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Fujifilm debuts mid-price X-S10 with six stops of in-body stabilization

16 Oct

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Fujifilm has just introduced its newest APS-C mirrorless camera, the X-S10. It brings the X-T4’s still image capabilities into a smaller, more affordable package, with nearly the same in-body stabilization rating.

The Fujifilm X-S10 features a 26.1MP X-Trans sensor and X-Processor 4, both borrowed from the X-T4. What isn’t lifted from the higher-end model is an all-new in-body image stabilization system, re-designed for the X-S10’s more compact form and 30% smaller than the X-T4’s IBIS unit. It’s rated up to 6 stops of shake reduction (compared to the X-T4’s 6.5) and achieves that level of performance with most of Fujifilm’s unstabilized lenses.

The X-S10 offers a fully articulating 3″ LCD with 1.04 million dots, and a built-in electronic viewfinder that’s a bit lower resolution than what you’ll find on the X-T4: 2.36M dots compared to 3.69M. The camera offers a single UHS-I SD card slot and its battery is rated to 325 shots per charge.

For video shooters the X-S10 provides 4K/30p recording, as well as microphone input and headphone connection via adapter. Flat F-Log recording is supported but, unlike the X-T4, footage can only be captured internally at 8-bit 4:2:0, though it can be recorded externally at 10-bit 4:2:2.

The Fujifilm X-S10 is scheduled to arrive in November for $ 1000 body-only, $ 1400 for XF 18-55mm F2.8-4 kit, or $ 1500 for XF 16-80mm F4 R OIS WR kit.

Press releas:

Fujifilm Introduces X-S10 Mirrorless Digital Camera

Up to 6.0-stops of In-Body Image Stabilization in a compact, lightweight body

Valhalla, N.Y. – October 15, 2020 – FUJIFILM North America Corporation today announced the launch of FUJIFILM X-S10 (X-S10), the newest addition to the X Series family of compact and lightweight mirrorless digital cameras. X-S10 is expected to be available in November with two lens kit options.

Equipped with key features including the 26.1MP X-TransTM CMOS 4 sensor, and the high- speed image processing engine, X-Processor 4, as well as In-Body Image Stabilization (IBIS), the X-S10 offers maximum functionality in a compact body.

“X-S10 is a perfect fit for anyone who needs a lightweight imaging solution with professional features for both photo and video,” said Victor Ha, senior director of marketing and product management for FUJIFILM North America Corporation’s Electronic Imaging Division. “It offers something for everyone; the popular AUTO/SP (Scene Position) Mode automatically adjusts camera settings to produce stunning images without the need to make fine adjustments to image settings. The advanced video capabilities can either produce sharp 4K/30P 4:2:2 10-bit video or high-speed full-HD video at 240fps, and the vari-angle LCD screen can also be flipped forward 180 degrees, giving everyone from photographers and filmmakers to vloggers and hobbyists something to love about this camera.”

Main product features:

A newly developed, smaller IBIS for its compact body

The camera’s IBIS mechanism is approximately 30% smaller in volume and weight than the previous, similar X Series model*1. Despite its small size, weighing just 465g (1.02lb), X-S10 delivers up to 6.0-stops*2 of five-axis image stabilization. It is also the first mid-range X Series camera to use a motion sensor retention mechanism, which is a mechanical shock absorber that guards against slight vibrations that may come from the shutter unit, adding another level of stability beyond what was previously available in X Series products to ensure that image clarity and resolution are maintained.
To further assist with hand-held stability, X-S10 features a large, ergonomic magnesium- alloy grip, making it easy to keep the camera stable when large lenses are mounted. The design also features a magnesium-alloy front and top-plate to keep the body rigid and robust.

Legendary Film Simulation Modes and updated AUTO functions for outstanding image quality

FUJIFILM Film Simulation Modes were created to celebrate the history of photographic film by digitizing some of the industry’s most iconic analog films. X-S10 features 18 Film Simulation Modes, including ETERNA Bleach Bypass, which creates a beautiful, desaturated, high-contrast look.
To complement these Film Simulation Modes, X-S10 also offers an updated [AUTO / SP (Scene Position)] mode that automatically adjusts shooting settings to the given scene, without the need to make further, fine adjustments in Settings. Now, photographing landscapes with clarity and vivid colors, making portraits with beautiful skin tones, and creating evenly-balanced images in back-lit conditions are possible, regardless of skill level.

Dependable AF and High-Speed Burst Mode performance for those important moments

The combination of X-S10’s high-speed AF and AF-tracking performance with the X- TransTM CMOS 4 sensor’s 2.16 million phase detection pixels and X-Processor 4’s computing power provides quick and accurate autofocus results, achieving focus in as fast as 0.02 seconds in some cases, even at -7.0 EV*3.
X-S10 is equipped with high-precision Tracking AF for moving subjects and Face/Eye AF function to track a subject’s face and eyes.
Offers blackout-free, high-speed burst shooting of 30fps with the electronic shutter and 8fps when using the mechanical shutter*4.

Vari-angle LCD monitor and viewfinder that supports three Boost modes

X-S10 has a vari-angle LCD monitor that can rotate up to 180 degrees, making it useful not only for selfies but also for stills and videos taken from various camera positions.
The viewfinder’s Live View function has three Boost modes available, including Low
Light Priority, Resolution Priority Model, and Frame Rate Priority.

Extensive video-recording functions

X-S10 generates 4K video from the amount of data equivalent to 6K to ensure the footage is in high resolution with low noise. It supports recording 4K/30p 4:2:0 8-bit video onto an SD card inserted in the camera, and outputting 4K/30p 4:2:2 10-bit video via the HDMI port.
The X-S10 camera is also capable of high-speed full-HD recording at 240fps, producing up to 10x slow-motion footage of a fast-moving subject’s split-second motion.
In addition to X-S10’s IBIS, its Digital Image Stabilization (DIS) mode powerfully compensates for camera shake even when walking with the camera. Adding IS Mode Boost provides even more stabilization, nearly eliminating camera shake when it is used from a fixed, hand-held position.
With a dedicated movie recording button on its top-plate, X-S10 lets users start recording video even when the camera is set to stills mode. It will also automatically set exposure and focus settings if the camera is in an AUTO shooting mode*5.

Pricing and Availability

X-S10 is expected to be available in the U.S. and Canada markets commencing November 2020 in black color, and will be offered in both a body-only and two XF lens kit options.

FUJIFILM X-S10 body-only: $ 999.95 USD / $ 1,349.99 CAD

FUJIFILM X-S10 with XF18-55mmF2.8-4 R lens kit: $ 1,399.95 USD / $ 1,899.99 CAD

FUJIFILM X-S10 with XF16-80mmF4 R OIS WR lens kit: $ 1,499.95 USD / $ 2,049.99 CAD

For more information, please visit https://fujifilm-x.com/en-us/products/cameras/x-s10/.

*1 When compared with the IBIS function featured in the FUJIFILM X-T4 mirrorless digital camera
*2 Offering a 6.0-stop advantage to 20 out of the 30 currently available, interchangeable X Series lenses (XF/XC lenses)
*3 Referenced performance available using the X-S10 with an XF50mmF1.0 lens
*4 High-speed continuous shooting without blackout (i.e. without the viewfinder going dark during shooting, causing the user to lose sight of the subject) applies only when using the X-S10 electronic shutter.
*5 The AF mode automatically switches to Continuous AF in these instances.

