairly intuitive and straightforward due to its almost entirely auto nature (the only adjustable setting was exposure compensation +/- 1.5EV in .5EV increments). However, there are a few user experience quirks, such as the camera displaying only the numbers of images captured, not how many remain until your 1.4MB of storage is used up.

Below is a collection of sample photographs captured by Gordon with the Mavica FD5, used with his permission:

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At the heart of the FD5 was a CCD sensor that was carried over from Sony’s line of digital video cameras and offered a whopping .3MP (640 x 480 pixels) of resolution. Gordon notes the camera applies rather aggressive JPEG compression to the images in order to fit 20–40 60KB photographs onto a single 3.5” 1.4MP floppy disc. The fixed focal length lens on the FD5 is a 47mm equivalent with a slider on the front of the camera for activating a macro lens that popped in front of the main lens.

The FD5 uses Sony’s FP-530 batteries, which were rated for up to 500 shots per charge. However, reviewing images and keeping the rear LCD display on for extended periods of time dramatically cuts into that shot count.

As always, Gordon’s video coincides with a written Retro Review of the camera, which you can read over on CameraLabs. You can find more of his Retro Reviews on Gordon’s DinoBytes YouTube channel and find his other photography work on his camera review website, CameraLabs.

Articles: Digital Photography Review (dpreview.com)

 
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Godox’s new R1 and RF1 lights are compact LED discs that look a little familiar

20 Sep

Godox has unveiled the R1 and RF1, a pair of LED-powered lights designed to be compact and portable for photographers and videographers on the go.

Before we dive into the good stuff though, let’s go ahead and address the elephant in the room—yes, theses lights and their accompanying dome accessory bear a striking resemblance to Profoto’s new C1 and C1 Plus lights.

The functionality is slightly different and Godox doesn’t consider its R1 and RF1 units ’studio’ quality, but it’s difficult to overlook the uncanny similarities between the four units.

With that out of the way, let’s get down to the details. Both the R1 and RF1 are compact lights that feature integrated magnets for Godox’s AK-R1 round head accessories (sold separately) and securing to surfaces for easy mounting. The units are charged via the onboard USB-C port and settings are controlled via the Godox app over Bluetooth.

The R1 is the entry-level version that features RGB LED lights with variable color temperature (2500K-8500K) and a Television Lighting Consistency Index (TLCI) of >95. The R1 is designed for continuous use with variable power output and a features battery life rating of one hour when used at full power.

Godox says the R1 features 14 different RGB lighting modes—including ‘music,’ ‘lightning,’ ‘screen,’ ‘candlelight’ and more—as well as 8 other modes that change the color temperature.

The RF1 is identical to the R1 with the expiation that unlike the R1, which is limited to continuous mode, the RF1 features Godox’s 2.4Ghz Wireless X System, which turns it into a flash when used with computable Canon, Nikon, Sony, Fuji, Panasonic, Olympus and Pentax camera systems.

Godox doesn’t offer any information on output power, recycling time or even pricing and availability information. We have contacted Godox regarding these details and will update the article accordingly when we hear back. Until then, we’ll just have to wait and see. That said, it’s probably a safe bet that both of these units will come in much cheaper than the $ 299 and $ 499 price tag Profoto is asking for its C1 and C1 Plus units, respectively.

Articles: Digital Photography Review (dpreview.com)

 
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