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Posts Tagged ‘Death’

‘Death Ray’ Skyscraper Stands Accused of Blowing People Over

28 Jul

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

walkie talkie construction progress

Already infamous for its curved facade that ignited fires in adjacent buildings and melted nearby cars basking in its reflected sunlight, the Walkie Talkie skyscraper in London is now being blamed for toppling signs, overturning food carts and even knocking passers-by off their feet. Dubbed ‘Walkie Scorchie’ as well as the ‘Death Ray’ during its last public debacle, critics may need a new name for this building more suited to its fresh source of infamy.

wind tunnel heat

Local business owners, employees and residents have reported a dramatic increase in downdraughts since the completion of the 36-story downtown structure, suggesting its completion coincides with an upsurge of urban wind tunnel effects on surrounding streets.

skyscraper london downtown

A worker at a local retail outlet told The Times: “It has only really been windy since the Walkie Talkie has been here. When they were building it and there were the building works going on, it was fine. But ever since they’ve completed it, the wind really picked up.”

Walkie Talkie rips

A temporary screen erected at street level, eventually replaced with permanent shades hung from its concave side, solved the previous heat-generating problems tied to light reflection; it is unclear if something analogous can be done to address current wind-related concerns. For now, local food trolleys have been instructed to carry warning signs indicating they could tumble over and crush customers or pedestrians, a very incomplete and unsatisfactory solution for all potentially impacted parties.

urban curved building

Meanwhile, officials suggest there will be stricter reviews for new construction. According to Gwyn Richards, the City of London Corporation’s head of design, “The wind outcome at street level experienced post-construction on a number of projects differs somewhat to the conditions we were expecting from the one outlined in the planning application wind assessments. This is why we are asking for an independent verification of the wind studies on a number of new schemes to ensure as rigorous and resilient an approach as possible.” (images via Matt Brown and Duncan H).

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Malls of America: The Death & Life of Indoor Shopping Centers

05 Jul

[ By WebUrbanist in Architecture & Offices & Commercial. ]

southdale_center_1956

The inventor of the suburban American mall as we know it came to hate the effect his creations, turning over time from the creator of this building typology to its biggest critic. Architect Victor Gruen’s first mall was Southdale in 1956, located in Edina (a suburb of Minneapolis) only miles away from the Mall of America, now the largest indoor shopping center in the United States. Later this month, you can learn more first hand about the man and legend on Gruen Day, hosted by Tim Hwang of the Bay Area Infrastructure Observatory and Avery Trufelman, producer of 99% Invisible’s episode ‘The Gruen Effect‘.

The episode (embedded above) takes its title from that phenomena we all have come to associate with malls: a compulsion to consume, driven by dazzling displays and careful product placements in stores designed to sell. Gruen had loftier aspirations and nobler inspirations, however, when he first began to illustrate the problem of suburbs and conceive of malls as the solution.

gruen suburban analysis chart

More than just shopping centers, these were to be all-in-one ‘third spaces’ – places in addition to home and work where people could walk, interact and socialize. Following the model of European city centers, he also envisioned them as mixed-use architecture, blending commercial with residential and office spaces, perhaps even including public services like medical centers, libraries and daycares.

southdale center aerial view

Recognizing American reliance on automobiles, Gruen hoped to lure people with ample parking to these centers of activity, then recreate for them the experience of tightly-packed urban streets, vibrant and full of everyday life. Walking into Southdale, you would never guess that this was a first attempt, given its resemblance to other malls around the country.

southdale opening photo

The shortcomings of this plan were, as we now know, numerous, including but not limited to the privatization of public space. One cannot protest in a mall or walk its halls at any time day or night, and skylights are not a replacement for open skies. Indeed, while malls were popular for a time, the public has fallen out of love with them – the last full-sized shopping center was built nearly a decade ago and there appear to be few if any new ones on the horizon.

mall of america exterior

In some ways, the Mall of America in Bloomington, MN, built in the 1990s and currently being expanded, embodies more of what Gruen envisioned for malls, containing at its center a series of recreational spaces, rides and amusements, and flanked on its sides by places to stay (albeit temporarily – hotels not homes). People even walk and jog its halls in the early hours before stores open, much as they might on city streets – some even get married within its walls.

mall of america interior

Perhaps, though, the relative success of this venture is tied in part to the location – the Minneapolis area is almost unbearably cold for most of the year, then quite hot and humid in the summer, making it a perfect place for a temperature-controlled alternative to being outside.

gruen day celebration

As for Gruen: he eventually returned to Vienna and rejected his work on American malls, advocating for urban renewal in city centers. Meanwhile, interested Bay Area readers will want to get tickets for Gruen Day, taking place in one of Gruen’s earliest malls and featuring speakers, tours, and (of course) food courts, and read more of this story (and many others) at 99% Invisible (illustration by Victor Gruen, poster by the BAIO and photographs via LIFE Magazine, MallsofAmerica and MNopedia).

