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Posts Tagged ‘CyberShot’

Sony Cyber-shot DSC-RX100 VII Review

23 Aug

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Gold Award

85%
Overall score

The Sony RX100 VII is the company’s latest pocketable 1″ sensor compact. It uses the same 24-200mm equivalent F2.8-4.5 lens as its predecessor but features a more capable, easier-to-use autofocus system.

This comes in addition to the already impressive capabilities we saw in the Mark VI, including very fast continuous shooting and high-quality 4K video capture. And, for the first time in the series, the Mark VII has a mic socket for improved audio recording.

The Mark VII can shoot at up to 20 frames per second with no viewfinder blackout: specs that are a match for the company’s flagship a9 sports camera. And it’s this capability, along with the enhanced AF, that prompts Sony to talk about ‘the power of an a9 in your pocket.’ To be clear, though, it does not share its hardware with that model.

Key Specifications

  • 20MP 1″-type stacked-CMOS sensor with phase detection and built-in DRAM
  • 24-200mm equivalent F2.8-4.5 zoom
  • 20 fps continuous shooting with full autofocus and auto-exposure, and no blackout
  • Seven frame, 90 fps ‘single burst’ mode
  • Retractable 2.36M-dot EVF with 0.59x equiv. magnification
  • 3″ touchscreen LCD (flips up 180° or down by 90°)
  • Oversampled UHD 4K video (up to 5 min clips in standard temperature mode)
  • Combined lens and digital ‘Active’ stabilization mode in video
  • High speed video at up to 1000 fps
  • Intervalometer
  • Wi-Fi with Bluetooth and NFC

The RX100 VII will be available in August 2019 at a recommended price of $ 1200. It’ll sell for around €1300 in Europe and £1200 in the UK, with both figures including tax. These are around the same prices as its predecessor was launched at, so we expect to see the Mark VI get re-positioned, to make room.


What’s new and how it compares

The RX100 VII looks like its predecessor but borrows know-how (though not hardware) from the pro-sports a9 model.

Click here to read more

Body and handling

The RX100 VII is an evolutionary product but somehow finds room for a mic socket, as well as that massive lens.

Click here to read more

Operation and controls

The control layout and logic is unchanged from previous models (for better or worse). There’s a good degree of customization available.

Click here to read more

AF and video performance

The RX100 VII offers one of the best autofocus implementations of any compact on the market, video impresses too.

Click here to read more

Image quality

Image quality from the RX100 VII is slightly improved over the VI. Check out our studio test scene to see how it compares to the competition.

Click here to read more.

Conclusion

The RX100 VII receives our gold award and recommendation. Here’s why.

Click here to read more.

Sample gallery

We’ve been shooting with a pre-production RX100 VII for a few days now. Have a look at what the new sensor can do.

Click here to see the gallery.

Articles: Digital Photography Review (dpreview.com)

 
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Sony Cyber-shot HX95 and HX99 compact high-zoom 4K cameras announced in Europe

01 Sep

For European customers, Sony has launched the Cyber-shot HX95 and HX99, a pair of slim, compact high-zoom cameras featuring the BIONZ X image processing engine, front-end LSI and 4K video recording. Both models are nearly identical, each sporting a 180-degree tiltable LCD, OLED Tru-Finder, and 1/2.3″ Exmor R 18MP CMOS sensor.

Both the Cyber-shot HX95 and HX99 feature a ZEISS Vario-Sonnar T* 24-720mm High Magnification Zoom lens, Optical SteadShot image stabilization, Zoom Assist, and auto focus speeds as fast as 0.09 seconds. Both models support 4K video recording at 3840 x 2160.

The Cyber-shot HX99 camera differs from the HX95 in a few ways, one of which is an OLED Tru-Finder with a control ring versus the HX95’s retractable viewfinder. The HX99 also features a control ring for customized camera functions, Touch Shutter, Touch Focus, and a focus point shifting function called Touch Pad.

Both the HX99 (€520 / £450) and the HX95 (€500 / £430) will be available in Europe starting October 2018.

