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Posts Tagged ‘Date’

Sony Announces the a1, Its Best Mirrorless Camera to Date

29 Jan

The post Sony Announces the a1, Its Best Mirrorless Camera to Date appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Sony a1 announcement

Sony has announced its latest full-frame mirrorless offering, the Alpha 1.

A groundbreaking camera that offers a shocking combination of speed, resolution, and video capabilities, the a1 somehow manages to speak to action photographers, wildlife photographers, and even all-around professional shooters without sacrificing on, well, anything.

For several years now, Sony has maintained the same four full-frame camera lineups:

  • The a9 lineup, geared toward professional sports and action photographers
  • The a7R lineup, geared toward landscape and commercial photographers
  • The a7 lineup, geared toward all-around professionals and advanced hobbyists
  • The a7s lineup, geared toward serious videographers (plus the occasional hybrid shooter)

(Sony also recently released the a7C, a compact full-frame model.)

Note the division of labor here, with one camera tailored toward action photographers, another tailored toward videographers, and yet another tailored toward landscape shooters.

But now, with the launch of the Sony a1, the division between action photography, landscape photography, and even video seems to have crumbled, leaving Sony users with a camera clearly more capable than the a7 III, and even offering a leg up over the a7S III, the a9 II, and more.

Sony a1

So what does the Sony a1 offer?

First, check out the sensor:

50 MP for intense cropping abilities, plus it gathers enough detail to satisfy professional landscape shooters.

Then there’s the autofocus, which packs “improved real-time Eye AF for humans and animals, and new real-time Eye AF for birds.” Sony is well-known for its top-tier autofocus algorithms, so don’t be surprised if the bird Eye AF makes the a1 a hot choice among serious bird photographers.

You also get in-body image stabilization (Sony claims up to 5.5 stops), as well as a lightning-fast continuous shooting speed (30 frames per second using the electronic shutter).

The a1 also boasts one of the most impressive electronic viewfinders on the market. With a whopping 9.44M-dots of resolution, you should have a clear view, even in low light, which is always a plus for event photographers, night street photographers, and wildlife photographers, to name just a few.

Sony a1

Finally, there’s the video capabilities. The a1 can record at 8K/30p, as well as 4K/120p; the former capability is what puts the camera above the Sony a7S, at least in terms of raw recording power. While 8K is likely overkill for casual videographers, I can highly recommend the a1 for serious videographers and true hybrid video/stills shooters.

Sony a1

Of course, you should also consider the price: $ 6499.99. In other words, the a1 costs more than the Nikon Z7 II, more than the Canon EOS R5, more than the Sony a9 II, and more than every other full-frame mirrorless camera on the market.

But the a1 really is one heck of a camera, and those who can afford it are bound to be impressed (to say the least!).

Now over to you:

What do you think about the Sony a1 announcement? Are you excited? Apprehensive? Frustrated? Share your thoughts in the comments below!

The post Sony Announces the a1, Its Best Mirrorless Camera to Date appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Apple announces updated iPad and redesigned iPad Air, saves new iPhones for later date

16 Sep
The new iPad Air, seen attached to Apple’s Magic Keyboard.

Today, Apple announced the details of its latest iPad and iPad Air devices. While many had hoped Apple would also announce its next-generation iPhones at today’s virtual event, the Cupertino company didn’t have ‘one more thing’ in store.

Starting with the new 8th-generation iPad, Apple kept the update fairly straightforward. The new entry-level iPad, which starts at $ 329, now uses the A12 chip, a step up from the A10 found in its predecessor.

In addition to improved performance and battery life, this new chipset also means the iPad will feature Apple’s Neural Engine technology for the first time. Aside from the small internal update though, little was changed, as no external design changes were made.

The 8th-generation iPad is available in Space Gray, Silver and Gold. Pricing starts at $ 329 for the 32GB model.

The same can’t be said for Apple’s new iPad Airs though, which feature an entirely new design that clearly takes inspiration from Apple’s recent iPad Pro devices.

