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Posts Tagged ‘Consistent’

How to Use a Split Tone Style in Lightroom Mobile for a Consistent Instagram Feed

09 Sep

The post How to Use a Split Tone Style in Lightroom Mobile for a Consistent Instagram Feed appeared first on Digital Photography School. It was authored by Ana Mireles.

Have you ever seen an image and immediately known who took it? That’s because the photographer has a unique style.

If you want to make your own images recognizable for your clients and followers, you might want to try a split tone style.

Keep reading to learn how this works.

Create a split tone style
Snapshot taken with the default camera app on a Redmi Note 8.

Style

You can create your own style through many different elements, from lighting and composition to a particular way of post-processing.

This last one is where a split tone style fits.

Introduction to split toning style
Canon 50D | Sigma 28-300mm | 28mm | 1/800 sec | f/3.5 | ISO 100

Using this technique, you can keep your images consistent. That way, the viewer feels like all your images belong together and associates the images with you and your brand. This works for your portfolio, your website, and your Instagram feed.

Split tone

When you assign a certain tone to the shadows and a different tone to the highlights, it’s known as a split tone. The full white and full black will always remain untouched. But the highlights will be cool while the shadows will be warm.

Let me show you what I mean with this gradient:

Split tone gradient

You can also change the ratio between highlights and shadows. On these next gradients, see how the same split tone colors give a different effect when you adjust the split tone balance:

Split tone changing balance

This is just an example, but you can use any combination of colors that suits your style and brand. For that, you can create a color palette.

Choose a color palette

A color palette is a range of colors used in a particular context. These colors need to work well together and reinforce your style.

There are different theories you can use to create your color palette. You can go for a monochromatic scheme or a complementary one. If you’re not sure, there are some great tools to help you. You can check out Adobe Color or Color Hexa.

Adobe Color Website

Just like a filter, different split tones may look better on some images than others. Having a color scheme gives you the flexibility to apply different split tone combinations while maintaining your style.

Split tone style

Almost every program has a feature or a way to do split toning: ACR, Capture One, Photoshop, Luminar, Lightroom, etc. Also, many apps allow you to do split toning on your phone: Photoshop Express, Lightroom Mobile, and VSCO Cam. Choose whichever fits best into your workflow.

In most cases, the split toning interface is similar from program to program. You’ll have two gradients: one for the highlights and one for the shadows. You’ll also have a balance slider.

I’m going to show you how to split tone in Lightroom Mobile, because it’s the program I find most comfortable. Also, because Lightroom Mobile allows you to save your split tone effect as a preset.

Both split toning and preset functionality are included in the free version of Lightroom Mobile, so you can follow along without getting a subscription.

Split toning in Lightroom Mobile

When you have your image open in Lightroom Mobile, you can see the menu at the bottom. Scroll to the right until you find Effects.

Once you open the Effects tab, on the top right you can find Split Tone. This will open the gradients for the highlights and shadows. Below these gradients, you’ll find a slider to control the split tone balance.

Move the highlights, shadows, and balance values until you’re satisfied.

Split tone style in Lightroom Mobile

In the color palette section of this article, I was telling you that there are different ways to split tone. Here you can see an example of split toning using a monochromatic scheme (the center photo), and another that uses complementary colors (the right photo).

Make it a preset

To keep your split tone style consistent without having to remember the specific values every time, you can create a split tone preset. That way it becomes a one-touch edit you can apply to every photo.

To do this, click on the three dots in the top right. This will open a menu; from there choose Create Preset. Make sure that only the Split Toning option that you find inside Effects is checked. Otherwise, the preset will save additional edits that you might not want to replicate in other photos.

Then name the preset and tap on the check icon (in the top right) to save.

Lightroom Mobile Presets

Next time you want to apply the split tone effect to a photo, just open it in Lightroom Mobile, go to Presets, then User Presets, and find the split tone preset you want.

You can also create different split tone presets that use variations from your color palette. That way, you can use the preset that fits each image best while maintaining the overall aesthetic.

