RSS
 

Posts Tagged ‘Dimension’

7 Tips – How to Add Depth and Dimension into Your Photos

16 Feb

The post 7 Tips – How to Add Depth and Dimension into Your Photos appeared first on Digital Photography School. It was authored by Andrew S. Gibson.

tips to add depth in your photography

How can you add depth in photography? And how can you make your photos look stunningly three-dimensional?

Depth helps create a sense of place, and it draws the viewer into your images. Plus, it’s a great way to take your compositions to the next level, fast.

In this article, you’ll find seven techniques and tips, all designed to help you convey a stronger sense of depth in your photos.

Let’s get started!

1. Use leading lines

Here’s one of the easiest ways to convey depth in photography:

Use a wide-angle lens and include leading lines that move from the bottom of the frame to the top.

This technique is mainly used in landscape and architectural photos, but you can also incorporate leading lines into portraits, street shots, and more.

The lines don’t have to be obvious. For instance, take a look at this photo:

how to add depth and dimension in photography seascape long exposure

The rocks form natural lines that lead the eye from the foreground to the island on the horizon.

how to add depth and dimension in photography leading lines

This photo has a similarly subtle set of leading lines:

plains with mountains

The waterways in the middle distance lead the eye to the mountains. But the lines are meandering, rather than straight, which helps give the image a more organic feel – one that fits well with the theme of the landscape.

2. Use perspective

This photo demonstrates how lines can add depth in a different way:

how to add depth and dimension in photography with perspective

The buildings form converging lines that disappear towards the horizon, creating an effective sense of depth.

Note that this technique is similar to an artist’s use of perspective. I’ve added an overlay so you can see how it works:

how to add depth and dimension in composition with perspective

3. Think foreground, middle ground, and background

Most photographers are familiar with the rule of thirds, but when it comes to conveying a sense of depth, it is helpful to break the photo up into a different set of thirds:

The foreground, middle ground, and background.

What you’re looking for is a way of connecting each portion of the photo while pulling the viewer’s eye from foreground to background. Having three zones in the image – zones that are distinct but linked – will help create a sense of depth and three-dimensionality.

Leading lines are one way of linking the three zones, but lines are not always present in a scene. So when there are no lines to be found, you’ll need to work with some other compositional element.

Often, this simply means including something interesting in the foreground.

For example, in the photo below, there are some buildings in the background, a concrete jetty in the middle ground, and the edge of another jetty in the foreground. I included the foreground jetty to help create a sense of depth.

how to add depth and dimension in composition long exposure seascape

Here’s another example:

seascape with a clear foreground for depth

Do you see how adding the rocks to the foreground creates a composition with three distinct zones (foreground, middle ground, and background)?

And once the zones are present, you get a sense of depth, with the viewer’s eye moving through the shot.

It helps that the wide-angle lens makes the rocks seem quite large in comparison to the distant cliffs.

4. Use aerial perspective

Another technique that helps convey a sense of depth in photography is aerial (or atmospheric) perspective.

This is where the atmospheric conditions make objects in the distance appear hazy.

Of course, you’re often limited by the environmental conditions – but as soon as you see haze in the distance, I highly recommend you try to find a way to include it in your composition.

In the photo below, you can see that the trees in the distance on the left side are obscured by atmospheric haze, which adds depth:

an aerial perspective on a building

And the depth is further enhanced by the converging lines formed by the walls. So the two techniques actually work together to give increased depth to the final shot:

how to add depth and dimension in composition - aerial perspective and lines

5. Shoot through a foreground object

The techniques I’ve shared above work well with wide-angle lenses, but are less helpful if you’re using telephoto lenses.

You see, telephoto lenses put distance between you and your subject, which leads to a flatter perspective overall (i.e., a perspective with less depth).

That said, there are still some techniques you can use with telephoto lenses to create a sense of depth.

One method is to shoot through something that is between you and the subject (such as grass, twigs, or windows).