Fujifilm X-S10 specifications

Price
MSRP	$ 999 (body only), $ 1399 (w/18-55mm lens), $ 1499 (w/16-80mm lens)
Body type
Body type	SLR-style mirrorless
Body material	Magnesium alloy
Sensor
Max resolution	6240 x 4160
Image ratio w:h	1:1, 3:2, 16:9
Effective pixels	26 megapixels
Sensor size	APS-C (23.5 x 15.6 mm)
Sensor type	BSI-CMOS
Color space	sRGB, Adobe RGB
Color filter array	X-Trans
Image
ISO	Auto, 160-12800 (expands to 80-51200)
Boosted ISO (minimum)	80
Boosted ISO (maximum)	51200
White balance presets	7
Custom white balance	Yes (3 slots)
Image stabilization	Sensor-shift
Image stabilization notes	Up to 6 stops with select stabilized lenses. 5-5.5 stops with other lenses.
CIPA image stabilization rating	6 stop(s)
Uncompressed format	RAW
JPEG quality levels	Fine, normal
File format	JPEG (Exif v2.3) Raw (Fujifilm RAF, 14-bit)
Optics & Focus
Autofocus	Contrast Detect (sensor) Phase Detect Multi-area Center Selective single-point Tracking Single Continuous Touch Face Detection Live View
Autofocus assist lamp	Yes
Digital zoom	Yes
Manual focus	Yes
Number of focus points	425
Lens mount	Fujifilm X
Focal length multiplier	1.5×
Screen / viewfinder
Articulated LCD	Fully articulated
Screen size	3″
Screen dots	1,040,000
Touch screen	Yes
Screen type	TFT LCD
Live view	Yes
Viewfinder type	Electronic
Viewfinder coverage	100%
Viewfinder magnification	0.93× (0.62× 35mm equiv.)
Viewfinder resolution	2,360,000
Photography features
Minimum shutter speed	900 sec
Maximum shutter speed	1/4000 sec
Maximum shutter speed (electronic)	1/32000 sec
Exposure modes	Program Aperture priority Shutter priority Manual
Built-in flash	Yes
Flash range	7.00 m (at ISO 200)
External flash	Yes (via hot shoe)
Flash X sync speed	1/180 sec
Continuous drive	20.0 fps
Self-timer	Yes
Metering modes	Multi Center-weighted Average Spot
Exposure compensation	±5 (at 1/3 EV steps)
AE Bracketing	±5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing	Yes
Videography features
Format	MPEG-4, H.264
Modes	4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM 4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM 4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM 4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 240p / 200 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM
Microphone	Stereo
Speaker	Mono
Storage
Storage types	SD/SDHC/SDXC slot (UHS-I supported)
Connectivity
USB	USB 3.2 Gen 1 (5 GBit/sec)
USB charging	Yes
HDMI	Yes (micro-HDMI)
Microphone port	Yes
Headphone port	No
Wireless	Built-In
Wireless notes	802.11b/g/n + Bluetooth
Remote control	Yes (via smartphone)
Physical
Environmentally sealed	No
Battery	Battery Pack
Battery Life (CIPA)	325
Weight (inc. batteries)	465 g (1.03 lb / 16.40 oz)
Dimensions	126 x 85 x 65 mm (4.96 x 3.35 x 2.56″)
Other features
Orientation sensor	Yes
Timelapse recording	Yes
GPS	None

Articles: Digital Photography Review (dpreview.com)

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Blackmagic Design debuts new URSA Mini Pro 12K camera and lower-cost versions of its Video Assist 3G

17 Jul

Editor’s note: Skip to just under 30 minutes again to avoid the static intro image.

Blackmagic Design has taken the wraps off its new Blackmagic URSA Mini Pro 12K digital film camera with support for recording video at up to 12K/60fps with 80MP per frame. The model is joined by a pair of new off-camera monitors from the company, the Blackmagic Video Assist 3G in 5″ and 7″ sizes.

Blackmagic URSA Mini Pro 12K

The Blackmagic URSA Mini Pro 12K is a digital film camera offering advanced options combined with a 12288 x 6480 Super 35 image sensor. This is the company’s third-generation model, one offering 14 stops of dynamic range, 4K/220fps Super 16 and 8K/110fps options in addition to 12K, an interchangeable lens mount and a SuperSpeed USB-C expansion port.

Blackmagic Design has packed a number of other notable features into its new pro-grade digital film camera, including built-in ND filters, an interchangeable PL mount and UHS-II SD and CFast card recorders. The company says that the Super 35 sensor found in this model is ‘optimized for images at multiple resolutions’ and that it features a unique (non-bayer) design with an equal number of RGB pixels. We’ve contact Blackmagic Design for further information on the sensor and will update with additional information when it becomes available.

Blackmagic Design has also streamlined its entire workflow to be more efficient, going so far as to demo that with the help of Apple’s Metal graphics architecture, it’s possible to edit 12K Blackmagic Raw footage directly on a MacBook Pro.

The Blackmagic URSA Mini Pro 12K is aimed at professional productions, including use with television and movies. Videos shot in 12K Blackmagic RAW can be tweaked with multiple constant bitrate encoding and quality options. The 12K sensor enables oversampling so that users get sharp, highly detailed 4K and 8K images, giving creators a bit more freedom during post-production.

This is joined by a new film curve feature for Blackmagic Generation 5 Color Science that takes advantage of the 12K sensor color data. According to Blackmagic, this will ensure that highly saturated colors are better rendered and that skin tones are particularly ‘pleasing.’ The camera is compatible with PL cinema lenses, as well as EF and F mount lenses.

Talking about the new model is Blackmagic Design CEO Grant Petty, who said:

With Blackmagic URSA Mini Pro 12K we have advanced imaging technology into a new generation where new styles of shooting will be possible. It’s not just the 12K sensor, but there is so many other innovations in this camera. From the Generation 5 Color Science, the in sensor scaling, new symmetrical color pattern, full RGB quality and of course the 12K resolution, it’s going to be exciting to see what DOPs do creatively with this technology!

Blackmagic Design is launching the URSA Mini Pro 12K this month at $ 9,995.

Blackmagic Video Assist 3G

Joining the new digital film camera is the Blackmagic Video Assist 3G, an off-camera monitor offered in 5in and 7in sizes. According to the company, Video Assist 3G is a touchscreen model offered at a lower price point than the company’s other options; it features HDMI and 3G-SDI with support for all Standard and High Definition video formats.

Likewise, Video Assist 3G has upgraded batteries compared to past models, as well as built-in scopes, a rear tally light, headphone jack and front panel speaker. Both size options feature standard SD and UHS-II SD card support — the larger model has two SD card slots so that a full card can be swapped out while recording to the second card continues.

As well, the Video Assist 3G utilizes Sony L-Series batteries and features two battery slots so that one can be swapped out with a charged battery while recording. The obvious benefit to the Video Assist 3G is that it offers a larger display than the often small screens built into cameras, giving users considerably more control over their work.

Likewise, the Video Assist has an integrated pro-grade audio recorder, exceeding the quality of many cameras while eliminating the need to tote around audio gear, though it is also possible to attach microphones to the 7-inch model via a pair of XLR inputs. In addition to the monitor’s many other features, Blackmagic has included support for several languages, including English, Spanish, German, Chinese, Russian, Japanese and more.

Blackmagic Design is now offering the Video Assist 3G monitors starting at $ 495.

Articles: Digital Photography Review (dpreview.com)

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Canon debuts imageProGraf Pro-300 13″ inkjet printer

13 Jul

Canon has announced a new small-footprint inkjet photo printer, the imageProGraf Pro-300. It produces prints up to 13 x 19″ with approximate print speeds as fast as 4 minutes and 15 seconds. The Pro-300 uses 9-color LUCIA PRO plus Chroma Optimizer ink as well as a new matte black ink for improved black density. Users can monitor print status and ink levels via a 3″ LCD. It will go on sale later this month for $ 900.

Also unveiled is the new Premium Fine Art Rough paper with a textured surface. Canon says it’s suitable for long-term storage and 25-pack sheets will cost $ 45 for letter size, $ 110 for 13 x 19″ and $ 170 for 17 x 22″. The new paper is also expected to go on sale later in July.

Press release:

DEAR IMAGE MAKERS: CANON’s new imageprograf PRO-300 PROVIDES EXCEPTIONAL QUALITY PRINTS AND OFFERS NEWLY UPDATED SOFTWARE SOLUTIONS

New Premium Fine Art Paper for Professional, Advanced Amateur Photographers and Art Lovers Further Benefitting Image Makers also Introduced

MELVILLE, N.Y., July 9, 2020 –– After taking the time to create your ideal photo, every creative image maker should look to complete the process with a vibrant print to share for everyone to admire. Completing the lineup of professional printer options from 13 inches through 60 inches, Canon U.S.A., Inc., a leader in digital imaging solutions, unveils today the new 13-inch Canon imagePROGRAF? PRO-300 Inkjet Printer along with a new Premium Fine Art Rough paper. Providing an improved workflow and high-quality output within a smaller footprint compared to previous models, this new printer excels at professional printing performance. Combined with the new Premium Fine Art Rough paper that features a textured surface to express the depth of an image, the printer along with the paper introduces a new powerhouse professional imaging duo that meets creators’ demands.

