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Posts Tagged ‘Critique’

How to Know if Your Photo is Good or Not – The Art of Self Image Critique

15 Mar

One of the common issues that amateur or newbie photographers often have is deciding which photos to include in their portfolio or website. The great thing about photography is that it is subjective, and every person will have different ways of assessing if they like a photo or not, doing an image critique.

You should always aim to photograph what you enjoy with your own unique style and vision. But sometimes, especially if you are looking to earn money from your images, you will need to consider other people’s tastes and needs. Here is a quick guide on how to know if your photo is good or not.

How to Know if Your Photo is Good or Not - The Art of Self Image Critique

1. Is it Technically Good?

Different photographers have different workflows, but often for most, it starts with actually checking if a photo is technically good because let’s be honest, a blurred or poorly focused photo isn’t going to make it into your portfolio.

So a good first step when evaluating a particular photo is checking that it is sharp with good tonal range, good contrast between shadows and highlights and focused correctly on the right part of the scene.

Of course, there might be occasions when a photo might be slightly off in terms of focus, for example, but it still works and if you want to showcase it in your portfolio that’s fine. But the majority of the time, a blurred photo can be discounted.

How to Know if Your Photo is Good or Not - The Art of Self Image Critique

Image not sharp and not completely in focus.

2. Is it Missing Something?

Sometimes you can look at one of your photos and you can tell that it is missing something.

It might be a quiet cobbled street that just looks empty without a person in the shot. Or it might be a landscape image that’s missing a point of interest. These are the type of photos that you look at and think, “I wish I had done this” or “if only there was something or someone in that spot”.

If you think that about one of your images, then it’s probably missing that certain something that would make it a great photo.

How to Know if Your Photo is Good or Not - The Art of Self Image Critique

Whilst it’s a nice landscape and sunrise, there is no point of interest. Would have improved with a boat in the lake or similar point of interest.

3. The Stop Test

One of my favorite tests when I edit a collection of my photos is what I call the “stop test”. As you flick through one of your galleries of photos – whether that’s on your smartphone, your computer, or even your camera, there are usually some photos that make you stop.

Sometimes it might just be a split second longer than usual, but you did still pause briefly from continuing to flick through the set to look at that one photo.

This is usually a good sign that there is clearly something about that particular shot that grabs your attention. If it can grab your attention it might grab the attention of others as well.

How to Know if Your Photo is Good or Not - The Art of Self Image Critique

4. Are You Being Sentimental?

One thing that is really easy to do, as a photographer, is to get sentimental about a photo. Regardless of how detached you want to make yourself when editing your photos, there will still be that part of you that remembers what it took to capture the shot.

It might have been that you spent hours getting to a location or maybe it reminds you of a memorable encounter with someone interesting. No photographer is a robot and we are all guilty of being sentimental about some of our images.

So try to ask yourself, if you are unsure about an image, if it is actually a good photo, or you are just being sentimental.

How to Know if Your Photo is Good or Not - The Art of Self Image Critique

Even though it took a while to get up to this point to be able to capture the photo, the lack of light means the image doesn’t work.

 5. Is it Different Than What Already Exists?

In this era of digital photography, often the biggest challenge is capturing unique photos. But that is also a good test of whether you should include a photo in your portfolio or not.

It could be that the photo you have taken is perfectly fine, but if you have managed to capture something unique that doesn’t already exist, then it might be a great photo. The key is to search what already exists and see if your image is better or different than others.

How to Know if Your Photo is Good or Not - The Art of Self Image Critique

6. Can You See it Being Used?

Even if you are not planning on selling your photos, trying to envision them being used in real life scenarios can often be a good guide as to how good they are.

When you look at your image can you imagine it being used on the cover of a magazine or to illustrate something for a feature or story? Can you see it on a billboard, flyer, or even a postcard? If you can imagine your photo in those scenarios then it’s probably a good photo and you should include it in your portfolio.