Conclusion

Using a split tone style will help you maintain a consistent look in your images. This will make your account recognizable to your followers and let your clients know what they can expect from your brand.

It doesn’t matter which app or program you use; the important thing is that it’s easy to incorporate into your workflow.

Share your recommendations and experiences in the comments section.

The post How to Use a Split Tone Style in Lightroom Mobile for a Consistent Instagram Feed appeared first on Digital Photography School. It was authored by Ana Mireles.


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Keeping Colors Consistent in Photography in 3 Easy Steps

30 Nov

The post Keeping Colors Consistent in Photography in 3 Easy Steps appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video by Gavin Hoey from Adorama, he discusses ways of keeping colors consistent throughout your photography process.

Keeping Colors Consistent in 3 Easy Steps

Using these 3 quick steps in your photography workflow will make your process much easier and save you time.

1. Begin with the Right Computer Monitor

Begin with a great monitor, because a bad monitor makes editing your photos difficult. A monitor with at least 100% of the sRGB color space will work. Even better, is a monitor that displays 99% of AdobeRGB color space, such as the BEN Q SW2700.

You will need to color-calibrate the monitor. Get the best out of your monitor using a color calibration tool. Using something like an X-Rite i1 Display Pro Display and Monitor Calibrator. See more on using it here.

2. Getting Colors Right In-Camera

Set a custom white balance using a color checker passport. Open up to the grey side. Get the model to hold it in front of them. Fill the frame with the white card, use the custom white balance mode in camera (varies from camera to camera) and take a photo. Your white balance should now be correct.

Setting in-camera means you can show your subjects the photos in-camera.

Also saves you time in post-processing. The image may then look a bit wrong when looking through the view-finder. Just check the image when you take it – it should look correct.

Next, take a picture of the color checker passport fully-open to the color side, and under the same lighting conditions. We will use this to make the profile. This color setting will be used for the entire shoot.

3. Set-up Your Custom Profile in Photoshop

With the shoot done, it is time to make the Photoshop custom profile for post-process editing.

Bring the RAW file of the model holding the color checker passport into Photoshop. Open it as a DNG (Digital Negative) and save it somewhere that is easily accessible. Close the file.

Find your DNG file and drag and drop it onto the Colour Checker Passport application. The application will do all the work for you. All you need to do is click ‘create profile’ and save it with a unique name for that particular shoot/set-up. It is saved as a new color profile.

Next, open your RAW file into photoshop. Go to the ‘Profile’ Tab and select ‘Browse.’ Go to your saved profile and select it.

How do you use this profile for all the images across your shoot?

Go back to Camera RAW. Choose the icon in the top corner of the panel, and select ‘set as new camera RAW default.’ All of the photos you open will now apply the new color profile, keeping your entire shoot consistent.

 

You may also find the following articles helpful:

How to Choose the Right Monitor for Photo Editing

Setting Your White Balance with a Gray Card – a Tip from Phil Steele

Setting The Mood By Adjusting Your White Balance

How to Use the X-Rite ColorChecker Passport to Obtain Perfect Color

How to Make Custom Camera Raw Profiles for Lightroom & Photoshop

The post Keeping Colors Consistent in Photography in 3 Easy Steps appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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How to Achieve a Consistent and Clean Photo Editing Style

07 Oct

As a photographer, achieving a consistent and clean photo editing style is important for developing your work.

Depending on your photographic niche, the way you choose to post produce and edit your images is a key factor in achieving cohesiveness in your portfolio. Utilizing editing software such as Adobe Lightroom or Photoshop can help you develop a style and aesthetic that is personal to you.

Let’s discuss some of the necessary elements for achieving a consistent and clean photo editing style. 

Focus on Lighting to Achieve a Consistent and Clean Photo Editing Style

In order for your images to look polished and professional, you will want to focus the majority of your edits on making lighting corrections. It is important to note that shooting in camera RAW mode will allow you to make the most of your editing process. If you have this capability, change your image capture mode prior to shooting. 