“With the introduction of the Canon imagePROGRAF PRO-300, we are continuing our outstanding tradition of creating great quality printers for a variety of image makers, making it easier to print work at home,” said Tatsuro “Tony” Kano, executive vice president of the Canon U.S.A., Inc. Imaging Technologies & Communications Group. “As the creative responsibilities of our customers have evolved and the importance of preserving historic moments has increased, it is imperative the features Canon integrates into new solutions and consumables meet the needs, wants and asks of our customers.”

Smaller Footprint Completes the Lineup
There has been a shift in what traditional work and school looks like over the last few months, as many creative-focused jobs, industries and areas of study now require tasks to be completed in non-traditional ways. Without access to a studio, office space or classroom with all the necessary tools and equipment, there is no better time to introduce a professional printer that is 15% smaller than its predecessor. With the addition of the new 13-inch Canon imagePROGRAF PRO-300 printer, the lineup of professional inkjet printers expands while offering a new space-saving design that is fitting for a home studio or office.

Core features of the newest printer include:

9-color LUCIA PRO plus Chroma Optimizer ink providing expanded color gamut and enhanced black density
New matte black ink offering greater black density, smooth gradations and details in darker areas
Technologies to help prevent print failures such as a nozzle recovery system and a skew correction function. Nozzles are carefully checked by sensors, and if a clog is detected in one nozzle, others will automatically compensate for it
Updates to the Professional Print & Layout software to help create seamless photo printing from image-editing software including Digital Photo Professional and Adobe® Photoshop®, Adobe Lightroom, or as stand-alone software
Improved media compatibility with the additional capability to support panorama-sized paper, and multiple feeding methods for media of varying thicknesses
High-speed printing at up to approximately 4 minutes and 15 seconds1 for a bordered 13” x 19” inch print when using Photo Paper Pro Premium paper
The usability of the imagePROGRAF PRO-300 is also improved with the addition of a 3.0 inch LCD display, allowing the user to check printer status and monitor ink levels at a glance.

New Fine Art Paper
Continuing the theme of high quality to use with the new imagePROGRAF PRO-300 printer: new Premium Fine Art Rough paper is now available in a variety of sizes including 17 inches by 22 inches, 13 inches by 19 inches and Letter sized within a pack of 25 sheets. To help express the depth of an image and add a three-dimensional touch, the new paper consists of a rough texture. The cotton used to create the paper provides a luxurious touch and makes it suitable for long-term storage.

Pricing and Availability of the imagePROGRAF PRO-300 and Premium Fine Art Rough paper
The imagePROGRAF PRO-300 Printer will be available later in July with an MSRP price of $ 899.99*. Premium Fine Art Rough paper will also be available later in July for an MSRP* of:

$ 44.99, Letter size
$ 109.99, 13” x 19” inches
$ 169.99, 17” x 22” inches

For more information and the full list of product specifications, visit http://shop.usa.canon.com

Articles: Digital Photography Review (dpreview.com)

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Panasonic Lumix S Pro 16-35mm F4 debuts in January for $1500

06 Nov

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Panasonic has announced the Lumix S Pro 16-35mm F4, a compact wide-angle zoom for its full-frame L-mount system. The lens will go on sale early next year for $ 1500.

Optically, the 16-35mm F4 is made up of 12 elements in nine groups and includes one ED, one UHR and three aspherical elements. The 16-35 weighs 500g (17.6oz) with an overall length of about 100mm (3.9″), and offers dust and splash-resistance. Its minimum focus distance is 0.25m (9.8″), and the lens accepts 77mm filters.

The Lumix S Pro 16-35mm F4 will arrive in January 2020 alongside the also-announced 70-200mm F2.8.

Press release:

Panasonic Launches Two New L-Mount Interchangeable Lenses for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera

LUMIX S PRO 70-200mm F2.8 O.I.S. and LUMIX S PRO 16-35mm F4

Newark, NJ (November 6, 2019) – Panasonic is proud to introduce two new interchangeable lenses based on the L-Mount system for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Cameras. Designed for professional use, the LUMIX S Series offers uncompromising photographic expression with its high-quality cameras and lenses.

The LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200) is a large-aperture telephoto zoom lens that boasts high descriptive performance across the entire zoom range. The LUMIX S PRO 16-35mm F4 (S-R1635) is a versatile wide zoom lens that provides high resolution images and a beautiful bokeh despite its compact, light-weight profile. Both high-performing LUMIX S PRO lenses achieve LEICA’s stringent standards.

LUMIX S PRO/S Lens Lineup as of November 2019

LUMIX S PRO 50mm F1.4 (S-X50)
[NEW] LUMIX S PRO 16-35mm F4 (S-R1635)
LUMIX S PRO 24-70mm F2.8 (S-E2470)
LUMIX S 24-105mm F4 MACRO O.I.S. (S-R24105)
[NEW] LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200)
LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200)

In addition to Panasonic’s existing portfolio of first-class lenses for the LUMIX S series family of cameras, the company is committed to designing and developing 11 or more lenses with the emphasis on the “LUMIX S PRO” class by March 2021. Currently, more than 46 interchangeable L-Mount lenses are available or will be available from Panasonic, Leica Camera AG and Sigma, opening up a virtually limitless spectrum of new creative possibilities.

LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200)

Designed and developed for professional field shooting, the LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200) uses 2 UED (Ultra Extra-low Dispersion) lenses, 3 ED (Extra-low Dispersion) lenses and optimum alignment comprising 22 elements in 17 groups, effectively suppressing both axial chromatic aberration and chromatic aberration of magnification. Astigmatism is also corrected with an aspherical lens, achieving high resolving performance. Adoption of a double focus system suppresses fluctuation of aberration even at close distances, which results in high descriptive performance from the center to the corners over the entire zoom range despite its large aperture.

Covering from 70mm to 200mm, the use of a Teleconverter allows a maximum 280mm (1.4x, with DMW-STC14) and 400mm (2x, with DMW-STC20) super telephoto shooting*1, with maximum 480 fps focus control for high-speed, high-precision auto focus. The O.I.S. (Optical Image Stabilizer) in the lens complies with the camera’s Body I.S. and the 5-Axis Dual I.S. 2*2 makes it possible to use a 7-stop slower shutter speed*3. Adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing.

The constant F2.8 large aperture provides smooth defocus gradation from the focus peak to the neighboring area of the image to achieve a beautiful bokeh effect as well as a rich perspective. The LUMIX S PRO 70-200mm F2.8 O.I.S. also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem in all interchangeable lenses designed for still image photography.

The rugged, dust/splash-resistant*4 design withstands use under harsh conditions even at 10 degrees below zero for high mobility. The filter size is 82 mm, with an 11-blade circular aperture diaphragm.

LUMIX S PRO 16-35mm F4 (S-R1635)

The LUMIX S PRO 16-35mm F4 (S-R1635) is a versatile wide zoom lens boasts high descriptive performance in both photo shooting and video recording.

Comprising 12 elements in 9 groups, the use of 3 aspherical lenses, an ED (Extra-low Dispersion) lens and a UHR (Ultra-High Refractive Index) lens and the optimum alignment achieves high MTF performance despite its compact size and light weight. It boasts stunningly high resolution toward the corners even at wide open as well as a beautiful bokeh, suppressing double line bokeh and vignetting.

A double-magnet linear motor is integrated for the AF actuator, featuring high power despite its small size, achieving a maximum 480 fps high-speed sensor drive. This realizes fast, high-precision AF to ensure that photo opportunities are never missed. Like the 70-200mm F2.8 O.I.S. (S-E70200), the 16-35mm F4 (S-R1635) adopts a focus clutch mechanism, enabling instant AF/MF switching and accurate manual focusing, as well as excels in video recording performance thanks to a mechanism that suppresses focus breathing.

