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Posts Tagged ‘Concrete’

Concrete Like You’ve Never Seen It: 15 Unexpected Furniture & Object Designs

21 Sep

[ By SA Rogers in Design & Furniture & Decor. ]

Concrete might typically be cold, hard, impersonal and impermeable, but treat it right and it’ll soften right up into surprisingly comfortable, accessible and usable everyday items, from pens and iPhone skins to rocking chairs and squishy-looking seating. Cast it from pillowy molds, 3D-print it in squiggles, brush it onto highly detailed objects, impregnate it into textiles or imprint it with delicate textures and you’ll have objects full of intriguing contradictions.

Concrete 3D Printer Enables Innovation

This 3D printer by Dutch company ROHACO spits out concrete in all manner of shapes, even squiggly lines, through a swivel head attached to a hose from a concrete mixer. Not only does this enable concrete to take unprecedented forms, it makes it possible to 3D print entire homes unsupervised, with the kinds of curves and details that would normally take an extraordinary amount of work.

3D-Printed Concrete Canoe

3D printing with concrete makes it possible to produce things like the skelETHon 3D printed concrete canoe, which won first place at the 16th Concrete Canoe Regatta competition in Germany. That’s right, it’s not even the first canoe to be made from concrete! The inner frame of this one is made of concrete reinforced with stiff steel fibers, while the shell is a two- to three-millimeter-thick waterproof concrete skin.

Concrete & Canvas Seating

These objects are a bit of a contradiction: simultaneously appearing soft and hard. That’s because they’re both, technically. ‘Fabric’ is an outdoor seating collection by Miriam Estévez, wherein soft fabric poufs are soaked in a liquid concrete and allowed to dry in order to create a surprisingly strong, durable, waterproof result.

Traditional Chair Covered in Concrete

You might imagine that someone took a mold of a traditional chair and then cast it with solid concrete, producing the detailed form you see before you. The truth is actually much simpler. Bentu Design teamed up with Guangzhou fine arts students to carefully cover an existing chair with concrete mixture, making sure to preserve every detail, from the scallops along the wooden frame at the top to each individual upholstery nail.

Delicate Persian & Islamic Patterned Tables

Concrete doesn’t take on the adjective ‘delicate’ easily, but every now and then, something qualifies. This disc-shaped tabletop, just a few millimeters thick, balances on the neck of a water-filled jug to form a beautiful recycled coffee table. Milan-based design studio Daevas printed the top with a traditional Persian pattern.

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Slow-Motion Demolition: Expanding Agent Cracks Concrete from Within

17 Jul

[ By WebUrbanist in Abandoned Places & Architecture. ]

Going forward, buildings may not need to go out with a bang if this “non-explosive cracking agent” takes off. The destructive action is quieter and potentially cleaner way to take out structures, break down old infrastructure or excavate building sites.

Betonamit is boasted to be a non-toxic powder that, when mixed with water and poured in to drilled holes, much like TNT, but instead of exploding, it “hardens and expands, exerting pressures of 12,000 psi. Reinforced concrete, boulders, and ledge are fractured overnight with no noise, vibration, or flyrock.” It’s not the only such stuff, but claims to be the first (other brands include the cleverly-named Crackamite).

Like some kind of anti-concrete, the dry powder is mixed with water — thus activated, it is poured into place. It is advertised for indoor use, as well as bridges, dams, limestone, boulders and concrete slabs. Seems like great stuff for large-scale artwork of some kind, but there don’t appear to be many such applications as yet.

Geoff Manaugh of BldgBlog wonders, though, what happens when something goes wrong. He writes: “I’m imagining a truck full of this stuff overturning on a crack-laden bridge somewhere, just an hour before a rainstorm begins, or a storage yard filled with crates of this stuff being ripped apart in the summer wind; a seemingly innocuous grey powder drifts out across an entire neighborhood for the next few hours, settling down into cracks on brick rooftops and stone facades, in sidewalks and roadbeds. Then the rains begin. The city crumbles. Weaponized demolition powder.”

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Brutalist Victory: Concrete Skylines Dominate Radical Retro-Future Cities

13 Jun

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

Architectural trends come and go, but some visions are more persistent than others, and Brutalism could have been among them. This artist asks and answers the question: what if concrete monstrosities of the 1960s and 70s had somehow won the war against the steel-and-glass towers that dominate contemporary skylines?