Via: Sony

Articles: Digital Photography Review (dpreview.com)

 
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Sony Cyber-shot DSC RX100 VI review

12 Jul
Silver Award

83%
Overall score

The Sony Cyber-shot DSC RX100 VI is the latest pocketable compact camera to feature a 1″-type image sensor. Unlike existing models in the marketplace, the RX100 VI ventures into the do-everything/travel camera space, with the addition of a 24-200mm equivalent F2.8-4.5 lens.

Like its immediate predecessor, the Mark VI offers quick and accurate on-sensor phase detection autofocus, the ability to shoot at up to 24 frames per second and highly detailed 4K video taken from the full width of its sensor. It becomes the first RX100-series camera to offer a touchscreen and has a redesigned electronic viewfinder that can be activated or stowed-away with a single push.

Key features:

  • 20.1MP 1″-type stacked CMOS sensor
  • F2.8-4.5, 24-200mm equiv. zoom lens
  • Retractable 2.36M-dot EVF with 0.59x equiv. magnification
  • 24 fps burst shooting (with continuous autofocus)
  • UHD 4K video at 30p and 24p, 1080p slow-motion capture
  • 5-axis image stabilization
  • 3″ touchscreen LCD
  • On-sensor phase-detection autofocus
  • Wi-Fi with NFC for quick image transfer to mobile devices
  • USB charging

Despite the significantly increased lens range, the RX100 VI is less than 2mm (5/64″) thicker than the Mark V. The result is a camera that can lend itself to a wider range of photographic situations (making it a solid traveling companion) but with a less bright lens that means sacrificing some of the low-light capability of its sister models.

The RX100 VI has a recommended selling price of around $ 1,200 before sales tax, or £1,150/€1,299 in Europe, including VAT.


What’s new and how it compares

The RX100 VI is more of a travel zoom than an enthusiast compact. We see how it compares with Panasonic’s TZ / ZS models, as well as its immediate predecessor.

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Body and design

The RX100 VI incorprorates a touchscreen but it’s still most satisfying if you don’t try to get too involved.

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What’s it like to use

The RX100 VI is a very powerful travel camera and highly capable for family photography, but it’s not as good in low light as some of its peers.

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Autofocus

Autofocus is very impressive: delivering a very high hit-rate even when you shoot 24 times per second. Eye AF is also hugely valuable. The design of the autofocus system is a little convoluted, though.

Read more

Video

The RX100 VI can shoot some very attractive, detailed video and has an extensive feature set to support this. There are also significant limitations in terms of time and absent features.

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Image quality

The RX100 VI produces some of Sony’s nicest JPEGs yet and, on our sample at least, the lens looks excellent.

Read more

Conclusion

The RX100 VI is a hugely capable camera. It trades some of its predecessors’ low light performance for greater daytime flexibility, though the price tag is steep.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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Sony Cyber-shot RX100 VI sample gallery updated

07 Jul

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With enough reach to land itself in ‘travel zoom’ territory, the Sony RX100 VI is well suited for a wide range of shooting situations. We’ve tested the 1″ compact with a 24-200mm equiv. zoom both in the office and out on summertime excursions, and our full review is imminent. In the meantime, take a look at our expanded gallery – now with converted Raw files.

Articles: Digital Photography Review (dpreview.com)

 
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Sony announces Cyber-shot RX100 VI with 24-200mm zoom

08 Jun

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Sony has announced the Cyber-shot RX100 VI, a 1″-type compact camera with a 20.1-megapixel Exmor RS stacked CMOS sensor, 24-200mm equivalent F2.8-4.5 zoom lens, 315 phase detection points covering approximately 65% of the sensor, and the ability to shoot at 24 fps with autofocus.

The RX100 VI becomes the first in the Cyber-shot RX100-series to gain a touchscreen, allowing both touch shutter and touch focus. The screen can tilt up to 180 degree upwards and 90 degree downwards, extending shooting flexibility. The new camera is essentially the same size as its predecessor the RX100 V, but its depth has been increased slightly, by 1.8mm.

