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Posts Tagged ‘‘Dear’

Dear Nikon: Please let us keep the 20mm F1.8G, Love, Dan

20 Jan

An open letter to Nikon 

Dear Nikon, 

Dan Bracaglia here from DPReview.com. It’s been brought to my attention (mostly due to the nagging of coworkers) that the Nikkor 20mm F1.8G lens you’ve loaned us needs to be returned to Nikon ASAP. I guess this makes sense, seeing as we’ve had it for about 20 months now. But perhaps I can convince you, beyond a reason of a doubt to allow us just a little more time with it. I ask because I truly love this lens. And here’s why:

There’s no such thing as a perfect lens, but a lens can certainly be the right tool for a specific job, and to that extent, it’s perfect. Your 20mm F1.8G is just that for me.

I first moved to Seattle about five months before you shipped DPReview the lens. I’d previously been living in New York City and photographing live music. Back then I largely shot with a 17-35mm F2.8 (the lens motor has since died) and an on-camera flash. It was the perfect setup for the rowdy punk rock shows I frequented.

ISO 12,800, 1/160 sec at F2. Edited to taste in Lightroom.

But, after moving I realized I was going to have to switch up my music rig. I became aware that shows in small and mid-size venues in Seattle were well-documented, but shows happening in less traditional spaces, like friends’ basements, living rooms or art/community centers were often not photographed (despite being well-attended). So I launched a photoblog with the goal of documenting my local music community.

Out of respect for these intimate environments, I vowed to leave my flash at home and shoot available light only. And what could be better for documenting in the dark than fast primes? 

When shooting shows with available light, three things matter most to me in a lens: its size/weight (too large = too intrusive), it’s brightest aperture and its focus speed. Your 20mm, Nikon, is a perfect balance of all these things. A look at the Sigma 20mm F1.4 to gives an idea of how big and cumbersome a brighter 20mm lens could be.

And when paired with my D750, the combination is fast-to-focus (using the center area) even in conditions that are often too dark for me to physically see. This is incredibly impressive and useful. Even if I can’t tell whether or not my subject is in focus, I need to be able trust that my camera and lens can. Simply put, when used together the D750 and 20mm F1.8G sing.

ISO 12,800, 1/160 sec at F1.8. Edited to taste in Lightroom.

I’ve been mostly shooting it alongside your marvelously cheap 50mm F1.8D, which was actually my favorite Nikon lens (shocking!) before I got my paws on the 20mm 1.8G. I use the 50mm for detail shots and the 20mm to capture the tone of the room. Both are coat-pocketable and don’t add much bulk to the D750. Moreover both are sharp enough for me by F2.2 and fast-to-focus. The only thing I don’t like about the 20mm against the 50mm is the price, which is much more than the quintessential fast 50. 

That’s where the loan comes in. I know, I know, I’m lucky to be able to have access to loaner gear (we do ALSO use the lens for camera testing and sample image shooting), it’s just hard to justify spending $ 800 on a lens that will likely be soaked in beer within two weeks of my purchase (not that it’s ever happened to your 20mm…). I suppose I should be grateful for having had the chance to use a piece of gear and fall in love with it before buying it. After all, the inherent danger of using loaner gear from any brand, is getting attached.

At the the end of the day, maybe I should look at the $ 800 price tag as less about the cost of the lens and more about the price of being able to continue to document something I love, without drawing much attention. And to that regard, I owe it to myself, my community and you, to pony up and buy one. 

I’ll do that, but maybe after just one more loan extension?

Sincerely,

Dan Bracaglia

P.S. Anyone at Nikon want to purchase a slightly busted 17-35mm F2.8 for $ 800?

Articles: Digital Photography Review (dpreview.com)

 
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Posted in Uncategorized

 

Dear Dairy: 12 Delicious Displays Of Milk Crate Art & Design

10 Oct

[ By Steve in Art & Sculpture & Craft. ]

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Milk crates are like jumbo LEGO bricks: they’re colorful, lightweight, plentiful, and can be arranged in an infinite number of artful configurations.

milk-crate-art-1b

milk-crate-art-1c

Looking a little like a gargantuan game of true-life Tetris, this monumental milk-crate magic carpet by local artists Philippe Allard and Justin Duchesneau won the Prix Art Public at Montreal’s Gala des arts visuels in 2012. Dubbed “Courtepointe” or “Quilt” in English, the installation was set up at the disused Darling Foundry which has housed and hosted artists studios and an art gallery since the early 2000s. Credit Flickr user taoquay for the above images snapped on July 24th of 2012.

