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Posts Tagged ‘Costs’

Zeiss’ 37MP Lightroom-capable, full-frame ZX1 camera is here — and it costs $6K

30 Oct

Zeiss has announced the release of its long-awaited ZX1 mirrorless camera in the United States and Germany.

First announced back in September 2018, the Zeiss ZX1 full-frame Android-powered camera is designed, in Zeiss’ own words, to help users ‘Shoot. Edit. Share.’ all on one device thanks to the integration of hardware and software.

At the core of the ZX1 is a 37.4-megapixel full-frame CMOS sensor developed by Zeiss. In front of the sensor is a non-interchangeable Zeiss Distagon 35mm F2 T* lens with a focus and aperture ring (both of which appear to be electronically controlled). In addition to stills, the camera is capable of recording 4k (3,840 x 2,160 px) video at 30 frames per second (fps) and 1080p video at 60 fps in the H.264 codec. All images and video are stored on a 512GB internal SSD and can be transferred off the device using the USB-C port or the wireless connectivity (Wi-Fi 802.11b/g/n/ac, 2.4/5.0 GHz and Bluetooth 4.2 LE).

Other specifications include a shutter speed range of 1/2000th to 30s, an ISO range of 80 to 51,200 (1/3 EV increments), Hybrid AF that uses both contrast and phase detection, and a 0.7” OLED electronic viewfinder (EVF) with a 1920 x 1080px resolution. The camera uses a 3,190mAh 22.9Wh Li-ion battery, but Zeiss doesn’t mention how many shots the battery is rated for (likely because how much editing is done on-camera will greatly affect the battery life).

What makes the Zeiss ZX1 different than, say, the Leica Q2, is its massive 4.3” multitouch display on the rear that not only allows you to navigate the menu system, but also serves as a means of editing images directly on the camera with the Adobe Lightroom Mobile application. Zeiss said it’s worked alongside Adobe to ensure full compatibility and all buyers will receive a year’s worth of Adobe’s 1TB Photography Plan.

Despite clearly running on some version of Android, Zeiss no longer mentions the word ‘Android’ on any of its marketing material, so there’s no way of knowing what version it runs and what kind of support we can expect going forward.

The Zeiss ZX1 is available starting today for $ 6,000 at select dealers in the United States and Germany, including Adorama and B&H. You can read our initial hands-on with the ZX1 from CP+ 2019.

Articles: Digital Photography Review (dpreview.com)

 
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Meike’s 25mm F1.8 manual lens for Nikon Z-mount costs only $75

14 Aug

It’s only been a few days since Meike introduced it’s 85mm F1.8 autofocus prime, but it’s already back with the announcement of another lens, a 25mm F1.8 manual focus prime for Nikon Z-mount cameras.

The lens is constructed of seven elements in five groups, has an aperture range of F1.8 through F16, features a minimum focusing distance of 25cm (9.8”) and uses a nine-blade aperture diaphragm.

The lens measures in at 61mm (2.4”) in diameter, 41mm (1.6”) long and weighs approximately 170g (6oz). Meike notes that the lens is entirely manual to the point that you’ll need to set your camera to release the shutter without a lens, as it won’t recognize a lens is attached.

Meike’s website makes mention of APS-C throughout the entire product page, but also shows the lens attached to the Nikon Z7 we have contacted Meike to confirm whether this lens is exclusively for APS-C or also full-frame

The lens is available now for just $ 75 on Meike’s website. It comes with the lens, front/rear caps, a carry pouch and a microfiber cleaning cloth.

Articles: Digital Photography Review (dpreview.com)

 
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Meike’s first autofocus lens is a new 85mm F1.8 prime that costs just $190

12 Aug

Budget optics manufacturer Meike has announced the release of an ultra-affordable 85mm F1.8 autofocus lens for Canon EF- and Nikon F-mount cameras that costs just $ 190.

The lens, which is the first autofocus lens Meike has produced, is constructed of nine elements in six groups, features an aperture range of F1.8-F22, has a minimum focusing distance of 85cm (33.5”) and uses a nine-blade aperture diaphragm. It also has a built-in microUSB port for updating firmware.

The lens measures in at 79mm long, 75mm diameter and weighs 420g (14.8oz). The 85mm F1.8 lens is currently listed as available on Meike’s online shop for just $ 190 (Canon EF, Nikon F). It comes with the lens, a lens hood, front/rear caps, and a microfiber pouch for transporting it in.

