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Review: The Think Tank Lily Deanne Mezzo Shoulder Bag

27 Apr

It’s finally happening; camera bag manufacturers are making bags for women that attempt to be fashionable. There have been lame versions in the past that included ill-fitted straps, unfashionable fabrics, and impractical designs. But how about a new bag from Think Tank?

I have zero to no fashion sense, and even less when it comes to women’s accessories. The good news is I have friends who actually care about good looking bags and one in particular, Genevieve Hathaway, agreed to take a look at the Think Tank Lily Deanne Mezzo Shoulder Bag for me.

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I recently had the opportunity to put the new Think Tank Lily Deanne Mezzo shoulder bag through its paces on a few different kinds of photo shoots – from photographing a full day conference to a portrait shoots, to a day on the move chasing an athlete up and down the stairways in Seattle. The Lily Deanne Mezzo not only kept up with me, but it made my shoots even easier because of how well it performed.

The Think Tank Lily Deanne women’s shoulder bag line is designed by two of the photography industry’s most respected members, Pulitzer Prize-winning photographer Deanne Fitzmaurice and Lily Fisher, Think Tank’s senior camera bag designer. They designed the Lily Deanne series to be the ideal camera shoulder bag for women photographers, and that’s exactly how I would describe this bag.

Design

My first reaction to this bag was how it looked. It looks professional, classy, and functional, yet is understated. When I’m on assignment carrying a lot of gear, whether on a shoot in Seattle or in Egypt, I want to look professional but not have a bag that screams, “look at me, I’m a photographer.” Deanne’s background as a photojournalist shines through in this bag’s design, both in its discretion, but also in its functionality.

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Using the Lily Deanne Mezzo bag, I immediately felt that this was a bag designed by a working photographer. From the wide zipper opening, to the flap which can be thrown over the top and latched with magnetic fasteners, to all the pockets and organizational units, to the slit in the back which lets you slide it over the bars of a roller bag – this bag met all my functional needs without any unnecessary bells and whistles. The level of attention to small details, and high quality craftsmanship makes this a beautiful bag to look at. The bag is a mix of strong nylon and supple full-grain Dakota leather flaps, pockets, and accents. The interior of the bag and exterior accents are a beautiful Robin’s egg blue, making this a stylish bag.

The Lily Deanne shoulder bag comes in two colors, Chestnut Brown and Black Licorice, and three sizes, Lucido (small-size), Mezzo (medium-size) and Tutto (largest-size). This bag was designed with plenty of room for pro-size lenses, no matter whether you shoot Canon, Nikon, Fuji, Sony, Olympus or any other line of camera.

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The large zipper opening allows for quick and easy access of your gear. The top flap folds back completely to give full access to the interior of the bag. Or, it can be flipped forward to cover the main opening, it attaches to the front with rare earth magnets. The shoulder strap is well padded, with non-slip gripping. The success of any great shoulder bag hinges on the shoulder strap. Carrying a lot of gear around all day, I need a shoulder strap that is strong, does not slip, and is well padded. The Lily Deanne bags deliver with one of the most comfortable shoulder straps I’ve used. The bag has a lot of pockets (some zippered, some covered by magnet flaps), which really helps keep your accessories organized. The sides of the bag have expandable pouches to hold odds and ends, water bottles, or sunglasses.

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Sizes and Specs

Lucido (small): Holds one standard DSLR with one to three lenses, or a complete mirrorless camera system (and three to four lenses). There is also room for an 8-inch tablet.

Mezzo (medium): Holds one standard DSLR with a mid-range zoom attached and two to three additional lenses, or a complete Mirrorless camera system (and three to four lenses). There is room for a 10 inch tablet or 11 inch laptop.

Tutto (large): Holds one standard DSLR and additional grip with a mid-range zoom lens attached, and two to five additional lenses, as well as 2 flashes, or one standard DSLR with a 70-200mm f/2.8 and two to five lenses in its main compartment and two flashes. It can fit a complete mirrorless camera system and 4 to 5 lenses. It also holds a 15-inch laptop.

In the Field

The Lily Deanne Mezzo is a great bag for lady photographers no matter what kind of job you’re on – event, editorial, commercial, photojournalist, wedding, or portrait shoot. Short of needing a backpack camera bag to carry a lot of gear over a long distance; this shoulder bag will handle pretty much any other type of scenario.

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I shoot with the Fuji professional line and was able to easily fit in the bag: the Fujifilm XT-1, 18-55mm lens, 23mm f/1.4 lens, 10-22mm f/4 lens, and 50-140mm f/2.8 lens, along with a flash, and all my accessories. I still had room to fit an additional small prime lens.