How to Know if Your Photo is Good or Not - The Art of Self Image Critique

7. Go With Your Gut

For all of the different ways that you can critique or evaluate a photo, sometimes you just have to go with your gut feeling.

Sometimes you could be proved right and that image that you were unsure of, leads to work or even ends up making sales. Always remind yourself that photography is subjective and at some point, we all look at a photo we’ve taken and just have a good feeling about it.

How to Know if Your Photo is Good or Not - The Art of Self Image Critique

Taken at a local market in London, it was a last minute decision to submit this image to my agency. Since then it has made over $ 350 worth of sales.

Conclusion

These are just some of the ways that can help you assess if a photo is good or not. But remember that these are not hard and fast rules that you should adhere to all the time.

Not every photo will fall into every point above and that doesn’t make it a bad photo. Use these points as a guide when you are really stuck on an image and if in doubt go with your gut feeling.

Read more on image critique tips in these dPS articles:

  • How to Critique Your Images Objectively: Ask for Other Points of View
  • Constructive Photography Critique: How to Give and Receive with Grace
  • 4 Ways Self-Critique Can Improve Your Photography

The post How to Know if Your Photo is Good or Not – The Art of Self Image Critique by Kav Dadfar appeared first on Digital Photography School.


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How to Critique Your Images Objectively: Ask for Other Points of View

08 Apr

What happens when you ask 150 people to look at the same photos and pick their favourites? The answer is simple: a pattern emerges. But which pattern emerges can be very surprising, as I found out recently.

Last year I decided to self-publish a photo book on Spain. I’d been wanting to do it for years. When the crowd-funding website Kickstarter announced it was opening up shop in Spain, where I live, I took it as a sign and made sure my project was uploaded the day they opened.

Alhambra palace ranked number 1

#1 ranked image by my crowd-fund book supporters.

But I wanted to do something different with the book. Then it hit me – I could get supporters to be a part of the process by choosing which photos would go in the book. I thought of it as crowd-funding meets crowdsourcing. I wanted everyone to play a role in my book. So I uploaded 240 images onto a private webpage, and gave everybody a password and a mission; chose your favourite 80 images. After the voting period was over, I tallied up the results and the top 80 images went into the book.

I was blown away by the results. Some of my personal favourites didn’t even make it in, and some other images that I didn’t think were particularly strong, ended up being extremely popular. It was very instructive. The one that stands out for me is of cows in a field beside a church in the mountains of northern Spain. I almost didn’t even include it in the original batch of 240 images. But not only did it make it into the top 80, it was the 6th most popular image!

Cows ranked 6

On the other hand, here’s a shot of a beach in the south of Spain that I quite like. But it didn’t make the cut – not even close. It ranked a mere 223rd. Fascinating!

Beach ranked 223

I think there are a number of things at play here. For one, the photographer often attaches a value to a photograph that the viewer doesn’t. If an image took repeated attempts to achieve, or was somehow difficult to get in another way — perhaps finding the right angle took hours, or maybe there was some fantastic luck involved that would be impossible for the viewer to appreciate — then it’s natural for the photographer to place a greater value on it. But the final image is what counts, and should be judged on its merits alone, which is sometimes hard for the photographer to do without bias.

Wild horse roundup ranked 133

Ranked #133

For instance, I particularly like this image of a church in the city of Salamanca. The strong graphic lines of the church’s shadow on itself, was not only dynamic because of its oblique orientation, but also offered a second yin-yang with the tourists, some in shade against the sunlight, the others in sunlight against the shade. But, it ranked only #208, again, not even close. But I find the fact it was not very popular more interesting, than disappointing. It wasn’t an obvious image to take, I had to see the opportunity first, then carefully compose, and wait for people to enter the light (and shade) at just the right time. I got it after almost an hour of waiting. Is that part of the reason I like it so much? I find that an interesting question.