Lactose Lighthouse

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Sculpture By The Sea, held annually in Bondi and Cottesloe, Australia, are said to be “the largest free to the public art exhibitions in the world”. The 2004 edition held along the scenic Bondi to Tamara clifftop walk featured a titanic tower of red and black milk crates built in the form of a lighthouse. No sea cows were harmed during its construction.

Crate Habitat For Humanity

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Featured as part of the 2015 London Festival of Architecture, the Art|House was a pop-up commission located in Powis Square. The structure was built using approximately 4,000 milk crates.

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milk-crate-art-4c

Designed by Jo Hagan and Use Architects/The Institute Of Light, the house was constructed in such a way that the component crates can either be re-introduced to perform their original purpose or packed down, delivered to any new location, and reconstituted as a sustainable shelter. Wonder what happens when it rains, this being England and all.

Branching Out

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By now you might just assume Australia is the center (or “centre”, as the Aussies spell it) of the milk crate art universe, and that assumption would be correct. It would seem the ground down under is already saturated with milk crate artworks so there’s now nowhere to go but up – as in the suspended crate man from Footscray, a suburb of Melbourne, snapped by Kham Tran of Kham’s Blog in September of 2011.

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Dear Dairy 12 Delicious Displays Of Milk Crate Art

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[ By Steve in Art & Sculpture & Craft. ]

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WebUrbanist

 
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Posted in Creativity

 

Dear China, Please Make This.

26 Aug

Whoops, my bad. Lemme rephrase that:

?????????????????????????????????????????????????

Now, here's why:

Read more »
Strobist

 
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Posted in Photography

 

Send Dear Old Dad a Photo Puzzle in the Mail This Father’s Day

05 Jun

Extra photos for bloggers: 1, 2, 3

Your dad is one cool, Rolling-Stones-loving, facial-hair-rocking dude.

He deserves to get something equally as rad as he is this Father’s Day.

Send him a photo puzzle in the mail!

Instead of receiving one card for Father’s Day, dad will get multiple envelopes in the mail with pieces of a photo puzzle in them creating excitement, magic, and an awesome image in the end.

Dad will get the first envelope in the mail with a card and a sweet handwritten note letting him know how much you love him.

When the final puzzle piece arrives, your tough as nails dad will find it hard not to get a little choked up when he’s reminded how cool he is for raising such an awesome person.

Make a Father’s Day Photo Puzzle

p.s. Our friends at Mount July make really rad retro inspired color-splashed camera filters. It’s their last week of Kickstarter funding! Help them out here.

Why It’s Cool

Let’s admit it, we all love getting a greeting card in the mail. (Thanks for that birthday card with cash money in it grandma!)

This Father’s Day send your pop a week’s worth of greetings with the accompanying weeks worth of happiness.

Suspense, supporting the US Postal Service, and making dear old dad smile. Sweet!

Ingredients:

  • A photo your dad will love
  • Scissors
  • 7 envelopes
  • Postage

STEP 1: PICK AND CHOOSE

before Scan through your photo albums and grab a photo that will make dad smile.

This is fun ’cause you can take a trip down memory lane while looking through your photos for an awesome pic to send to your dad.

STEP 2: A MILLION LITTLE PIECES

before Time to get crafty with your scissors.
Cut the photo into 7 pieces that will fit back together and will fit in your envelopes.

You can keep it simple with square shapes or go a little wild and start cutting different shapes that all fit together.

STEP 3: SEND A LITTLE SUGAR

before“Hey Dad! Remember that time I stuck a raisin up my nose and it turned into a grape? Good times.”
Write a little note to dad on the back of each piece of the puzzle letting your dad know how awesome he is or a memory you’ve shared.

You can also write one word or two on each puzzle piece that will form a sentence when the puzzle is put together.

STEP 4: EXPLAIN YOURSELF

beforeDearest Father,
In the first envelope you send write a note to dad that explains he will be getting 7 envelopes in the mail that contain pieces of a puzzle that will fit together in the end.

Also, thanks for being a cool dude that has taught me many things. Things that include but are not limited to: how to ride a bike, how to make algebra easy, to always carry a hanky in your pocket.
You are the best.

Love, your favorite child.

STEP 5: PIECE BY PIECE

beforePlace each piece of the puzzle in its own envelope.
Seal the envelope with love.

STEP 6: TO SIR, WITH LOVE

beforeStamp and address each envelope.
Almost ready to send dad a little bit o joy!

STEP 7: RAIN, SLEET, OR SNOW

beforePop one envelope in the mail every day so your dad will receive all 7 envelopes before Father’s Day.

Taking It Further

  • Print the image on magnetic inkjet sheets so dad can put the finished puzzle on the fridge for the world to see.
  • Give dad all the tools for the photo puzzle and have him send you one.
  • Blow up a photo and make a giant photo puzzle that you can hang on the wall.