In the photo below, the subject is the setting sun. I shot through the grass (and I actually focused on the grass, throwing the sun slightly out of focus) to add a sense of depth to what otherwise would have been a very flat image.

shooting through grasses at sunset

You can also use this technique with portraits. I created the portrait below by shooting through the branches of a tree:

shooting through a tree for a portrait

So the next time you’re shooting a subject with a telephoto lens, look around for objects to shoot through. I guarantee you’ll find an object or two – which you can then use to create depth!

6. Use selective focus

Selective focus is a technique where you deliberately set a wide aperture and focus on the subject (and create a blurry background in the process).

It’s especially effective with portraits, as the blur helps separate the model from the background – and ultimately creates a sense of depth.

The following portrait was taken at f/2.0 with the lens focused on the model’s eyes:

how to add depth and dimension in photography with selective focus

Do you see how the blurry background and the sharp subject creates a three-dimensional image?

That’s the power of selective focus!

7. Convey depth through color

Here’s a question to ask yourself:

What happens to colors in the background when you use a selective focus technique (as discussed in the previous tip)?

You see, when the background is out of focus, colors merge into each other.

And if you arrange your colors carefully, you can achieve a nice contrast between the colors in the background and those on the subject.

What does this do?

It conveys depth!

For example, check out the colors in this portrait:

Depth and composition portrait with subtle colors

The background is nearly white, whereas the man’s sweater and hair is a darker red; this separates him from the background.

In fact, you can take this idea to its extreme by using an off-camera flash fitted with an orange gel. When you do this, the model will be lit by orange light (from the gelled flash), but the background will be lit by colder ambient light.

(This technique works well at dusk when the ambient light has a natural blue color.)

Ultimately, you’ll get a nice contrast between the warmer model and the cooler background. For the example below, the model was lit by a single speedlight fitted with a 60 cm softbox and an orange gel.

Depth and composition portrait with lots of color

How to add dimension and depth in photography: Conclusion

Now that you’ve finished this article, you should be well-prepared to create photos with plenty of depth and dimension!

So go out and practice some of the techniques I’ve discussed.

Now over to you:

What other ideas do you have for creating and adding depth in photography? Please let us know in the comments below!

The post 7 Tips – How to Add Depth and Dimension into Your Photos appeared first on Digital Photography School. It was authored by Andrew S. Gibson.


Digital Photography School

 
Comments Off on 7 Tips – How to Add Depth and Dimension into Your Photos

Posted in Photography

 

Technique: The ‘Dolly Zoom’ can add new dimension to your video

15 Jun

We all know that a good camera is helpful when it comes to producing high quality video. Just as important, however, is how the camera moves. A good director or cinematographer can utilize camera motion in to set the mood, add emotion, or even to disorient the audience.

One of the most jarring camera moves – but a very effective one when used well – is the dolly zoom. Hitchcock made the move famous in Vertigo, and it has been used in many other films to add tension to a scene.

The dolly zoom works pretty much the way it sounds – you simultaneously zoom in or out on your subject while moving the camera in the opposite direction on a dolly. The result is a subject that appears to stay in place as the perspective of the scene changes noticeably. It takes a bit of practice, but employed correctly it can be very effective.

The video above from YouTube user ‘Now You See It’ does a great job of explaining the dolly zoom and how filmmakers have used it to great effect. It’s not a move to use every day, but it’s worth keeping in your back pocket so that when the opportunity arises you’re prepared to do it.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Technique: The ‘Dolly Zoom’ can add new dimension to your video

Posted in Uncategorized

 

7 Tips – How to Add Depth and Dimension into Your Photos

29 Dec

Photographers have the same dilemma that painters have faced for centuries – how to show a three-dimensional subject in a two-dimensional frame. When you add depth it helps create a sense of place and draw the viewer into your images. It also shows a deeper understanding of the principles of composition in photography.

The techniques and tips listed in this article will help you convey a stronger sense of depth in your photos.

1. Use leading lines

One of the easiest ways to convey depth in an image is to use a wide-angle lens and include lines that move from the bottom of the frame to the top. This technique is used mainly in landscape and architectural photos.

how to add depth and dimension in composition

The lines don’t have to be obvious. Take this photo as an example.

