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Posts Tagged ‘Direct’

Angelina Jolie to direct Don McCullin biopic starring Tom Hardy

21 Nov
Portrait of Sir Don McCullin from his website. To learn more about his career and work, click here.

Legendary photographer Don McCullin will be portrayed on the big screen by Tom Hardy in an upcoming film based on McCullin’s autobiography, ‘Unreasonable Behaviour’. It has been announced that the movie will be directed by Angelina Jolie. Gregory Burke is handling the adaptation. Burke has previously written the screenplay for the movie, ’71’, based on The Troubles in Northern Ireland. The movie is being produced by Working Title and Hardy Son & Baker. The film’s title and release date have not been confirmed.

In a statement, Jolie says, ‘I am humbled to have a chance to bring Don McCullin’s life to film. I was drawn to his unique combination of fearlessness and humanity – his absolute commitment to witnessing the truth of war, and his empathy and respect for those who suffer its consequences. We hope to make a film that is as uncompromising as Don’s photography, about the extraordinary people and events he witnessed, and the rise and fall of a unique era in journalism.’

The upcoming film will be adapted from McCullin’s autobiography by Gregory Burke.

This will not be Jolie’s first time directing a movie about real-world conflict. She has previously directed ‘First They Killed My Father’ in 2017. The film documented the Khmer Rouge regime in Cambodia and its devastating, violent impact on the people there.

Of the movie, McCullin, 85, said, ‘I was very impressed at how she made such a powerful and accurate representation of the place at that time. I feel as if I am in safe, capable and professional hands with her.’ Jolie’s directorial debut in 2011, ‘In the Land of Blood and Honey,’ took place during the Bosnian War.McCullin’s autobiography follows his life and career as a respected photojournalist and war photographer. His photography career began in earnest after working as a photographer’s assistant in the Royal Air Force. After his service, McCullin began taking photos in London and earned himself various photo assignments.

Angelina Jolie has previously directed ‘First They Killed My Father’ in 2017. This film, along with her directorial debut, ‘In the Land of Blood and Honey’ (2012), focused on people caught up in violent conflict.

In 1961, McCullin won the British Press Award for his essay documenting the construction of the Berlin Wall. Three years later, he won a World Press Photo Award for his work covering violent tensions in Cyprus. In the following decades, McCullin and his camera photographed conflict across the globe, including wars in Congo, Uganda, Vietnam, Cambodia, Israel, Lebanon, Iran, Afghanistan, Northern Ireland, and many more places.

His career has been a dangerous one. He’s been shot (Vietnam), imprisoned (Uganda), expelled (Vietnam), and even been the subject of a bounty (Lebanon). His photography has focused exclusively on war, however, McCullin has also shined a light on those who have fallen through the cracks in society, including the homeless in his native United Kingdom.

Conflict has never completely disappeared from McCullin’s work, however. In 2015, McCullin traveled to northern Iraq to photograph the Kurdish struggle with ISIS, Syria and Turkey. For his prodigious work, McCullin was the first photojournalist to be an Order of the British Empire (OBE) in 1993.

McCullin’s life is certainly rich with incredible events for Burke and Jolie to highlight in their film. For further reading, be sure to check out the movie’s source material. McCullin’s autobiography ‘Unreasonable Behaviour’ is readily available in multiple formats. McCullin has also recently released a limited edition three-volume box set of his work, ‘Irreconcilable Truths.’ Limited to 1,000 copies, each set is hand-signed by McCullin. You can order it here. Further, there is a documentary, ‘McCullin’, which was released in 2012 to critical acclaim. The film was directed by David Morris and Jacqui Morris.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe Lightroom for iOS, iPadOS gets direct import, advanced export and more

11 Dec

Adobe has released its December updates for Camera Raw, Lightroom Classic, as well as Lightroom for Windows macOS, Android, ChromeOS, iOS and iPad OS. The updates aren’t dramatic for the desktop versions of software, but Lightroom for iOS and iPadOS do add a few very welcomed features.

Lightroom for iOS and iPadOS now has the ability to import images directly from memory card and external storage. Thanks to updates in iOS 13.2 and iPadOS 13.2, Lightroom is now able to bypass the iOS camera roll and import Raw and JPEG photos into Lightroom using a Lightning or USB-C adapter, depending on the model of iPad you have.

The new direct import feature negates the need to duplicate files by first importing images into the iOS Camera Roll.