Using this bag, it was very easy to access all my gear. I loved all the organizational pockets, which eliminated the need to hunt around for batteries, lens clothes, my phone, business cards and extra memory. The top flap is a great feature which allows you to keep the large zipper open, but cover your gear with the flap. The magnets keep the flap secure, while also allowing for very quick access to gear in time sensitive situations.

The shoulder strap is incredibly well designed, well-padded, and doesn’t slip around. While testing this bag on a 10 hour photoshoot of a conference, carrying all my lenses (which includes one mid-range zoom) and a flash setup, the bag did start to make my shoulder and neck sore toward the end of the shoot. But any shoulder bag, full of heavy camera gear, would have given the same result.

Conclusion

The Think Tank Lily Deanne shoulder bags are one of the best women’s bags I’ve used, arguably the best shoulder bag I’ve found. It balances understated elegance with functionality and comfort. I highly recommend this bag for women photographers looking for a great shoulder bag.

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The post Review: The Think Tank Lily Deanne Mezzo Shoulder Bag by Peter West Carey appeared first on Digital Photography School.


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Think Tank launches Lily Deanne series of shoulder bags for female photographers

24 Oct

Think Tank has launched the Lily Deanne, its first series of photo bags designed specifically with women in mind. The shoulder bag is available in three sizes, each designed to accommodate pro-sized camera bodies and lenses. Read more

Articles: Digital Photography Review (dpreview.com)

 
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How I Shot It: Deanne Fitzmaurice Shares the Story Behind the Shot

20 Sep

A post by Pulitzer Prize winning documentary photographer Deanne Fitzmaurice. Presenter in this week’s CreativeLIVE Photo Week

Kibera Tracks

So there I was, waiting in the quiet darkness that precedes Kibera’s beautiful sunrises, for the 12 disciples — our security team from a local tribal gang. They were the type of guys you want by your side and the definition of the guys you didn’t want to cross. Despite the high crime and desperation in Kibera, when any of those 12 guys were by my side, I felt safe and free to photograph as much as I wanted without having to look over my shoulder.

At the time of my visit, Kibera wasn’t just the largest slum in Kenya, it was, and as far as I know, still is, the largest slum in Africa. With two and a half weeks in the slum for our shoot, the crew and I had some time — which is really valuable in documentary photography work – time to research, time to talk to locals, time to scout locations, and time to return to promising locations. During our time observing the community, we discovered there was an exodus early in the morning, as many residents of Kibera left to go to work in local factories to earn meager wages.

Always thinking about strong storytelling visuals, we thought it was a good opportunity to get some footage and images of this mass daily evacuation. The early-rising Kiberans used the railroad tracks as a main thoroughfare, and there were little shops alongside the tracks and vendors serving food. We wanted to shoot at sunrise with the hope of catching that beautiful, golden light.

On this early morning, I was shooting both stills and motion, trying to capture the mood and the feel of this unique place. I knew that shortly after the sun came up at 6:45am, the local train was scheduled to come through. I always try to position myself and my camera where there are the best odds of making a good image.

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I started building the photograph in my head, working on the things I could control, and let everything else go to chance. I saw some vendors cooking some ugali, a cornmeal bread, causing smoke to rise from the cooking. I thought if I shot backlit, the smoke would help capture the mood of what I was seeing. I was also keenly aware that shooting into the sun can work either for you or against you.

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I moved in closer to where the smoke was rising so I had two contrasting elements, the sunrise and the smoke. I heard the train approaching and the masses of people started to rush to get off the tracks and onto the train.

My third element was the train. The only subject left to chance at this point was the people. I didn’t know where they would be or what they would be doing, but I knew I had all three other elements of the composition locked in. This is the fun part for me, in all of my work; when I build the composition and wait to see if I am going to get lucky.

My favourite was this image where three guys jumped up onto the train at the last minute as a starburst began to peek through. The smoke lends nice depth and layers to the photograph and the train was splattered with graffiti, adding a burst of color.

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What Gear Did I Use?

I shot these photos with manual settings on a Canon 5D MKIII with a 35mm f1.4 shot at 1/500th at f2.8, ISO 200. I was carrying my equipment in a Think Tank Change Up convertible belt pack/shoulder/ bag and a Think Tank Shape shifter backpack. For the video I was using a Zacuto z-finder, a Zacuto Target rig and a 3 Legged Thing tripod.

To find out more about Deanne and her photography tips, catch her free course during creativeLIVE’s Photo Week

Deanne Fitzmaurice is a Pulitzer Prize winning documentary photographer and multimedia storyteller based in San Francisco, California. She is a regular contributor to Sports Illustrated and ESPN the Magazine, and has also been published in TIME, Newsweek, The Economist, Stern, and GEO. Deanne has also partnered with foundations and non-profits including NPR, The Bill and Melinda Gates Foundation, and the James Irvine Foundation.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

How I Shot It: Deanne Fitzmaurice Shares the Story Behind the Shot


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