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Death Valley: One of America’s Worst National Parks?

22 Mar
An ages old mesquite tree looking up at one of the darkest rated night skies in America.

An ages old mesquite tree looking up at one of the darkest rated night skies in America.

I recently came across an article by Bill Fink on Yahoo titled “Our Tax Dollars Pay for What? The Nation’s Worst National Parks.” In all fairness, there are some pretty lame national parks and monuments, I’m not going to argue that. Certainly a few of them ended up on this list as expected. But when I got to number five on the list and saw Death Valley National Park, I was astonished.

Fink writes in the brief article that the best way to simulate a visit to Death Valley is to “heat a pan full of sand to about 200 degrees, then pour it on your head,” and that “when it’s not hot [in Death Valley] it’s bitterly cold, so at least you get some variety in your misery.”

I’ve been to Death Valley National Park five times now. Twice on photography trips and three times to lead workshops through the park. All three workshops in Death Valley sold out in less than 24 hours. So either I (and my students) have terrible taste in beauty or Bill Fink doesn’t know what he’s talking about. In fact, after reading through his brief writeup a few times, I’d wager that Bill hasn’t even been to the park. If that’s true, it just goes to show how far we’ve come from true journalism in today’s age of click bait articles.

Death Valley is, in my opinion, one of the absolute best national parks in the country. Here’s a few ways to make certain you agree after your next visit:

Visit the park between January and March

The second time I visited Death Valley was in early September back in 2013. The reported temperate at Stovepipe Wells was right around 118 degrees fahrenheit (47.8c). We knew it was going to be hot in the park, but we didn’t know it would be that hot. We were after some Milky Way images and figured we’d give it a go. Since it was still daylight, we decided to hike out into the Mesquite Flat Sand Dunes where the temperatures were around 10 degrees higher (128f or 53c) because of all the reflective sand.

I had a Camelback on to stay hydrated but if I didn’t continuously drink out of it, the water that gets stuck in the tube would get piping hot. Suffice it to say, the last thing you want to do when you’re experiencing the highest temperatures you’ve could ever imagine is to drink it a mouth full of piping hot water. It was, in a word, miserable.

As sunset approached, we decided to head to Badwater Basin. There, temperatures had cooled down to a much more manageable 113f (45c). The crazy thing is, the temperature didn’t drop as the sun set and darkness approached. It was pitch black outside and my tripod was too hot to touch and my Canon 1Ds Mark III was flashing warnings at me saying it was overheating. Yes, Canon’s flagship (at the time) pro level camera made to endure the harshest elements couldn’t handle the heat.

Badwater Basin at a scorching 113?F.

Badwater Basin at a scorching 113f (45c).

You may be thinking at this time that Bill Fink was pretty spot on, and if that had been my only visit to the park, I might be inclined to agree. If you want to enjoy everything Death Valley has to offer, you shouldn’t go when the temperatures are unbearable. The average high/low temps in fahrenheit in January for Death Valley are 67/40 (19.4/4.4C), February is 73/46 (22.8/8C)and March is 82/55 (28/13C). Anything past that and you’re looking at possible highs in the 90s and 100s. All three workshops I’ve done in the park have occurred during these months and they all had absolutely beautiful weather.

Rent a Jeep from Farabee’s

Much of what Death Valley has to offer isn’t accessible with the Ford Fiesta you rented in Vegas. Places like Racetrack Playa, Eureka Sand Dunes and Titus Canyon simply can’t (and shouldn’t) be reached without a good 4×4 vehicle. I’ve been to Racetrack Playa three times now. Once in a VW Toureg, once in a Chevy Tahoe and once in a Jeep from Farabee’s. The Toureg is a great SUV but it wasn’t 4-wheel drive. We got to the playa without any problems, but on the way out we busted something in the transmission and had to limp back to Vegas for three days while we waiting to get the car repaired. The second trip, with the Tahoe, resulted in a flat tire on the way in at Teakettle Junction. I think it goes without saying that the rest of the drive in, as well as the drive out was pretty nerve racking, considering our only spare tire had already been used.