The RX100 VI includes the latest Bionz X processor with front-end LSI, as used in the most recent Alpha cameras

Sony says that the RX100 VI contains processing and experience developed in the creation of the a9 sports camera. It includes the latest Bionz X processor with front-end LSI, as used in the most recent Alpha cameras. This helps give what the company says is the world’s fastest AF (measured at 0.03 seconds) and with twice the EyeAF tracking performance of the Mark V.

The RX100 VI’s Hybrid AF system includes 315 phase detection points, covering approximately 65% of the sensor for ‘high-density tracking’.

The RX100 VI’s 24-200mm lens comprises 15 elements in 12 groups, featuring two ED (extra-low dispersion) aspherical glass elements and eight aspherical lens elements including four AA (advanced aspherical) lenses. Sony describes the pocketable camera as having “two lenses worth of interchangeable lens”, incorporating the range of a 24-70mm lens and a 70-200mm in one “do anything” camera. Meanwhile, it offers a claimed 4EV of image stabilization. Unlike its predecessor, there is no ND filter for video shooters.

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The RX100 VI’s XGA OLED pop-up EVF is similar to previous models in the series, but once popped-up, the finder optics no longer need to be manually extended for use.

Sample Gallery:

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On the video front, the RX100 VI is capable of full-width, oversampled 4K video with support for 8-bit HLG (Hybrid Log Gamma) for easy HDR capture. The RX100 VI is also able to record superslow motion video at either 250, 500 or 1000 fps.

The new Sony Cyber-shot RX100 VI will ship next month, priced at $ 1200 (£1,150 in the UK).

At the same press conference, Sony also announced the VCT-SGR1 shooting grip, designed for the RX0 and RX100-series cameras. The VCT-SGR1 includes camera controls, an adjustable head and built-in tripod. It will be available in September for around $ 100.

Press release:

Sony’s New RX100 VI Combines Versatile 24-200mm Large Aperture, High Magnification Zoom Lens with World’s Fastest AF Speed

  • Maintains compact body size of acclaimed RX100 series while adding a ZEISS® Vario-Sonnar T* 24-200mm F2.8 – F4.5 Large Aperture High Magnification Zoom Lens
  • World’s Fastest 0.03 seconds AF speed combined with 315 focal-plane phase-detection AF points covering approximately 65% of frame
  • 1.0-type stacked 20.1 MP Exmor RS™ CMOS image sensor with DRAM chip and upgraded BIONZ X™ image processor and Front-end LSI
  • High-speed continuous shooting at up to 24 fps with full AF/AE tracking
  • Optical image stabilization equivalent to a 4.0-stop faster shutter speed
  • High Resolution 4K Movie Shooting with full pixel readout and no pixel binning plus 4K HDR for instant HDR workflow

NEW YORK, Jun.5, 2018 – Sony – a worldwide leader in digital imaging and the world’s largest image sensor manufacturer – has today announced another exciting model for their popular Cyber-shot RX100 series of compact cameras, the RX100 VI (model DSC-RX100M6).

The innovative new RX100 VI camera is the first of all the RX100 models to include a high magnification zoom lens, as it packs in an impressive ZEISS® Vario-Sonnar T* 24-200mm F2.8 – F4.5 lens yet doesn’t sacrifice the pocket-size portability, fast responsiveness and high image quality that has become the hallmark of Sony’s RX100 lineup. It’s extensive zoom, impressive image quality and versatility for both still images and video make it an ideal choice for capturing daily life, cityscapes, portraiture, sports, wildlife and everything in between.

The new model is equipped with a 20.1 MP 1.0-type stacked Exmor RS™ CMOS image sensor with DRAM chip and an upgraded BIONZ X™ image processing system with a front-end LSI that maximizes processing speed and optimizes image quality in all shooting environments. Additionally, the RX100 VI features an incredibly efficient Fast Hybrid AF system with 315-point phase-detection AF points on the sensor that can acquire focus in as little as 0.03 seconds, the world’s fastest AF acquisition time for 1.0-type sensor cameras. It can also shoot at up to 24 fps at full resolution with continuous AF/AE tracking and produces beautiful 4K video with full pixel readout and no pixel binning.

