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Posts Tagged ‘cracked’

Lensrentals tears down a Canon RF 100-500mm F4.7-7.1 lens to solve the mystery of a cracked element

22 Jan

Roger and Aaron are back at it again for Lensrentals, this time with a teardown of a Canon RF 100–500mm F4.7–7.1 lens with a little secret inside.

As Roger tells it, Lensrentals has come across ‘several’ copies of Canon’s RF 100–500mm F4.7–7.1 lens with a cracked element inside. He believes this crack occurs during shipping, but notes that ‘if you’ve ever rented from [Lensrentals], you know how we pack […] Nothing should break in shipping.’ As such, he did what he usually does when he can’t get an answer from the outside, he tore the lens down (with the help of Aaron, of course).

The large crack, seen through the rear elements of the lens. Click to enlarge.

Upon taking a closer look, Roger suspected the cracked element was inside the image stabilization module of the lens, due to the crack appearing to move when the lens was shifted around. He explains that while Canon was known for physically locking down IS units in its EF lenses, that practice has become less commonplace with RF lenses due to improved engineering measures. Naturally, he assumed this lack of lockdown could be the culprit for the cracked element in shipping.

As it turns out though, that wasn’t quite the case.

Roger and Aaron went through the usual routine, starting at the front of the lens. Despite easily removing the filter barrel and front optical group, they hit a roadblock with the light baffle inside. So, ‘like the cowards [they] are,’ Roger and Aaron turned the lens around and started to take it apart from the lens mount side.

A close-up view of the ribbon cables neatly tucked away inside the barrel of the lens.

Along the way, the pair ran into the usual array of screws, ribbon cables and sensors. But it wasn’t all that bad to take apart, thanks to the lens’ modular construction. Roger particularly appreciated how Canon managed to integrate almost all of the ribbon cables into the barrel of the lens, meaning there was little need to trace and mark down where every cable was supposed to be routed to:

‘I get accused every so often of being a Canon fanboy (or Sony, or Sigma, etc.). I’m not, but I’ll readily admit I’m a Canon lens construction fan; these are a pleasure to work on compared to most brands.’

A comparison of how the internals of the lens look when zoomed out versus zoomed in. Click to enlarge.

With the rear barrel off, Roger and Aaron took a look at the intricacies of the zoom section of the lens. Roger notes ‘everything moves in an impressively complex fashion’ and is almost overbuilt in some areas. Specifically, Roger points out that the front barrel moves along six heavy-duty rollers (as opposed to three in most other zoom lenses), each of which has custom-fitted nylon bearings to ensure the tightest fit possible while still offering a smooth glide. To this, Roger says ‘This is why nice things cost more; a lesser lens has three same-size small nylon bushings over screws.’

A close-up of one of the nylon bushings precisely fitted to the guide rail. Click to enlarge.

Another detail Roger noticed is that the two optical groups responsible for zoom operate independent of one another. That is, rather than both optical groups extending together with the barrel, the rear zoom optical group moves into the barrel, but isn’t doing so at the same rate as the front optical group.

From there, it was on to the inner barrel to see if the duo could get to the broken element. Before getting to the IS module though, Roger noted the use of springs to hold the rear baffle in place. He says Canon has been using more and more tensioning springs in its lenses over the years, ‘which suggests they originally thought it was a good idea, found out they were correct and increased usage.’ This particular lens has ‘over a dozen springs.’

A look at the tensioning springs used to hold the rear baffle tight. ‘It’s a complex little bit of engineering for a baffle,’ says Roger. Click to enlarge.

Eventually, Roger and Aaron hit the IS module, which Roger describes as ‘a pretty robust unit.’ He elaborates:

‘In older lenses, we sometimes saw IS units that were encased in a ‘cage’ of plastic bars, which broke sometimes. This is not that at all, it’s heavy-duty interlocking plastic shells with multiple screws and tension springs. We could (OK, we did) shake the heck out of it. It just rattled a bit, but there was nothing but solidness here.’

A close-up view of the ‘robust’ IS unit inside the RF 100-500mm F4.7-7.1 lens. Click to enlarge.