It is also rugged dust/splash-resistant,*4 withstanding harsh conditions even at 10 degrees below zero for high mobility. The filter size is 77 mm, with a 9-blade circular aperture diaphragm.

Both lenses will be at retail in January. The LUMIX S PRO 16-35mm F4 will available for $ 1,499 and the LUMIX S PRO 70-200mm F2.8 is $ 2,599.

*1 Use of the tele converter reduces the effective aperture by one f/stop (DMW-STC14) or two f/stops DMW-STC20)
*2 5-Axis Dual I.S. 2 can be used with the camera LUMIX S1R, S1 and S1H, as of November 6, 2019.
*3 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when
LUMIX S1R/S1/S1H is used.]
*4 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to
direct contact with dust and water.

Panasonic Lumix S Pro 16-35mm F4 specifications

Principal specifications
Lens type	Zoom lens
Max Format size	35mm FF
Focal length	16–35 mm
Image stabilization	No
Lens mount	Leica SL
Aperture
Maximum aperture	F4
Minimum aperture	F22
Aperture ring	No
Number of diaphragm blades	9
Optics
Elements	12
Groups	9
Special elements / coatings	1 ED + 1 UHR + 3 aspherical elements
Focus
Minimum focus	0.25 m (9.84″)
Maximum magnification	0.23×
Autofocus	Yes
Motor type	Linear Motor
Full time manual	Yes
Focus method	Internal
Distance scale	Yes
Physical
Weight	500 g (1.10 lb)
Diameter	85 mm (3.35″)
Length	100 mm (3.94″)
Sealing	Yes
Colour	Black
Zoom method	Rotary (extending)
Power zoom	No
Zoom lock	No
Filter thread	77 mm
Hood supplied	Yes
Tripod collar	No

Articles: Digital Photography Review (dpreview.com)

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Apple debuts iPhone 11 and iPhone 11 Pro with ultra-wide camera

11 Sep

Apple has unveiled the iPhone 11, iPhone 11 Pro and iPhone 11 Pro Max. All three devices offer a standard 12MP camera plus, for the first time on an iPhone, an ultra-wide 13mm camera module. In addition to those two cameras, the Pro models also provide a 12MP telephoto camera. The iPhone 11 provides a 6.1″ LCD ‘XDR’ display, with the 11 Pro and Pro Max offering OLED HDR displays measuring 5.8″ and 6.5″ respectively. All three displays support P3 wide color gamut and display of HDR video content.

All three phones offer a main 12MP ‘wide’ camera with a 26mm equivalent F1.8 6-element lens and optical image stabilization. It’s a new sensor, and Apple claims it offers ‘100% focus pixels’, which suggests a dual pixel sensor with split photodiodes.

The iPhone 11, 11 Pro and 11 Max all offer a second 12MP ‘ultra wide’ camera with a 13mm equivalent F2.4 5-element lens, which provides a dramatic wide 120 degree field of view. A new feature uses the ultra-wide camera to show you what’s beyond the frame when using the main camera, helping you decide whether to switch the wider field of view.

The 11 Pro and 11 Pro Max continue to offer the telephoto camera of previous generations. This is also a new 12MP sensor paired with a faster F2.0 lens with optical image stabilization.

All three iPhones have upgraded video capability, with the rear cameras capable of 4K 60p footage with what Apple is calling ‘extended dynamic range’ (EDR). Optical and digital stabilization work in combination for smooth footage. The front facing camera can record 4K 60p video, and can also record EDR video at 4K 30p. It’s now easier to switch from shooting photos to shooting videos: in stills mode, simply hold down the shutter to start recording a video.

Like previous models, slow motion and time-lapse modes are available. Apple claims the Pro models have all three rear cameras calibrated at the factory, so you can quickly switch between lenses when recording video and retain the same look across all cameras.

The iPhone 11, 11 Pro and 11 Pro Max will be available for pre-order this Friday and will ship September 20th. The iPhone 11 is the most affordable of the bunch starting at $ 699; the 11 Pro and Pro Max are priced at $ 999 and $ 1099, respectively. Apple says it will keep the XR in the current lineup for $ 599.

Articles: Digital Photography Review (dpreview.com)

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Canon full-frame mirrorless system debuts with announcement of EOS R

08 Sep

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Just two weeks after Nikon introduced its Z-system, Canon has joined the full-frame mirrorless club with its new RF-mount system, with the first camera being the EOS R. Canon makes very clear this is merely the first in a new system.

The EOS R features a 30.3 effective Megapixel CMOS sensor and a DIGIC 8 processor. It uses RF-mount lenses – four of which will be available at launch – with support for both EF and EF-S lenses via one of three optional adapters, which it says add capability to existing lenses. Dual Pixel AF is onboard, with a whopping 5,655 selectable points with 88% vertical and 100% horizontal coverage, plus the ability to focus down to -6EV (though this is rated with an F1.2 lens, which gives a 1.5EV advantage over brands quoting figures for F2 lenses). There’s a ‘Pupil Detection’ mode for ensuring eyes are in focus but this is only available in AF-S mode.

“Being the first to market with a full-frame mirrorless system was never our goal. It was to reimagine optical excellence”

The camera has a native ISO range of 100-40,000 that expands to 50-102,400. The EOS R supports both Canon’s 14-bit CRW Raw format as well as the relatively new C-Raw, which offers much smaller file sizes. The fastest shutter speed available is 1/8000 sec, with an X-sync speed of 1/200 sec.

Design-wise, the EOS R is an SLR-style camera with a weather-sealed magnesium alloy body. It offers an electronic viewfinder with a resolution of 3.69 million dots, a magnification of 0.76x and a 23mm eyepoint. Its fully articulating 3.2″ LCD is touch-enabled and has 2.1 million dots. A customizable touchpad to the right of the viewfinder allows for quickly changing ISO, white balance, movie shooting and more. Canon users will be able to commiserate with Nikon owners as, like that company’s new Z-series cameras, the EOS R offers just one memory card slot, which supports UHS-II media. The camera has HDMI, USB-C, wired remote, headphone and microphone sockets. Wi-Fi and Bluetooth are built-in.

“Most revolutionary component isn’t camera, it’s the mount”

In terms of performance, the EOS R can shoot continuously at 8 fps in AF-S and 5 fps in AF-C ‘shooting speed priority’ mode. If you want to use ‘tracking priority’ mode in AF-C the frame rate drops to just 3 fps. The buffer is quite healthy, though, with the ability to save 47 Raw, 78 C-Raw or 100 JPEGs when shooting at full speed with a UHS-II card. It uses the familiar LP-E6N battery pack which allows for 370 shots per charge using the LCD (per CIPA standard) or 350 with the EVF. (Power save modes boost those numbers to 450 and 430, respectively.) The optional BG-E22 grip fills the battery slot but has room for two batteries: this gives you twice the battery life.

Video-wise, things are less impressive. On the plus side, you get Dual Pixel AF, even in 4K and the camera retains separate exposure and button customization settings for video. Sadly it maxes out at 4K/30p and features the same 1.7x crop that essentially reduces the camera down to sub APS-C quality and still appears to exhibit significant rolling shutter.

When it comes to capture, users can choose between ALL-I and IPB compression, with top bit rates of 420Mbps and 120Mbps, respectively. You’ll need a V60-rated SD card to get that highest bitrate but the camera can record for up to 29:59 even in 4K mode, with a large enough card. Dropping down to Full HD allows for 60 fps recording at 180 Mbps using ALL-I compression. Internal video capture is 8-bit 4:2:0. The camera can also capture Canon Log internally in 8-bit or can put out a 10-bit 4:2:2 C-Log stream over HDMI for use with an external recorder.

“You don’t switch to it, you add it to the family”

The camera can also record 120p footage at 1280 x 720 at a healthy 160Mbps bit rate. Recording time limits are 7.5 minutes for 120 fps shooting and just under 30 minutes for everything else.

The EOS R will be available in October for $ 2299 body only or $ 3399 with the 24-105mm F4L lens.