Articles: Digital Photography Review (dpreview.com)

 
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Meike’s new 50mm F1.2 lens for mirrorless (and EF) mounts costs just $350

28 Jul

Are you looking for fast glass on a budget? If so, Meike’s new 50mm F1.2 might satiate your needs without burning a hole in your wallet.

The ultra-fast lens will come in Canon EF, Canon RF, Nikon Z and Sony E mount when it ships mid-August. The lens is constructed of 12 elements in 7 groups, including an undisclosed number of multi-coated elements. It features an aperture range of F1.2-F22, has a minimum focusing distance of 60cm (24”) and uses a 67mm front filter thread.

The manual-focus lens measures in at 72mm (2.83”) long and weighs 620g (1.37lbs). For comparison, Canon’s RF 50mm F1.2 weighs 950g (2.09lbs). Below is a video overview of the lens from Arthur R:

The Meike 50mm F1.2 lens is currently available to pre-order for Canon EF, Canon RF, Nikon Z and Sony E mount camera systems for $ 350. The first units are expected to start shipping on August 15.

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic Design’s Pocket Cinema Camera 6K now costs $1,995 after permanent price drop

24 Apr

Blackmagic Design has announced it’s dropping the price of its Pocket Cinema Camera 6K (BMPCC6K) by $ 500, bringing the retail price down to $ 1,995.

Although Blackmagic Design doesn’t explicitly say the price drop is due to the current COVID-19 pandemic in the press release, it does suggest the decision was made alongside the release of its ATEM Mini switchers to help the current demand for at-home livestreaming efforts, saying ‘With the current demand for multi camera live streaming from home broadcast studios, the Blackmagic Pocket Cinema Camera 6K makes a perfect studio camera when combined with the recent studio camera software update!’

The BMPCC6K offers 6K30p recording on its Super 35 sensor (6144 x 3456 pixels), up to 13 stops of dynamic range, built-in SD UHS-II and CFast card slots, HDMI output, an expandable USB-C port, a built-in 5” touchscreen and Blackmagic OS to run it all. All of that is packed inside the carbon fiber polycarbonate composite frame, which comes with a built-in Canon EF mount.

You can find the new price live at retailers around the globe, including Adorama and B&H.

Press release:

Blackmagic Design Announces New Low Price for Pocket Cinema Camera 6K

Fremont, CA, USA – Friday, 24 April 2020 – Blackmagic Design today announced a new lower price for the popular Blackmagic Pocket Cinema Camera 6K of US$ 1,995. This is a reduction of $ 500 which will help make this camera more affordable for users working on digital film as well as live production with the new ATEM Mini switchers. With the current demand for multi camera live streaming from home broadcast studios, the Blackmagic Pocket Cinema Camera 6K makes a perfect studio camera when combined with the recent studio camera software update!

Blackmagic Pocket Cinema Camera 6K is available immediately from Blackmagic Design resellers worldwide for US$ 1,995.

Blackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini. Video and control is via the HDMI connection, which is available as soon as customers plug the cameras in. The record light becomes a tally light so customers can see which camera is on air. The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching their cameras. Move the CCU control vertically for iris and left to right to adjust black level. It’s the same as a broadcast CCU. There are also controls for color tint to balance camera as well as focus, gain and shutter speed. Customers can even ISO record Blackmagic RAW in the camera for editing later.

The elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at their fingertips.

Featuring a larger 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K model lets customers use larger EF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocussed backgrounds and gorgeous bokeh effects.

Blackmagic Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows customers to set exposure for an indoor scene and still retain the details of bright outdoor light coming through a window.

The Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. Customers can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card. The ProRes and Blackmagic RAW files work with all video software.

Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from their camera. Video formats such as H.264 are highly compressed, plus add noise and artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives customers stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so customers can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with.

Blackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for customers to frame shots and accurately focus. The touchscreen displays critical information while users are shooting, menus for setting up the camera and intuitive touch to focus controls. On screen overlays show status, a histogram, focus and peaking indicators, levels, frame guides, playback controls and more.

With the advanced Blackmagic OS, customers get an intuitive and user friendly camera operating system based on the latest technology. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. Customers also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more.

Both Blackmagic Pocket Cinema Camera models feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The four built in microphones have an extremely low noise floor and are shock and wind resistant, allowing customers to capture great sound in any location. There’s also a 3.5mm audio input for connecting video camera style microphones, along with a built in speaker for playback and a 3.5mm headphone jack.