However, as you can see in the above image, there was no crack in sight. So it was on to more disassembling to get to the problematic element. After removing countless cams, spacers, screws and more, Roger and Aaron were able to find the cracked element — a thin, single element that sits right behind the aperture assembly and is also the forward focusing element.

Note the aperture assembly in front of the cracked element. Click to enlarge.

Still confused as to how the element cracked, the pair measured and tested everything around the element and determined there’s no way it could’ve impacted anything inside the lens. So, what could’ve caused it to crack? Roger doesn’t really know.

In his conclusion, Roger says:

‘My first thought, given that it’s winter, was perhaps temperature shock, moving from sub-zero trucks to warm indoors or something. But I’ve asked several people more knowledgeable than I and none think that’s a possibility. The ones that cracked are all early copies from a similar serial number range, perhaps there were some flawed elements early on. Maybe it’s just a statistical anomaly; we have a lot of copies and stuff happens. Or maybe it’s something we do or something with shipping. Nobody else has reported this. It’s worth looking into further, there are a number of things we’ve noticed before anyone else just because we have a lot of gear and a lot of repairs and inspections. But it may be an oddity that never happens again.’

Whatever the case, Lensrentals has sent all of its data and broken lenses to Canon, who already has a team assigned to more thoroughly investigating the issue. Roger says ‘Canon is always proactive about investigating these things and [is] one of the few companies willing to publicly say when they actually have a problem.’

Broken element aside, Roger says the rest of the teardown is what he’s come to expect from Canon RF L series lenses:

‘It’s filled with very robust construction, neatly and clearly laid out in a modular manner. It’s a very well-built and sturdy lens with cutting edge technology.’

To conclude, we’ll let Roger’s Rule of Broken Parts speak for itself: ‘the hardest to get to part is the one that’s broken.’

Articles: Digital Photography Review (dpreview.com)

 
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Lensrentals discovers cracked sensor mounts inside some of its Sony a7-series rental fleet

12 Jun
Photo credits: All photos and illustrations (except for this one), kindly provided by Lensrentals.

As promised, Lensrentals is back with part two of its flange-to-sensor measurement test, this time testing photo-centric cameras instead of cine cameras.

As Roger and his team meticulously pored over the measurements of every compatible camera they had on hand (the testing rig only had mount options for Canon, Sony and MFT cameras), they discovered a concerning percentage of Sony a7-series cameras had suffered from an unexpected and consistent failure of a key component.

Although Roger starts off his blog post with his Canon measurements, we’re going to begin with Sony, as that’s where the surprising and concerning discovery lies. In total, the Lensrentals team tested 487 various Sony full-frame and APS-C mirrorless bodies. To those concerned the in-body image stabilization (IBIS) would affect the flange-to-sensor distance, Roger has the following to say:

‘First let me mention that we asked and answered the obvious question “does the IBIS system change the flange-to-sensor distance.” We took some cameras, measured them, put a lens on, focused it on various things to run the IBIS, and measured again, about a dozen times each. Each camera had identical measurements every time.’

An overview of the flange-to-sensor distance measurements of all Sony cameras Lensrentals tested. Note the scale on all of these charts: this chart is -0.1mm to +0.1mm.

With that debate wrapped up, Roger presents the overall findings for Sony mirrorless cameras (seen above) before further dividing up the Sony camera bodies, grouping the Sony a9 and Sony APS-C cameras together and grouping all of the a7-series camera bodies together. Roger grouped the data this way because the a9 and APS-C models ‘look[ed] marvelous,’ with minimal variation, while the a7-series showed rather dramatic variations, particularly with their outliers.

This is the a7-series chart, showing the a7R III (blue), a7R IV (red) and a7 III (yellow). Note the unusual number of outliers on the very extremes of the chart.

After testing each unit, Roger pulled 28 outliers for further inspection (5.75% of the Sony cameras tested). While a few of them needed to have the lens mount screws tightened or entirely replaced to correct their flange-to-sensor distance, there were a number of units that stood out as ‘large outliers.’ Upon closer inspection, Roger and his team discovered a number of these units had a more unexpected and more serious issue: there was a fracture between the sensor mount and stabilization system.

The arrow points to a fractured sensor-to-IBIS mount inside a Sony a7-series camera.