German digital artist Clemens Gritl has built a virtual world around this retro-futuristic vision, dubbed “A Future City from the Past”, populated with extreme forms of concrete idealism. His “super-brutalist” metropolis extrapolates the revolutionary aesthetic of this harsh material, seen for a time as representing social progress and democratic ideals in architectural form.

Through 3D modeling (exhibited as black-and-white 2D images), this series presents something that could have been seen as utopian but inevitably, with Brutalism in hindsight, feels oppressive and dystopian. His renditions are meant to look like products of a past time, capturing Modernist-worthy views of these giant-sized Brutalist creations.

“All buildings and structures are homogenic,” says the artist. “The differentiations of architectural styles and eras are eliminated and replaced by geometric structures, repetition and absolute materiality.”

“Ballard’s novel paints a dark dystopian picture — the architecture of a single residential tower becomes the driving force for mysterious changes of the tenants behaviour. Can the presence of a high-rise structure truly create such a threatening atmosphere and social tension, culminating in murder, decay, destruction and even anarchy?”

Individually, various structures recall Modernist greats as well, like a towering residential complex arrayed on piloti (columns) as envisioned and realized by Le Corbusier. But, like Corbu’s masonry towers for his idyllic cities, the results do not look particularly livable. Perhaps the portrayal is also a little unfair — after all, Corbu at least envisioned these things surrounded by green landscapes.

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Cold Yet Comfortable: 13 Surprisingly Inviting Concrete Home Interiors

06 Apr

[ By SA Rogers in Architecture & Houses & Residential. ]

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It may be cold to the touch, but concrete doesn’t have to make a home feel uncomfortable and unwelcoming, even when it makes up most of the surfaces throughout the interiors. In fact, concrete proves to be surprisingly versatile – polished to a mirror finish, molded with wood or given a rocky, irregular texture for visual interest – and setting it off with timber, glass, greenery and natural light strikes just the right balance.

Courtyard House by NOA Architecture

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This stunning intergenerational house by NOA Architecture is programmed “as an inhabited landscape contained within a modernist slab,” with a single glass-wrapped layer between a floor and roof plane, so the concrete floors, walls and other surfaces are offset with views straight out onto the lush green landscape of Aurora, Oregon. The best part is that oculus-style atrium in the center of the living room.

Pitch House by Iñaqui Carnicero

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The dramatic ‘Pitch House’ of Madrid by Iñaqui Carnicero uses textured concrete to transition visually into its sloped, rocky surroundings. Using wood as formwork for concrete, and leaving the resulting textural imprint behind, lends a richness that the material usually doesn’t have. Glazed walls reflecting a crystal-clear swimming pool on the terrace don’t hurt, either.

Casa Dem by Wespi de Meuron Romeo Architetti

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From street level, this blocky concrete house doesn’t look like much, but its beauty is hidden on the other side of the slope. Casa Dem by Wespi de Meuron Romeo Architects was made with several different types of concrete, including smooth, minimalist textures and rougher, more gravelly textures for an unexpected and beautiful contrast. The house is defined by its many square- and rectangle-shaped cutouts, from the smaller ones on the facade to the openings for windows and doors.

Low-Cost Modernist House by Terra e Tuma Arquitetos

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Cement blocks are more commonly associated with prisons than residential architecture, and when you hear that they’ve been used to create a remarkably low-cost home, your expectations might be low. But Terra e Tuma Arquitetos pulled off quite a feat with Vila Matilde, an ultra-affordable modernist home in Brazil. Despite these cheap and typically ‘cold’ materials, the space feels comfortable and homey, with special thanks to plenty of natural light and a clever design incorporating a plant-filled courtyard.

Casa Brutale Cliffside Concept

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On the other side of the spectrum is Casa Brutale, a residence so luxurious and dramatic it seems like it could never be real. But this modern villain’s lair cut directly into a cliffside by OPA is actually under construction, with most of the interior spaces tucked beneath a glass-bottomed swimming pool for lots of watery reflections.

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Cold Yet Comfortable 13 Surprisingly Inviting Concrete Home Interiors

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4 Reasons Why You Should Photograph Concrete

11 Jan

When people ask me if I have a favorite subject to photograph, they are often surprised by my response. See, I really enjoy photographing abstract urban environments, and most of all, I love photographing concrete. Yep, that’s right! Plain old concrete.