“We have worked very hard to build this camera at lower cost, and we think even more people will be able to take advantage of this price reduction to move into a more advanced and much higher quality digital film workflow,” said Grant Petty, Blackmagic Design CEO. “This has become more important with COVID-19. Many broadcasters have been setting up home studios for presenters, which have used ATEM Mini switchers and Blackmagic Pocket Cinema Cameras. We think with the recent software updates for switcher control of the Pocket Cinema Cameras from the ATEM Mini switchers, combined with this more affordable price it will greatly help this workflow.”

Blackmagic Pocket Cinema Camera 6K Features

  • Works as a studio camera when connected to ATEM Mini.
  • Designed from carbon fiber polycarbonate composite.
  • Wide 13 stops of dynamic range for film looks.
  • Built in SD, UHS-II and CFast card recorders.
  • Features incredible quality Blackmagic RAW recording.
  • Built in 5″ touchscreen allows accurate focus when shooting 6K.
  • Blackmagic OS as used in URSA Mini and URSA Broadcast cameras.
  • Professional mini XLR input with 48 volt phantom power.

Availability and Price

Blackmagic Pocket Cinema Camera 6K is available now for US$ 1,995, excluding local duties and taxes, from Blackmagic Design resellers worldwide.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-T200 is lighter, faster, offers 4K/30p and costs $800

26 Jan

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Fujifilm has announced the X-T200, boasting a wide range of improvements over its X-T100 predecessor. The X-T200 uses a 24MP Bayer sensor like the T100 did, but uses copper rather than aluminum wiring, which provides 3.5x faster readout and had allowed Fujifilm to extend the high ISO by one stop, to 25600.

The X-T200 is an altogether lighter camera than the X-T100, weighing in at 370g / 0.8lb. Where the T100 offered very little in the way of a grip, the X-T200 provides a prominent, protruding grip for more comfortable hand-holding. The T200’s touchscreen is larger (3.5″ vs. 3″) and inherits a more touch-friendly menu from the X-A7.

Another welcome improvement is the ability to shoot un-cropped 4K video at 29.97 and 24p

Fujifilm promises autofocus improvements as well, including the latest eye detection algorithms. The X-T200 offers more phase-detect pixels (140k versus 16k), better PDAF coverage (across the whole sensor, rather than a central 25%) and more selectable autofocus points (425 vs. 91) than its predecessor. Burst shooting is improved to 8 fps (compared to 6 fps).

Another welcome improvement is the ability to shoot un-cropped 4K video at 29.97 and 24p, compared to the T100’s 4K/15p. Slow motion 1080/120p is also now an option, and a video setting has been added to the mode dial.

The Fujifilm X-T200 will ship in late February for $ 700 body-only or $ 800 with XC 15-45mm F3.5-5.6 OIS PZ kit lens.

Press release

INTRODUCING THE X-T200 MIRRORLESS DIGITAL CAMERA: A FULLY-FEATURED CAMERA TO DOCUMENT THOSE DAY-TO-DAY MOMENTS

Valhalla, New York – January 23, 2020 – FUJIFILM North America Corporation is pleased to announce FUJIFILM Corporation’s launch of its “FUJIFILM X-T200” (hereinafter “X-T200”) mirrorless digital camera.

The X-T200 provides content creators of all levels with a new, light-weight and compact mirrorless camera body that features a newly designed EVF, quick face detection AF, and a new sensor and processor combination that can create 24.2MP stills at 8 FPS and record 4K UHD video at 30fps.

An ideal camera for creative individuals who want to make high-quality imagery anywhere, the X-T200’s HDR functions for still and video make this easier in high- contrast environments. It can also record Full-HD 120p video, making it a great tool to use for scenes needing super slow motion. Additionally, the new Digital Gimbal Function can now be used to smoothly record video in-camera by mitigating camera shake through new gyro sensors in the camera body. This enhances image quality even further beyond what normal Smartphones can provide comparatively.

Incredible Image Quality for any Situation
X-T200 combines innovation, design, and technology to provide image makers of all levels with a complete solution to unlock limitless creative possibilities. Weighing 13.05oz (370g), X-T200 is about 2.82oz (80g) lighter than its predecessor (the X-T100) and is equipped with a new vari-angle touch-screen, a high-speed APS-C 24.2 Megapixel CMOS sensor which uses copper wiring for optimal performance, and an intuitive user interface that provides professional quality with the ease and familiarity of a Smartphone. Able to process data 3.5 times faster than the X-T100, rolling shutter is reduced with the X-T200, while AF performance in the X-T200 is dramatically enhanced through the use of phase detection autofocus pixels across the sensor.