As you can see in Lensrentals’ a7R III teardown, Sony mounts the sensors to a plastic plate that attaches to the IBIS system via three screws. In two of the ‘large outlier’ units the plastic plate the sensor is mounted to had fractured; two others had screws that had wiggled their way out; one had what appeared to be a ‘metal fatigue type fracture’ in the mount; and one had a ‘displaced fracture of the sensor frame’ that was serious enough to pop off the retaining clip.

The arrow points to the tab where the retainer clip is supposed to be secured to.

While these are all serious issues that raise concerns, Roger says he was amazed to realize ‘the cameras really didn’t show much disfunction.’ He elaborates:

‘If you had just shown me the pictures above I would have expected error messages, horrible images, something dramatic. These were renting regularly, customers were happy with them, our 64-point tech inspection was passed before and after each rental.’

Even after hours of stress testing by Lensrentals’ most experienced techs, the only complaints they had with these broken units were the same minor complaints a few renters had pointed out in the past, including ‘Seems images might be a little soft on one side,’ or ‘maybe the stabilization isn’t quite as good as it should be.’

Roger says it appears as though a single broken mount (remember, there are three screws holding the sensor to the IBIS unit) doesn’t appear to have much affect on overall operation, but suggests if two of the mounts were to break it would be likely to cause noticeable issues.

Roger says the crack in this image displaced the mount by about 0.5mm, but despite this dramatic displacement, the center of the sensor shifted much less than that.

Wonky mounts and fractured components sound scary, but in total, less than 2% of Lensrentals’ Sony camera stock was found to have lens mount issues and only 1.6% suffered from the sensor mount problem. That’s not an insignificant number of cameras given how large the rental fleet is, but considering these are rental cameras and it took hours of intense inspection of the outlier samples to notice even the smallest impact on image quality, it’s hard to say how serious the issue really is in practical terms.

Wonky mounts and fractured components sound scary, but in total, less than 2% of Lensrentals’ Sony camera stock was found to have lens mount issues and only 1.6% suffered from the sensor mount problem

Still, though, any kind of failure like this is concerning and both Roger and DPReview have contacted Sony to inform them of Lensrentals’ finding and request comment on the matter.

With the Sony camera data out of the way, it’s on to Canon cameras. Within the data, Roger discovered a few interesting tidbits. First, the flange-to-sensor distance in photo cameras doesn’t vary any more than in Canon’s cine cameras. Second, of the 11 cameras (out of 478 Canon DSLR cameras tested) that Roger pulled for closer inspection due to variations, all of them were either 5D IV or 1DX bodies, i.e., pro bodies.

A chart showing the variation of the Canon DSLR cameras Lensrentals tested, with the outliers highlighted. Again, note the scale of this graph: this chart is -0.1mm to +0.04mm.

Upon further inspection of the most affected camera bodies, Roger discovered each of them had a history of a drop or required ‘significant internal work’ after being rented out at one time or another. He also notes it makes sense these cameras are more susceptible to damage when bumped or dropped due to the tendency for these cameras to be used in harsher conditions and with longer, heavier telephoto lenses, which could more easily bend the mount ‘because force proportional to mass and all.’

Roger concludes his data with a breakdown of variation in 138 Micro Four Thirds cameras: 82 Panasonic units, 36 Olympus units and 20 Black Magic Pocket Cinema Camera 4K units.

A breakdown of the various Micro Four Thirds camer models Lensrentals tested.

Overall, the variation between units proved to be relatively minimal, with only five cameras being outliers. Of these five cameras, four had been sent back to the factory to have their sensors replaced and one had a shutter replacement. Roger notes five other Micro Four Thirds cameras also had their sensors replaced and were within the nominal variation range, so don’t assume all cameras with sensor replacements will have abnormal flange-to-sensor distance measurements.

In wrapping up, Roger concludes that while it might’ve been seemed unnecessary to measure the flange-to-sensor distance of still cameras, it proved just as useful as it was with cine cameras. The team found fixable issues in roughly 2% of its still camera fleet thanks to the testing and, in Roger’s own words, ‘To me, that’s a huge thing […] Huge enough that we need to get a second Denz tool for the photo techs since the first one is already monopolized by the video people.’