The rocks form natural lines that lead the eye from the foreground to the island on the horizon.

how to add depth and dimension in composition leading lines

In the image below, the waterways in the middle distance take the eye through the photo to the distant mountains. They are meandering, rather than straight, which helps give the image a more organic feel that fits well with the theme of landscape.

how to add depth and dimension in composition

2. Use perspective

This photo demonstrates how lines can add depth in a different way.

how to add depth and dimension in composition - perspective

The buildings form converging lines that disappear towards the horizon, creating a sense of depth very effectively. This technique is similar to an artist’s use of perspective. I’ve added lines so you can see how it works.

how to add depth and dimension in composition - perspective

3. Think foreground, middle ground, and background

Most photographers are familiar with the rule of thirds, but when it comes to conveying a sense of depth it is helpful to break the photo up into a different set of thirds – the foreground, middle ground, and background. What you’re looking for is a way of connecting the three that pulls the eye through the photo. Having three distinct zones in the image helps create a sense of depth, three dimensionality.

Leading lines are one way of doing this, but lines are not always present in a scene. When that happens you need to look for something else. Often, that simply means including something interesting in the foreground.

For example, in this photo, there are some buildings in the background, a concrete jetty in the middle, and the edge of another jetty in the foreground. I included the last one deliberately to help create a sense of depth.

how to add depth and dimension in composition

Here’s another example below. Including the rocks in the foreground creates a composition with three distinct zones (foreground, middle ground, and background) that the eye moves through, creating depth in the image. It helps that the wide-angle lens that was used makes the rocks seem quite large in comparison to the distant cliffs.

Depth and composition

4. Use aerial perspective

Another technique that helps convey a sense of depth is aerial (or atmospheric) perspective. This is where the atmospheric conditions make things in the distance appear hazy. When you see this occur, it is a good idea to see if you can find a way to include it in your composition. In this photo, taken in Beijing, you can see that the trees in the distance on the left side are obscured by atmospheric haze.

how to add depth and dimension in composition  - aerial perspective

This is reinforced by the converging lines formed by the walls. The two techniques are working together to show depth in the image.

how to add depth and dimension in composition  - aerial perspective and lines

5. Shoot through something

The techniques explored so far work best with wide-angle lenses. The nature of a telephoto lens is that it puts distance between you and the subject, which leads to a flatter perspective that doesn’t show depth as well as a wide-angle lens. But there are different techniques you can use with telephoto lenses to create a sensation of depth.

One method is to shoot through something that is between you and the subject. In the photo below, the subject is the setting sun. I shot through grass (and focused on the grass, throwing the sun slightly out of focus) to add a sense of depth to what otherwise could have been a very flat image.

how to add depth and dimension in composition  - telephoto

The photo also makes a good use of another technique, including shadows in the frame, to reinforce the depth.

You can also use this technique with portraits. I created the portrait below by shooting through the branches of a tree.

Depth and composition

6. Use selective focus

Both of the photos shown for the previous technique also use selective focus. That’s where you deliberately set a narrow aperture and focus on the subject, throwing the background out of focus. It’s especially effective with portraits, as the blurred background helps separate the model from the background, in turn creating a sense of depth. The following portrait was taken at f/2.0 with the lens focused on the model’s eyes.

Depth and composition

7. Convey depth through color

It’s also useful to think about what happens to colors in the background when you use a telephoto lens with a narrow aperture to make a portrait. When the background is out of focus, colors merge into each other. A good contrast between the colors in the background and those the model is wearing also helps convey depth.

For example, in the next portrait the use of color is very subtle. The background is nearly white, without any distracting colors. It is out of focus and doesn’t distract from the model’s face. His sweater is the most colorful part of the photo, and helps separate him from the background.

Depth and composition

You can take this idea to its extreme by using off-camera flash fitted with an orange gel. When you do this, the model is lit by orange light (from the gelled flash), but the background is lit by colder ambient light. This technique works well at dusk when the ambient light has a natural blue color.