In addition to direct import, Lightroom for iOS and iPadOS now offers advanced exporting options. Released in November for Android and ChromeOS, iOS and iPadOS now have complete control over the format (DNG, JPEG, TIF), metadata, watermarking, file naming, output sharpening and color space information. While not everyone needs this level of control, having these options on the mobile version of Lightroom is a welcomed addition to bring it more in line with its desktop counterpart.

Adobe has also improved the shared albums feature in Lightroom for Windows, macOS, Android, ChromeOS and iOS. No, you can add photos to your shared albums from any platform you can access Lightroom on: web, desktop and mobile, even with the free version of Lightroom.

You can find more information about these updates on Adobe’s blog post. The updates should be available today in the Creative Cloud app for desktop versions of Lightroom and the respective app stores for the mobile versions of Lightroom.

Articles: Digital Photography Review (dpreview.com)

 
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Tether Tools Air Direct is a new and improved way to wirelessly connect your camera to your computer, mobile device

25 Oct

Tether Tools has introduced a new device that enables users to create a wireless connection between their camera and theirfavoritee tethering software, and which avoids the use of hot folders and middleman applications for camera controls.

The new Air Direct allows a much wider range of camera models and brands to be used than the company’s current Air Case, and enables tethering software applications to operate as if the camera were connected with a cable.

The idea is that those using software applications such as Capture One Pro can use the software’s tethering functions as normal, with the system sending live previews to the software and the software controlling the camera’s operation. While the Tether Tools Air Case was a Nikon/Canon-only device, the new Air Direct will work with Fujifilm, Olympus, Panasonic and Sony cameras as well — so long as they are compatible with the software in use. Canon and Nikon owners will also be able to tether via smartphones and tablets using the existing Air Remote App.

The new device uses twin antennas to send and receive data to and from the camera via 2.4GHz and 5GHz 802.11AC Wi-Fi networks, which Tether Tools claims, along with a USB-C cable, allows a transfer connection 5x faster than before. Air Direct has a range of 200ft/60m and can send both Raw and JPEG files to PC and Mac computers simultaneously. Battery or DC powered, the Air Direct doesn’t drain camera power and can be run using an external battery pack via the USB-C connection.

The Tether Tools Air Direct will cost £358.80/$ 329.99. For more information see the Tether Tools website.

Press release:

Tether Tools Air Direct

Shoot further, faster, from anywhere, to any tethering software of choice.

Air Direct wirelessly transfers RAW and JPG images to Capture One, SmartShooter, Lightroom and others, as if you were shooting with a cable. Connect DSLR, Medium Format and Mirrorless cameras direct to any supported tethering software.

Key Features:

  • Wireless camera control and transfer from your software. No compromises. Capture One, Lightroom, Smart Shooter, DarkRoom & many other tethering software programs.
  • USB-C technology for lightning fast transfer.
  • 802.11AC Wi-Fi connection. Internet access not required.
  • Two-way communication from computer to camera, camera to computer.
  • Transfer Raw and JPEG to Mac and PC simultaneously.
  • One to One camera connection for secure communication.
  • 5X faster transfer speed and range up to 200 feet (60m).
  • Compatible with Canon, Fuji, Nikon, Sony, Olympus, Panasonic LUMIX, Phase One, Hasselblad, Leica models with USB tether. Not designed for non-supported camera models.
  • Mobile users enjoy all the benefits of the Air Remote App on iOS and Android devices.
  • Powered by easy access LP-E6 battery or DC input. Air Direct utilizes its own power source and will not drain the camera’s battery. For longer shoots, use large external USB batteries or AC wall power via the supplied DC cable. Air Direct offers the flexibility to hot swap power without ever shutting down. Power and shoot simultaneously.

Computer

The Air Direct Utility or ADU allows for Wireless PTP communication between camera and tethering software on MacOS or Windows. Supported cameras: www.TetherTools.com/Air-Direct

Tethering software of your choice such as Capture One, Smart Shooter 4 or Lightroom and many others can be used with Air Direct. (Required for MAC and PC)

Mobile

Air Direct is compatible with iOS and Android devices for Canon and Nikon cameras via Air Remote Mobile App. (Logo/Icon)

Air Remote App features creative zone control, live view, bracketing, time-lapse, focus stacking, bulb time, movie mode and more.

Connection Setup

The Air Direct offers two ways to wirelessly tether your camera.

Connect the Air Direct to your PC or Mac via the Air Direct Utility (ADU) and use tethering software of your choice, OR

Connect the Air Direct to your mobile device (phone or tablet) and tether with the Air Remote App.*

*Note: Connecting the Air Direct to your mobile device phone or tablet) is compatible with Canon and Nikon cameras only
at this time.