Touch Your Way to the Perfect Image
X-T200 is equipped with a vari-angle 3.5-inch, 16:9 Aspect Ratio widescreen LCD touch- screen that can be opened and closed between 0 to 180 degrees and rotated between – 90 to +180 degrees. It also provides an intuitive and responsive control over the camera’s features and functionality and can be used to adjust a variety of settings, like brightness, background blur, film simulation effects, and image aspect ratios.

Focus on the Faces and the Moment
The use of on-sensor phase detection pixels across the sensor and a new AF algorithm means focus can be achieved quickly and in a variety of conditions. The updated Face/Eye Detection AF makes focusing on individuals or groups of people quick and easy. This is even possible when the camera’s LCD monitor is flipped out and you want to take a selfie. Automated functions, like Main Subject Recognition, allow the camera to be set to recognize and track a main subject within the frame. These features, combined with a burst mode of 8fps, allow you to see, frame, and make images of those important moments with those important people.

Legendary Color Science
Fujifilm’s history in color science has given it world renowned status among image- makers across the world. With over 85 years of experience in the industry, Fujifilm has been responsible for some of the most iconic photographic films in history and this exceptional knowledge has been poured into the 11 digital film simulation modes installed into X-T200. Images made with these film simulations carry the look and feel of the actual films that inspired them, which are a great building block to sparking creativity in image- making. In addition, 20 advanced filters, which includes the new, “Clear Filter”, give even more creative possibilities to image-makers as they seek to express themselves artistically.

When Stills Just Aren’t Enough
The new Electronic Stabilization and HDR Video modes, along with the X-T200’s basic internal editing functions, helps X-T200 do more than just produce beautiful 4K Video– it ensures that videos are stable, crisp, and properly trimmed so they can be easily shared with family and friends. A gyro sensor sits at the heart of the new Electronic Stabilization Mode and assists in reducing the effects of camera shake when recording video footage. The new HDR Video function makes recording footage in high contrast situations much easier and more practical, while its in-camera video editing functions allow for clips to be trimmed and right-sized before they are shared. This means creators can share the perfect section of a super-slow motion clip or the best part of their 4K footage right from the camera to their Smartphone without ever needing to open a computer!

Pick Your Favorite Color and add a Fast Prime Lens
X-T200 will be available as a standalone body and as a kit with the XC15-45mmF3.5-5.6 OIS PZ Lens in three colors (Silver, Dark Silver, and Champagne).

For those interested in expanding their X-T200 tool kit, the new FUJINON XC35mmF2 lens gives an equivalent to 52mm field of view on 35mm format. Weighing just 130g and measuring 46.5mm in length, this new prime lens has nine elements, including two aspherical lens elements in six groups, which work to produce sharp and crisp images with creamy bokeh. AF operation is quick and near silent thanks to the use of an internal focus system and a stepping motor, which is used to drive the focusing elements quickly and accurately.

X-T200 is expected to be available for sale in late February 2020 at manufacturer’s suggested retail pricing as follows:

  • X-T200 camera body only: $ 699.95 USD ($ 899.99 CAD)
  • X-T200 kit including camera body and XC15-45mm45mmF3.5-5.6 OIS PZ lens: $ 799.95 ($ 1,049.99 CAD)
  • XC35mmF2 lens: $ 199 USD ($ 259.99 CAD)

For more information, please visit https://fujifilm-x.com/en-us/products/cameras/x-t200/.

Fujifilm X-T200 specifications

Price
MSRP $ 699 (body), $ 799 (w/15-45mm lens)
Body type
Body type SLR-style mirrorless
Body material Metal, composite
Sensor
Max resolution 6000 x 4000
Image ratio w:h 4:3, 3:2, 16:9
Effective pixels 24 megapixels
Sensor size APS-C (23.5 x 15.7 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, ISO 200-12800 (expands to 100-51200)
Boosted ISO (minimum) 100
Boosted ISO (maximum) 51200
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (Fujifilm RAF format)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes
Manual focus Yes
Number of focus points 425
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3.5″
Screen dots 2,780,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.93× (0.62× 35mm equiv.)
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 4 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Portrait
  • Night
  • Fireworks
  • Sunset
  • Snow
  • Beach
  • Party
  • Flower
  • Text
  • Multiple Exposure
  • Light Trail
Built-in flash Yes
Flash range 7.00 m (at ISO 200)
External flash Yes (via hot shoe)
Flash X sync speed 1/180 sec
Continuous drive 8.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 50p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 25p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p, MP4, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-I supported)
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NP-W126S lithium-ion battery & carger
Battery Life (CIPA) 270
Weight (inc. batteries) 370 g (0.82 lb / 13.05 oz)
Dimensions 121 x 84 x 55 mm (4.76 x 3.31 x 2.17″)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Sigma’s 70mm F2.8 DG Macro Art lens costs $570, ships this month