Church shadows ranked 208

Of course the reverse also happens. The following image of the field of sunflowers was an easy photo to take, and much easier to spot as a photo-op, versus the church in Salamanca. Speaking as a photographer, I don’t think it’s one of my best images technically or creatively, but that doesn’t change the fact it’s a beautiful landscape. The people who look at your photos don’t (and shouldn’t) care about how hard or easy an image was to take. They either like it or they don’t. In this case, the field of sunflowers was very popular, ranking 4th overall.

Sunflowers ranked 4

Now, this doesn’t mean that you should only take photos that you think will be popular. But if you want to please a crowd with a slideshow, or a book, paying attention to what people like will make it more successful. It doesn’t matter how lucky you got, or how hard you worked to get a photo. The important thing is to try to look at it through other people’s eyes. If you enjoy sharing your images, it’s crucial to remove your own bias, and in the end it will make you a better photographer.

Editor’s note: How you can go about using this new knowledge without making a book? You can try posting a set of images as a collection on Facebook and ask people to rank their favorites. Or post a color and black and white of the same image and ask people which they prefer. Why not go ahead and try it here – post some photos in the comments below and rank each others images. How else can you look at your image objectively? 

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How to Critique Your Images Objectively: Ask for Other Points of View

07 Apr

What happens when you ask 150 people to look at the same photos and pick their favourites? The answer is simple: a pattern emerges. But which pattern emerges can be very surprising, as I found out recently.

Last year I decided to self-publish a photo book on Spain. I’d been wanting to do it for years. When the crowd-funding website Kickstarter announced it was opening up shop in Spain, where I live, I took it as a sign and made sure my project was uploaded the day they opened.

Alhambra palace ranked number 1

#1 ranked image by my crowd-fund book supporters.

But I wanted to do something different with the book. Then it hit me – I could get supporters to be a part of the process by choosing which photos would go in the book. I thought of it as crowd-funding meets crowdsourcing. I wanted everyone to play a role in my book. So I uploaded 240 images onto a private webpage, and gave everybody a password and a mission; chose your favourite 80 images. After the voting period was over, I tallied up the results and the top 80 images went into the book.

I was blown away by the results. Some of my personal favourites didn’t even make it in, and some other images that I didn’t think were particularly strong, ended up being extremely popular. It was very instructive. The one that stands out for me is of cows in a field beside a church in the mountains of northern Spain. I almost didn’t even include it in the original batch of 240 images. But not only did it make it into the top 80, it was the 6th most popular image!

Cows ranked 6

On the other hand, here’s a shot of a beach in the south of Spain that I quite like. But it didn’t make the cut – not even close. It ranked a mere 223rd. Fascinating!

Beach ranked 223

I think there are a number of things at play here. For one, the photographer often attaches a value to a photograph that the viewer doesn’t. If an image took repeated attempts to achieve, or was somehow difficult to get in another way — perhaps finding the right angle took hours, or maybe there was some fantastic luck involved that would be impossible for the viewer to appreciate — then it’s natural for the photographer to place a greater value on it. But the final image is what counts, and should be judged on its merits alone, which is sometimes hard for the photographer to do without bias.

Wild horse roundup ranked 133

Ranked #133

For instance, I particularly like this image of a church in the city of Salamanca. The strong graphic lines of the church’s shadow on itself, was not only dynamic because of its oblique orientation, but also offered a second yin-yang with the tourists, some in shade against the sunlight, the others in sunlight against the shade. But, it ranked only #208, again, not even close. But I find the fact it was not very popular more interesting, than disappointing. It wasn’t an obvious image to take, I had to see the opportunity first, then carefully compose, and wait for people to enter the light (and shade) at just the right time. I got it after almost an hour of waiting. Is that part of the reason I like it so much? I find that an interesting question.

Church shadows ranked 208

Of course the reverse also happens. The following image of the field of sunflowers was an easy photo to take, and much easier to spot as a photo-op, versus the church in Salamanca. Speaking as a photographer, I don’t think it’s one of my best images technically or creatively, but that doesn’t change the fact it’s a beautiful landscape. The people who look at your photos don’t (and shouldn’t) care about how hard or easy an image was to take. They either like it or they don’t. In this case, the field of sunflowers was very popular, ranking 4th overall.