Product Specifications:

  • USB Protocol: USB-C
  • Wi-Fi: 802.11AC
  • Bandwidth: 2.4 and 5GHz
  • Range:?up to 200 feet (60m)
  • Battery Life:?3-5 hours*
  • Size:?1.5″ x 3.6″ x 2.7″ (39mm x 92mm x 68.6mm)?
  • Weight: 6oz (170g)

*Results may vary based on phone, tablet, or computer used.

Articles: Digital Photography Review (dpreview.com)

 
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Tips to Take Better Photos in Direct Sunlight [video]

31 May

The post Tips to Take Better Photos in Direct Sunlight appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Sometimes, as photographers, we don’t always have the luxury of shooting in the lovely early morning/late afternoon light. We just have to shoot in the middle of the day where the harshest light of the direct sun exists.

In this video by Peter McKinnon, he shares his tricks on how to take better photos in direct sunlight so you don’t end up with a bunch of photos that are super-contrasty and leave your model with harsh shadows around their eyes etc.

?

Tips to Take Better Photos in Direct Sunlight

1. Bounce the light

You could use a reflector or bounce card. Consider using natural reflectors such as light-colored concrete. Concrete acts as a natural reflector for the sun.

2. Diffuse the light

Have someone hold a diffuser in the line of the light source coming from the sun. This will defuse the harshness of the direct sun and soften it on your subject’s face.

Find areas of shade and if

3. Use the shadows to your advantage

If you don’t have a diffuser or a friend to hold one for you and you just have to shoot in the direct sunlight, take advantage of the shadows.

Find great spots (like a staircase) that have interesting patterned shadows to create interesting effects on your subject.

4. Move your model around

Keep in mind the direction your model is facing. Have them move around, and watch how the sunlight hits their face. Have them move until you get the most flattering/even light.

 

You may also find the following helpful:

  • How to do Portrait Photography in Bright Midday Sun
  • How to Photograph in the Harsh Midday Sun
  • How to Beat the Midday Sun!
  • 5 Ways to Create Dramatic Landscape Photos at Midday
  • Review: Lastolite 6×4 Foot Panelite Collapsible Reflector with Translucent Diffuser
  • Side-by-side comparison between reflectors and diffusers for portraits

The post Tips to Take Better Photos in Direct Sunlight appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


Digital Photography School

 
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Nikon firmware updates add direct Wi-Fi connectivity to D850, D5600 and D7500

10 May

Nikon has released firmware updates for its D850, D5600 and D7500 cameras that adds new and improved features, including direct Wi-Fi connectivity, a feature found in Nikon’s Z6 and Z7 full-frame mirrorless cameras.

Firmware version 1.10 (for all three cameras) now supports direct Wi-Fi connectivity for devices running SnapBridge 2.5.4. Inside the menu system of each of the three cameras is a new option titled ‘Establish Wi-Fi connection.’ When selected and set up via an ad-hoc Wi-Fi network, the D850, D5600 and D7500 cameras are able to connect with smartphones and tablets, as well as third-party remote control apps.

Aside from the new Wi-Fi capabilities, Nikon has also addressed a few issues for each of the cameras. On the D850, Nikon has fixed an issue where the camera would struggle to focus on subjects near the edge of the frame. On the D5600, Nikon addressed an issue where the Touch Fn would sometimes be unavailable. Lastly, Nikon has fixed a dial mode issue with the D7500, as well as an obscure issue that could occur when zooming in and out during live view movie shooting.

You can download firmware version 1.10 for the D850, D5600 and D7500 on Nikon’s Download page.

Articles: Digital Photography Review (dpreview.com)

 
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Google strikes deal with Getty, will remove direct image links from search

13 Feb

Getty Images has announced a licensing deal with Google that resolves a 2016 lawsuit filed by the photo agency against the Internet giant. The lawsuit accused Google of “promoting piracy” by linking to high-resolution copyrighted images without watermarks, enabling anyone to save and use the images without paying the related fee.

At the heart of the issue was Google Image Search, and how it directly links to high-resolution images found in articles and other online destinations. Because the high-resolution images could be readily found on Google Images, users had little motivation to hunt down the proper image source. This resulted in many “accidental pirates” infringing image copyrights, the lawsuit claims.

