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Posts Tagged ‘Conceptual’

How to Use Conceptual Contrast in Photography

26 Jun

Contrast is one of the most important aspects of any photograph. It adds focus, distinction, and punch, and gives the viewer both a first impression of the image as well as a journey into its details.

How to Use Conceptual Contrast in Photography - cat on a tire

At its most basic, contrast is defined as a difference. The most common types, which you’re probably quite familiar with, are tonal contrast and color contrast. In this article, I want to introduce yet another kind of contrast to your photography toolbox: conceptual contrast.

What is Conceptual Contrast?

How to Use Conceptual Contrast in Photography - plant in an electrical box

The photograph above has conceptual contrast. Can you figure out what it is? Conceptual contrast is different from tonal and color contrast; it’s more abstract and perhaps less obvious. It has to do with ideas and as the name suggests, concepts, not with physical aspects such as light levels or color.

Just like other kinds of contrast, conceptual contrast can add punch by bringing together things that you might not normally expect to see in the same image. It makes a photograph more interesting and raises questions about the contrasting parts of the image.

When it’s done well, conceptual contrast can help tell a story, function as an eye-opener, surprise the viewer, and jar them into considering their response.

How to Use Conceptual Contrast in Photography - police and people dressed up

Why should you use conceptual contrast?

Visual storytelling is a part of any great photograph. It’s how your photo goes beyond being just aesthetically pleasing, how you get people to stop and really look at your photograph, and how you create an emotional response in the viewer.

Conceptual contrast is not only a great way to add depth to your photographs but also an opportunity for you (the photographer) to learn to look at and become aware of your surroundings in a new way.

How to Use Conceptual Contrast in Photography - red and yellow subjects

You can use this technique to share a sense of wonder, to make a point, and to bring the viewer out of their comfort zone and make them think. What could be more important than that?

waterfall and garbage - How to Use Conceptual Contrast in Photography

So how do you do it?

It takes some forethought and observation to create a photo with conceptual contrast. Coming up with an idea that works will be the hardest part; the rest is as easy or hard as taking any photograph. The steps I’ll be talking about focus on photography outside of the studio, but it can also be a very powerful tool for posed photographs.

How to Use Conceptual Contrast in Photography - paddle boarder with relics in the ocean

The first and most basic stage is observation. You can find good material for conceptual contrast almost everywhere if you pay enough attention.

Try it right now! Move around in the space where you’re reading this, and see if you can find something that stands out and could make an interesting photograph.

banana leaves and fruit - How to Use Conceptual Contrast in Photography

After finding something to capture, the second stage is developing the idea. Just because the contrast is obvious to you doesn’t mean that it will be to others.

It doesn’t have to be obvious, but think about how you want to take the photo to make it both interesting to look at and eye-opening to explore.

For the best effect, your photo should contain more than just the conceptual contrast. To bring the viewer in and give them a chance to notice and react to the less obvious aspects of the photo, you should use everything else you know about photography to make it stand out and draw them in.

rows of sticks for vines and mountains - How to Use Conceptual Contrast in Photography

The final stage is capturing your photograph. This is the technical part where your abstract idea takes physical form. After you share it with others, it will gain a life of its own as viewers enjoy your photo and interpret it from their own perspective.

man on a beach in the fog - How to Use Conceptual Contrast in Photography

Conclusion

Is conceptual contrast something you have used or will try to use in your photography? What good examples of conceptual contrast have you seen? I’d love to see your images with conceptual contrast and hear your feedback and ideas in the comments below, please share.

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Your Guide to Creating Unique Conceptual Photography

06 Dec

What is conceptual photography? Have you heard about it, but not been able to work out what it is? Who are the artists doing it? How can you do it? If you have asked yourself any of these questions, then read on and see if they can be answered for you.

Conceptual photography is a type of fine art photography. Like the latter, everyone you ask will give you a different definition. It is an art form that has been around for as long as people have been making art. It seems to be something that people have only started talking about in the last 10 years or so.

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The Tower of the Manchester Unity Building where the brief was to make it look like Batman lived there. So the sky was replaced and a lot of processing was done.

What is Conceptual Photography?

When I tell people about work that is conceptual the first thing many ask is, “What is it?”

Conceptual photography is often very imaginative. It seems unreal. Often reality in the photos is distorted, and what you know as normal, is completely changed. Then there are also some people who are doing things that aren’t as imaginative. They are changing some things, or exaggerating reality to a lesser degree.

Conceptual photography is about work that starts with a concept or an idea. In many instances, photography normally starts with an image or a place. You go out somewhere that you think will be interesting and take photos. Once you get home you put the photos on your computer, and for a lot of people, that is all besides some basic post-processing. There is nothing wrong with working that way, but conceptual photography starts out differently.

In conceptual photography you start with an idea, or the concept, of what you want to do. At this stage you start working out what you want your final image to be about. You are working in the dark so to speak, as you won’t know the final result until you have processed it.

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A popular place in an artist retreat, but you can’t take photos with models. So this image was composited from the original, and one of the girl taken at a different time and place.