“We’re continuing to innovate our RX camera lineup, providing our customers new and different ways to capture what they’ve never been able to capture before,” said Neal Manowitz, Vice President of Digital Imaging for Sony Electronics. “The new RX100 VI is the latest example, delivering extensive reach, extremely advanced autofocus, high-speed shooting and more, while still being able to slip easily into your pocket. It’s the ultimate pocket travel camera.”

New High-Magnification 24-200mm Zoom Lens plus Outstanding Image Quality

A first for Sony’s RX100 series of cameras, the new ZEISS® Vario-Sonnar T* 24-200mm F2.8 – F4.5 lens packs the power of both 24-70mm and 70-200mm focal lengths into a singular compact design. This is achieved thanks to its unique design featuring two ED (extra-low dispersion) aspherical glass elements and eight aspherical lens elements including four AA (advanced aspherical) lenses. All pieces work together seamlessly to deliver outstanding sharpness from corner-to-corner at all focal lengths, maintaining the acclaimed image quality of the RX100 series.

The impressive new lens on the RX100 VI maintains a large aperture throughout the entire zoom range, ensuring portraits can be created with beautiful background defocus, fast moving subjects can be captured with crisp focus and no blurring, and much more. Additionally, the lens has built-in Optical SteadyShotTM image stabilization that is equivalent to a 4.0-stopvifaster shutter speed, helping to prevent camera shake or blurry imageseven in a low-light condition or at telephoto zoom range.

Lightning-Fast AF Performance and Shooting Speeds

The new RX100 VI model features a Fast Hybrid AF system that ultimately allows the camera to lock focus in as little as 0.03 seconds. This innovative AF system combines the respective advantages of 315-point focal-plane phase-detection AF points that cover approximately 65% of the sensor and contrast-detection AF. This high speed focusing complements the versatile 24-200mm range of the lens, ensuring all subjects can be captured with precise detail and clarity.

Additionally, a first for the RX100 series of cameras, the RX100 VI includes Sony’s advanced High-density Tracking AF technology, which concentrates AF points around a subject to improve tracking and focus accuracy. The popular Eye AF technology is also available with approximately 2x the tracking performance of the current RX100 series model[ix]. Further, the camera has LCD touch focusing and touchpad focus point control for users that would like to drag their fingers to ideal focus points of their choice.

An ideal complement to the AF system, the RX100 VI offers continuous high-speed shooting at up to 24 fps with full AF/AE tracking, with an impressive buffer limit of up to 233 images. The display lag of the EVF has been substantially reduced compared to prior models, allowing shooters to capture the decisive moment with ultimate confidence. Also, for convenience during image playback, continuously shot images can be displayed in groups instead of individual shots.

The RX100 VI also has a high speed Anti-Distortion Shutter (maximum shutter speed of up to 1/32000 second) that reduces the “rolling shutter” effect commonly experienced with fast moving subjects, and can shoot completely silently in all modes, including continuous high speed shooting, when electronic shutter is engaged. A mechanical shutter mode is also available as well if required by the user.

Advanced Movie Capabilities Including 4K HDR

The pocket-friendly RX100 VI is packed with a variety of video capabilities that will satisfy even the most demanding video enthusiasts.

With Fast Hybrid AF, the focal-plane phase-detection AF points ensures accurate focusing and tracking performance, even for the severe focusing requirements of 4K movie shooting. AF drive speed and AF tracking sensitivity can also be adjusted via the menu system, giving shooters plenty of flexibility based on their focusing preferences.

In 4K mode, the new RX100 VI utilizes full pixel readout without pixel binning to ensure that all the finer details of 4K video are captured with minimal moire and ‘jaggies’.

For the first time in a Cyber-shot camera, the RX100 VI features 4K HDR compatibility thanks to its new HLG (Hybrid Log-Gamma) picture profile that offers an instant HDR workflow solution. Additional professional caliber video features include S-Log3/S-Gamut3, 120p Full HD mode, Picture Profile, proxy recording and more. The RX100 VI is also able to record super slow motion video at either 240fps, 480 fps or 960 fps.