Lighting corrections in post-production include changes to exposure, highlights, shadows and adjusting your black and white points. By shooting in RAW mode, you can bring details back into the image that may have been lost while shooting by increasing or decreasing some of these lighting values. This allows you to set a base for your images that define your editing style.

Whether you want to create bright, airy images or darker, moody edits – these can all be achieved by manipulating your lighting. 

Take a look at the clean photo editing style in the before and after of the images below. 

How to Achieve a Consistent and Clean Photo Editing Style - Focus on Lighting example 01

 

How to Achieve a Consistent and Clean Photo Editing Style - Focus on Lighting example 02

How to Achieve a Consistent and Clean Photo Editing Style - Focus on Lighting example 03

Avoid Harsh Color Edits 

While using editing programs including Lightroom or Photoshop, it can be easy to over-manipulate the color of your image. With tools such as the RGB curve, HSL or Split Toning, these capabilities can be very powerful and effective when used properly. When aiming to create a consistent and clean photo editing style, avoid harsh or dramatic color edits that appear inauthentic to the original image. 

In order to stay true to the original tones of your image, consider adjusting your white balance to ‘AUTO’ within your camera before shooting. You can manually adjust this using Lightroom if your images are shot in RAW format. The white balance ‘Auto’ mode on your camera is designed to achieve the most authentic and true-to-life color under most shooting circumstances. During the editing process, color adjustments can be made by changing values such as temperature, tint, saturation, hue and tone. 

Each photographer has a colour editing style that is specific and recognizable to their work. Whilst you can create a color style that is unique to you, be sure to remember that professional images maintain accurate color consistency. You want to make sure to change your image color values with intention, and use this same method across your body of work.

How to Achieve a Consistent and Clean Photo Editing Style - Color Editing - Example 01

How to Achieve a Consistent and Clean Photo Editing Style - Color Editing - Example 02

Eliminate Distracting or Unnecessary Elements

Another tip to creating a consistent and clean photo editing style is to remove distracting elements from your images. This may include background elements, imperfections of your subject, or even poor composition. Many of these imperfections can be fixed by utilizing removal tools such as healing brushes or the clone stamp.

The overall composition of the image can also be improved by altering the cropping and fixing alignment problems with straightening. In order for your work to have a professional appearance, you must remember to fix the imperfections and pay attention to the smaller details of your images.  

For example, in the image below,  I wanted more of the sky and less of the tree branches. Using the Lightroom Clone Stamp tool, I was able to remove some of the branches by replacing it with the blue detail of the sky. You can change your image as you see fit to avoid an image with distracting or unnecessary elements. 

How to Achieve a Consistent and Clean Photo Editing Style - Using the Clone Stamp - Example 01

Create Tools for Consistency

The most effective way to create consistent editing in your post-production workflow is to create tools such as presets in Lightroom or actions in Photoshop. These capabilities were created so you can save edits and reapply them across multiple sets of images. Depending on the editing software you prefer to use, presets and actions are both fairly simple to create and integrate into your editing workflow. 

Presets

Presets are used in Adobe Lightroom to copy and paste edits from one image to another. In order to create a preset, you must first make edits to an original image. To do this:

  1. Open your original image in the Develop Module in Lightroom. 
  2. Apply the color edits and lighting adjustments you want to make. 
  3. Once satisfied with your results, navigate to your keyboard and press ‘Command + C’ (the shortcut for copy). 
  4. The Copy Settings dialog box will appear, guiding you to choose the settings you would like to copy. Make your selection and press ‘Copy’. 
  5. Navigate to the left tool bar and find the tab labeled ‘Presets’
  6. Press the ‘+’ button and choose the option of ‘Create Preset’ or alternatively, go to the menu bar, choose ‘Develop’ and then select ‘New Preset’.
  7. A ‘New Develop Preset’ box will appear asking you to name your preset and choose the settings you want to save. 
  8. After you have determined these values, press ‘Create’ and your preset will now show in the ‘User Presets’ tab in the Develop Module.
  9. You can now apply this preset to any of your images with one simple click to paste the edits. 