The third trip (and my most recent), I finally decided to rent Jeeps for our workshop group from Farabee’s Jeep Rentals in Furnace Creek. We had to rent three because we had nine students and two instructors so we got two 4-door Jeeps and one 2-door. Getting out to Racetrack Playa in the Jeeps was like a dream. Sure, the road was still rough and unforgiving, but the Jeeps handled it without a problem. They also include coolers in the back full of ice cold water and a radio beacon in case you run into trouble, which will send them to your location immediately.

A "sailing stone" at the Racetrack Playa.

A “sailing stone” at the Racetrack Playa.

Parking lots are for tourists – don’t be a tourist

Two of the most incredible places in Death Valley are the Mesquite Flat Sand Dunes and Badwater Basin. Both have large parking lots that can be totally full at any given time and both locations can be pristine or totally useless depending on the recent weather conditions in the park. When the winds calm down for days or weeks on end, the sand dunes get covered in foot prints quickly and become totally un-photogenic. The salt plates at Badwater Basin are always changing and depend on rain to get back to their pristine condition with white salt and low, thin borders. As the plates dry and time goes on, the salt turns brown and the edges rise until they become totally unrecognizable.

The best thing to do at the Mesquite Sand Dunes is to park about a half mile before or after the parking lot on the side of Highway 190. Then, just hike out to the dunes from there. You’ll be free of nearly 90% of all foot traffic and will have mostly untouched dunes at your disposal. Just be smart and do your very best to tread lightly. Only walk were you have to and try not to trample the most beautiful dunes.

If the salt patterns at Badwater Basin look terrible from lack of rain, head over to West Side Road. You’ll actually drive right past this road on the way to the Badwater Parking lot, but most people just keep driving because it just looks like a dirt road. Drive about half mile or so down this road and you’ll have a great chance at finding some incredible patterns here. Just keep in mind that Badwater Basin is always changing and this information could be totally reversed during your visit.

From our location at sunrise (looking toward the parking area) we could see the circus or photographers already underway at sunrise.

From our location at sunrise (looking toward the parking area) we could see the circus or photographers already underway at sunrise.

Scout during the day – shoot at the edges

Blue skies are the norm in Death Valley. So don’t be surprised if you don’t see much in the way of clouds on your trip. I’ve actually lucked out quite a bit during my visits to the park and have experienced some incredible conditions. All that aside, don’t go photographing this place in broad daylight thinking that you’re going to come out with a bunch of keepers. This is the same with any landscape photography, all over the world. If you want to experience this park in all its glory, you need to capture it at sunrise, sunset or at night.

Zabriskie Point at dawn as storms move through the park.

Zabriskie Point at dawn as storms move through the park.

Conclusion

Death Valley is one of the most magnificent, diverse and photogenic national parks in America (USA). You just have to know how to do it right. You can either listen to some editor on Yahoo who just threw a list together (probably) without even going to the places in the article. Or you can listen to the throngs of photographers who visit the park each and every year, including ones like me who keep coming back again and again.

What do you think? Should Death Valley have made this list of worst national parks? Let’s talk in the comments below!

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Opinion: Why the death of the point and shoot benefits photographers

19 Sep

The death of the point-and-shoot compact has been disastrous for all the major camera manufacturers, but it’s not all bad news. Manufacturers  are clambering over themselves to offer the most attractive features to the last group of people willing to pay for a good camera, spurring the kind of innovation we’ve not seen in a long time. Find out why we think photographers are reaping the greatest benefits from the decline of the point-and-shoot. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Actor Dennis Hopper gets first London exhibition – 4 years after death

29 Jun

Apocalypse Now star Dennis Hopper is set to get his first London photography exhibition, four years after his death. The show, entitled ‘The Lost Album’, will be a rerun of an exhibition Hopper held in 1970 at the Fort Worth Art Centre in Texas, and will comprise the original 9.5×6.5in silver gelatin prints that were first displayed over thirty years ago. Incredibly, the 400 prints were only found after Hopper’s death in 2010, having lain ‘lost’ since their first airing. Click through for more information.

related news: Digital Photography Review (dpreview.com)

 
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Actor Dennis Hopper gets first London exhibition – 4 years after death

25 Jun

Paul_Newman.jpg

Apocalypse Now star Dennis Hopper is set to get his first London photography exhibition, four years after his death. The show, entitled ‘The Lost Album’, will be a rerun of an exhibition Hopper held in 1970 at the Fort Worth Art Centre in Texas, and will comprise the original 9.5×6.5in silver gelatin prints that were first displayed over thirty years ago. Incredibly, the 400 prints were only found after Hopper’s death in 2010, having lain ‘lost’ since their first airing. Click through for more information.