The new iPad Air devices now feature a 10.9” Liquid Retina edge-to-edge display and eschew the Touch ID button on the bottom of the front glass in exchange for a new Touch ID button integrated into the power button. The edges of the device have also been squared off, as has been seen with recent iPad Pro devices. The updated 2360x1640px display features P3 wide-gamut color, True Tone and a laminate coating. It does lack the 120Hz functionality of the display found on the iPad Pro devices though.

Performance has also been dramatically improved thanks to the new A14 Bionic processor, the first in the industry to use 5nm construction. Apple says the CPU is 40% faster than the previous-generation, while GPU performance has improved by 30%. An updated Neural engine also improves the machine learning performance of the device.

As for the built-in cameras, there’s a single 12MP rear camera and a 7MP FaceTime HD camera. Apple has also added USB-C to the iPad Air for the first time, which means it will be able to use various adapters and hubs, as well as support 20W charging and 5Gbps data transfers. Wi-Fi 6 is included and the cellular models will feature LTE that Apple claims is 60% faster. The new iPad Airs will work with Apple’s new Apple Pencil as well as the Apple Magic Keyboard.

The new iPad Airs come in five colors: Space Gray, Silver, Rose Gold, Green and Sky Blue. Pricing starts at $ 599 for the 64GB Wi-Fi model.

Articles: Digital Photography Review (dpreview.com)

 
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Peak Design announces Travel Tripod launch date, unveils ‘Weird Times Sale’ with 20-40% off gear

02 Apr

We’ve already seen the Peak Design Travel Tripod and gotten our hands on it for a short period of time, but after successfully sending out units to its Kickstarter backers, Peak Design is ready to open up orders to the public. At 12am PST on April 7, Peak Design will allow the general public to purchase their latest piece of gear; but that’s not all. Peak Design says 100% of profits from every tripod sold will be split 50/50 to COVID-19 disaster relief and climate change relief funds.

The Travel Tripod launch announcement was originally embargoed for the day of the launch, April 7, but Peak Design Founder and CEO Peter Dering took to YouTube in the above video to explain the decision to launch the tripod at the time they’ve chosen, as well as announce a ‘Weird Times Sale’ that is currently live and sees nearly all Peak Design gear (everything except the Travel Tripod) between 20–40% off to help keep inventory moving during a time when sales have all but ceased.

A breakdown of the discounts for Peak Design’s sale.

Travel Tripod Updates

The Peak Design Travel Tripods were first introduced in May 2019. Over the course of its Kickstarter campaign, the company raised over $ 12.1 million from more than 27k backers. Over the course of production, Peak Design altered a few aspects of the design to refine the initial version to improve the overall experience. Specifically, Peak Design’s revisions include a new hex tool key with leg clip holder, an updated padded, weatherproof carry bag and an ultralight conversion kit that turns the tripod into a more compact tabletop tripod.

Peak Design also opted to use an aluminum center column for its carbon fiber tripod, citing testing its own engineering team came up with as well as insight from tripod testing extraordinaire David Berryrieser of the Center Column. Peak Design says Berryrieser’s testing, ‘revealed a significant improvement in the aluminum center column resisting lateral twist, less vertical slip and higher max load for the counterweight hook […] All this for the price of 16g or 10 paper clips worth of additional weight.’

As previously mentioned, 100% of profits from each Travel Tripod sold from April 7–10 through PeakDesign.com and Peak Design’s retail partners around the world will be distributed to the CDC Foundation and Climate Neutral.

You can find the ‘Weird Times Sale’ on Peak Design’s online shop and authorized Peak Design retailers. Travel Tripod sales should go live at 12am on April 7 if you’re interested in securing one.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma Japan confirms the release date for its L-mount 40mm F1.4, 105mm F1.4 ‘Art’ lenses

08 Dec

Sigma Japan has confirmed (machine-translated)the L-mount versions of its 40mm F1.4 DG HSM and 105mm F1.4 DG HSM Art lenses, will start shipping on December 20, 2019.