How to Achieve a Consistent and Clean Photo Editing Style - Using Presets in Lightroom

 

Here is an example of a before and after edit with one of my personal Lightroom image presets. 

How to Achieve a Consistent and Clean Photo Editing Style - Using Presets in Lightroom Example image

Actions

Actions are created in Adobe Photoshop by recording adjustments made in the program. Unlike presets, actions are developed by pressing the ‘RECORD’ button while editing your image. Once satisfied with an edit, press the ‘STOP’ button and your action is created. Actions are used for specific adjustments to an image such as color, light and retouching. 

To create an Action, you will need to go to the right side panel and find the ‘play’ button denoted as a triangle pointing to the right. 

  1. Choose the paper icon to ‘Create New Action’.
  2. Name your Action and press ‘RECORD’.
  3. Photoshop will record your adjustments and save them to your new Action.
  4. When you are satisfied with your changes, press the ‘Stop’ button to save it. 
  5. Once your Action is complete it can be applied to your images by selecting the name of your action and pressing the ‘Play’ button.

How to Achieve a Consistent and Clean Photo Editing Style - Using Action in Photoshop

 

Actions can be very effective for portrait photographers who need to retouch and fine tune the facial features of their subject. You can create actions to smooth skin, remove blemishes and even for methods such as frequency separation.   

Here is an example of a before and after edit with one of my personal Photoshop Color Actions.

How to Achieve a Consistent and Clean Photo Editing Style - Using Action in Photoshop Example image

 

As you can see, a consistent and clean photo editing style is achieved through integrating techniques such as; lighting adjustments, natural color edits, and the elimination of distracting elements. It is also achieved by using tools such as Lightroom Presets or Photoshop Actions. In your body of work, having an editing style that is cohesive and visually appealing will give your images a truly professional touch.

Do you have any tips for creating consistent and clean photo editing styles in either Lightroom or Photoshop? Share with us in the comments below.

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6 Tips for Getting Consistent Results Shooting in Low Light

05 Oct

It’s often challenging for photographers to get consistent results in low light. Problems encountered may include camera shake, out of focus photos, and noisy images. There are three main reasons that these things happen.

How to Get Consistent Results Shooting in Low Light

  1. You may not be using shutter speeds fast enough to hand-hold your camera without getting camera shake.
  2. Your camera may struggle to focus properly in low light.
  3. Your photos might be noisy because of high ISO settings, underexposure, or a combination of both.

With this in mind, let’s look at some steps you can take to get consistent results when shooting in low light conditions.

1. Take your camera off full automatic

If you’re using your camera in a fully automatic exposure mode, such as portrait or night scene, it’s time to stop. You have little or no control over your camera’s settings by using these modes. That stops you from getting the best results in low light.

The only modes I recommend that you ever use are Aperture Priority, Shutter Priority, Program Auto or Manual (the last one only if you really know what you’re doing).

How to Get Consistent Results Shooting in Low Light

For best results in low light avoid your camera’s fully automatic exposure modes!

2. Avoid using the built-in flash

Fully automatic exposure modes may also engage the camera’s built-in flash in low light. The problem is that built-in flash doesn’t provide high-quality light.

Don’t get me wrong. There will always be circumstances where it’s more important to get the photo than to worry about its aesthetic qualities. If you’re photographing a friend or loved one in the dark, it’s better to use the flash and capture the moment, however ugly the light, than not capture it all. But if you want to create beautiful photos, then you will want to either learn to use off-camera flash or make the most of the available light.

I made this photo at dusk using an off-camera flash with a softbox. There’s no way you can replicate this quality of the light in this image without the right equipment.

How to Get Consistent Results Shooting in Low Light

3. Use Image Stabilization

Image Stabilization lets you take sharp photos using longer shutter speeds than you could with a non-stabilized lens. This is useful to know if your photos tend to suffer from camera shake in low light.

There are two types of Image Stabilization. Canon and Nikon build it into their lenses. That means the technology only works if you have the right lens. As most kit lenses are image stabilized it is likely you own at least one image such lens you can use in low light.