In the example below, the model was lit by single Speedlite fitted with a 60cm softbox and a CTO (Color Temperature Orange) gel.

Depth and composition

Your turn

These seven tips should help you create stronger photos with more depth. What other ideas do you have for creating and adding depth into your photos? Please let us know in the comments below.


If you enjoyed this article and would like to learn more about composition then please check out my ebook Mastering Composition.

googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );

googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );

The post 7 Tips – How to Add Depth and Dimension into Your Photos by Andrew S. Gibson appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on 7 Tips – How to Add Depth and Dimension into Your Photos

Posted in Photography

 

Sketch in 3D: Remarkable Drawing App Gives Doodles Depth & Dimension

23 Nov

[ By WebUrbanist in Design & Graphics & Branding. ]

3dsketched

Programs like Sketchup have allowed amateur artists and architects to sculpt and design in three dimensions for years, but this app facilitates far more informal works that really look like sketches in 3D.

Mental Canvas is part of a suite of software for Microsoft Surface that takes more conventional sketched forms and allows users to navigate and expand them in three-dimensional space, retaining the character of rough drawings.

3d-drawing-tool

The infinite-depth approach of this digital canvas software lets users zoom in and rotate their view, adding layers along the way and inspecting their work from various angles. The effect is remarkable as these illustrations show.

drawing-tool-app

From its creators: CAD modelling “comes at a cost. The cost is that one, you have to have a fully resolved three-dimensional model, even if it’s just a cube; second it’s very hard to edit a CAD model, it’s not fast and fluid like a sketch. At any given moment when you’re sketching, the designer or artist has full control over everything in that representation, but with a CAD model, that’s defined by the computer.”

This clever approach liberates an artist from the ordinary constraints of a physical page or even a drawing tablet, letting them shape worlds that maintain the character of a sketch but can be used to tell and frame stories in new ways.

3ddrawing

As with programs like Sketchup, a bookmarking tool allows users to save and store various views then retrace their steps, creating potential for 3D storytelling. It also lets a user pick the perfect shot, navigating three-dimensional space to select an ideal perspective. A dynamic dial tool, meanwhile, lets the artist rotate between colors and line qualities without backing out of the drawing.

As any good architect knows, an unfinished-looking drawing can be an asset: “A sketch has a quality when it’s unfinished; there’s so much possibility, there’s so much room for interpretation, and [Mental Canvas] expands the idea of a sketch. It makes it less flat. In architecture you always want that “Wow” design that gets everyone excited in the room, and [Mental Canvas] enhances it.”

One can see a lot of similarities here between Mental Canvas and tools being developed for augmented and virtual reality platforms. In a way, this program closes the gap, allowing users with more ordinary tools, devices and interfaces to accomplish something wonderful in 3D space.

Share on Facebook





[ By WebUrbanist in Design & Graphics & Branding. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]


WebUrbanist

 
Comments Off on Sketch in 3D: Remarkable Drawing App Gives Doodles Depth & Dimension

Posted in Creativity

 

Using the Lightroom Adjustment Brush to add Dimension to a Landscape Photo

25 Feb

Adding layers of dimension with the Lightroom brush

Lightroom has the power to completely transform your landscape photograph into something far more powerful, something that hits home with viewers, and something that pops off the screen.

By default digital cameras create flatter image files than what you see with your eye. Your eye has the ability to see dimensions like no camera can really capture. Although many try.

What is Dimension?

The definition of dimension is: an aspect or feature of a situation, problem, or thing. When utilizing the word dimension in your photograph, think of the features of specific locations and objects within the frame. As an example, in the photo you will see here, there are multiple layers of dimension to play with. There’s the sky, the water, the rocks, the buildings, the grass, and the shed. Each has its own uniqueness to it, and can and should be treated as such.

The Adjustment Brush Tool

Like the other local adjustment tools in Lightroom, the adjustment brush tool has the ability to fine tune specific parts of a photograph. Using the tool can create new dimensions you would never have otherwise seen from a camera rendition. Your eye, however, most likely did see the dimensions.