Sigma says the control algorithm for the two lenses has been optimized to ensure full AF drive and body communication functionality for L-mount camera systems.

The two lenses will retail for roughly the same price as their Canon EF, Nikon F, Sigma SA and Sony E mount counterparts. B&H currently has the 40mm F1.4 DG HSM for L-mount and 105mm F1.4 DG HSM for L-mount available to pre-order for $ 1,399 and $ 1,599, respectively.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm confirms release date for Neopan 100 ACROS II emulsion for 35mm, 120 formats

14 Nov

In April 2018, Fujifilm announced it was discontinuing its much-loved Acros 100 film stock. Now, more than a year later, Fujifilm has announced that its new Neopan 100 ACROS II film, first teased in June of this year, will start shipping in Japan on November 22, 2019 in 35mm and 120 formats.

According to Fujifilm, the newly developed Neopan 100 ACROS emulsion features the company’s ‘Super Fine particle technology,’ which better retains highlight gradation and improves overall sharpness that ‘emphasizes the contour of the subject.’

Fujifilm hasn’t shared any pricing information, but as noted by Emulsive, Rakuten Japan has both the 35mm and 120 versions listed for 1,045 Japanese yen, which equates to roughly $ 9.50 a roll.

Press Release (machine-translated):

Black and white film “Neopan 100 ACROS (Across) II

Fujifilm Co., Ltd. (President: Kenji Sukeno) realizes ultra-high image quality with world-class graininess and three-dimensional gradation reproduction, and is suitable for shooting a wide range of fields, and is suitable for photographing a wide range of fields, and is suitable for photography in a wide range of fields, and is used by “Neopan 100 ACROSII” (hereinafter referred to as “Acros II”). will be released in Japan on November 22, 2019. “Across II” will be available in two types: 35mm size and browny size.

The Neopan 100 ACROSII, which will be released this time, uses our unique technologies, including “Super Fine-Particle Technology” As a black and white film with sensitivity ISO100, we have achieved a three-dimensional gradation reproduction that can clearly express the world’s highest level of graininess and the tint of the subject, and excellent sharpness. By precisely controlling the structure of the silver halide to form an image by capturing light and making it highly sensitive, and by efficiently placing the photosensitive particles of different sizes in the light receiving layer of the film […] It is possible to describe finely down to the details of the texture. We respond to the needs of photography in a wide range of fields, from landscape and mountain photography, portraits, product photography, architectural photography, to astronomical and night view photography of long exposure photography.

In the future, we plan to hold events and photo exhibitions where you can experience the charm of “Across II” where you can enjoy deep and quaint expressions. We will also consider overseas sales.

As a leading company in the imaging field, Fujifilm will continue to provide better products and services in response to diversifying customer needs in a wide range of fields, from analog to digital. The power and splendor of a single photograph will be conveyed.

A technology that contributes to high print quality by precisely controlling the size and composition of silver halide particles contained in photographic films, which achieves both sensitivity and excellent graininess.

A layer that is photosensitive to the light entered from the lens during shooting and forms a black-and-white silver image during the development process.

Book

1. Product Name
Neopan 100 ACROSII
35mm size (36 shots) / Brownie size (12 shots)
2. Release Date
November 22, 2019
3. Price
Open price

Features of “Neopan 100 ACROSII”

  • By adopting our proprietary “Super Fine-Particle Technology”, we have achieved the world’s highest level of graininess as a black and white film with sensitivity ISO100.
  • Compared to our conventional product “Neopan 100 ACROS”, the gradation of the highlight part is designed with a sharp, three-dimensional gradation reproduction is possible.
  • The world’s highest level of sharpness enables the contours of the subject to be described.

History of the release

We ended sales of black and white film in autumn 2018 due to a decrease in demand for black and white film and difficulty in obtaining raw materials that are essential for production. However, many people who like photography with the unique texture of black and white film have received many voices that want us to continue selling black and white film, so we have been considering re-opening sales from all angles. In addition, we have been able to develop and sell the black and white film “Across II” through research on alternatives to raw materials that have become difficult to obtain and a drastic review of the manufacturing process tailored to new raw materials.