News: Digital Photography Review (dpreview.com)

 
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Is Visiting the Racetrack Playa in Death Valley Worth It?

03 Jun

racetrack-playa-workshop

I probably won’t ever go again. That’s how bad it’s gotten. Not unless something changes.

If you’re into travel and landscape photography you’ve likely either been to or have on your bucket list the Racetrack Playa in Death Valley National Park. I’ve been twice now, which is really a lot harder than it sounds if you haven’t been before. In this article, I want to go over my current thoughts on this peculiar and incredible place and the impact that tourists and photographers are having on it. I think it’s an important dialogue to open up, so I hope you’ll join in the conversation once you’ve read the article.

What is the Racetrack Playa?

Perhaps you’ve never heard of the Racetrack Playa, or maybe you’ve heard of it but just don’t know much about it? The Racetrack Playa is a remote location deep within Death Valley National Park. It is a massive playa (dry lake bed) that measures 2.8 miles long by 1.3 miles (4.5 km by 2.1 km) wide. The playa is famous amongst tourists and photographers because of its mysterious “sailing rocks” that leave trails behind them on the playa. It’s said that nobody has ever witnessed the rocks moving. Because of that, there is no shortage of theories about how they move about the playa. While the Racetrack Playa is incredibly remote, in reality it’s really not all that far away from the main attractions at the park like the Mesquite Sand Dunes. The problem is that a mountain range sits in-between the two (so you have to drive all the way around).

Screen Shot 2014-05-19 at 3.53.48 PM

Getting there

Once you’ve driven the two hours on Scotty’s Castle Road and stopped at Ubehebe Crater, you still have a daunting 27 mile washboard gravel road to contend with. From Furnace Creek to Racetrack Playa, you’ll be driving uphill the entire way and will gain around 3,500 feet in altitude. The gravel road is fine in a few areas, but absolutely frustrating most of the way. The entire time you’re dodging large rocks and boulders in the middle of the road, pulling over to let oncoming traffic pass by and trying to ride that balance between going safe and slow to avoid a flat tire, and fast and dangerous to avoid the washboard style road and all the bumps and vibrations.

Both of my trips into the Racetrack Playa had potentially horrendous outcomes but both also produced some great images for my portfolio. The first trip in was with my buddy Cliff Baise in his VW Toureg. We made it in just fine, but on the way out the road just proved too much for the SUV. His drive train got damaged at some point and we had to limp into Las Vegas for three days while the car got repaired. The second trip was during the first of two photography workshops I led inside the park with Mike Mezeul II back in February of this year. During that workshop, we took another SUV in and got a flat tire when we pulled into Tea Kettle Junction. Luckily we had a spare tire and got out fine (but it could have ended a lot worse if we had gotten another flat on the way out).

All of this to say that by the time we actually got to the playa parking lot–after 3 hours of driving and a flat tire–I wasn’t in the best of moods, and I was doing my best to stay calm and happy for my workshop students. After all, this place is a bucket list item for most photographers and just being here is a huge blessing. So if just getting to the Racetrack isn’t bad enough, here’s what we were greeted with as we walked out onto the playa…

racetrack-damage

We anticipated this, but had no idea the extent of how bad it was. The Death Valley National Park Facebook page had shared a similar photo at the beginning of the month but we had heard rumors that the photo was taken well off the beaten path of the playa. Here’s that photo:

Image originally posted on the Death Valley National Park Facebook page. Used with permission.

Image originally posted on the Death Valley National Park Facebook page. Used with permission.

This is what happens when logic flies out the window. This is pure stupidity and selfishness at it’s worst. Matt Kloskowski wrote an article that somewhat defended the actions of whoever did this. He wasn’t by any means saying it was ok, just that they didn’t know any better and that it’s just dirt. I respectfully disagree. When I took my workshop group out onto that playa, it was plenty dry enough to walk on without leaving any trace. If it was still damp or muddy, we would have turned right around and left (the group knew that going in). As we explored the Racetrack during sunset, it was virtually impossible to find a good composition that didn’t have footprints littering the scene. It was far, far worse than I had expected. Nobody could have done this without at least thinking to themselves that maybe they shouldn’t be doing it. I refuse to believe otherwise.

But it’s just dirt – who cares?

It matters because the playa, and the park as a whole, only get around one to two inches of rain per year. That means that these footprints will likely be on the playa for years and years. Unfortunately, that’s not where the problem ends.