Read the full article at Lensrentals.com

Articles: Digital Photography Review (dpreview.com)

 
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LG V20 owners report fragile, easily cracked camera glass

26 Oct

Numerous reports have surfaced from LG V20 owners claiming that the glass covering the smartphone’s rear camera is easily shattered. In some cases, the glass reportedly breaks without any direct impacts, leading some to speculate that the LEDs may be the cause. Some users report receiving a new phone with glass that’s already cracked, while others indicate it cracks after only several hours or days of use.

In addition to user reports on Reddit, smartphone durability tester ‘JerryRigEverything’ experienced the same issue. The glass camera covering is shown shattering in the video below a few moments after he rubs it with a pick to test its durability against scratches. LG has not issued a comment on the reported issue. For now, users are advised to keep the protective film covering on the camera glass in an effort to avoid cracks.

Via: TechTimes

Articles: Digital Photography Review (dpreview.com)

 
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Cracked Mirrors: 12 More Eerie Abandoned Observatories

26 May

[ By Steve in Abandoned Places & Architecture. ]

abandoned observatories_main
These twelve abandoned observatories tell no universal tales; their heavenly visions now fatally fogged as their expansive domes lie locked and shuttered.

Odorheiu Secuiesc Observatory, Romania

Odorheiu Secuiesc Romania abandoned observatory(images via: Jakab Aron Csaba)

Vlad the Observer? The abandoned observatory in Odorheiu Secuiesc, Transylvania, Romania was abandoned before it was even operational. Construction began in 1889… make that 1989 (images can deceive) under the auspices of the autocratic Ceausescu regime which was rapidly nearing a violent end. By 1990, Romania had shrugged off communism and pre-approved projects like the observatory at Odorheiu Secuiesc found their funding cut off.

Truro Observatory, Cornwall, UK

abandoned observatory Truro Cornwall(images via: Belief In Ruins and UER)

Considering the reputation England has for inclement weather, was building an observatory in Cornwall really such a great idea? A group of amateur astronomers thought so, and in 2000 they demonstrated their confidence by volunteering time, materials and skills to build two domes with plans on paper for a third. The group was also confident local and regional governments would contribute funding to support the project, which in hindsight (and even foresight) was a huge mistake. By 2002 the project was deep in debt, all work stopped and vandalism began. A pity these so-called observers weren’t more, er, observant.

Lamont–Hussey Observatory, Bloemfontein, South Africa

Lamont-Hussey abandoned observatory  Bloemfontein South Africa(images via: U-M Astronomy and Joe Mynhardt)

The stately Lamont–Hussey Observatory located on naval Hill in the city of Bloemfontein, Free State, South Africa, opened in 1928 and featured a 27-inch (0.69 m) refracting telescope. Conceived, built, owned and operated by the University of Michigan, the Lamont–Hussey Observatory closed in 1972 after its usefulness as an astronomical instrument had been superseded by numerous other such facilities.

Daniel S. Schanck Observatory, New Jersey, USA

Daniel S. Schanck Rutgers abandoned observatory(images via: Wikipedia/Tomwsulcer, AFAR and Rutgers Rarities Investigations)

Few abandoned buildings look as good as the Greek Revival-style Daniel S. Schanck Observatory, located on the Queens Campus of Rutgers University in New Brunswick, New Jersey. Architect Willard Smith took inspiration from the Tower of the Winds in Athens, Greece when designing the octagonal observatory building, which opened in 1865. After the observatory closed in the 1960s, the building suffered from neglect and occasional vandalism before being cosmetically renovated by Wu & Associates, Inc in 2012.

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Cracked Mirrors 12 More Eerie Abandoned Observatories

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[ By Steve in Abandoned Places & Architecture. ]

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Aptina’s Clarity+ sensor tech claims to have cracked the clear pixel puzzle

17 Jul

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Sensor maker Aptina has given more details of its Clarity+ technology that it claims will offer a 1EV improvement in sensitivity over conventional sensors. The company believes it has found a way to use clear pixels to capture more light while retaining the image quality of a standard Bayer sensor. Although initially intended for smartphone sized sensors, the company says it could have applications in larger formats. Find out more over at connect.dpreview.com

News: Digital Photography Review (dpreview.com)

 
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