Premium Design, Control and Convenience

The new RX100 VI is equipped with a high-contrast 2.35 million dot XGA OLED Tru-Finder™ with ZEISS®T* Coating, ensuring true-to-life image preview and playback functionality. The EVFitselfretracts in and out of the camera body based on user preference, and can be activated instantly by asingle One-push Access button.

A first for Sony’s RX series, RX100 VI has a touch shutter that can be activated by tapping the back LCD screen, a zoom lever with customizable zoom speeds and an LCD that can be rotated 180 degrees upward or 90 degrees downward for a variety of shooting angles for the creator. There is also aMonitor Auto OFF function that boosts max number of still images by up to 30%, and the camera is also Wi-Fi®, NFC™ and Bluetooth® compatible.

Pricing and Availability

The new Sony Cyber-shot RX100 VI compact camera will ship next month for about $ 1,200 US and $ 1,600 CA.

Sony Cyber-shot RX100 VI specifications

Price
MSRP $ 1200/£1150
Body type
Body type Compact
Body material Aluminum
Sensor
Max resolution 5472 x 3648
Other resolutions 3:2 (3888 x 2592, 2736 x 1824), 4:3 (4864 x 3648, 3648 x 2736, 2592 x 1944), 16:9 (5472 x 3080, 3648 x 2056, 2720 x 1528), 1:1 (3648 x 3648, 2544 x 2544, 1920 x 1920)
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1″ (13.2 x 8.8 mm)
Sensor type BSI-CMOS
Processor Bionz X
Color space sRGB, AdobeRGB
Color filter array Primary color filter
Image
ISO Auto, 125-12800
Boosted ISO (minimum) 80
Boosted ISO (maximum) 25600
White balance presets 9
Custom white balance Yes
Image stabilization Optical
CIPA image stabilization rating 4 stop(s)
Uncompressed format RAW
JPEG quality levels Extra fine, fine, standard
File format
  • JPEG (Exif v2.3, DCF v2.0)
  • Raw (Sony ARW v2.3)
Optics & Focus
Focal length (equiv.) 24–200 mm
Optical zoom 8.3×
Maximum aperture F2.8–4.5
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (3.8x)
Manual focus Yes
Normal focus range 8 cm (3.15)
Macro focus range 8 cm (3.15)
Number of focus points 315
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,228,800
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.59×
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/2000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Auto
  • Program Auto
  • Aperture Priority
  • Shutter Priority
  • Manual Exposure
Scene modes
  • Portrait
  • Sports Action
  • Macro
  • Landscape
  • Sunset
  • Night Scene
  • Handheld Twilight
  • Night Portrait
  • Anti Motion Blur
  • Pet Mode
  • Gourmet
  • Fireworks
  • High Sensitivity
Built-in flash Yes
Flash range 5.90 m (at Auto ISO)
External flash No
Drive modes
  • Single
  • Continuous
  • Self-timer (single, continuous)
  • Single/continuous bracketing
  • WB bracketing
  • DRO bracketing
Continuous drive 24.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±3 (3 frames )
WB Bracketing Yes
Videography features
Format MPEG-4, AVCHD, XAVC S
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 24p / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1280 x 720 @ 30p / 6 Mbps, MP4, H.264, AAC
  • 1280 x 720 @ 25p / 6 Mbps, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI with uncompressed 4K/30p output)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (wired or smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NP-BX1 lithium-ion battery & USB charger
Battery Life (CIPA) 240
Weight (inc. batteries) 301 g (0.66 lb / 10.62 oz)
Dimensions 102 x 58 x 43 mm (4.02 x 2.28 x 1.69)
Other features
Orientation sensor Yes
Timelapse recording No
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Sony Cyber-shot RX100 VI sample gallery updated

08 Jun

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The Sony RX100 VI is only a few days old, but we’ve already been out shooting with it quite a bit. Sony’s RX100 series represents some of the most advanced technology we’ve ever seen in a compact camera, and the latest iteration makes an interesting shift to a longer lens range. Take a look at the latest images we’ve added to our existing sample gallery.