Canon EOS R initial sample images

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Press Release:

EVOLUTION MEETS REVOLUTION AS CANON ANNOUNCES THE ALL-NEW EOS R SYSTEM

Optical Innovation Inspires the Next Leap Forward in Imaging

MELVILLE, N.Y., September 5, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the next revolution in the company’s long history of innovative and award-winning camera systems, the EOS R system featuring the newly designed RF mount. Recognizing the need to advance optical design, the Company sought to create a versatile and powerful new system that supports all current EF, EF-S, TS-E and MP-E lenses[i], and also provides the optical advancements and engineering flexibility to build upon for years to come.

When Canon set forth to develop a new interchangeable lens camera system, they focused on three core optical principles: high-image quality, high-specification performance, and compact design. Recognizing that optics is the foundation for any camera system, the RF mount was conceived to open new doors in optical design. Canon’s new RF mount features the same size diameter as the EF mount (54mm) and shorter back focus distance. This allows for lenses to sit closer to the sensor (the focal plane) and allowed Canon optical engineers to reimagine lens design utilizing larger rear lens elements to produce an image on the full-frame sensor. This new optical formula has paved the way for higher performing lenses. In addition, the Canon RF mount features a high-speed 12-pin communication system that provides faster and more in-depth communication between the camera and lens over existing Canon mount systems.

The EOS R system is designed for full, uninhibited compatibility with all existing EF, EF-S, TS-E and MP-E lenses through the use of mount adapters[ii]. In addition, through the use of the optional Drop-In Filter Mount Adapter or Control Ring Mount Adapter these lenses, in fact, gain functionality.

“There has never been a time in history in which visual expression has been so prolific. Imaging, both still and video, are the communication mediums of today’s society. Much in the same way we learned to type in the past, today’s youth are skilled in shooting, editing, and visual storytelling in ways that only the masters of each craft were decades ago,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Knowing this, we needed to step back and design a system that delivers all the creative expression and functionality today’s youth crave, now and in the years to come.”

The First in a New System: The EOS R

The new Canon EOS R full-frame mirrorless camera features a 30.3 megapixel CMOS sensor that is powered by the Company’s latest image processor, DIGIC 8, enabling shooting at up to 8.0 frames per second[iii]. The new camera inherits a lot from Canon’s legacy in both EOS and Cinema EOS. Video storytellers can capture stunning 4K UHD video up to 30fps and record in 10-bit 4:2:2 (with an external recorder). The EOS R also comes with the ability to shoot Canon Log, providing 12 stops of dynamic range, minimal loss of detail in shadows and highlighted areas and an increased range of choices when color grading. Users with an existing collection of Canon lenses will be excited to know that all EF and EF-S lens are compatible with the camera. In order to do so, photographers and videographers can choose between using one of three new mount adapters, each uniquely designed to meet the individual needs of the user.

The new Canon EOS R camera features Dual Pixel CMOS Auto Focus with 5,655 manually selectable AF points[iv], supporting AF at up to f/11 with a 384 zone (24×16) real-time metering system. With f/1.2 lenses, the camera astonishingly boasts AF sensitivity in low light in as little as EV-6. When using the RF 24-105mm F4 L IS USM lens with the EOS R, the camera can focus in as little as 0.05 seconds with Dual Pixel CMOS AF[v], making it the fastest autofocus speed in the world[vi]. These features provide photographers and videographers with Canon’s most advanced AF system to date. The EOS R also features a silent shutter setting when shooting in single-shot mode; an important feature for those who need to capture imagery without disrupting the scene. An upcoming free firmware update will enable silent shutter in continuous shooting mode as well.

“The EOS R system is not just a new camera or a new lens mount, it is a new design that will allow us to produce visual tools that were previously impossible, and allow our customers to tell their stories with greater depth, richness of color, and creative flexibility, in optically stunning ways.” states Kazuto Ogawa

Thoughts From the First Users

“I think every camera system has its place and it’s all about having the right tool for the job,” reported acclaimed outdoor photographer and Canon Explorer of Light Jimmy Chin. “The new EOS R system for me in particular is very useful for the kind of shooting that I do in the mountains, where I need to worry about the size and weight. Having the option to use the new RF lenses or the EF lenses is really great.”

“I was instantly impressed with how quickly the EOS R was able to focus,” remarked celebrated fashion photographer and Canon Explorer of Light Lindsay Adler. “Whether my subject was moving or I was shooting in near-complete darkness, I had no problem getting tack-sharp focus in every shot. It was a relief to know my gear wasn’t going to hold me back from executing my vision, but instead it would really help me to execute this vision.”

“For us, it’s all about getting the shot no one else can get, and a lot of this has to do with the camera,” says Devin Graham, director and filmmaker behind YouTube’s DevinSuperTramp. “The new EOS R will become one of our main cameras. It has a very small footprint, yet is able to create amazing images. As for the lenses, the new RF 28-70mm F2 has just become one of my all-time favorites. I’ll be bringing it on every project.”

Conveniently placed just to the right of the EVF, Canon has introduced a new Multi-Function Bar that will allows users to more easily access their customizable settings, such as AF, ISO and White Balance. Users will have the option to either slide or tap the bar to gain access to the settings and adjust on-the-go as they deem necessary depending on each particular shooting situation.

Answering the demand for enhanced mobile editing of RAW image files, Canon is also announcing a new application, Digital Photo Professional Express (DPP Express). In combination with an updated Canon Camera Connect App, DPP Express enables users to send, view, edit and process CR3 RAW files on their iPad[vii]. A free download of the app will be available October 2018.

Additional noteworthy features of the EOS R Camera include:

RF Mount Compatible with RF Lenses and EF/EF-S Lenses
Built-in EVF with 3.69 Million Dots, Vari-angle Touchscreen LCD and Dot-matrix LCD Panel

ISO range of 100-40,000, expandable to 102,400
- USB 3.1 in-camera charging support
Built-in Bluetooth and Wi-Fi® providing easy sharing to compatible smart devices and social media sites
Single UHS-II SD card slot
CR3(RAW/C-RAW) and Dual Pixel RAW Support
Dust and weather resistant

Availability and Pricing

The Canon EOS R full-frame mirrorless camera is scheduled to be available in October 2018 for an estimated retail price of $ 2299* for the body only. It will also be sold as a body-and-lens kit with the new RF 24-105mm F4 L IS USM lens for $ 3399*.

[i] When attaching an EF-S lens via any of Canon’s new R-series mount adapters, the new EOS R automatically switches to APS-C crop mode.

[ii] When attaching an EF-S lens via any of Canon’s new R-series mount adapters, the new EOS R automatically switches to APS-C crop mode.

[iii] Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.

[iv] Available AF points may decrease when shooting with AF cropping or in movie mode, or depending on camera settings or lens attached.

[v] Based on results of AF speed tests in accordance with CIPA guidelines. Results may vary depending on shooting conditions and lens in use. Relies on internal measurement method.

Brightness at time of distance measurement: EV12(regular temperature, ISO 100)
Shooting mode: M
Lens in use: RF 24-105mm F4 L IS USM, with focal distance of 24mm and live-view mode on(with manual shutter button operation
AF mode: Live single-point AF(central) and AF operation: One-shot AF

[vi] Among interchangeable lens digital mirrorless cameras incorporating 35mm full frame equivalent image sensors with phase-difference detection AF on the image plane and contrast detection AF, available in the market as of September 5th, 2018 (Based on Canon’s Research).

[vii] Compatible with iPad models utilizing iOS 11 or later and equipped with at least 2GB of onboard RAM—specifically, iPad Pro (all models), iPad (5th generation), iPad (6th generation), iPad mini 4 and iPad Air 2.