Articles: Digital Photography Review (dpreview.com)

 
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Video: How a film camera superimposes the time and date onto a photograph

15 Oct

Have you ever wondered how film cameras expose the date and time the image was captured directly onto the negative? While this little detail might seem like a straightforward process at a cursory glance, the actual implementation is far more interesting than you likely expect.

YouTube channel Applied Science has shared a 14-minute video that details the inner workings of how film cameras impose the date and time onto the film negative. For the video, presenter Ben Krasnow tears apart a seemingly unbranded camera with the model number ‘PC620D.’

While the entire video is well worth a watch for all of the interesting tidbits Krasnow finds along the way, the system works by projecting light from a small incandescent bulb through a micro LCD projector, which in turn exposes a small portion of the film negative when the shutter is pressed.

As for the orange/red coloring often associated with the ‘stamped’ time on a photograph, Krasnow concludes the coloring is due to the light being projected through the film substrate before hitting the silver halide particles, which in turn causes the otherwise white light to have its signature orange glow.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma cine 28mm T.1.5 lens gets a price and shipping date

18 Feb

Sigma has announced its new 28mm T1.5 cine lens for full frame sensor cameras will be available starting in the middle of March. The lens will cost $ 3499 but will also be offered with luminous markings, to make it easier to use in low light, for $ 4,499.

The lens is latest of a set of 10 full-frame fixed-focal-length lenses, eight of which have a T1.5 maximum aperture. The lenses have 180° focus ring rotation, and are tested using the company’s 46-million-pixel Foveon sensor.

As with the rest of Sigma’s cine series, the 28mm T1.5 FF will be available in PL, EF and E mounts. The company has also announced a new carry case for a set of five lenses that will cost $ 750. It is designed to hold the 14mm, 28mm, 40mm, 105mm and 135mm lenses, and will be available at the same time as this 28mm lens.

For more information see the Sigma website.

Press release:

Sigma Ships Its 28mm T1.5 Full-Frame Cine Lens

Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced one of its newest additions to the cine prime lens lineup, Sigma 28mm T1.5 FF, will be available in mid March 2019 for $ 3,499.00 for the regular version and $ 4,499.00 for the fully luminous (FL) version.

Sigma Cine 28mm T1.5 FF is a fast and sharp T1.5 cine lens compatible with full-frame camera sensors and optimized for ultra-high-resolution 6K-8K productions. Featuring a 180-degree focus rotation, this lens is available in EF, E and PL mounts with lens support foot and cap included.

One of the key focal lengths to achieve a true cinematic look, the wide-angle perspective of a 28mm lens has long become an industry standard in shooting motion pictures. DPs and filmmakers of all genres will now have the opportunity to add this gem to their Sigma Cine lens collection to further enable their creative vision and enhance their workflow.
In addition, Sigma is now offering a five-piece case that can hold the 14mm, 28mm, 40mm, 105mm and 135mm cine lenses to safely transport your gear. The new case is also available for purchase in mid March for $ 750.00.

Prominent Characteristics of Sigma Cine Lenses

  • Individual inspection of every single lens with A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections.
  • Computer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed and eliminated.
  • Color balance standardized across the line to make color correction a breeze.
  • Dust-proof and splash-proof construction, with each ring and mount sealed to prevent water and dust from entering.
  • The body is made 100% of metal to stand up to tough professional use over the long term.
  • Luminous paint for enhanced visibility
  • Laser engraving for enhanced durability
  • Mount Conversion Service allows users to convert their lenses to and from EF and E-mounts (charges apply). If the camera system changes, it is possible to simply convert the mount system to continue using the high-performance Sigma lenses.

Articles: Digital Photography Review (dpreview.com)

 
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Datacolor launches SpyderX, its fastest and most accurate color calibration tool to date

11 Feb

Color management solutions company Datacolor has announced SpyderX, its fastest and easiest to use monitor color calibration tool to date.