12 May

Back in February, Sigma introduced the first Macro lens to join the company’s high-end line of “Art” series lenses: the Sigma 70mm F2.8 DG MACRO Art. And today, after keeping us in the dark for a few months, the company has finally revealed the lens’ pricing and availability.

According to Sigma, you’ll be able to pick up the new lens in Canon EF mount starting at the end of this month for a suggested retail price of $ 570. Additionally, the Sigma mount is expected to ship in June, and the Sony E-Mount version “will be announced later.”

As we mentioned above, this 70mm F2.8 is the first macro lens to join Sigma’s “Global Vision Art Line,” a lineup of lenses touted for its exceptional optical quality (usually at a very reasonable price). The new MACRO Art is said to deliver “stunning resolution and incredible clarity, while at the same time offering extremely smooth autofocus performance for a weightier, high-performance lens.”

In order to achieve this “extremely smooth” AF performance, Sigma has equipped the lens with an extending, floating, two-group focusing mechanism that the company says “minimizes aberration at all focal lengths,” whether you’re shooting at 1:10, 1:5, or the maximum magnification ratio of 1:1. Additionally, a new focus-by-wire system paired with a newly-developed “coreless DC motor” promises precise focusing—a must for macro shooters.

To learn more about this lens, head over to the Sigma website.

Press Release

Sigma Announces Pricing & Availability for Its 70mm F2.8 DG MACRO Art Lens

Ronkonkoma, NY – May 11, 2018 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced that its 70mm F2.8 DG MACRO Art, the first prime macro lens to be adorned with the Art badge, will be available in Canon mount in the end of May for $ 569.00 USD through authorized US retailers. The Sigma mount model is expected to ship in June. The release of the Sony E-Mount version will be announced later.

The First Macro Lens in the Sigma Global Vision Art Line

Elevating the legendary Sigma 70mm F2.8 EX DG to the Art line, the brand new Sigma 70mm F2.8 DG MACRO Art prioritizes optical performance that defines the Sigma Art line, delivering stunning resolution and incredible clarity, while at the same time offering extremely smooth autofocus performance for a weightier, high-performance lens.

To achieve optimal results at every shooting distance, the lens features an extending, floating, two-group focus mechanism, which minimizes aberration at all focal lengths. In addition, the lens’ optical elements design increases resolution at close shooting distances, allowing for a razor-sharp in-focus area contrasted with a bokeh area free of color streaking.

Other feature highlights include focus-by-wire system featuring newly developed coreless DC motor for comfortable and precise focusing typically required for macro photography; compatibility of the Canon mount lens with the Canon Lens Aberration Correction function; and compatibility with Sigma Electronic Flash Macro EM-140 DG and Sigma Teleconverters.

Full technical specifications can be found on the Sigma website at: https://www.sigmaphoto.com/70mm-f2-8-dg-macro-a.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron launches 28-75mm F/2.8 Di III RXD lens for Sony FE, costs $800

28 Apr

In February, Tamron announced development of a 28-75mm F2.8 Di III RXD lens for Sony full-frame mirrorless cameras. We got our hands on a prototype at CP+, and spoke to Tamron about the lens in our CP+ interview, but we still didn’t have much in way of details about this exciting piece of Sony FE glass… until now.

Tamron officially launched the lens this morning, revealing full specs, release date, and pricing information for the first third-party standard zoom to be created natively for the Sony FE mount. Here’s a video introduction to the new zoom lens:

The lens was designed from the ground up for Sony full-frame mirrorless cameras, and engineers at Tamron focused on three main features: optical quality, portability, and silent autofocus. The lens weighs in at just 19.4oz (550g) and measures just 4.6in (11.6cm) long. And while the body was made of polycarbonate instead of metal (to save weight) the lens is still ‘moisture resistant’ so you can use it in inclement weather.