^*Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

Canon EOS R specifications

Price
MSRP	$ 2299 (body only), $ 3399 (w/24-105 F4L lens)
Body type
Body type	SLR-style mirrorless
Body material	Magnesium alloy
Sensor
Max resolution	6720 x 4480
Other resolutions	4176 x 2784 (1.6x crop)
Image ratio w:h	1:1, 4:3, 3:2, 16:9
Effective pixels	30 megapixels
Sensor photo detectors	32 megapixels
Sensor size	Full frame (36 x 24 mm)
Sensor type	CMOS
Color space	sRGB, Adobe RGB
Color filter array	Primary color filter
Image
ISO	Auto, 100-40000 (expands to 50-102400)
Boosted ISO (minimum)	50
Boosted ISO (maximum)	102400
White balance presets	6
Custom white balance	Yes
Image stabilization	No
Uncompressed format	RAW
JPEG quality levels	Fine, normal
File format	JPEG Raw (14-bit Canon CRW) C-Raw (Canon compressed Raw)
Optics & Focus
Autofocus	Contrast Detect (sensor) Phase Detect Multi-area Center Selective single-point Tracking Single Continuous Touch Face Detection Live View
Autofocus assist lamp	Yes
Manual focus	Yes
Number of focus points	5655
Lens mount	Canon RF
Focal length multiplier	1×
Screen / viewfinder
Articulated LCD	Fully articulated
Screen size	3.2″
Screen dots	2,100,000
Touch screen	Yes
Screen type	TFT LCD
Live view	Yes
Viewfinder type	Electronic
Viewfinder coverage	100%
Viewfinder magnification	0.76×
Viewfinder resolution	3,690,000
Photography features
Minimum shutter speed	30 sec
Maximum shutter speed	1/8000 sec
Exposure modes	Program Aperture priority Shutter priority Manual
Built-in flash	No
External flash	Yes (via hot shoe)
Flash X sync speed	1/200 sec
Drive modes	Single High-speed continuous Low-speed continuous Self-timer
Continuous drive	8.0 fps
Self-timer	Yes (2 or 10 secs)
Metering modes	Multi Center-weighted Spot Partial
Exposure compensation	±3 (at 1/3 EV, 1/2 EV steps)
AE Bracketing	±3 (3 frames at 1/3 EV, 1/2 EV steps)
Videography features
Format	MPEG-4, H.264
Modes	3840 x 2160 @ 30p / 480 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, AAC 3840 x 2160 @ 24p / 480 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 120 Mbps, MOV, H.264, AAC 3840 x 2160 @ 23.98p / 480 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, AAC 1920 x 1080 @ 60p / 180 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, AAC 1920 x 1080 @ 30p / 90 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, AAC 1920 x 1080 @ 24p / 90 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 30 Mbps, MOV, H.264, AAC 1920 x 1080 @ 23.98p / 90 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, AAC 1280 x 720 @ 120p / 160 Mbps, MOV, H.264, Linear PCM
Microphone	Stereo
Speaker	Mono
Storage
Storage types	SD card (UHS-II supported)
Connectivity
USB	USB 3.1 Gen 1 (5 GBit/sec)
USB charging	Yes (with LP-E6N only)
HDMI	Yes (Mini-HDMI)
Microphone port	Yes
Headphone port	Yes
Wireless	Built-In
Wireless notes	802.11b/g/n + Bluetooth 4.1 LE
Remote control	Yes (via smartphone)
Physical
Environmentally sealed	Yes
Battery	Battery Pack
Battery description	LP-E6N lithium-ion battery & charger
Battery Life (CIPA)	370
Weight (inc. batteries)	660 g (1.46 lb / 23.28 oz)
Dimensions	136 x 98 x 84 mm (5.35 x 3.86 x 3.31″)
Other features
Orientation sensor	Yes
GPS	None

Articles: Digital Photography Review (dpreview.com)

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Western Digital debuts new G-Drive and G-Speed professional grade SSDs

09 Apr

Western Digital just revealed its new lineup of G-Technology G-DRIVE and G-SPEED external solid state drives at NAB 2018, and as you might expect, they’re built to handle ultra-high resolution video. In fact, WD claims these Thunderbolt 3 drives enable “real-time 4K and 8K workflows” for professionals who need serious speed, capacity, and reliability.

There are three new drives in all: the G-DRIVE Mobile Pro SSD, the G-DRIVE Pro SSD, and the G-SPEED Shuttle SSD.

G-DRIVE Mobile Pro SSD

The G-Drive Mobile Pro SSD aims to be one of the fastest mobile storage solutions you can bring with you in the field. Available in 500GB and 1TB configurations, this Thunderbolt 3 drive boasts read speeds up to 2800MB/s that should let you “edit multi-stream 8K footage at full frame rate, quickly render projects and experience them at full resolution, and transfer as much as a terabyte of media in seven minutes.”

The most portable of today’s announcements, the drive has also been built to be rugged. The derive uses “specially engineered components” for its shock-resistant design, and the aluminum core is meant to prevent overheating.

To learn more about the G-DRIVE Mobile Pro SSD, head over to the G-Technology website. Both 500GB and 1TB capacity drives will be available in the US starting this summer for $ 660 and $ 1,050, respectively.

G-DRIVE Pro SSD

The G-DRIVE Pro SSD, as the name suggests, is the Mobile Pro’s big brother. Like its younger sibling, it features a Thunderbolt 3 connection (actually two of them) and can transfer data at up to 2800MB/s. Thanks to the dual-connection, however, you can daisy chain up to 6 of these bad-boys together and stack them on your desk like Jenga pieces.

Since this is a desktop solution, it’s not built with the same shock-proof design as the Mobile Pro, but the G-DRIVE Pro SSDs do boast enterprise-class solid state drives with an endurance rating of one drive write per day.

These drives will be available to US consumers starting in May, and will come in capacities of 960GB, 1.92TB, 3.84TB, and 7.68TB for $ 1,400, $ 2,100, $ 4,100, and $ 7,600, respectively. Just for fun we did the math: if you daisy chain six of the 7.68TB drives together, you will have spent $ 45,600 for 46.08TB of solid state storage.

You can learn more about the G-DRIVE Pro SSD on the G-Technology website.

G-SPEED Shuttle SSD

Finally, the biggest and baddest of the drives released today (if you can call this a “drive”) is the G-SPEED Shuttle SSD: an enclosure that comes with eight removable SSDs pre-loaded and configured in RAID 5. This is meant for “ultra-demanding” workflows like multi-stream HD, 4K, 8K, VR and VFX backup and editing.

The G-SPEED Shuttle SSD comes with up to 16TB of storage (eight, 2TB drives pre-loaded) and can be configured to run hardware RAID 0, 1, 5, 10, and 50. And, like the G-DRIVE Pro SSD, the G-SPEED features two Thunderbolt 3 connection that max out at 2800MB/s and can be daisy chained with up to five additional devices.

The G-SPEED Shuttle SSD will arrive on store shelves in the US this month, and can be purchased in either 8TB or 16TB configurations for $ 5,100 and $ 7,600, respectively. That means the same $ 45,600 mentioned above will buy you 96TB of solid state storage if you go with the G-SPEED Shuttle.

To learn more or order yours, visit the G-Technology website.

Press Release

Access, Edit and Share Massive 4K and 8K RAW Video from Multi Camera Shoots in Real Time with the Fast and Reliable Western Digital Thunderbolt 3 SSD Solutions

Award-Winning G-Technology® G-DRIVE^® and G-SPEED^® Families Enable Creative Professionals to Access and Work With Data Quickly

Las Vegas, 2018 NAB SHOW, Apr. 9, 2018 – Western Digital Corporation (NASDAQ: WDC) is meeting the escalating fast-transfer and high-capacity demands of professional content creators by enabling real-time 4K and 8K workflows with three new professional-grade ultra-fast solutions in its powerful G-Technology® G-DRIVE® and G-SPEED® Shuttle product families.

Working with large 4K and 8K RAW video means massive file sizes and is undoubtedly one of the largest pain points for content editors. With new cameras capable of capturing over 400 MB/s of RAW data, there is an opportunity for content professionals to create incredibly high-resolution footage and ever-more immersive viewer experiences. It is not uncommon for a production crew to be on-location for two or three months recording three to four terabytes per day of footage from multiple cameras. With this expansion of data capture, comes a potential bottleneck in maintaining a real-time workflow on location – until now.

“Saving time means getting more done, which means booking more jobs over the course of a year,” said Scott Vouri, Vice President of Strategy and Business Development, Western Digital. “Creative professionals need to know that their drives will keep up with the growing demands of their workflows. To capitalize on these opportunities, the right tools are crucial. When working in the field, production teams need a fast solution that can handle demanding workflows of 4K and 8K content with the ability to quickly collect that valuable footage and be able to edit on the spot. With the power of Thunderbolt 3*, and transfer rates up to 2800MB/s**, the the new G-Technology Pro SSDs offer an ultra-fast, super-reliable solution for any creative project team.”