As the most common urban material, concrete shapes buildings, lines pathways, forms pipes, columns, bridges, and driveways. Anywhere you look you’ll see concrete, it’s as endless in variety as the reasons I love photographing it. You could say that car parks are a wonderland for me.

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This slab of concrete takes on the appearance of a Rorschach test.

However, concrete is often overlooked for more obvious or eye-catching subjects. If you google “urban photography” there are thousands of beautiful photographs of skyscrapers and streets, urban patterns, and underground train lines. But rarely do you see photographs of just concrete itself.

And why would you bother? A photograph of a concrete bollard sounds pretty boring, right? Wrong! Here are a few reasons why concrete can be a photographic wonderland if you simply take the time to look.

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The strikingly bold mark on this slab of concrete is the remnant of a red car that got a bit too close.

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1 – Concrete is a time capsule

Concrete is popular in construction because it builds durable, long-lasting structures that will not rust, rot or burn. In short, it stands the test of time. This means that concrete construction will invariably wear the markings of the surrounding environment and the people who consciously or unconsciously interact with it.

It is a time capsule and photographing it means documenting the story of what makes up an urban environment. From the freshly laid feature wall, to the roughly poured foundations of an underground car park, or names etched into pathways and paint scratches from cars, it all tells a story.

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2 – Abstract expressionism

If  photography is like painting with light, then concrete is a sturdy urban canvas. Another reason I enjoy photographing concrete so much is it has parallels to abstract expressionism. Abstract art, mostly characterized by painting, focuses on the process, the medium, the shape and the color within the frame of the canvas. Through their paintings, abstract expressionists create a visual arena documenting an artist’s movements, thinking and process without relying on the depiction of figurative imagery. Like abstract art, concrete lays bare the visual results of spontaneity, time and the limitations of physics. The lack of figurative references also allows the viewer to explore the image in greater depth, lending their own meaning to the work – which creates a deeper connection with the audience.

Like abstract art, concrete lays bare the visual results of spontaneity, time and the limitations of physics. The lack of figurative references also allows the viewer to explore the image in greater depth, lending their own meaning to the work – which creates a deeper connection with the audience.

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The lack of figurative references creates the appearance of an almost alien landscape

3 – Minimalist beauty

Concrete itself is like an abstract expressionist’s canvas, but the act of photographing such a bold subject is actually very minimalist. Photography, when you drill down to the basics, is about light, shade, surface, tone and line. Photographing concrete surfaces doesn’t seek to depart from this, but rather, emphasize it.

Photographing a seemingly menial subject like concrete not only draws attention to its beauty but hearkens back to the simple elegance of photography by documenting the incidental and intentional brushstrokes of the urban environment.

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4 – Variety!

No two panels of concrete are the same. Concrete acts as a canvas for a myriad of air bubbles, paint, scratches, graffiti, wear, watermarks, leftover adhesive, etc. Concrete itself forms waves and arches as it is poured. Finishing effects vary too, depending on the type of concrete and the pouring technique. Any portion of concrete maps out the history of that particular time and place with hypnotizing whorls and abrasive texture.

The familiarity of the subject is no deterrent either. Often, as I’m photographing a wall or pathway, passers-by do a double-take, trying to see what it is that I’m photographing. It’s something they may never have considered photograph-worthy before, and it interests them. The beauty is already there, waiting for someone to draw attention to it. Viewers often remark that they never knew concrete could be so beautiful until now!

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Conclusion

Concrete is an incredibly variable and dynamic subject, and whats more, it keeps still! As an almost constant presence in history, the use of concrete has evolved with humans to shape our environment. Concrete is a time capsule of intricate details and hidden stories that illustrate the way we interact with the world.

It’s an often overlooked, but delightfully accessible subject, always ready for a photographer to take notice. Next time you are out and about with a camera, take time to look at what concrete has to offer. You may surprise yourself with how fascinating the canvas of the urban landscape can be!

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The post 4 Reasons Why You Should Photograph Concrete by Megan Kennedy appeared first on Digital Photography School.


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Invisible Solar: Panels Camouflaged as Wood, Clay, Stone & Concrete

21 Oct

[ By WebUrbanist in Design & Products & Packaging. ]

solar-shingle-design

Overcoming the awkward aesthetic factor typically faced by home solar technology, these disguised panels look like ordinary building materials you would expect to spot along the sides, steps or roof of a house.