The new tool has been redesigned from the ground up with a new color engine ‘that provides significantly increased color accuracy and low light capabilities,’ according to Datacolor.

One of the standout improvements is the decrease in time it takes to calibrate a monitor or projector. Compared to the five minutes previous Datacolor tools required to calibrate a device, the new SpyderX tool takes less than two minutes once the appropriate software is downloaded.

The redesigned device is also more precise than ever with improved levels of color accuracy and shadow detail recognition.

The SpyderX is available in two varieties: Spyder Pro, which ‘is designed for serious photographers and designers seeking a fast and easy-to-use monitor calibration solution’ and Spyder Elite, which ‘takes it one step further with more advanced settings for professional photographers and videographers who want ultimate control of their color workflow.‘ SpyderX devices are available for $ 169.99 and $ 269.99, respectively, at Datacolor’s online store and authorized Datacolor retailers.

Press release:

Datacolor debuts SpyderX, a ground-breaking color calibration solution for monitors.

Lawrenceville, New Jersey, USA, February 11, 2019 – Datacolor®, a global leader in color management solutions, has launched SpyderX, its fastest, most accurate and easiest to use color calibration tool for monitors. The development of SpyderX is testament to Datacolor’s commitment in advancing color management solutions for photographers, videographers and creative specialists worldwide.

SpyderX uses a fully redesigned color engine that provides significantly increased color accuracy and low light capabilities, giving photographers the confidence needed to achieve their creative vision.

SpyderX enhanced features include:

  • Blazing Speed – Taking less than two minutes to calibrate a screen, the SpyderX is several times faster than previous models, with calibration happening so fast it easily becomes part of the workflow.
  • Highest Accuracy – Providing a significantly higher level of color accuracy and shadow detail on a wide range of monitors.
  • Ease of Use – Simple and intuitive single-click calibration software, as well as advanced options.

Susan Bunting, director of marketing at Datacolor, said: “We know photography is a labor of love, and a lot goes into taking every shot. That’s why we’ve redesigned SpyderX from the ground up, ensuring you can trust the color on your screen while making the whole process of calibration as intuitive and quick as possible.”

Now available in two versions, the SpyderX Pro ($ 169.99) is designed for serious photographers and designers seeking a fast and easy-to-use monitor calibration solution. The SpyderX Elite ($ 269.99) takes it one step further with more advanced settings for professional photographers and videographers who want ultimate control of their color workflow.

Purchase SpyderX at spyderx.datacolor.com, Amazon or with authorized resellers.

Articles: Digital Photography Review (dpreview.com)

 
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Red releases Hydrogen One product photos, confirms release date

05 Sep

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When it was first announced in July 2017 the RED Hydrogen One super-phone created quite the splash, thanks to a Leica-made 5.7″ lightfield holographic display and a pin-based expansion system that allows for attaching a range of hardware modules. The system is similar to Motorola’s Moto Mods, but probably more focused toward high-end video given the brand we’re dealing with.

Since then delivery has been pushed back several times, most recently because the company needed some extra time to receive carrier certification. However, now we have a fixed release date: November 2nd. Pre-orders will ship on October 9th.

The Hydrogen One aluminum version will be available through AT&T, Verizon and Telcel
for $ 1295

Additionally, Red founder Jim Stannard has shared several actual product photos on the Hydrogen product forum that allow for a good look at the device’s large dual-camera module. The Hydrogen One also comes with a rugged-looking design that features a lot of carbon fiber, giving the phone a pretty unique appearance.

The price tag will unfortunately be unique as well. The Hydrogen One aluminum version will be available through AT&T, Verizon and Telcel for $ 1295. The titanium variant will be out in 2019 and set you back an additional $ 200.

Articles: Digital Photography Review (dpreview.com)

 
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DJI announces price and delivery date for Ronin-S gimbal

06 Jun

Chinese drone manufacturer DJI has announced that the Ronin-S, its first single-handed stabilizer, will be available from late this month at a cost of $ 699. The company says it is taking pre-orders now via its own store and at authorized resellers around the world.