G-DRIVE Mobile Pro SSD

With storage running at 2800MB/s, the G-DRIVE mobile Pro SSD (Up to 1TB of capacity) lets you edit multi-stream 8K footage at full frame rate, quickly render projects and experience them at full resolution, and transfer as much as a terabyte of media in seven minutes or less (for capacities 1TB or larger) wherever you are. A durable, shock-resistant design uses specially engineered components to endure traveling, while a single Thunderbolt™ 3 port lets you instantly edit footage on the go with incredible speed without the need for wall power. An aluminum core prevents overheating and maintains a consistent high performance, and with a trusted 5-year limited warranty, you get durable, fast solutions. The G-DRIVE mobile Pro SSD solution with Thunderbolt 3 is available in the U.S. Summer of 2018 in capacities of 500GB ($ 659.95) and 1TB ($ 1,049.95) USD.

G-DRIVE Pro SSD

Equipped with scorching fast transfer rates of up to 2800MB/s, the G-DRIVE Pro SSD solution (up to 7.68TB of capacity) with Thunderbolt 3 technology enables a filmmaker to edit multi-stream 8K footage at full frame rate, quickly render projects and experience them at full resolution, and transfer as much as a terabyte of content in seven minutes or less (for capacities 1TB or larger). Dual Thunderbolt 3 ports are ready to daisy-chain up to five additional devices, while a stackable, rugged aluminum enclosure offers a durable way to help keep your workplace tidy. Combined with Enterprise-class solid state drives, an endurance rating of one drive write per day (DW/D) endurance rating, and a trusted 5-year limited warranty, the G-DRIVE Pro SSD delivers reliable, high-performance desktop storage you can rely on. The G-DRIVE Pro SSD solution with Thunderbolt 3 is available in the U.S. May of 2018 in capacities of 960GB¹ ($ 1,399.95), 1.92TB ($ 2,099.95), 3.84TB ($ 4,099.95) and 7.68TB ($ 7,599.95) USD.

G-SPEED Shuttle SSD

With up to 16TB of SSD capacity, the G-SPEED Shuttle SSD with Thunderbolt 3 is optimized to support multi-stream HD, 4K, 8K, VR and VFX workflows. Equipped with transfer rates up to 2800MB/s, hardware RAID 0, 1, 5, 10, 50, and eight removable SSDs pre-loaded and configured in RAID 5, it is built for ultra-demanding production workflows. The G-SPEED Shuttle SSD is available in the U.S. this month in capacities of 8TB ($ 5,099.95) and 16TB ($ 7,599.95).

*Backward compatible with Thunderbolt 2 using Thunderbolt 3 to Thunderbolt 2 adapter

**Based on read speed. As used for transfer rate, megabyte per second (MB/s) = one million bytes per second. Performance will vary depending on your hardware and software components and configurations.

¹As used for storage capacity, one terabyte (TB) = one trillion bytes. Total accessible capacity varies depending on operating environment.

Articles: Digital Photography Review (dpreview.com)

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LURVIG for Pets: IKEA Debuts its First Line of Animal Furniture & Accessories

17 Oct

[ By WebUrbanist in Design & Furniture & Decor. ]

Made to be compatible with other IKEA furnishings and fixtures, this new first-of-its kind pet collection has something for all your favorite furry friends.

The 62-piece collection was designed by Inma Bermudéz and aims to fill a market gap with quality, aesthetically pleasing but affordable pet products.

Some of the objects extend existing uses, helping customers save money and space, like kitty-scratching materials that attach to existing IKEA table legs or puppy beds that slot into bookshelf systems already on offer. A number of the products are designed to pack flat and fold away when not in use.

The designs reflect extensive research into pet needs and behaviors, including a bed designed to be stuffed with old clothes, blankets and towles to help dogs feel comfortable and familiar around their human family.

Aside from pet sleepers and carriers, the LURVIG line features an array of brushes, bowls, leashes, bag dispensers spanning eating, playing, sleeping, traveling, walking.and other cat and dog activities.

Perhaps the biggest surprise in this stellar new collection is that no one at IKEA thought to do this sooner — thankfully, now they have.

[ By WebUrbanist in Design & Furniture & Decor. ]

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Humans of New York is turning into a TV series on Facebook, debuts next week

25 Aug

Brandon Stanton, the photographer behind the wildly successful website-turned Facebook page-turned Best Selling Book “Humans of New York” surprised everyone today with a bombshell announcement. For the past 4 years, he’s been quietly filming over 1,200 personal interviews with his portrait subjects, and he’s turning those interviews into a HONY TV series starting next week.

The series was created in conjunction with cinematographer Michael Crommett, and the official announcement and trailer went live just 20 minutes ago on the Humans of New York Facebook Page.

“Early on I realized that video would add a deeper layer to Humans of New York. At the heart of all these posts are the conversations themselves,” writes Stanton. “I’m often deeply moved by the people I meet. Or they make me laugh. Or they make me think. And I always do my best to recreate the experience through photos and words. But I always knew that video would provide the closest thing to ‘actually being there.’”

Inspired by this realization, he began filming interviews… many many interviews. But instead of posting them one day at a time as he has been doing with his photos, he held onto them in the hopes of creating something special down the line. Down the line has finally arrived.

“My goal was not to make a television show based on Humans of New York. I wanted the television show to *be* Humans of New York,” explains Stanton. “I think I came pretty close. And I think/hope you will love it.”

Watch the trailer for Humans of New York (The Series) at the top of this article, and then head over to the HONY Facebook Page for more info. The Series premiers next week on Facebook Watch.

Articles: Digital Photography Review (dpreview.com)

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Canon debuts EOS M6 mirrorless with optional EVF

15 Feb

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Canon’s newest mirrorless camera, the EOS M6, is a replacement for the entry-level EOS M3 and slides in directly under the enthusiast M5 (confused yet?).

It shares essentially all of the M5’s internal components, including the 24MP APS-C sensor with Dual Pixel CMOS AF, Digic 7 processor and 3″ touchscreen. It’s also capable of 1080/60p video capture and has Wi-Fi, NFC and Bluetooth.

Differentiating factors between are limited to the built-in EVF on the M5 and the flip-up selfie screen on the M6. The M6 gains an additional top plate control dial compared to the M3, which should improve handling.

Canon also announced an optional EVF (the EVF-DC2) for use with the M6. This 2.36M-dot EVF is smaller and lighter than the EVF-DC1 used by the M3, but do note that it does not tilt upward.

The Canon EOS M6 will go on sale in April 2017 in both black and silver. It will sell for $ 780 body-only, with the EF-M 15-45mm F3.5-6.3 IS STM for $ 900 or with the EF-M 18-150mm F3.5-6.3 IS STM for $ 1280. The EVF-DC2 is priced at $ 250 and also comes in black and silver.

Press release

NEW CANON EOS M6 DIGITAL CAMERA ADDS POWERFUL PERFORMANCE TO EOS M SERIES

EOS M6 Camera Fuses Outstanding Image Quality, Dual Pixel CMOS AF and Improved Manual Control in a Small and Lightweight Digital Camera Body

MELVILLE, N.Y., February 14, 2017 – Designed with the advanced enthusiast photographer in mind, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the latest addition to its EOS M series – the Canon EOS M6 Interchangeable Lens Digital Camera; and a high performance External Electronic View Finder – the EVF-DC2, with approximately 2.36 million dots. For photographers who demand premium performance, the new EOS M6 Camera features the company’s 24.2 Megapixel APS-C CMOS image sensor able to capture sharp, high-resolution images even in low-light situations, its most advanced image processor, DIGIC 7, and super-fast Dual Pixel CMOS AF speed, enabling photographers to capture clear, sharp, high-resolution images and Full HD videos.

“The new Canon EOS M6 Camera and optional EVF-DC2 are ideal for expert and advanced amateur photographers looking for an easy, take-anywhere camera as well as a great choice for passionate image creators wanting to step-up to produce high-quality images and videos that are easily shareable,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “It is with great passion that Canon continues to deliver variety to image makers across all skill levels and professional needs.”