Artists working conceptually

Other artists (who aren’t photographers) often work this way. Sculptors have an idea of what they want to sculpt, but it isn’t until it is completed that they know if it will be any good. Many painters work the same way, especially abstract artists. The way they work can be fluid, but they have an idea of what they are trying to achieve. Again, it isn’t until the painting is finished, that the artist can judge whether it was successful.

There is no reason why photographers cannot work the same way. Many photographers do, and if you like that kind of work, you can as well.

It is about using your imagination, and seeing what you can envision. If you search Conceptual Photography in Google Images you will find many examples. There are some inspirational photos there as well. They are often clever, and usually highly processed. That does not mean you have to be really good at photo processing, but you do need to have a good imagination.

Adobe Photoshop used to say, “If you can dream it you can create it with the software”. I don’t know how true that is, but you can do a lot in Photoshop, and if you can imagine it, then you should try to create it.

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Another composite of a popular walking bridge in the city and some sheep. The sheep were placed on the bridge in Photoshop.

It’s all about imagination

That is a big part of this type of photography. It is about imagination and ideas, planning and getting what you need to create the image, and finally the creation of the image.

Most conceptual work you see is created around portraits. There are many photographers in the world who specialize in fine art portraiture. They would also be considered conceptual artists. You can’t take a person out and simply take their portrait, you need to plan the whole session. Long before you have your model, you need to have an idea of what you want to do; what costumes you may need, and where you want to take the photos. That is how it starts.

leanne-cole-conceptual-photography-044

Trying for a Wuthering Heights look. A hill was found on a windy day and the model put into a costume. The cloak was made to look larger as it blew in the wind.

Not all conceptual work is portraiture though. There are many photographers working in landscape or architecture who are creating their own realities.

You might want to put your cat on top of a large building, so it looks like King Kong. You may have seen images where there is a house floating in the air, or someone is put inside a glass jar. These all started with the artist thinking about “what if”.

Some specific conceptual photographic artists

There are some incredible conceptual photographers and artists who are working now.

Rick Amor is an Australian painter. He often paints his environment around him, but not as we see it. He visits places and takes lots of photos. When he gets back to his studio, he goes through those photos to work out which ones he can paint. He will take a little from one image, and something from another, to create a new scene or a new reality. They aren’t straight copies, and he often distorts the sizes and views as well. A statue that is normally six feet tall might appear to be 30 feet tall in one his paintings.

Brooke Shaden is a fine art photographer whose work also fits into the category of conceptual art. She does portrait style images, but they are all more than a portrait of a person sitting in front of the camera. Before she starts, she plans what she wants first. She works out: what the colour scheme will be, what props she will need, if any, and then the location. The model is also important, and has to be someone that will fit the mood of the image she wants to create. Finally, she finishes the image by using Photoshop to give it her unique look.

Canadian Photographer Renee Robyn is also a conceptual artist. She does a lot of fantasy or ethereal images. Again, they would be images that start with an idea or concept. If you look at her website, you can see the before and after photos which makes it is clear that she works with a plan in mind. The models are photographed in a way so that they can then be put into other scenes on the computer.

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The Woodland Bride – Started with the idea of a bride dressed in rags in the forest. The bouquet of sticks came later.

Another artist that is gaining popularity for his incredible conceptual images, is Erik Johansson. He has an amazing ability to turn the world around him upside down. He manages to turn the ordinary into something extraordinary, to make you see the world in a new way. His imagination is amazing. The ideas he comes up really show how talented he is.

All these artists work differently. You may identify with one of them. You may want to find your own conceptual artists that work in a way that you admire, who you can gain inspiration from. It is important to find other photographers that give you motivation, to work and try new things. You shouldn’t copy them, except to learn, but look at the work and see if you can find your own style.

How can you do conceptual photography?

You need to start thinking conceptually. If you want to create images like the ones mentioned and shown here, then you need to start using your imagination. Think about how you can twist the world around you, or finding some interesting things you can do with it.

Think about how you are going to achieve the final result that you are after. Do you have to take specific photos for it? You need to make sure when you are taking the photos that everything will work together. It should look like it really is possible.

For most images you have to know how to composite. How to take something from one scene, then place it into another. As you put everything together, you start to see whether or not it has worked.

leanne-cole-conceptual-photography-047

Flinders Street in Melbourne Flooded. A process done on the computer to make a place look like water is everywhere.

Working conceptually

Making conceptual images can be a rewarding way of working. It can help you stand out from many other photographers. It is not easy to do, and patience and time are often needed to learn it. However, if you have the drive, then a whole new world could be there for you.

Are you interested in learning more about how to do conceptual photography? What would you like to learn? Have you done any or have any favorite conceptual photographers you’d like to share? Please do so in the comments below.