The Ronin-S is designed to support cameras as large as the Canon EOS 5D IV and it will be able to carry up to 8lbs of camera and lens. It comes with a number of innovations including the ability to compensate for trombone zooms, a Push Mode that lets users adjust the pan, tilt and roll balances while the gimbal is still on, and a battery that DJI claims will last for up to 12 hours of shooting.

Despite early appearances, when released the Ronin-S will be fitted with a standard Manfrotto style quick release plate, and the whole rig will be controllable via the DJI Ronin app on a smartphone or with the optional Focus Command Center.
For more information see the DJI website.

Press release:

DJI Reveals Pricing And Availability Of Ronin-S

DJI’s First Single-Handed Stabilizer Offers Professional Quality At A Competitive Price

DJI, the world’s leader in creative camera technology, today revealed the pricing and availability of the Ronin-S, DJI’s first single-handed stabilizer for DSLR and mirrorless camera systems. The Ronin-S will retail for $ 699 USD with pre-orders beginning May 29 at www.dji.com, DJI flagship stores and authorized dealers worldwide, with shipments starting in late June.

About the Ronin-S
Utilizing DJI’s powerful three-axis gimbal technology, the Ronin-S delivers smooth, shake-free video and crisp photos, adding a cinematic and professional look to your work.

Powerful high-torque motors support a payload of 8 pounds to accommodate the most popular camera and lens combinations including the Canon 1D and 5D, Panasonic GH and Sony Alpha series. Its stabilization system compensates for zoom lenses with external zooming barrels and higher magnification ratios, while its advanced stabilization algorithms work with both in-camera and in-lens optical stabilization technology. When mounted to a vehicle, the maximum operation speed has been tested at 47mph with a Panasonic GH5 and 50mm lens utilizing an optional top hotshoe bracket.

Capturing stabilized video has never been easier because the Ronin-S was designed for easy setup and use. A new Push Mode lets you adjust the pan, tilt and roll axis by hand while the Ronin-S is powered on and an Auto Tune function automatically adjusts the strength of the motors to speed up gear prep so you can spend more time filming and less time setting up your gear. The Ronin-S has a comfortable, ergonomic design that helps capture smooth cinematic movements from upright to flashlight mode to underslung positions without obstructing the camera’s display. Ronin-S also features DJI’s intelligent battery system that is built into the handle and has an operating time of 12 hours.

The high-precision joystick changes the camera position to help frame your shot perfectly while a host of dedicated buttons allow operators to control various settings such as toggling between SmoothTrack profiles or to begin and stop recording.* An included Focus Wheel can be mounted to either side of the handle via the 8-pin ports on each side and a new Sport mode allows seamless transitions to fast movements with tight and quick subject following speed.

Harness intelligent shooting modes and advanced customization on the Ronin-S through the DJI Ronin mobile app such as creating complex camera moves automatically like Panorama, Motionlapse, Timelapse and Track that lets you designate specific camera positions in a scene and rotate between them on demand. Operators can also change SmoothTrack settings including the Speed, Acceleration and Deadband for each axis, save them in three profiles and toggle between them with the dedicated M button on the Ronin-S. Vital camera settings can be directly adjusted via the Ronin app and the optional Focus Command Center accessory allows for quick changes when needed.*

Ronin-S uses an industry standard Manfrotto quick release system and is compatible with a variety of DJI Pro Accessories to capture any scene and expand your creative freedom on set or on location. Supported optional accessories include a Focus Command Center consisting of a menu screen allowing for advanced gimbal, camera, and focus control without a mobile device; DJI Force Pro; DJI Master Wheels; the Ronin 2 remote controller; and an external focus motor for manual lenses that pairs with the included Focus Wheel. The Ronin-S can also be used with the DJI vehicle mount, jib mount and the dual-handle system for when an added level of comfort and stability is required.

The Ronin-S firmware that supports camera parameter control will become available in early July.

Articles: Digital Photography Review (dpreview.com)

 
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