Other manufacturers, like Olympus and Panasonic, place the image stabilization mechanism in the camera body. The advantage of this system is that it works with any lens. If you’re not sure how image stabilization works with your camera then check your manual for the details.

Most image stabilization systems give you a four-stop advantage. Let’s look at what that means in practice.

Let’s say you’re using an 18-55mm kit lens on an APS-C camera. Ideally, without image stabilization, you need a shutter speed of around 1/125 second to achieve a sharp image with a hand-held camera (some photographers may argue you could use a slower shutter speed). An image stabilization system that gives you a 4 stop advantage means you can drop the shutter speed to 1/8th of a second and still get a sharp image. That’s very helpful in low light.

For example, I made this photo in a dimly lit museum with a non-stabilized 18-55mm lens at 1/160 second, f5.6, ISO 1600. If the lens was image stabilized I would have had the option of using ISO 100 and 1/10th of a second, giving me a much cleaner image with less noise.

How to Get Consistent Results Shooting in Low Light

4. Don’t be afraid of high ISO

Most modern digital cameras give you excellent performance at high ISOs. It’s quite possible your camera is capable of giving great results at ISO 3200, 6400, or even higher. You won’t know until you try. This is another good reason for taking your camera off fully automatic. Now you can decide what ISO to use, rather than leaving it up to your camera.

The best thing to do is test your camera at all its high ISO levels to find your noise tolerance level. For example, you might find that ISO 6400 is the highest setting you’re comfortable using. Once you’ve decided this, you know the ISO range you can work with for your camera.

This photo is taken at ISO 6400, the highest ISO I’m comfortable using on my camera. I had to use the high ISO setting because the photo was taken indoors in low light.

Low light

5. Use a prime lens

If you don’t have one already then it’s worth considering buying a prime lens. For example, most 18-55mm kit lenses have a maximum aperture of f/5.6 at the 55mm end. But on a 50mm prime lens that maximum aperture could be f/1.8 (or even wider). That’s a difference of over three stops (eight times more light), which means that you can take photos in much lower light conditions.

The only caveat is that there is much less depth of field at wide apertures. But you can use this to your advantage by exploring the use of bokeh in your low light photos. I made this photo of a Chinese lantern, taken at night, using an 85mm lens set to f/2.

Low light

6. Use a tripod

A tripod comes in really handy for taking photos of landscapes and cityscapes in low light. All the methods listed so far, such as using a high ISO, Image Stabilization, prime lenses and so on, have disadvantages. Noise increases at high ISOs, wide apertures don’t give much depth of field, and even Image Stabilization has its limits.

The benefit of a tripod is that you can use your camera at its lowest ISO setting (giving good image quality), and a small aperture such as f/8 or f/11 (allowing for a greater depth of field).

Shutter speeds will slow right down at these settings. Again, use this to your advantage. Slow shutter speeds are great for landscape photography because moving parts of the landscape, like water, become a silky blur. With cityscapes, the light from passing traffic becomes long streaks of light.

A tripod also opens up techniques like long exposure photography (photos taken with shutter speeds between a minute and eight minutes long) and painting with light (using flash or torchlight to illuminate the scene during a long exposure).

Low light

I used a tripod to create this landscape photo, which needed an exposure of 30 seconds at f/8 and ISO 100. The water blurred during the exposure, which helps add mood and atmosphere to the photo.

Conclusion

The key to getting consistent results shooting in low light is understanding the limitations of your equipment and taking control of your camera to make it do what you need, rather than what it wants. With a bit of work and patience, you can learn to take great photos in low light. The benefit is that low light conditions are often beautiful. Most places and landscapes look beautiful at dusk. Shooting at these times will help you take moody photos.

Do you have any ideas for shooting in low light? Let us know in the comments!


If you enjoyed this article and would like to learn more about the creative side of photography then please check out my ebook Mastering Photography. It shows you how to take control of and be creative with your digital camera, no matter what your skill level!

The post 6 Tips for Getting Consistent Results Shooting in Low Light by Andrew S. Gibson appeared first on Digital Photography School.


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