Sunflowers ranked 4

Now, this doesn’t mean that you should only take photos that you think will be popular. But if you want to please a crowd with a slideshow, or a book, paying attention to what people like will make it more successful. It doesn’t matter how lucky you got, or how hard you worked to get a photo. The important thing is to try to look at it through other people’s eyes. If you enjoy sharing your images, it’s crucial to remove your own bias, and in the end it will make you a better photographer.

Editor’s note: How you can go about using this new knowledge without making a book? You can try posting a set of images as a collection on Facebook and ask people to rank their favorites. Or post a color and black and white of the same image and ask people which they prefer. Why not go ahead and try it here – post some photos in the comments below and rank each others images. How else can you look at your image objectively? 

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Constructive Photography Critique: How to Give and Receive with Grace

02 Apr

I’ve been in a funk lately. Just a little……off. Like I often hear other people do, I blamed it on the weather and assumed it would pass. A month later and it still hadn’t budged. This wasn’t the snow or the cold, yet completely normal, temperatures—it wasn’t even my kids who have been relatively low maintenance lately (all things considered).

There was only one thing left to do before I took complete stock of my life and started looking into some serious therapy or, dare I even consider, enroll in a yoga class, and that was to bug my husband about it: “What’s wrooooong with me? Why am I sooooooooo cranky? Why don’t you tell me I’m pretty and feed me cookies anymore?” His reply was: a) “I do tell you you’re pretty and you know where we keep the cookies”, and b) “well, you’ve taken some pretty harsh blows lately.”

lynseymattingly5

He was right. I have had more than a lions share of un-constructive criticism tossed my way these last few months. I consider myself to be fairly good at rolling with the punches. I accepted a long time ago that not everyone is going to like me; no matter how badly I want to invite them over to my house and tell them they are pretty and feed them cookies and convince them to. And not everyone is going to like my photography. I can deal with those things—I really can.

Like many of you, I saw early on that photography strikes so many chords with people, it’s very easy to get an internet debate going between total strangers about whether a random image is good or not. Whether or not it’s strong, if it’s beautiful, and the one that people seem to get hung-up on the most – if it’s correct or not. I have never heard talk of someone using the wrong paint strokes on a canvas. I’ve never walked into a debate over a songwriter using the wrong chords on his original music. I’ve never watched the internet get excited about the exact one proper way to throw pottery. But photography…photography is different with its mathematical magic and scientific reasoning. Photography is the one art that seems to have that one perfect right way.

lynseymattingly2

We will never all agree on that one right way though. It wasn’t long ago I was reading about a photography trend of the “in-between-shots”, which it turns out, I had been doing for years, I just had been calling them “out of focus shots.” So if even focus is subjective, how can we possibly come together on all the other pieces of our craft? We can’t. What we can do however, is be better for our peers and ourselves by being open to other viewpoints, and being better critics and brave receivers. This comes by giving and receiving constructive feedback, emphasis on the constructive part.

Kind criticisms can be helpful—both offering them to other photographers and being willing to hear them ourselves. I know the internet is never going to be a place where I can post an image and expect nothing but rainbows and sugarcanes of encouragement and praise to come my way, but I have to believe it can be better than what I have personally seen lately.

lynseymattingly8

Here are three questions I ask myself each time I get feedback, whether requested or not:

1) Am I really wanting other people’s opinions of this image?

Am I really? Because the truth is that there are some images we don’t need feedback on. Either they are just very special to us, are personal, or our client loved them, and for whatever reason, we don’t feel the need to hear what a friend or stranger may have to say about them.

If you find yourself in this situation where unrequested feedback has fallen in your lap over a photo you don’t need or want feedback for, move on. It’s not your job to validate the comment or engage in debate if you didn’t request it. They said what they needed to say, and what a wonderful gift you gave them of allowing them the space to say it.