Related posts:

  1. Make Your Own Photo Puzzle Blocks Extra photos for bloggers: 1, 2~Have a cool photo product…
  2. Simplify Your Life: Send Photos to Different Sites at the Same Time Thanks to returning sponsor MailChimpfor making this week’s Photojojo possible….
  3. Super Keen Father’s Day Photo Gifts: Only the Best for Dear Old Dad Whether you call him Pee, Kaka, Tata, Chichi, Babbu, or…


Photojojo

 
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Posted in Equipment

 

Dear Marissa Mayer, Please Give Us a Tool to Better Block Bad Actors on Flickr

26 May

As an opinionated blogger, watching Flickr roll out recent changes to the site this past week has been an interesting experience, to say the least.

Thanks, Marissa Mayer, for making Flickr awesome again. Thanks also to the Flickr team who have worked so hard to roll out these changes. The new Flickr is the most photo immersive experience anywhere on the web. It is far more engaging and far more beautiful than I ever could have imagined.

Witnessing and countering in the vile hatefest that the Flickr Help Forum has become this past week has also been interesting. Simply for expressing my opinion in a public feedback forum on the new design, I’ve been called a shill, a troll, a sock puppet, a scrotum sack, and many things far worse that I don’t really feel like printing.

I’ve been told that my photography is absolute crap, been accused of working for Yahoo, of being related to Marissa Mayer, of trying to pump up Yahoo’s stock price by supporting the changes — my work, motives and integrity have all been subject to relentless attacks there.

There is little civility in a forum taken over by the ugliest and most vulgar of what the web represents.

The vandalization of Marissa Mayer’s own Flickrstream, and the encouraged vandalism in the same forum, saddens me. To see someone leave an offensive comment on a Mother’s Day Photo, of all things, makes Flickr less of a place to want to spend time.

One Flickr staffer had to actually turn off public comments on his Flickrstream. “You are going to hell,” was the comment that made him turn them off.

There is, at least, a partial answer to this problem: give us a tool to block other users on Flickr.

Flickr already does have a blocking feature of course, it’s just super weak and only prevents someone from leaving a comment on one of *your* photos.

On the other hand, even if you block someone, they can still attack you in all sorts of other places on Flickr, where you spend time. Flickr users should be able to use the public areas of the site without being subject to vile personal attacks. The Help Forum, Groups, other people’s photos, all should be places where Flickr users can visit and feel safe and comfortable.

I left Flickr groups for good a few years back (so did a lot of my friends). The reason why I left was that groups were becoming too ugly. Especially as an opinionated and high profile user, I found myself subject to constant terrible attacks. There was nothing that could really be done about this. Sure, you could report someone violating the Flickr Community Guidelines to Flickr, and maybe 5 days later their account would be deleted, but then they’d just make up a new troll account and be right back at it over and over again.

It was simply easier to just leave the public community of Flickr than to deal with the hate.

When I first joined Google+, I saw some of these same bad actors appear over there, too. I’d watch both myself and my good friends be attacked by others — jealous, petty haters and trolls, mostly. But then Google did a really smart thing. Google rolled out a really strong blocking tool and, just like that, all the hate went away.

You see, on Google+, when you block somebody, they become entirely invisible to you. They are entirely filtered out of all of your views on G+. Poof. Gone for good, not just in your stream, but *everywhere* for you on the site — and that has made Google+ a far better, nicer and more polite place for community than Flickr. Where the Flickr community is a negative hatefest, the G+ community is the most amazing, optimistic, supportive community I’ve ever known online.

You see, blocking the worst of the web doesn’t just filter it out of your view. The more significant thing that it does is it *encourages* civility.

Right now on Flickr we have no power against incivility. People can be as nasty and as rude and as ugly and as disrespectful as they want. They can spam the Flickr help forum with images of excrement (as they actually did last week) and you can’t do a damn thing about it — but if you give us the ability to block these bad actors, then their power is reduced. They know that as soon as they begin the ugliest of hate that the vast majority of positive contributing members will simply block them. Their audience is diminished and soon they are standing on a soap box shouting only to the 10 or so other users who share their hate filled outlook on life.

Before I quit using Flickr groups, one particular nasty member was looking at the photos that I was favoriting (this is forced public and Flickr won’t allow me to control who gets to see it — unlike on G+ where it is private) and this person began leaving vile comments on every photo that I was commenting on. This way, every single one of their comments was showing up in my recent activity, even though I’d blocked them from commenting on my own photos. That’s just wrong.

If Flickr wants to be a place where community can flourish, they need to give us tools to protect ourselves from the hate.