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Sony Cyber-shot RX100 VI first impressions

07 Jun

The longer lens of RX100 VI was immediately apparent when it came to shooting portraits. Even for this fairly wide shot I used a longer focal length (84mm equiv) than the RX100 III, IV and V offered.

ISO 125 | 1/125 sec | F4 | 83mm equiv.

Unsurprisingly, perhaps, the first thing that really hit me when shooting with the RX100 VI was the lens range. Which is pretty impressive. While I’ve personally always been happy to forego a bit of lens length if it means keeping the lens fast, I’ll be the first to admit there are times when you feel the limits of that approach. The lens used on the RX100 III, IV and V was lovely and bright but its 70mm equiv. zoom isn’t very satisfying for head-and-shoulders portraits, for instance. The Mark VI has no such problems and made it easy for me to shoot a variety of ‘people’ pictures as I walked along New York’s Highline.

I found myself appreciating the extra reach almost immediately, but I suspect it’ll take longer to get a sense for how much has been lost

You don’t get something for nothing, of course. The RX100 VI’s maximum aperture ranges from F2.8 to 4.5. Impressively this means it’s brighter at the long end than the original RX100, despite offering twice the focal length in a similarly-sized body. However, you lose a stop and a third of brightness, compared with previous RX100s, at the wide end. I found myself appreciating the extra reach almost immediately, but I suspect it’ll take longer to get a sense for how much has been lost, especially in terms of low-light capability, when shooting wide.

This wouldn’t be the first time I’ve been left with mixed feelings about a camera in the RX100 series. Equally, though, it’s not the first time I’ve looked back at my images and found myself thinking ‘that’s really quite impressive for such a small camera.’

Touchscreen and controls

Despite the very different lens, another thing that very quickly made itself apparent was that this is still, for better or worse, an RX100. As such it takes great pictures but, broadly speaking, prefers to be used as a ($ 1200) point-and-shoot, rather than a camera that invites direct control.

The touchscreen relieves some of the pressure on the camera in that there’s now a quick and easy way to specify an autofocus point. There’s a slight lag after you touch the screen but it works pretty well. I also found that configuring the left-hand side of the screen to act as a touchpad, when shooting through the viewfinder worked pretty well for me. But, at least for people pics, I found myself not really wanting to specify an AF point at all. Instead, holding down the central button on the back of the camera engaged EyeAF, meaning I could leave the camera to focus on my subject’s eye while I worried about composition and blathering away about why I wanted to take their photo.

130mm equiv at F4.5 gives the same depth-of-field as shooting at F12 on full frame, but with the background far enough away, you can still draw attention to your subject.

ISO 125 | 1/320 sec | F4.5 | 130mm equiv.

As with other recent Sonys, the touchscreen is only really used for setting the focus point. The Fn and main menus still require you to navigate using the four-way controller. This of course means the RX100 series still hasn’t caught up with the near-immediate tap the screen, click the lens ring level of control offered by the likes of the Olympus XZ-2, even after nearly six years and as many iterations.

Responsiveness

The RX100 VI is responsive and fast-to-focus enough for spur-of-the-moment candid shots.

ISO 125 | 1/320 sec | F4.5 | 55mm equiv.

Aside from the touchscreen, the camera is very responsive, as you might expect from a a model that can shoot at 24 frames per second, while maintaining full autofocus. However, shoot a burst and you start to notice just how much data that entails. The RX100 VI has a UHS-I style card slot, so can’t take advantage of the faster write speeds of the latest cards, which can sometimes mean having to wait for the buffer countdown to end before being able to make the settings change you want.

Like recent Sony models, there’s still plenty you can do while the camera is writing to the card. Most crucially, you can keep shooting, so it’s not going to cause you to miss a shot. But I did find myself sometimes wanting to drop out of continuous drive mode, but being unable to because the camera was still saving the images from the previous burst.