If however, you have found yourself receiving feedback you asked for and decided that you actually don’t want, be honest! There is nothing wrong with saying, “I guess I wasn’t as ready to hear feedback as I thought I was.” There is no shame in not being interested in criticism, or in thinking others would enjoy your work more.

lynseymattingly3

2) Is it helpful?

One of the most frustrating things about photography is that there are no redos. You can reshoot anything until kingdom come, but it won’t be the exact moment it was before. So, while nitpicking over a single image, all things considered, will not likely help that photograph, hearing feedback about things in general can possibly help you the next time. Can you take what they are saying and apply it? Can you rework the image in post-production to be stronger? Is there a lesson somewhere to be had in the feedback you are getting?

“You asked for it, you got it!” moments can sometimes be humbling. Remember—it’s not a reflection of you, your character, or your very soul. For as passionate as we can be about photography, for as much as we live and breathe it, criticism is just words on a page or in the air, about a piece of paper or part of a screen that somehow came from your camera. These words cannot eat you, or make you spontaneously combust, even though sometimes it can feel that way.

lynseymattingly6

3) Is it really about my image?

Some people just need to share their opinion. I get that—I have a tendency to be an over-sharer myself. In this time of social media, we over-sharers forget that not everyone cares what we had for breakfast. Not everyone is interested in knowing that when I’m stressed, I get whiny and want to be fed cookies.

Really look at the feedback you received. If it feels off, or truly doesn’t make sense or seem helpful in any way, consider that it’s not about you. The feedback you received is maybe related to a battle you know nothing about, that somehow got caught-up in the vortex of sequences and ended up under your image because it needed a place to land.

I’m not a big fan of people saying, “it’s not personal, it’s business.” This “business” has taken from my personal life every chance it got. Photography has made me friends and taken my sleep. It’s taught me about beauty and kept me away from my family. You bet it’s personal! But that’s exactly the thing—the image is personal. It gets to be as personal as you want. The feedback however? That’s just business.

lynseymattingly4

A photographic community only works if people participate. There was a time when I was desperate for feedback of my work—a time when I truly wanted to learn and needed people more experienced to be willing to share their knowledge and skills with me. What power we are giving people when we ask for this! If I could do anything, besides teach the world to sing in perfect harmony, I would create a kinder internet. An internet that remains the most helpful source in the world, something that brings us all together, but isn’t so darn mean. I believe with all my unicorn believing ways that this is possible, and that being kind is the first step to being a respected member of any community. Giving constructive criticism is almost as hard as receiving it.

Here are three questions I ask myself before I offer feedback to another photographer:

1) Is it helpful?

It does no good for me to simply tell someone “nice image”. While a pat on the back is always great, enough of them and you’ll just push the person right over. If someone has truly asked for thoughts or a response to their image, is what I am about to tell them helpful? Can they use it going forward? Could it be taken as condescending or hurtful, or am I showing the proper respect? Just because someone asked for my opinion (or the opinion of the internet at large), doesn’t mean I have to be rude about it. Remember that it does take a bit of courage to share your very personal work with the world and though unspoken, I think a photographic community works best when the rule is – to above all else be kind.

lynseymattingly9

2) Is it balanced?

Does my comment also offer encouragement along with any negative elements I’ve mentioned? Have I pointed out something that was done well, so it’s clear that I invested more than a brief second before I spoke my thoughts for the world to see? I can hear some of you now saying, “it’s not my job to tell them it’s good—they wanted honesty!” To you I say, honesty can still be kind. You don’t have to reassure anyone or lie about your feelings to be honest. One of my all-time favorite quotes:

“Be an encourager. The world has plenty of critics already.” – Dave Willis

lynseymattingly7

3) Am I okay with this being the only thing someone has ever heard me say?

