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Posts Tagged ‘Contrasts’

A Study in Architectural Contrasts: 12 Modern-Meets-Historic Additions

08 Aug

[ By SA Rogers in Architecture & Cities & Urbanism. ]

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At what point do modern extensions to historic structures surpass and overwhelm the original buildings rather than complementing and enlarging them? Contrasting architectural styles can be a tricky proposition, especially in preventing the addition from looking dated or outshining the historic buildings. In some cases, these modern renovations successfully preserve the originals while bringing something fresh and new, while others fall on their faces. These examples represent both extremes, and a few in between.

Beyazit Public Library Restoration by Tabanlioglu Architects, Istanbul, Turkey

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In restoring Istanbul’s Beyazit Public Library, which dates back to 1501 and holds a collection of rare books, Tabanlioglu Architects took a minimal-intervention approach, inserting glass boxes to protect its most precious volumes and adding transparent membrane structures to cover the courtyard. A modest extension on one end of the building remains respectfully within scale of the original architecture in order to complement rather than outshine it. Contemporary lighting, support beams, modern furnishings and glass display cases contrast subtly with the traditional surfaces.

House in Vexin by Jean-Philippe Doré, France

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Three historic homes come together into a single residence with the addition of a modern volume for ‘House in Vexin’ by Jean-Philippe Doré. The existing buildings were renovated in the vernacular style of the French village, while the glass and steel contemporary volume offers a deliberate (but not overbearing) contrast. From the street, only the historic buildings can be seen, the addition tucked out of sight.

Moritzburg Museum Extension by Nieto Sobejano Arquitectos, Germany

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The 15th century stonework of a ruined castle in Halle, Germany, ends up providing a striking envelope for a new structure by Spanish studio Nieto Sobejano Arquitectos, which is simply inserted inside. The extension provides a new roof for the formerly open-air ruins, and suspends a new floor from the center to add exhibition space without installing columns in the main gallery. The angular geometry of the roof adds additional space as well as skylights. At night, the glass insert shines like a lantern. Now the Moritzburg Museum, the building holds an important collection of modern art.

Sonora 113 Office Building by Iñaki Echeveria, Mexico City

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Sonora 113 can’t really be called an extension, considering that the new section literally towers above the original. It’s more a case of a historic facade that has been integrated into new construction to preserve some of the neighborhood’s character. The architects worked around what was once a modest yet beautiful home, the towering addition rising many stories into the sky and curving around the facade to meet the sidewalk. It raises interesting questions about what constitutes historic preservation – though if the building had been more culturally significant, it likely would have been saved to stand on its own, and this project likely prevented it from being torn down altogether.

Music School Louviers by Opus 5 Architects, Normandy, France

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First built in 1646, this historic stone building in Normandy served as a monastery, church, tribunal and prison before its transformation into a music school in 1990. Opus 5 Architects were tasked with extending space for the school and shedding all of its prison elements without allowing the new structures to overwhelm the old. The result is a series of reflective glass and concrete panels that manage to blend in with the original materials, complementing and multiplying them.

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A Study In Architectural Contrasts 12 Modern Meets Historic Additions

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[ By SA Rogers in Architecture & Cities & Urbanism. ]

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Crazy Combo Compositions: Photo Series Contrasts the Unexpected

12 Jan

[ By Steph in Art & Photography & Video. ]

Skiers land jumps on ice cream cones, construction equipment struggles to transport oversized hot dogs and jet-powered seagulls zoom through the sky in a series of surreal photographic collages by Stephen McMennamy. Creative director of the advertising agency BBDO, McMennamy takes original photos of everything from meatballs to hand grenades and puts them together in unexpected ways, calling the results ‘combophotos.’

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Inspired by the plethora of talent and creativity that can be found on Instagram, the photographer set out to pair things you’d never imagine together. Rather than seamlessly blending the photos in Photoshop so they appear to be a single composition, McMennamy simply matches up the contours of each subject, leaving behind the demarcation lines.

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This technique results in images that tell an entirely different story than each of the originals, turning what would be highly ordinary, stock-photo-type images into something else altogether. McMennamy’s curiosity was initially piqued by photo apps that let you layer photos into collage compositions, and then he tried connecting images for a more fluid effect.

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“The whole thing is one big scavenger hunt,” says the artist. “Sometimes it’s as simple as playing with scale and other times there’s a more meaningful message being told, like the cigarettes and French fries image but for the most part it’s just visual fun, like a truck with skateboard wheels.”

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[ By Steph in Art & Photography & Video. ]

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Striking Gravel-Covered Japanese House is a Study in Contrasts

25 Aug

Monolithic and dramatic, the two-story Ginan House by Keitaro Muto Architects is a wedge-shaped residence with a dark gravel-covered exterior that contrasts beautifully with a stark white interior. Located on the far end of a long and narrow plot, the house features a small swimming pool that extends into a glass-walled niche to create shimmering light effects inside.

The rough surface of the outside walls continue indoors, producing sharp transitions in color and texture from one wall to the next. Vast expanses of white elongate slanted interior walls, and voids throughout the home let streams of daylight in.

Another interesting feature of the inside is a metal bridge that extends across one of these voids to enable access to a walk-in closet and bathroom.

The client requested that the architect leave most of the home site as a garden space. In covering the home with the same gravel that makes up the surface of the garden outside, the architects made the residence seem as if it’s an extension of the garden – one massive sculptural object to contemplate from a quiet place.


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