Optically, the lens is made up of 15 elements in 12 groups, including an XLD (eXtra Low Dispersion) element, a LD (Low Dispersion) element, a GM (Glass Molded Aspherical) element, and two hybrid aspherical elements that have been arranged “in the optimal arrangement to correct aberrations and reduce the overall lens size,” according to Tamron.

Finally, as the name suggests, the lens features Tamron’s new RXD (Rapid eXtra-silent stepping Drive) autofocus motor. This new stepping motor offers quick, precise, and “exceedingly quiet” autofocus that Tamron claims “virtually eliminat[es] extraneous AF drive sounds during video recording.”

ISO 100 | 1/40 sec | F4 | Tamron 28-75mm F2.8 Di III RXD lens @ 75mm
High resolution sample photo by Itsuka Yakumo, courtesy of Tamron

The Tamron 28-75mm F2.8 Di III RXD (Model A036) will be available starting on May 24th for $ 800 USD. To learn more about this lens, head over to the Tamron website or check out our hands-on with the lens from CP+.

Press Release

Tamron announces the launch of a high-performance high-speed zoom lens for full-frame Sony mirrorless cameras

28-75mm F/2.8 Di III RXD (Model A036)

April 27, 2018, Commack, New York – Tamron announces the launch of the 28-75mm F/2.8 Di III RXD (Model A036)- a high-speed standard zoom lens for Sony E-mount full-frame mirrorless cameras. This new zoom lens delivers superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh) only possible with a fast aperture, thanks to a new optical system designed specifically for mirrorless cameras. The lens will be available at Tamron’s authorized USA retailers on May 24th at $ 799.

The usefulness and versatility inherent in compact full-frame mirrorless cameras are enhanced by this new Tamron lens’ compact size and lightweight-it measures only 4.6 in. and weighs just 19.4 oz. The Model A036 incorporates an all-new high-speed and precise AF driving system. The RXD (Rapid eXtra-silent stepping Drive) strikes a balance between speed and silent operation, making it perfect for both video and still image capture.

In addition to shooting portraits with creative, defocused backgrounds, photographers can enjoy dynamic wide-angle expressions like never before thanks to a Minimum Object Distance (MOD) of 7.5 in. at the wide-angle zoom setting. The lens also features Moisture-Resistant Construction that is useful in outdoor photography, plus hydrophobic Fluorine Coating that is highly resistant to fingerprints and dirt. In addition, the Model A036 will fully match with various camera-specific features including the in-camera lens correction and Direct Manual Focus (DMF) system features of Sony cameras, enabling this new zoom to take full advantage of the advanced functions that ensure comfortable user experiences.

Product Highlights

1. Superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh), provided by fast F/2.8 aperture.

The Model A036 features a new design that leverages the advanced image quality of the latest full-frame mirrorless cameras. To balance beautiful bokeh with high image quality, the optical formula (15 elements in 12 groups) includes a special XLD (eXtra Low Dispersion) element, LD (Low Dispersion) element, GM (Glass Molded Aspherical) element and two hybrid aspherical lens elements in the optimal arrangement to correct aberrations and reduce the overall lens size. The lens also employs Tamron’s BBAR (Broad-Band Anti-Reflection) Coating that boasts exceptional anti-reflection performance throughout the entire zoom range, even when shooting in backlit conditions. In addition, incorporating the nine-blade circular diaphragm design, the lens will perform in versatile situation, providing beautiful soft portrayal at wide open aperture to a clear and sharp image when stopped down.

2. Comfortably lightweight (19.4 oz.) and compact (4.6 in).

Extra emphasis was placed on creating a high speed, fast aperture zoom lens in a compact and lightweight design because standard-range zooms are generally the most frequently used. Weighing only 19.4 oz. with a total length of just 4.6 in., the A036 enables photographers to enjoy the mobility provided by a compact, lightweight, full-frame mirrorless camera in all situations from casual snapshots to stunning portraits and dramatic landscape photography.

3. Minimum Object Distance of 7.5 in.; Working Distance 2.24 in.

The Model A036 breaks from the convention that the MOD of a zoom lens must be fixed throughout the focal range and achieves a MOD of 7.5 in. at the 28mm wide-angle end which delivers a maximum image magnification of 1:2.9. The working distance of just 2.24 in. from the front element allows photographers to enjoy close-up shooting that emphasizes the sense of perspective unique to wide angles. At the 75mm telephoto end, the 15.3 in. MOD provides an image magnification of 1:4, thereby enabling close-up shooting with a pleasantly blurred background similar to a macro lens.