To settle the matter, Getty and Google have jointly announced a new multi-year agreement last week, with Getty’s CEO Dawn Airey explaining that Getty “will license our market leading content to Google, working closely with them to improve attribution of our contributors’ work and thereby growing the ecosystem.” That, unfortunately, is as far as official details go.

Fortunately, The Verge elaborated on the agreement, reporting that Google will start removing direct links to image URLs and more prominently displaying copyright disclaimer—good news for all photographers and photo agencies, assuming this practice will go beyond images licensed by Getty.

Getty Images has formally withdrawn its legal complaint against Google.

Articles: Digital Photography Review (dpreview.com)

 
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How to direct print a pdf

14 Sep

UK English language was added. Paths can be stroked, or photography errors. PDF files into a raster format suitable for imaging onto paper and other media in printers, and other noteworthy news for how to direct print a pdf watchers. One MSI package for both silent and non, runonce configuration files are now picked up […]
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Film reversal: How to turn a black-and-white negative into a direct positive

30 Aug

If you need a fun film photography experiment to try out this week/weekend, how about giving black-and-white film reversal a shot? The folks at Branco Ottico decided to give this process a shot—turning multiple black-and-white negatives into rich, direct positive transparencies… just because.

Branco Ottico’s Davide Rossi detailed the whole process in a dual-language blog post and the video above. But if your first question is less “how” and more “why,” he covers that as well:

Why reverse a black and white film to get a positive one?

Because it is the way to create a direct positve original by the extraordinary richness of detail, because it is unique and made alive by light, because you can make a backlight reveal the shape of an object.

It’s really a very detailed photograph, with fascinating nuances and deep densities, they take your eyes wondering marvelous.

Rossi promises that these direct positive transparencies look “alive” in a way that an inverted scan on a computer screen simply can’t. “This is what I see when I shed my eyes in front of a slide created by a big 20x25cm camera,” he writes. “Faces that live their own light with such a detailed skin roughness to make you smile because it does not even look alive with the your own eyes.”

Rossi was kind enough to share some behind the scenes and final images with us. Check them out for yourself in the galleries below:

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Mind you, the process is no walk in the park. Even if you purchase a dedicated black-and-white film reversal kit online, each different film requires a different approach—then again, isn’t that what makes this an experiment worthy of the name?

For Rossi, it took 4 days of trial and error to figure out an easy-to-reproduce three-step process that he will soon publish as a followup to this video.

If you want to give the experiment a shot for yourself, check out the video and blog post for yourself, stock your homebrew darkroom, and give it a go this weekend. If you want a bit more guidance, keep an eye on the Branco Ottico site for a detailed breakdown of Rossi’s three-step process.


All photos by Davide Rossi/Branco Ottico and used with permission.

Articles: Digital Photography Review (dpreview.com)

 
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Plugin allows direct Instagram posting from Lightroom

21 Jun

Despite its success and millions of users, many people still think of Instagram as an image sharing platform for teenagers to post selfies and pictures of their breakfast. In reality, Instagram is full of inspiring photography as many professional photographers and talented amateurs have discovered the platform as a viable tool for promoting themselves and their work.

Problem is that, despite more and more ‘serious’ photographers using it, Instagram remains a mobile platform and posting pictures that have been taken with a non-connected camera and edited on a computer typically involves some third-party uploading tool or image transfer to a mobile device for upload. 

Now a new Lightroom plugin makes things considerably easier, at least for those users who rely on Adobe’s editing and image management software. LR/Instagram lets you post images to Instagram directly from Lightroom. Once installed you can authorize one or more Instagram accounts. Images are uploaded by dragging them into a publish collection and before you do so you can add hashtags or captions or crop your images to an aspect ratio that is supported by Instagram. By default images are auto-padded with a white border.

The plugin can be downloaded and installed for free from the LR/Instagram website but the developers ask for a $ 10 contribution via registration in the Lightroom Plugin Manager if you like the tool.

Articles: Digital Photography Review (dpreview.com)

 
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Leica T firmware version 1.5 update adds Wi-Fi Direct feature

05 Feb

Leica has released firmware version 1.5 for the Leica T, adding Wi-Fi Direct functionality for transferring images wirelessly. After updating, Leica T owners can set up a mobile hotspot through which images are shuttled between the camera and an iOS mobile device running the Leica T app. In addition, firmware 1.5 speeds up the camera’s wireless reconnection with known networks and improves reconnection reliability.

The Leica T for iOS app is available from iTunes. The new firmware version 1.5 update is available through the Leica T website.

Via: Leica Rumors

Articles: Digital Photography Review (dpreview.com)

 
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