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Dyaqua, an Italian company, has developed their Invisible Solar series to look like concrete bricks, slate shingles and wooden boards, allowing them to blend into ordinary built environments. A thin top layer mimics desired materials while allowing the sun’s rays through to the photovoltaic cells beneath.

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From the company: “The Invisible Solar modules are composed of a non-toxic and recyclable polymeric compound, within which are incorporated the monocrystalline silicon cells. A special surface, opaque at the sight and transparent to the sun rays, covers the cells by hiding them without prevent their operation.”

invisible-solar-panel

Instead of adding semi-reflective, black-and-grey accents to a traditional wood or masonry structure, these fixtures are designed to fit any abode, historic or modern. The company has begun production with the Rooftile, which resembles a typical reddish-brown terracotta shingle.

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From there, they aim to create blocks and boards that can be used on walls (cladding) or walkways (pavement) sure to please even the toughest community design standards boards. They are also built for strength and durability, able to “withstand high static load, tolerates chemical solvents and atmospheric agents.”

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Las Pozas: Surreal Concrete Sculpture Garden in the Jungle of Mexico

04 Oct

[ By SA Rogers in Destinations & Sights & Travel. ]

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Stairs spiral up to the sky in strange configurations, going nowhere, in a tangle of surrealist sculptural structures in a Mexican jungle. Why is this series of concrete wonders hidden within the lush vegetation of Xilitlha, and who put it there? The answer lies within the mind of Edward James, a 20th century art collector described by Salvador Dali as “crazier than all the Surrealists together.” If Dali is calling you crazy, that probably says something, and photos of James’ creations reveal a visionary thinker on par with the artists he so admired.

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James, a poet and well-to-do heir who was once painted by René Magritte, was a passionate and early supporter of Surrealism, sponsoring Salvador Dali in a crucial early period of his career during which he produced some of his most valuable works. A 1978 documentary called “The Secret Life of Edward James” shows off some of his personal art collection, as well as his quirky refurbishment of Monkton House, a small 20th century house plastered with surreal interior designs. He was certainly an interesting character, which explains how Las Pozas came about.

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Built more than 2,000 feet above sea level about seven hours (drive) north of Mexico City, ‘Las Pozas’ was named for the natural pools and waterfalls that characterize the site. James saw it as the ideal romantic spot for his vision of a “Garden of Eden set up.” Between 1949 and 1984, he built dozens of towering concrete structures around the pools, each of them given names like “The House on Three Floors Which Will in Fact Have Five or Four or Six,” and “The House with a Roof Like a Whale.”

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The sculptures were conceived by James and his guide Plutarco Gastélum, who helped him scout the site, after his living orchid garden decades in the making was destroyed by a blizzard. The concrete ‘flowers’ would be everlasting, much hardier than anything organic he could grow. It took a crew of about 150 people to build them all. It cost more than $ 5 million to construct, a sum James raised by selling his collection of Surrealist art at auction.

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After James’ death in 1984, Las Pozas was opened to the public, and it’s know owned by Fondo Xilitlha, a foundation overseeing its preservation and restoration.

Top photo: Wikimedia Commons; all other photos: Victor DeLaqua, Julia Faveri and Herbert Loureiro/ArchDaily

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Gold Infill: Japanese Pottery Repair Tradition Applied to Concrete

27 Jul

[ By WebUrbanist in Design & Fixtures & Interiors. ]

gold floor cracked resin

Strands of gold fill the cracks of this apartment in Kyoto, replicating in architecture a longstanding tradition of repairing pottery in a way that tells a true history of its use and reconstruction. Mixed with resin, glittering gold dust sparkles against adjacent surfaces.

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Kintsugi, which translates as “to repair with gold,” is a philosophy as much as an artistic approach. It reflects the idea that breakage and reassembly is part of the life of an object. In this case, the cracks that almost invariably form in concrete were repaired in the same fashion.

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When Kintsugi was first employed centuries ago by a Japanese shogun, others were so enamored with the effects that, as the story goes, they began breaking their own pottery just to have an excuse to patch it back together with gold-laced lacquer.

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In this case as with pottery artifacts, the effect is dazzling. Cracks stand out as something intentional, artistic and organic rather than shied away from as simply damaged. Spearheaded by architecture studio Tank, this may in turn also become more of a bigger trend, if only in Japan.