When you comment on the internet, it is usually read by people you don’t even know. Possibly hundreds or thousands of them. The world does not know that I try my hardest to be a decent human being, but sometimes my mouth gets away from me. The world doesn’t know that my passion can sometimes come across as overbearing. The person requesting feedback doesn’t likely even know who I am. So if what I am about to offer is the only thing anyone could ever attach to my name, am I okay with that? Have I been fair? Have I been helpful? Have I been kind? I would rather be completely forgotten than permanently attached to a unnecessary comment that I wrote in haste or worse yet, an unhelpful comment that I wrote out of spite.

lynseymattingly10

Do you leave comments on images? Do you post your images and ask for feedback? What are your thoughts?

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28 March, 2014 – A Redux Critique Of Contemporary Camera Design

29 Mar

Luminous-Landscape has spent a lot of time lately looking at the camera industry and camera design.  While we were doing this Richard Sexton, well know fine art photographer shared with us an article he wrote – A Redux Critique Of Contemporary Camera Design.  Richard’s article goes quite in depth regarding his opinions of cameras and lenses today.  It’s a follow up article to the one he wrote in May, 2012.  

William Neill well know photographer and author for Outdoor Photographer has just posted an article Antarctica Dreams on the Outdoor Photographer web site.  William was an instructor on our recent trip to Antarctica.  He shares his experience of this trip in the article.

Luminous-Landscape announces The Palouse Photography Workshop.  In cooperation with Phase One, Luminous-Landscape will host a PODAS workshop in the beautiful area of Southeast Washington known as the Palouse.  This is an amazing region of rolling hills and rich soil.  The workshop will be held during the harvest and will provide unique images as the primary crop – wheat is harvested.  Sign-uo today and receive a LuLa Video Subscription as a bonus (expires April 10, 2014).  Each attendee will be provided the latest Phase One camera system for the duration of the workshop.  This is your chance not only to photograph a beautiful part of the US, but also an opportunity to experience what medium format photography can do for your photography.  More information can be found HERE.

Looking for the ultimate summer photography vacation.  We still have a few berths lefts on our Svalbard – Land Of The Polar Bears workshops this July.  This is a small boat cruise into the ice pack to photograph Polar Bears as well as numerous excursions around Svalbard for other wildlife photography and landscapes. This will be an unforgettable trip with a maximum of only 11 participants.

…
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Critique Yourself: Weekly Photography Challenge

04 Jun

This week we published a post by Lynsey Peterson in which she shared 5 of her own images that she feels could have been better.

Look at me

It was a brave move by Lynsey to share that post and got me thinking about the topic of self critique.

My own experience of photography is that going through the process of critiquing your own work to see how you might improve is actually a very valuable process and as a result I’d like to encourage others to do the same as this weeks photography challenge.

Your challenge is to share a photo that you’ve taken recently and share with us how you’d improve it if you could shoot it again.

Would you change the composition, use different gear, pose your subject differently, shoot at a different time of day, use a different approach to lighting…. or something else?

There’s no need to write a long essay critique (although feel free). Just a few points on what you’d do to improve your shot next time is fine.

Once you’ve worked out which shot you want to critique upload it to your favourite photo sharing site either share a link to them even better – embed them in the comments using the our new tool to do so.

If you tag your photos on Flickr, Instagram, Twitter or other sites with Tagging tag them as #DPSCRITIQUE to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

Also – don’t forget to check out some of the great shots posted in last weeks Spirit challenge – there were some great shots submitted.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Critique Yourself: Weekly Photography Challenge


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Digital Photography Photo Critique

20 Sep

www.FroKnowsPhoto.com This weeks flickr photo of the week was captured by Steve Stanger. The color and subject matter just popped out at me from the fro knows photo flickr photo group that I had to know more about it. Turns out it was not shot with the Nikon d3100 or Canon 60d but Nikon’s older D40 and 35 1.4 again showing you you can capture great images with any camera. (be sure to join the group right here www.flickr.com Take a listen to our conversation about this photo and you can hear how and where he created it.
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