The lack of built-in ND filter severely limits what would otherwise be impressive video specifications

I was slightly surprised by how much difference the new ‘one-touch’ viewfinder mechanism made. I’d never thought of the two stage: pop-up and pull action as being that onerous but eliminating the need to pull out the eye frame and, perhaps more importantly, the need to push it back in before pressing the finder back into the body, makes the whole process quicker. I found myself using the viewfinder more often as a result. Though I’m going to have to disengage the function that shuts the camera off when you close the viewfinder…

Clouds in a bright sky

Although I didn’t encounter it (as I’ve mainly been shooting stills so far), there’s another small change that is likely to make a significant difference to me, and anyone else who enjoys shooting video. The lack of built-in neutral density (ND) filter severely limits what would otherwise be impressive video specifications.

Without an ND filter, or any way to easily attach one, it’s difficult to maintain anywhere near the 1/50th or 1/60th of a second shutter speeds that filmmakers will typically aim for. It’s a problem I encountered recently when shooting with the Panasonic ZS200, meaning I simply couldn’t shoot video in bright light. The lens on the RX100 VI stops down a little further than that of the Panasonic, but at small apertures, diffraction negates the benefit of the RX100 VI’s detailed, oversampled 4K footage. It’s worth noting of course that if this is a limiting factor for you, the RX100 V (with its faster lens and built-in ND) is still a very capable video camera, and it remains available.

First impressions

There are times you don’t necessarily want to have to carry a full-sized camera around with you, though you do give something up in terms of direct control (don’t get me started on using a free-rotating control ring to set aperture).

ISO 125 | 1/320 sec | F4 | 54mm equiv.

Personally, I find 200mm equivalent is enough to cover most of the shooting I do. Except for very specific needs, I don’t find extending beyond that gives me much additional benefit. And my initial shooting rather confirms that for me. It was liberating to be able to shoot at 200mm equiv with a relatively large sensor camera with a reasonably bright aperture, yet then be able to stuff it into my jacket pocket.

But the thing that most struck me about the using RX100 VI was how often, when I showed my images to the strangers I’d just photographed, was how often I got a smile and a response along the lines of “that’s a really good camera.”

Sample gallery

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Sony Cyber-shot RX100 VI sample gallery

07 Jun

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The Sony Cyber-shot RX100 VI represents a slight departure from the models that preceded it, breaking the mold with a 24-200mm equiv. zoom. We’ve been shooting with the new camera in New York, and we’ve prepared an initial JPEG sample gallery to give you an idea of how well it performs.

Click the link above to check out our images, and and keep an eye on our homepage for updates as we continue shooting with the latest member of the RX100 family.

Learn more about the Sony Cyber-shot RX100 VI

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Sony Cyber-shot RX100 VI: Video overview

07 Jun

The Sony Cyber-shot RX100 VI, is a 1″-type compact camera with a 20.1-megapixel Exmor RS stacked CMOS sensor and a 24-200mm equivalent F2.8-4.5 zoom lens. We’ve been shooting with one since it was announced yesterday, and have prepared a brief overview video from the launch event in New York.

Learn more about the Sony Cyber-shot RX100 VI

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Sony Cyber-shot RX100 VI: What you need to know

06 Jun

Sony Cyber-shot RX100 VI: What you need to know

The sixth and latest in Sony’s popular RX100-series, the RX100 VI is (unsurprisingly) the most powerful yet. Still pocketable, but now offering a longer zoom than any of its predecessors and an updated AF system, the RX100 VI promises to be a highly versatile camera. We’ve been poring over the specs for a while – click through this article for a closer look.

New 24-200mm (equiv) F2.8-4.5 lens

Perhaps the most obvious addition to the RX100 VI compared to its predecessors is a substantially longer zoom lens, with a claimed 4EV of optical image stabilization. Whereas the RX100 V’s zoom topped out at a modest 70mm, the RX100 VI’s lens reaches all the way to 200mm (equivalent).