Lightroom Brush Tool

Where to find the Lightroom brush tool

You can see in the first photo that it’s a really cool lighthouse scene, but there is something drastically gone wrong. The photo is super flat. That is because it was a very rainy day with tons of fog everywhere, and mist from the water constantly hitting the camera.

To use the Lightroom Adjustment Brush, open a photo in the Develop module, then select the brush icon at the top right, just under the Histogram (the keyboard shortcut is K).

Once selected, a variety of local adjustments will appear. From there you have a wide range of options that you can make on a very specific section of your photo. For example, sharpness, exposure, or even brushing on a new color.

The first thing you should know before starting with the Adjustment Brush is that Lightroom keeps your last settings whenever adding a new brush. To zero out the settings simply double click on the word Effect.

Also, the Auto Mask feature is very smart. Think of it like a content aware brush. Simply put, it looks at the cross hairs inside of your brush and will try to stay “within the lines” and not brush on what doesn’t match up. This is fantastic for edges. However, the Auto Mask feature uses more Lightroom performance, so you may notice a slow down. My workflow is to fill in big spaces and then turn on Auto Mask when I need it.

As you are brushing in areas, hit the O key on your keyword to see a red mask of where you have brushed (hit Shift+O to cycle through the available mask colors).

Lightroom masking

Hit the O key to view the current mask in a red overlay

I started brushing the middle section of the photo with more contrast, and reduced highlights and shadows. This broke through the haze and enhanced the greens enough to where I like it.

I then made another brush by clicking on New in the brush panel. This one was to bring down the extreme highlights of the house and lighthouse. I brought it down just enough so it’s still white, but doesn’t blend in with the sky, which is also very white.

Then came a third brush, which was for the rocks. I wanted to make sure they popped out more than anything else. I didn’t want them to just have contrast, so I also used the clarity slider. Clarity will enhance a lot of edge detail, which is awesome on rocks.

Lightroom brush clarity

Add clarity to select objects using the Adjustment Brush

Now that the grass, the structures and the rocks all have different dimensions of contrast, clarity and light, it is time to play with the color dimension. So I created another brush with a hint of transparent blue to the water. This adds more life to the boring gray tone it had previously.

I then did the same with the sky, but with less transparency due to the whiteness of the sky already. Adding a hint of color the white sky helps separate the house and lighthouse from the background even more.

The last brush I added to the photo was on the roof of the house. The intention there was to recover the red color subtly, so it doesn’t take away from the rest of the photo. So I increased the contrast, dropped the exposure slightly and added a hit more red to the roof.

Lightroom brush color

Add color to specific areas using the Lightroom brush

At the end of the day, the photo has multiple layers of dimension. It’s no longer flat, and notone section has the same feel as the rest. Using the brush feature in Lightroom I was able to not only recover color and contrast, but add even more texture and life to the scene.

Think of the Adjustment Brush tool like layers in Photoshop or onOne Software. There are no actual layers but rather brush points which can be adjusted individually.

Below is a video showing what I’ve done with this photograph.

There is a lot more that can be done, like sharpness, noise reduction and even changing color temperature and tinting for specific areas in a photo. But what I have shared here is a handful of what you are capable of doing within your favorite photography workflow software, Lightroom.

I’d love to see some photos you have processed using Lightroom Adjustment Brush tool. Please comment to share with the dPS community.

googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );

googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );

The post Using the Lightroom Adjustment Brush to add Dimension to a Landscape Photo by Scott Wyden Kivowitz appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Using the Lightroom Adjustment Brush to add Dimension to a Landscape Photo

Posted in Photography

 

Unbelievable Illusions: Adding a 3rd Dimension to 2D Surface

12 Oct

[ By Delana in Art & Installation & Sound. ]

projection mapping performance piece

This mesmerizing performance piece from Bot & Dolly blends reality and a technological fantasy world. Using 3D projection mapping, two large white surfaces and two talented robots, the artistic duo created a kind of dance that incorporates high technology and a helping human hand.

The piece is called simply “Box,” and it shows how current technology can be used to manipulate our perceptions of space. The projections create mind-bending optical illusions that look so amazingly real it’s hard to believe there has been no digital trickery involved.