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Dreaming for a living: The conceptual composite photography of Colin Anderson

12 Oct

Australia-based conceptual artist Colin Anderson is re-defining what it means to be a modern photographer. An early adopter of Photoshop, Anderson creates complex allegorical images from a number of visual elements, including stills captured with a medium format camera and 3D elements created from scratch. Find out what he’s learned from a long career in editorial and commercial photography. Read more

Articles: Digital Photography Review (dpreview.com)

 
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For the Record: 13 Modern & Conceptual Turntable Designs

31 Mar

[ By Steph in Technology & Vintage & Retro. ]

turntable flynote 2

As record players enjoy a resurgence in popularity, their designs get sleeker and more modern, incorporating 3D printing, lasers, magnets that levitate the disc so it plays while in mid-air and other high-tech features.

Star Trek Enterprise Record Player

turntables star trek 2

turntables star trek 1

It’s truly a shame that this Star Trek Enterprise-shaped record player is just a model and doesn’t actually work, but the level lot detail is impressive and it would be cool to see someone take the idea further.

DaVinci Audio Labs Luxury Turntable

turtnable davinci 1
da vinci audio labs gmbh swiss

A luxury turntable for people who can afford to drop a ton of money on the highest end of the spectrum, the AAS Gabriel by DaVinci Audio Labs is designed with thick bases based on the same process that’s used to cut grooves into masters, eliminating noise and vibration.

Void Record Player

turntable void 2

turntable void 1

‘Void’ by designer Rhea Jeong literally levitates a record in the air using a magnetic control system. A free-spinning red sphere contains the needle, amplifier and speaker. When you turn the record player on, you can control the levitation using touch sensors on the front of the base.

3D Printed Hand-Crank Record Player

turntable 3D printed 1

Another design bringing together technologies from very different eras is this 3D-printed creation by Oana Croitoru. Made on a MakerBot Replicator 2 for the Ghostly Vinyl Design Challenge, the design is operated via hand-crank.

Flynote

turntable flynote 2

turntable flynote 1

The Flynote also uses an electromagnetic field to suspend the disc above the base of the player. Say the designers, “The levitation technology uses repelling magnets combined with sophisticated electrons to keep floating objects in position. The plastic skin with the electromagnetic motor are provided with an LED crown to light the turntable and the disc while the product is on. Furthermore, those LED have a switch and an independent electric connection to switch them on at any tie and without interfering with the electromagnetic motor.”

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For The Record 13 Modern Conceptual Turntable Designs

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Ghost Food: A Conceptual Taste of the Future of Eating

28 Sep

[ By Delana in Conceptual & Futuristic & Technology. ]

smell and texture analog for extinct foods

Drive around any mid-size to large city and you’re destined to find a number of food trucks. In recent years they’ve become almost as ubiquitous as traditional stationary restaurants. A truck called GhostFood is throwing a very unusual hat into the ring by offering their customers not real food, but the experience of food.

ghostfood facial apparatus

GhostFood, a “participatory performance” from Miriam Simun and Miriam Songster (yup, a double-Miriam team) is meant to simulate the experience of eating foods that could soon be extinct. A 3D printed headpiece attaches to a visitor’s face just like glasses and replicates the olfactory profile of certain foods. A substitute edible substance with a texture identical to the “ghost food” is provided. The scent and texture combined trick the mind into believing that the actual food is being consumed.

endangered foods

The project is meant to increase awareness of the possible future of food. The GhostFood truck will serve up the experiences of eating cod eggs, peanut butter, and chocolate – all of which face the possibility of disappearance due to climate change. In the case of cod eggs, changing seawater salinity is increasingly causing them to sink rather than float, making them both inaccessible to humans and unable to hatch and form the next generation of cod.

foods in danger of becoming extinct

Peanuts are affected in multiple ways by climate change. Drier growing periods mean that it’s more difficult to harvest the peanuts, and shortened winters cause a mold called aflatoxin. The mold doesn’t actually harm the peanuts themselves, but it is toxic to humans. Chocolate is in a delicate situation thanks to drought, deforestation, and changing global temperatures. Although the artists are drawing attention to the unstable futures of these foods, they aren’t trying to educate or preach a certain ideology. Their goal is simply to demonstrate what our eating experiences might be like in the future when our favorite foods are no longer available on supermarket shelves.

(via: Edible Geography)

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Urban LEGOs: Conceptual Cure for Civic Blight Blindness

30 Oct

[ By Steph in Architecture & Cities & Urbanism. ]

Chances are, you’d notice all of the vacant lots in your city if massive LEGO structures were used to call attention to the wasted space. ‘Habit Makes Us Blind’ is a concept by Spanish studio Espai MGR, digitally filling in unused areas of Valencia with colorful fantasy buildings suggesting how the space could be used.

As years go by, vacant lots – often walled off with ugly temporary fences that are soon covered in spray-painted tags – can almost become invisible to those who pass them on a regular basis.

With urban populations continuing to grow, space is at a premium. While the LEGO structures by Espai MGR aren’t practical in a real-world sense, they do illustrate just how much vertical space is still available, leading one to wonder what it could potentially become.

“This photographic work aims at calling people’s attention, just like painting those isolated walls yellow would. It demands the recreational use of those vacant lots through the eyes of a child, by filling them with impossible constructions, surrealistic installations in line with the problem. A children’s game as a neighbour’s shout, demanding the right to take part in their city.”


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