In one sense, this should make the RX100 VI a more versatile camera than its predecessors, but that additional zoom range doesn’t come for free. The RX100 VI’s maximum aperture is F2.8-4.5, which is significantly slower than the F1.8-2.8 of its predecessor, and it does not include the useful built-in ND found in earlier models.

New 24-200mm (equiv) F2.8-4.5 lens

As you can see from our equivalent aperture graph, the RX100 VI’s lens offers an equivalent (in DoF terms) maximum aperture of around F8 at 24mm, and it only gets darker from there. Whether this matters depends on several factors, not least ambient light. It’s worth noting though that subject/background separation will be more challenging with the RX100 VI compared to previous-generation RX100-series cameras. That being said, it should be noted that beyond 50mm (equivalent) the RX100 VI’s lens is significantly brighter than both the Panasonic Lumix DC-ZS200 and the older ZS100. The maximum F12 equivalent aperture on the long end should mean less diffraction-induced softening than the F16 equivalent offered by the Panasonics.

The lens itself is comprised of 15 elements in 12 groups, featuring two ED (extra-low dispersion) aspherical glass elements and eight aspherical lens elements including four AA (advanced aspherical) lenses. Sony claims that this results in ‘outstanding sharpness from corner-to-corner at all focal lengths’ and we’ll be sure to test this for ourselves as soon as possible.

Upgraded tracking and better buffer

The RX100 VI incorporates an upgraded BIONZ X™ image processor and Front-end LSI. This has resulted in several improvements, including to autofocus speed (Sony claims an AF response time of 0.03 seconds) and superior Eye AF tracking, to the tune (again, claimed) of a 2x performance increase compared to the RX100 V.

The maximum stills capture rate of 24fps is unchanged compared to the RX100 V, but the new camera can shoot for up to 233 images, compared to around 150 in the earlier model.

Full-width oversampled 4K video

As we’ve come to expect from Sony’s RX-series as a whole, the RX100 VI offers impressive video specifications, in addition to its stills capture features. The new camera can capture 4K video at up to 30p, at a maximum bitrate of 100 Mbps. 4K video is oversampled from 5K, and the entire sensor area is utilized, resulting in very clean, detailed footage. High definition 1080p footage is also possible, at up to 120fps. High frame rate modes are available, with up to 960 fps capture.

New in the RX100 VI is an HLG (Hybrid Log-Gamma) gamma curve option within Picture Profiles, which in Sony’s words offers ‘an instant HDR workflow solution’. HLG gamma fits the entire dynamic range of the sensor into your video. While footage will look flat on a standard display like the rear LCD, plug the camera into an HDR display and enable its HLG mode and you’ll see your high dynamic range footage, from preserved highlights to detailed shadows, with the more lifelike contrast modern TVs offer. The use of HLG and zebras in stills also allows you perfectly expose your Raws, as we covered in our a7R III review.

Sadly, the RX100 VI omits a microphone socket, meaning that external recording will be necessary for any kind of serious filmmaking.

Touch-sensitive, tilting LCD

Oh happy day! The RX100 VI is the first RX100-series model to offer a touch-sensitive LCD. This enables touch to focus and touch shutter – both nice features that we’ve been enjoying for several years on competitive cameras. It’s particularly important for the RX100 series, which has always had limited controls and particularly cumbersome methods for selecting your AF point.

Touch-sensitive, tilting LCD

The tilt angle of the screen has also been expanded, to up to 90 degrees downwards and 180 degrees upwards. You know – for selfies.

Updated Menus

Not only have menus been updated to the far more organized structure we’ve come to expect on a7/a9 cameras, a My Menu has been added. You can populate it with your most accessed menu items, in your preferred order. This, combined with the customizable Fn menu accessible on-screen during shooting, should make it easy to quickly access your most used settings. This is particularly important on a camera with so few controls.

Redesigned ‘one push’ EVF

The RX100 VI’s XGA OLED pop-up EVF is similar to previous models in the series, but once popped-up, the finder optics no longer need to be manually extended for use. This might sound like a minor upgrade, but missing a shot because you forgot to pop out the finder window is an annoyance that will be familiar to many RX100 IV/V owners.

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