As the making-of video above shows, however, it wasn’t trickery. It was simply amazing technology applied to a graceful and artistic purpose.

Share on Facebook



[ By Delana in Art & Installation & Sound. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]


    




WebUrbanist

 
Comments Off on Unbelievable Illusions: Adding a 3rd Dimension to 2D Surface

Posted in Creativity

 

eyeon Dimension Teaser

13 Dec

Thank you for watching the eyeon Dimension teaser This video is created with eyeon Dimension prerelease alpha software. The tools shown in this video do not depict the final toolset of the upcoming release of Dimension 1.0. Expect Greatness Beyond Belief!
Video Rating: 5 / 5

goo.gl this is a 3d video of my sledding hill i made in the winter.this hill is 20 feet tall!!!so put on red and cyan 3d glasses and enjoy.dont put real d glasses those wont work. LINKS Best 3D Video Made goo.gl Free 3D Glasses…goo.gl View 3D Photos…goo.gl Buy T-Shirt…….goo.gl FaceBook…….goo.gl Web site…….goo.gl Blogger…….goo.gl twitter…….goo.gl sub……..goo.gl
Video Rating: 4 / 5

 
6 Comments

Posted in 3D Videos

 

HD 2D-3D Video Conversion (Dimension 3 & MTBS 3D)

12 Aug

We took our video interview from the Dimension 3 Expo in Pantin, France, just outside of Paris, with Neil Schneider, founder of Meant To Be Seen (MTBS) 3D, an Internet forum on Stereoscopic 3D, and converted the video clip to Stereoscopic 3D. This is how we did it and the two versions we created: We used a combination of 2D and 3D in the finished video. The original interview was shot in 2D High-Definition on a Sony PMW EX3. The original edit was done using Grass Valley Edius Broadcast Pro 5.01. Music background was created using Sonicfire Pro SmartSound 5.1. We utilized Spatial View Stereo plugin for After Affects CS4. The opening and closing graphics were added to the line along with the 2D video. We then added an adjustment layer and loaded the plugin to the adjustment layer. Spatial View 3D-to-Stereo conversion allowed us to layer the 3D in multiple parallax views. In addition, Spatial View allows us to view the conversion in Anaglyph or any number of side-by-side or top-and-bottom Stereo views. We utilized Anaglyph to make the initial adjustments and fine tune the 3D variables. We then rendered out each of the video segment – the open, the interview, and the close – separately in both Anaglyph and half-side-by-side formats. We then stiched these three together using Edius Broadcast Pro. Finally, using Adobe CS4 Media Encoder, we used the Apple TV720p setting for outputting our final MP4’s which were then uploaded to YouTube and our FTP server. The half-side-by-side

First 3D animated short from Indiana University, Media Arts and Science program. Created by Frank Tai, Jared Price, Jim Ward, Ricardo Laranja, Andrew Warren and James Baker Project Creator, Frank Tai Project Advisor, Albert William Stereoscopic Advisor, Albert Williams Visionary Advisor, Durwin Talon Technical Advisor, Clint Koch Sound/ Music Advisor, Ricardo Laranja Computer Technician, Advisor, Todd Kirk Multimedia Technician, Advisor, Geoff Coryell Animator/ Visionary, Jared Price Animator/ Visionary, Jim Ward Animator/ Visionary, Frank Tai Sound designer, Andrew Warren Sound designer, James Baker Software/ Hardware, Autodesk Maya, Adobe studio suite, Zbrush, Sonar, HP, Stereoscopy

 
 

Third Dimension – Amiga Anaglyph 3D scene demo

05 Jul

Classic Amiga Scene Demo Third Dimension by Cryptoburners. Released at Theatre and Network 1990 and came 2nd place overall. Might need to view in fullscreen for effect to work properly. This demo requires 3D Anaglyph (red/blue) 3D Glasses to enjoy and was one of the first demos on Amiga to show this kind of 3D.

 
1 Comment

Posted in 3D Videos