Childish playa mischief

Another thing that becomes painfully obvious while exploring the Racetrack Playa is the increasingly high amount of mischief going on. The very first rock trail that I came to on the playa had no rock at either end. The next trail I came to was around 15-20 inches wide (quite large for the playa) but only had a tiny rock (maybe 6 inches) at the end. Yet another rock trail I found was just the opposite; around 6 inches wide but with a much larger rock at the end. There were trails with no rocks, trails with rocks at both ends, rocks with far too extravagant trails behind them and so on.

It’s quite clear that people tamper with the rocks at Racetrack Playa. Unfortunately, the likely source of this mischief is other photographers. It takes a LOT of walking and a LOT of patience to find the perfect rock, with a perfect trail behind it, with a perfect backdrop behind that. The problem is, some people don’t have the amount of patience it requires to get a shot like that. My guess is that photographers are finding good trails and good backdrops, and then replacing the rocks in front of them with larger rocks from somewhere else. I talked to one photographer out there who heard a rumor that another photographer took a picture of a rock and then move it as far away as he could, ensuring that nobody else would ever get the same photo.

There have also been tire tracks both times I visited the playa, leading out toward the rocks. So who’s responsible for that? Is it tourists, or photographers who just don’t want to make the hike out to good rocks? Is it people who take their trucks out on the playa to drag the rocks around? Who knows. Either way, there are plenty of signs prohibiting driving onto the playa.

So what can we do?

I think the most important thing we can do is just get the word out. I’m convinced that the overwhelming majority of photographers are good people and respect the things they photograph. It’s just unfortunate that the small percentage of people who don’t fall into that category can completely ruin a good thing like the Racetrack Playa.

I hate to say it, but at this point I think I would totally support Death Valley National Park changing the Racetrack Playa to a permit only destination and even making it a lottery system much like Vermillion Cliffs National Monument. Those who get accepted to go in will be educated on the playa, how to take care of it and precautions to take when going out. The footprints would disappear, the mischief would go away and photographers everywhere would rejoice.

racetrack-playa-rock-james-brandon

Conclusion

My experience with the Racetrack Playa has been a frustrating one to say the least. That’s why I really want to get the word out about the shape that it’s in and get people talking about it. What do you think about all this? What’s your opinion? How should we fix it? Let me know in the comments below!


Editor’s note: I think this is an important topic for discussion. Some photographers like Ansel Adams were key in the conservation of National Parks in the US and he was a big advocate for leaving nature natural. So how have we gotten so off track since Ansel Adam’s time? If photographers of his era were as careless and selfish there might not even be parks for today for us to enjoy. So what legacy will be leave our future generation? How can we make a stand and make a difference? I just used this quote on someone else and thought it appropriate to share here also:

I am only one,
But still I am one.
I cannot do everything,
But still I can do something;
And because I cannot do everything,
I will not refuse to do the something that I can do.

Edward Everett Hale (often wrongly attributed to Helen Keller as she has used it in her writing as well)

So what will you do?

The post Is Visiting the Racetrack Playa in Death Valley Worth It? by James Brandon appeared first on Digital Photography School.


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15 April, 2014 – Photography And The Death Of Reality

15 Apr

 

Rick Sammon seems to be everywhere these days.  He is a well known photographer that works hard and shares his experiences and knowledge generously.  His first article with Luminous-Landscape – Photography and The Death of Reality is meant to get you thinking about your photography and just how far you take your images in your own artistic quest of reality.
 


 

There aren’t too many places to slow your photography down and to work the landscape as Isle Of Skye. Come join Kevin Raber, Steve Gosling and Joe Cornish on an amazing photographic adventure to this amazing landscape.  It gets even better as this is being held with the cooperation of Phase One as a PODAS workshop and each participant will receive a Phase One camera system to use for the duration of the workshop.  There isn’t a better camera system to do the Islel Of Skye Landscape with than the Phase One camera and digital back.  Spaces will go fast for this workshop.  Your workshop fee provides you with an all expenses paid worry free trip. All you need to do is get to the Inverness airport.  Learn more about this amazing week of photography HERE.

If you can’t make this workshop check out our other workshops.  We have an amazing small ship cruise in July to The Land Of The Polar Bear.  We have only select berths left for this trip so please inquire.   And our August Palouse Harvest workshop is filling fast. There are still a few berths left for our second Antarctica Workshop next January. 

Mark your calendars for December of this year in New Zealand, details coming soon and a most amazing adventure next April aboard the True North sailing the Kimberley region of Western Australia.