4. All-new “RXD” stepping motor AF unit is excellently quiet and therefore perfect for video capture.

The AF drive incorporates a sensor that accurately detects the position of the lens and an RXD (Rapid eXtra-silent stepping Drive) stepping motor unit optimized for AF control. This achieves quick and precise AF operation, allowing users to maintain pin-sharp focus on continually moving subjects or when filming video. Additionally, the AF motor is exceedingly quiet, virtually eliminating extraneous AF drive sounds during video recording.

5. Consistent with Tamron’s exciting, ergonomically superb next-generation design.

The Model A036 features a mirrorless-oriented design that adheres to Tamron’s new “human touch” lens design concept. As signified by the Luminous Gold brand ring, careful attention to detail has produced an optimum shape reflecting the characteristic look of a Tamron-branded lens, whether on its own or attached to a camera body. This design emphasizes consistent brand identity combined with ease of operation.

6. Moisture-Resistant Construction and Fluorine Coating for weather protection.

Environmental seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops and afford Moisture-Resistant Construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions. Also, the front surface of the lens element is coated with a protective fluorine compound that has excellent water- and oil-repellant qualities. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, moisture or oily fingerprints, allowing for much easier maintenance.

7. Compatible with main camera-specific features and functions.

Tamron’s new 28-75mm zoom is compatible with many of the advanced features that are specific to certain mirrorless cameras. This includes the following*:

  • Fast Hybrid AF
  • Eye AF
  • Direct Manual Focus (DMF)
  • In-camera lens correction (shading, chromatic aberration, distortion)
  • Camera-based lens unit firmware updates

*Features vary by camera. Please consult your camera’s instruction manual for details. As of March 2018.

Specifications

  • Model: A036
  • Focal Length: 28-75mm
  • Maximum Aperture: F2.8
  • Angle of View (diagonal): 75°-32° for full-frame and 52°-21° for APS-C
  • Optical Construction: 15 elements in 12 groups
  • Minimum Object Distance: 7.5 in (wide) / 15.3 in (tele)
  • Maximum Magnification Ratio: 1:2.9 (wide) / 1:4 (tele)
  • Filter Size: 67mm
  • Maximum Diameter: 73mm
  • Length**: 4.6in
  • Weight: 19.4oz
  • Aperture Blades : 9 (circular diaphragm)
  • Minimum Aperture: F2.8-F22
  • Standard Accessories: Lens hood, Lens caps
  • Compatible Mounts: E-Mount

**Length is the distance from the front tip of the lens to the lens mount face

Articles: Digital Photography Review (dpreview.com)

 
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Tokina Fi?RIN 20mm F2 FE AF lens will ship June 1st, costs $950

17 Apr

Tokina announced the Fi?RIN 20mm F2 FE AF—its second prime lens in the premium Fi?RIN lens lineup for mirrorless cameras—back in February, and we got to see it in person at CP+. But it was only this month that they revealed when the lens would ship, and only earlier today that we finally know the price.

According to Tokina itself, the autofocus lens for Sony full-frame mirrorless cameras lens will begin shipping on June 1st; and according to online retailers who finally put the lens up for pre-order today, the price will be $ 950.

There’s not much more we can say about the lens that we didn’t already reveal in the announcement post and hands-on at CP+. The Fírin 20mm F2 FE AF is simply the autofocus version of Tokina’s first high-end Fírin lens. The two lenses share an optical formula, and the addition of AF is simply meant to offer “more options for end-users to choose from according to the purpose and style of shooting.”

To learn more about the Tokina Fírin 20mm F2 FE AF lens, dive into the optical design, and see some sample images captured with this lens, visit the Tokina website.

Press Release

New Tokina Fi?RIN 20mm F2 FE AF

April 06, 2018 – Kenko Tokina Co., Ltd. is proud to announce the sales release of Tokina Fi?RIN 20mm F2 FE AF – the second prime lens in Tokina’s premium lens series Fi?RIN for mirrorless cameras.

Name Origin

Fi?RIN 20mm F2 FE AF belongs to the newly launched “Fi?RIN” series of Tokina lenses for mirrorless cameras (or ILCs – Interchangeable Lens Compacts) marking a new epoch in Tokina history. Fi?RIN is a variation of Fi?rinne – the old Irish word for “truth”. It means “that what is real” and signifies “being true to someone or something”. It represents a promise from Tokina to photographers to help them capture the truth in their images with this revolutionary new lens.