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“The Japanese have traditionally repaired broken ceramics by gluing fragments together with lacquer and gilding the seams with gold powder to enjoy the beauty of imperfection,” said TANK. “Using traditional mortar, we emulated the art of Kintsugi in the living room by joining the cracks, thus transforming what was considered imperfect into a subject of beauty.”

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Meanwhile, the winding gold cracks form part of a larger puzzle, elegantly juxtaposed against raw ceilings and reflected in a series of mirrored doors. The overall effect is minimalist, but with materials and textures adding life through creative details. Depending on the time of day and type of light, the gold blends in or stands out as lighter (or darker) against cementitious surrounding surfaces.

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Cities of Bone: Organic Future Skyscrapers Free of Concrete & Steel

06 Jul

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

building of bone

Our cities have grown up thanks to concrete and steel, but these materials are far from sustainable, leading architects and researchers to explore new (and old) materials, from wood to eggshell and even bone.

Steel and concrete account for 10% of global carbon emissions, polluting close to as much as the entire transportation industry. Bioengineer Doctor Michelle Oyen of Cambridge’s Department of Engineering builds structures in her lab from artificial bone and eggshell. These can be used for medical implants, but could also scaled up to create low-carbon building materials.

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Funded in part by the US Army Corps of Engineers, Oyen’s creations are composites of proteins and minerals, the former providing toughness and fracture resistance and the latter lending stiffness and hardness to the mix. These currently come from natural (animal) sources, but she is investigating whether a “non-animal-derived or even synthetic protein or polymer could be used instead of natural collagen.”

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In theory, her biomimetic creations could even become self-healing, in the same vein as concrete designed to repair itself. For the construction industry to adopt such radical new technologies at scale remains one of the biggest challenges for future organic and semi-organic materials – for decades, building codes have been framed around the use of concrete and steel.

Cities and skyscrapers of today already represent a good first step to long-term sustainability, packing lots of people into dense areas and vertical structures requiring less land. Still, a shift to renewable, organic and reusable materials would make them more future-proof and environmentally friendly.

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Wood is another natural building material gaining increased attention from the built environment community, a renewable resource that is strong, durable and recyclable. “Future cities may not look a whole lot different – you may not know immediately if you are in a timber, steel or concrete building,” says Doctor Michael Ramage from the Cambridge Department of Architecture.

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And “cities might be a whole lot quieter, as most timber buildings are built off site, and then just assembled on site, and use roughly a fifth as much truck traffic as equivalent concrete buildings. In other words, what needs to be delivered in five trucks for a concrete building can be delivered in one truck for a timber building. That’s an incredible advantage, for cost, for environment, for traffic and for cyclists” (Bone Church image by Davis Staedtler and Ossuary by jockrutherford).

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Minimal Luxury: Monumental Concrete Hotel by Tadao Ando

24 May

[ By SA Rogers in Boutique & Art Hotels & Travel. ]

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Master of minimalist architecture Tadao Ando has remodeled a small boutique hotel on Japan’s Shikoku island in a refreshingly spare yet luxurious aesthetic, with few distractions to break up his trademark expanses of concrete and glass. The seven-room Setouchi Aonagi perches on a mountain overlook gazing out onto the glassy surface of the Seto Inland Sea, its narrow rooftop swimming pool extending in the opposite direction like a telescope to focus on the distant skyline.

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In recent years, the Setouchi International Art Festival has brought tourists and press from around the world into this quiet corner of Japan, with the central venues all shining examples of Ando’s work, so it was only natural for the Setouchi Aonagi to ‘join the lineup’ as another architectural masterpiece. The building previously functioned as an art museum and private residence, and was outfitted with interior furnishings the architect deemed unnecessary. His transformation strips away all distractions, giving each spacious suite its own subtle theme.

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In addition to the cinematic rooftop pool, there’s an indoor pool dubbed ‘The Cave’ that can be reserved for private use. The hotel notes that the ‘luminous light’ that pours into the building, as well as the view of the sea, are art in and of themselves – but that a selection of minimal contemporary art is also on hand, sparingly displayed to keep the focus on the architecture and surroundings. One example is a mossy garden installation by Yutaka Ono, mimicking the look of the islands when seen from afar.

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The rooms range from about $ 820 per night for the Garden Suite on the bottom floor to $ 1450 for the Aonagi Suite, which might sound a bit steep until you consider the general cost of travel in Japan and the fact that each room sleeps 3 to 5 guests.  Plus, staying in a Tadao Ando creation is a once-in-a-lifetime kind of experience, after all.

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