Advanced photographers will find everything they need at their fingertips, with intuitive DSLR-like dials and control, as well as access to the entire lineup of Canon EF, EF-S and EF-M interchangeable lenses¹, all in a compact, camera body to take with them wherever they go. Additional advanced EOS camera technologies built into the EOS M6 camera include:

Fast & Accurate Dual Pixel CMOS AF with Phase-detection
24.2 Megapixel CMOS (APS-C) Sensor
High-speed Continuous Shooting at up to 7.0 frames per second (fps) (up to 9.0 fps with AF Lock)
DIGIC 7 Image Processor, ISO 100–25600
Full HD 60p
Combination IS with five-axis Image Stabilization*
Built-in Wi-Fi®², NFC³ and Bluetooth®⁴ technology
Intuitive Touch Screen, 3.0-inch Tilt-type LCD
Control & Customize with Five Functional Dials
Compatible with EF¹, EF-S¹ and EF-M Lenses & select EOS System Accessories

The Canon EOS M6 features an in-camera five-axis digital image stabilization to help reduce camera shake when shooting videos. When shooting with a compatible lens featuring IS the EOS M6 will leverage both the optical IS in the lens as well as the in-camera digital IS through a Combination IS system, to help deliver tremendously smooth videos.

Usability has been improved from the previous model with separate controls on top of the camera body for mode and exposure compensation plus the controller wheel on the back to cycle through menus and additional in-camera features professional photographers are used to accessing. The three-inch touch screen tilts approximately 180 degrees up and 45 degrees down for easy use when surfing the menus, composing an image, viewing images and videos or even taking a selfie.

The new Canon EOS M6 Camera is scheduled to be available in both black and silver models through authorized Canon dealers or through the Canon Online store at http://shop.usa.canon.com/ in April 2017, for an estimated retail price of $ 779.99 for the body only^**. It will also be sold as part of body-and-lens kits with EF-M 15-45mm/F3.5-6.3 IS STM zoom kit lens with an estimated retail price of $ 899.99^**, and with the EF-M 18-150mm f/3.5-6.3 IS STM lens for an estimated retail price of $ 1,279.99^**, scheduled to be available April 2017. For more information please visit, usa.canon.com/eosm6.

Optional Electronic View Finder EVF-DC2

The optional Electronic View Finder EVF-DC2 is both smaller and lighter than the previous model and provides high-performance viewing with approximately 2.36 million dots. Connectivity is very important to today’s photographers and the EOS M6 delivers built-in Wi-Fi®, NFC and Bluetooth® capability that can maintain a smooth constant connection with compatible smartphones or tablets when using the Canon Camera Connect App^2,3,4.

CS100 Firmware Update

The new EOS M6 is compatible with the Canon Connect Station CS100, a go-to-photo and video hub that allows family and friends a way to quickly and easily store, manage view and share unforgettable memorable moments wirelessly5. Canon is also announcing today a firmware update to the Canon Connect Station CS100 and mobile application. The firmware update includes the following improvements:

Compatibility for select Canon and non-Canon cameras, with a wider range of supported file formats⁶
Support for video playback of computer-edited movies⁷
Improved smartphone connectivity and compatibility

For more information about the Canon Connect Station firmware update, please visit usa.canon.com/cs100mobile.

To learn more about the EOS M6 visit usa.canon.com/eosm6.

† Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

*Maximum image stabilization is achieved when using either the EF-M 18–150mm f/3.5–6.3 IS STM or the EF-M 15–45mm f/3.5–6.3 IS STM.

^**Availability, prices and specifications subject to change without notice. Actual prices are set be individual dealers and may vary.

¹Optional Mount Adapter EF-EOS M required to use EF and EF-S lenses.

² Compatible with iOS® versions 8.0/8.1/8.2/8.3/8.4/9.0/9.1/9.2/9.3/10.0, Android™ smartphone and tablet versions 4.1/4.2/4.3/4.4/5.0/5.1/6.0/7.0. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

³ Compatible with Android™ smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1/6.0/7.0.

⁴ When applications are active. Switch from Bluetooth® to Wi-Fi® connectivity when viewing the images on the camera via the compatible smartphone.

⁵Compatible with iOS® versions 8.4x/9.2.x, Android™ Smartphone and tablet versions 4.4.x, 5.0.x/5.1.x, 6.0.x. Data charges may apply with the download of the free Canon Connect Station app. The application is available in the apple app store or google play store.

⁶Support for playback of all images on this device cannot be guaranteed.

⁷JPEG and RAW (CR2) still images, and MOV/MP4 and AVCHD movies are supported.

Canon EOS M6 specifications

Price
MSRP	$ 779 (body only), $ 899 (w/15-45mm lens), $ 1279 (w/18-150mm lens)
Body type
Body type	Rangefinder-style mirrorless
Body material	Metal
Sensor
Max resolution	6000 x 4000
Other resolutions	3:2 (6000 x 3368, 3984 x 2656, 2976 x 1984, 2400 x 1600), 16:9 (6000 x 3368, 3984 x 2240, 2976 x 1680, 2400 x 1344), 4:3 (5328 x 4000, 3552 x 2664, 2656 x 1992, 2112 x 1600), 1:1 (4000 x 4000, 2656 x 2656, 1984 x 1984, 1600 x 1600)
Image ratio w:h	1:1, 4:3, 3:2, 16:9
Effective pixels	24 megapixels
Sensor photo detectors	26 megapixels
Sensor size	APS-C (22.3 x 14.9 mm)
Sensor type	CMOS
Processor	Digic 7
Color space	sRGB, Adobe RGB
Color filter array	Primary color filter
Image
ISO	Auto, 100-25600
White balance presets	6
Custom white balance	Yes
Image stabilization	No
Image stabilization notes	5-axis for video only
Uncompressed format	RAW
JPEG quality levels	Fine, standard
File format	JPEG (Exif v2.3) Raw (Canon CR2, 14-bit)
Optics & Focus
Autofocus	Contrast Detect (sensor) Phase Detect Multi-area Center Selective single-point Tracking Single Continuous Touch Face Detection Live View
Autofocus assist lamp	Yes
Manual focus	Yes
Number of focus points	49
Lens mount	Canon EF-M
Focal length multiplier	1.6×
Screen / viewfinder
Articulated LCD	Tilting
Screen size	3″
Screen dots	1,040,000
Touch screen	Yes
Screen type	TFT LCD
Live view	Yes
Viewfinder type	Electronic (optional)
Photography features
Minimum shutter speed	30 sec
Maximum shutter speed	1/4000 sec
Exposure modes	Program Shutter priority Aperture priority Manual
Built-in flash	Yes
Flash range	5.00 m (at ISO 100)
External flash	Yes
Flash X sync speed	1/200 sec
Drive modes	Single Continuous Self-timer Remote control
Continuous drive	9.0 fps
Self-timer	Yes (2 or 10 secs, custom, remote)
Metering modes	Multi Center-weighted Spot Partial
Exposure compensation	±3 (at 1/3 EV steps)
AE Bracketing	±2 (3 frames at 1/3 EV steps)
WB Bracketing	No
Videography features
Format	MPEG-4, H.264
Modes	1920 x 1080 @ 60p / 35 Mbps, MP4, H.264, AAC 1920 x 1080 @ 30p / 24 Mbps, MP4, H.264, AAC 1920 x 1080 @ 24p / 24 Mbps, MP4, H.264, AAC 1280 x 720 @ 60p / 16 Mbps, MP4, H.264, AAC
Microphone	Stereo
Speaker	Mono
Storage
Storage types	SD/SDHC/SDXC card
Connectivity
USB	USB 2.0 (480 Mbit/sec)
HDMI	Yes (micro-HDMI)
Microphone port	Yes
Headphone port	No
Wireless	Built-In
Wireless notes	802.11/b/g/n with Bluetooth and NFC
Remote control	Yes (Wired, wireless, or smartphone)
Physical
Environmentally sealed	No
Battery	Battery Pack
Battery description	LP-E17 lithium-ion battery & charger
Battery Life (CIPA)	295
Weight (inc. batteries)	343 g (0.76 lb / 12.10 oz)
Dimensions	112 x 68 x 45 mm (4.41 x 2.68 x 1.77″)
Other features
Orientation sensor	Yes
GPS	None

Articles: Digital Photography Review (dpreview.com)

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