Marissa, I don’t need to tell you how bad the hate can be on Flickr. If you’ve reviewed your own Flickrstream this past week, you know what I’m talking about. It’s deplorable. Especially when any user can so easily just keep making anonymous troll account after anonymous troll account — please, give us a tool to remove the bad actors from our Flickr experience.

This week’s new design work was fantastic, now let’s go to work on improving the community for those of us who want to positively contribute there as well.


Thomas Hawk Digital Connection

 
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Posted in Photography

 

Polar Dear – Even If I’m Late [OFFICIAL MUSIC VIDEO]

05 Jan

POLAR DEAR’S FACEBOOK PAGE: www.facebook.com First Music Video for Polar Dear. Director / Editor / VFX: Dezs? Gyarmati Photography: Szilard Nagyilles, László Mester, Krisztrián Imre Stylist: Tunde Bak Kyra Make Up: Kata Kertész Special Thanks: umbrella | umbrella.hu, solid studio | solid.hu wait you know me I’m brave so I’m gonna save everything from the grave that i have dug believe me that i know it’s not allowed to throw anything to the crow flying above us wait even if i’m late the promises i told you are all true wait even if you hate being just sedated I need your art if you really want me to sing let me check the sweet melodies of you favourite track wait pull me out of this hole sometimes i have t fall into these endless painfull memories twisted games wait even if i’m late the promises i told you are all true wait even if you hate being just sedated I need your art if you really want me to sing let me check the sweet melodies of you favourite track

FPV… proximity style. FPV gear (readymadeRC.com and hobbyking.com) 1.3 ghz 300mW video tx 3dBi omni antenna (360mah lipo) RMRC 480 camera eagletree elogger and OSD Hobbyking LEDs Gopro HD hero for aerial recording Base station 2 x 1.3Ghz recievers with 8dBi patch and 3dBi omni antennas Eagletree EagleEyes FPV station (diversity) Fatshark goggles All running off a 2200 mah 3s lipo mounted on a camera tripod. Music : “escapee”? by architecture in helsinki
Video Rating: 4 / 5

 

Dreamy Theater 2nd – Dear cocoa girls [M=Hatsune Miku]

30 Oct

Please read the Description Box/Info Box. .: Info about this Video :. Game Title: Project DIVA Dreamy Theater 2nd Platform: PlayStation 3 Developer: Sega Publisher: Sega Genre(s): Rhythm game Mode(s): Single-player Project DIVA is a rhythm game created by Sega and Crypton Future Media for the PlayStation Portable featuring the virtual-diva vocaloid Hatsune Miku. The gameplay is based on pressing buttons on the controller when floating gray button icons appear on top of the colored button icons. Project DIVA Dreamy Theater 2nd is an add-on of the sequel, Project Diva 2nd and now supported stereoscopic 3D display. Hatsune Miku (????) is a singing synthesizer application with a female persona, developed by Crypton Future Media. It uses Yamaha Corporation’s Vocaloid 2 synthesizing technology. The name of the character comes from a fusion of the Japanese for first (? hatsu), sound (? ne) and future (Miku (??) sounds like a nanori reading of future, ??, normally read as “mirai”), referring to her position as the first of Crypton’s “Character Vocal Series”. She was the second Vocaloid to be sold using the Vocaloid 2 engine and the first Japanese Vocaloid to use the Japanese version of the Vocaloid 2 engine. Her voice is sampled from Japanese voice actress, Saki Fujita. Hatsune Miku has performed onstage as a projection. [M = Modules] :: Song Titel :: Japanese: Dear cocoa girls Romaji: Dear cocoa girls English: Dear cocoa girls
Video Rating: 5 / 5

Early computer vision, sensory and robotics work at the University of Pennsylvania Grasp Lab in 1985.
Video Rating: 5 / 5

 
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Posted in 3D Videos

 

Flickr responds to ‘Dear Marissa Mayer’ appeal with an appeal of its own

01 Aug

Screen_Shot_2012-07-19_at_4.35.27_PM.png

When Marissa Mayer was named new CEO of Yahoo recently, Los Angeles-based journalist Sean Bonner posted an appeal for her to ‘please make Flickr awesome again’, signing it ‘the Internet’. On his blog, Bonner commented that Flickr, which was acquired by Yahoo in 2005, needs someone to ‘put some support behind it, bring it up to date, give it an actually functional mobile app and commit to keeping it alive’. That appeal went viral, and today Flickr posted a response. Click through to read Bonner’s appeal and Flickr’s humorous reply. (via wired.com)

News: Digital Photography Review (dpreview.com)

 
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Posted in Uncategorized