Overview

Fi?RIN 20mm F2 FE AF is the long-awaited autofocus version of the existing Fi?RIN 20mm F2 FE super wide angle lens for full-frame Sony E-mount. Being specially designed for Sony E-mount and adopting the same optical design as in MF model, Fi?RIN series now offers more options for end-users to choose from according to the purpose and style of shooting.

Estimated time of arrival: June 1, 2018 EAN code: 4961607634509

For more information about the product refer to Fi?RIN 20mm F2 FE AF product page.

Articles: Digital Photography Review (dpreview.com)

 
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GoPro unveils entry-level GoPro HERO action cam that costs just $199

29 Mar
Photo: GoPro

It seems the rumors and leaks from earlier this week were spot on, and right on schedule (a day early, actually) GoPro has revealed its new, entry-level action camera: the $ 200 GoPro HERO.

The HERO is the cheapest action camera GoPro has ever announced, coming in at the same price tag as the HERO5 Session while boasting several features that are reserved for the company’s regular line (read: not the Session lineup) of action cams. If you’re keeping track, the HERO lineup of action cams now goes: GoPro HERO ($ 200), GoPro HERO5 ($ 300), and GoPro HERO6 ($ 400).

As GoPro SVP of Product, Meghan Laffey, explains, GoPro is hoping that the lower price-of-admission into the GoPro action cam family will entice first-time users who would otherwise pick up a third-party option or just keep using their phone. “HERO is a great first GoPro for people looking to share experiences beyond what a phone can capture,” says Laffey. “HERO makes it easy to share ‘wow’ moments at a price that’s perfect for first-time users.”

Photo: GoPro

There’s not much to say about the GoPro HERO that wasn’t already revealed in Monday’s leak, but here goes. The main features are exactly what we expected.

The camera captures 1440/60p and 1080/60p video and 10MP stills, features a 2-inch display, voice control, electronic video stabilization, waterproof to 10M (30-feet) out of the box, and compatibility with all of the current GoPro HERO mounting accessories on the market (30+ from GoPro itself).

Finally, the camera also features compatibility with the GoPro and Quik Stories mobile apps, the latter of which can automatically edit your captured footage into ready-to-share highlight videos.

Photo: GoPro

The entry-level GoPro HERO action camera is available starting now from the GoPro store and online retailers alike for $ 200. To learn more about the GoPro HERO or pick one up for yourself, click here.

Press Release

GoPro Launches Entry-Level HERO Camera 2018

$ 199 HERO Joins $ 299 HERO5 and $ 399 HERO6, Making GoPro Accessible to All

GoPro, Inc. has added a new HERO camera to the family. On sale now, HERO is a $ 199, go-anywhere, capture-anything camera that makes it easy to share experiences that would be difficult to capture with a phone.

HERO features a 2-inch touch display, is waterproof to 30 feet and is extremely durable, making it the perfect GoPro for kids, adventurous social sharers and travelers.

“HERO is a great first GoPro for people looking to share experiences beyond what a phone can capture,” says Meghan Laffey, GoPro’s SVP of Product. “HERO makes it easy to share ‘wow’ moments at a price that’s perfect for first-time users.”

Sharing cool experiences with HERO is simple. It offloads your photos and videos to the GoPro app which creates fun, shareable videos for you, automatically. No more fumbling with your SD card or plugging your camera into a computer. HERO makes it simple.

Those looking for the ultimate GoPro-experience can subscribe to GoPro’s PLUS subscription service. Cloud backup, damaged camera replacement, 20-percent off accessory discounts and more are included with a PLUS subscription for just $ 4.99 a month, cancellable anytime.

HERO is available today at retailers around the world and on GoPro.com. Key features include:

  • Award-Winning Image Quality: HD Video (1440p60 and 1080p60) and 10MP photo performance
  • 2-Inch Touch Display: Using HERO is as easy as using your phone thanks to its touch display
  • Voice Control: Tell HERO to start and stop recording, take a photo, turn off and more
  • Waterproof + Extremely Durable: Waterproof up to 30’ (10M) and designed go everywhere your smartphone can’t
  • Video Stabilization: HERO features video stabilization that helps smooth out the shakes
  • Smartphone Compatible: HERO offloads your photos and videos to the GoPro app which creates fun, shareable videos for you, automatically
  • Body and Gear Mountable: compatible with 30+ GoPro mounting accessories

Articles: Digital Photography Review (dpreview.com)

 
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