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Posts Tagged ‘Competition’

Announcing Two Tamron Competition Winners

18 Feb

The Winners of our recent Tamron Holiday Competition for a Tamron SP 45mm F/1.8 Di VC USD and a Tamron SP 70-300mm Di VC USD lens are…

Thanks!

A HUGE thank you to everyone who entered our recent competition to win an SP 45mm F/1.8 Di VC USD and an SP 70-300mm Di VC USD lens from our friends at Tamron. Yet again, the response was absolutely AMAZING with over 400 entries! But now…onto the winners!

Drum roll. And the winners are:

First Prize

Winner of the Tamron SP 45mm F/1.8 Di VC USD lens is – Sandeep

  • Tamron SP 45mm F/1.8 Di VC USD – Value $ 599
  • Canon, Nikon or Sony-A mount.
  • No substitutions.
  • For canon, Nikon or Sony cameras.

Burk Uzzle has said “Photography is a love affair with life”. My journey with photography has been long, filled with love and labour.

I fumble-started with a twin lens camera borrowed from my uncle about 30 years back, then with a prized EXA (GERMAN film based camera), Olympus C-8080 and since last 4 years a Nikon D5200 (18-105mm VR f3.5). I also own a Yongnuo MK-IV flash, a Sony tripod, a Nikkor 35mm f1.8 prime lens, Hoya ND & CPL filters and a ML-2 remote release given my burgeoning interest to make better photos.

Many years back, I scanned all my family owned b/w photos, to create a treasure trove of memories… I love the life stories that these photos convey – my son’s dimpled smile over gentle glazed skin next to my mother’s weary eyes filled with compassion… my wife’s lingering gracious beauty over the years as she grows older… the children’s audacious poses giving way to awkward conscious stares at the camera… I get mesmerized often, lose myself for hours in these frozen golden moments.

My love for my family takes refuge in the photos I take. I am the de facto family photographer responsible for bringing alive visual expressions of many events. I think, prepare, experiment, analyze and post produce thoughtfully to make them worthy of being seen and relived many times over. “Photography takes an instant out of time, altering life by holding it still.” – famous words from the great Dorothea Lange that are, for me, a constant source of inspiration.

Of late, I have started getting deeper into photography, studied via online training courses, read about great photographers, pored over user manuals and most importantly made a conscious effort to practice long and hard, to make more photos.

Now if I had the choice to pick from the lenses on offer, I would unhesitatingly pick Tamron 45mm (about 68mm with my D5200’s cropped sensor) which suits the family portraiture I so love to indulge in. The various reviews I went through clearly suggests that Tamron 45mm lens is a winner. The Prime lens I own is good but a poor cousin to Tamron by er, a long way. Going by its looks, build quality, the tack sharp photos demonstrated some at low-light (wow!), its colour reproducibility, sharp corners, flexibility of purpose across landscape to macro — I will really look forward and love to have this one in my bag. I suffer from shaky hands so its 3-stop VC should help which my prime lens visibly lacks.

Not sure 2017 will serve surprises for me but I surely will pray. Hope is eternal.”

Congratulations Sandeep! You will also receive a copy of the new Night Photography Course by dPS.

Second Prize

Winner of the Tamron  SP 70-300mm Di VC USD lens is – Br Fla

  • Tamron SP 70-300mm Di VC USD – Value $ 449
  • Canon, Nikon or Sony-A mount.
  • No substitutions.

“As a veteran who has seen my fair share of ugliness in the world, Photography takes me to another place where I can cope with PTSD symptoms by exploring the beautiful world surrounding me.

For my first prime I was looking for a fast lens at the same focal length as human vision for street scenes, portraits, landscapes, and close photography. I wanted a fast, solid built, durable lens with high-end contrast and resolution. The Tamron SP 45mm F/1.8 Di VC USD fits my current needs and allows me to grow as a photographer finding even more beauty in the world.

When shooting with my full frame Nikon D800, a prime 45 mm lens is the just right (Goldilocks) focal length. Any wider you can have distortion, which can be really unflattering for people’s faces or create curved lines that should be strait. Any narrower you will have to stand farther back when you may not have the space and will lose some connection with the subject. You can confidently walk around with this 45mm, because with the human field of vision focal length, the beauty you see is the beauty you get.

The wide open aperture of F1.8 is very fast which will allow for shooting in low light and the circular diaphragm will create beautifully smooth bokeh that no other lens can match.

More importantly, when I can’t sleep I like to go out and shoot in the predawn hours. I would love not only the wide aperture to bring in lots of light but also 3.5 stop vibration compensation so I can capture beauty that exists in low light conditions.

Beauty also exists up close. With such a minimal distance to get sharp focus (only 11.4 inches) I can get closer into a subject without having to purchase expensive macro lenses. With the Vibration Compensation the beautiful details will remain sharp and beautiful.

Beauty can be seen in the contrasts of light. This lens maintains high contrast throughout the frame so you can get more usable images right out of the camera and not have to shoot large just to crop out the edges.

When shooting in some of the harshest conditions (as much as I enjoy the beach and salt air, it is incredibly harsh on photographic equipment) weather sealing is vital to not only durability but also keeping dust/debris out of your camera body and showing up as annoying spots in your images. The fluorine coating will also help keep spots off the front of the lens.

However, despite all the impressive specifications of this lens the true beauty is in the details. In this case the details are tack sharp. I have seen that DXOMark tested this lens to have superior sharpness to all other lenses in the class, even ones that cost significantly more. So when asked how I would use this lens it is simple – I would find beauty in this world and capture it in as sharp detail as the true-life experience provides.