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Is the Death of HDR Photography Coming?

13 Mar

‘Condensation’ By Gavin Hardcastle – Location, Gastown, Vancouver, BC

Adapt or die. It’s the way of the world, and with the ever changing rhythms of the digital age, you’ve got to be light on your feet in order to survive. I’m no oracle, but I direct these words of warning to all software companies that have a vested interest in HDR (High Dynamic Range) processing for photography.

If you’ve seen any of my work, you’ll know that I rely on HDR photography techniques to handle the huge dynamic range in the scenes that I shoot. The thing is, ever since I started shooting with the Sony A7R, I’ve been using HDR less and less.

Better Sensors = Better Dynamic Range

The new wave of digital sensors is upon us and the Bayer sensor in the Sony A7R is by no means the best out there. If you’ve got deep pockets, you’ll get the best dynamic range out of digital camera backs from Phase One, MamiyaLeaf and Hasselblad, but it’s only a matter of time until the prosumer market catches up, like it always does.

Below, you’ll see some recent examples of high dynamic range images (not tone mapped) that I made from just one exposure with my Sony A7R. With my old Canon 5D MkII, I would have had no choice but to bracket 3 different exposures and then blend them in my HDR app of choice. These days, I only need to do that in extreme cases , such as sun star shots where there can be major lens flare. These images were processed mostly in Adobe Camera Raw with some additional colour correction on Photoshop.

‘Cold & Steamy’ By Gavin Hardcastle – Location, Gastown, Vancouver, BC

‘Stumpcicle’ By Gavin Hardcastle – Ladysmith, BC

‘Stocking Freeze’ By Gavin Hardcastle – Ladysmith, BC

‘Steam Powered’ By Gavin Hardcastle – Gastown, Vancouver, BC

With the images above I basically exposed for the highlights and pulled the shadow detail back up in Adobe Camera Raw to create even dynamic range. Had I tried this with something like the 5D MkII, the noise and lack of image clarity would have made this unusable. Now I’m not comparing older camera sensors to newer ones, that’s pointless, my purpose here is to highlight how awesomely powerful the new wave of image sensors can be when it comes to dynamic range and how that’s going to affect the HDR software companies.

Imagine the freedom of knowing that you’ve nailed that epic sunset shot with just one exposure. It gives you more time to move around and try different compositions. With no need to bracket you’ll save time during a shoot, allowing you more creativity. You’ll also save on hard disk space and processing time which will speed up your workflow.

If you’re new to HDR and are not familiar with terms like ‘bracketing’, head over to my HDR Tutorial to learn how it’s done or these dPS articles:

  • Five Minutes to Realistic HDR using Lightroom and a 32-Bit Plugin
  • Tips for Great HDR Sunsets
  • The 10 Steps Every HDR Photographer Goes Through

What’s next for HDR Software Companies?

I don’t have a crystal ball, but my advice to companies like SNS-HDR, Oloneo and Photomatix is to gear their software more towards creating RAW file presets that give HDR results from a single exposure. As sensors get better and capture more dynamic range, it’s going to become the norm for us to capture all of the dynamic range we need in just one RAW file. The magic will come from being able to process those RAW files in a beautiful way with just one click of the mouse. After all, those RAW files don’t come out of the memory card looking their best. You need to do a little tweaking to pull out those details and crank up the eye candy. That’s where I see a gap for the software companies.

‘BBQ Corner’ By Gavin Hardcastle – Fototripper

I’ve come to love my HDR apps and accepted them as an integral part of my workflow, but what it all boils down to is that HDR processing is simply a means of overcoming the technical limitations of a digital camera sensor. When those limitations are no longer an issue, what’s the need for HDR processing?

I have great respect for the software companies that make these awesome HDR apps and I’ve happily paid for their software because they deliver great results. I’d hate for them to fall on hard times because they didn’t heed this message, so I invite them to post their comments on where they see HDR in the next few years.

The new wave of camera sensors are coming, will they be ready? Are you ready? Share your thoughts in the comments below.

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8 January, 2014 – Death Valley Sunset

09 Jan

 

Have you ever come home from a landscape shoot, especially a sunrise or sunset and found the images on your computer after importing don’t look exactly like you remember seeing them?  Today Kevin Raber shows how he worked Death Valley Sunset.

Check out the NEW July 2014 Svalbard workshop to visit The Land Of The Polar Bear.  Hope you can join us on this one.

 


The Luminous Landscape – What’s New

 
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