The Tamron SP 70-300mm Di VC USD would be useful zoom lens allowing me to photograph the beautiful wildlife where I live and the Vibration Compensation would greatly help with such long focal lengths.”

Congratulations Br Fla, you will also receive a copy of the new Night Photography Course by dPS.

We were all thrilled with the entries. You tugged at our heartstrings, made us laugh, made us smile, but most importantly, you made us keep wanting to do more of what we are doing; providing you quality information and guidance to become a better photographer. We were so pleased to see that you came from every part of the world, young adults to grandparents, and everyone in between. Thank you all for your entries!

Now, for those of you that didn’t win, Tamron has invited ALL dPS readers download their 2015-2016 eBook Series! You can find those HERE!

The Winners will be emailed with details of how to collect their prize. Please make sure to look for our email. Thanks you again for all the wonderful submissions and to Tamron for sponsoring this competition.

For winners outside the USA, please allow 6-8 weeks for delivery.
Winner responsible for any taxes or tariffs.

Tamron Rebates!

For all of you residing in the USA, when you do purchase your next Tamron Lens, make sure to take advantage of the rebates* up to $ 200 through March 4, 2017. Find additional information HERE!

*Current rebate offers end March 4, 2017. US RESIDENTS ONLY.

About Tamron

Disclaimer: Tamron is a paid partner of dPS.

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Incredible images from DJI’s SkyPixel 2016 aerial photography competition

05 Feb

Incredible images from SkyPixel 2016 competition

SkyPixel, DJI’s online aerial photo sharing platform, has shared the winners of its 2016 photo competition and published a gallery of 2000 standouts from more than 27,000 entries. You can see some of our favorites here and check out even more top entries at the SkyPixel website.

Fishermen close the net. Grand Prize Winner. Photo by ??

Incredible images from SkyPixel 2016 competition

Exploration. First Prize, Beauty category, professional. Photo by ? ??

Incredible images from SkyPixel 2016 competition

Spillway Selfie. Second Prize, Beauty category, professional. Photo by dixonltd

Incredible images from SkyPixel 2016 competition

Overbridge. First Prize, Beauty category, enthusiast. Photo by ??

Incredible images from SkyPixel 2016 competition

Green Waves. Second Prize, Beauty, enthusiast. Photo by Mauro Pagliai

Incredible images from SkyPixel 2016 competition

Arena. Photo by Bogdan Robak

Incredible images from SkyPixel 2016 competition

Photo by Joshua Cheston

Incredible images from SkyPixel 2016 competition

Shipka, Bulgaria. Photo by Vladislav Terziiski

Articles: Digital Photography Review (dpreview.com)

 
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Olympus to give away OM-D E-M1 ll and 1M Yen in global competition

15 Nov

An Olympus OM-D E-M1 ll with a 12-40mm F2.8 Pro lens and ¥1M is up for grabs for the winner of the 2016-2017 Olympus Global Open Photo Contest. The competition is open to amateur and professional photographers alike, and the company has placed no restriction on the equipment used to take entered images saying ‘Any photographic device from a DSLR to smartphone may be used.’

There are four categories with these themes:

  • Power of life
  • Connections to Cherish
  • Places that Inspire
  • Perspectives Often Missed

There will be three prizes for each category with first place images winning an OM-D E-M5 ll with the 12-40mm F2.8 Pro lens, second placed winners getting an OM-D E-M10 ll with 14-42mm F3.5-5.6 EZ and those coming in third receiving a Pen E-PL8 with 12-42mm F3.5-5.6 EZ. The overall winner will get the OM-D E-M1 ll with the 12-40mm F2.8 Pro lens and the cash.

Entry is free and entrants may submit up to five pictures for each category until the closing date on January 10th 2017. Winners will be announced in April 2017. At current exchange rates 1,000,000 Japanese Yen is worth about $ 9200/£7400/€8600.

For more information visit the Olympus Global Open Photo Contest website.

Articles: Digital Photography Review (dpreview.com)

 
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One week left to enter the USA Landscape Photographer of the Year Competition!

11 Sep

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There’s just a week left to enter the 2016 USA Landscape Photographer of the Year Competition! 

The USA Landscape Photographer of the Year Competition was founded in 2013 by Charlie Waite, one of the world’s most respected landscape photographers, and this year, the competition is bigger than ever. With a top prize of $ 15,000, the contest spans five main categories, ‘Environmental Value’, ‘My USA’, ‘Black & White’, ‘Classic View’, and ‘Urban’.

In addition to these five categories, DPReview is partnering with the competition to create a new award – ‘Life in the Landscape’, which will be judged by DPReview’s editors and writers. An additional special award, ‘Wild Landscape’ is sponsored by Future Publishing.

The competition is divided into two main classes – the USA Landscape Photographer of the Year Award and the Young USA Landscape Photographer of the Year Award. To enter Young USA Landscape Photographer of the Year, you must be 18 or under on the closing date of September 15, 2016. There are 7 categories within each of the two classes and up to 20 images may be entered across some or all of these categories, and photographers can enter the same image in more than one category and / or special award.

To enter a single image costs $ 10, while $ 30 allows you to enter up to 5 images, and $ 45 allows you to enter up to 20 images. Entrants for the Young USA Photographer of the Year Award pay a flat fee of $ 10 for up to 20 images.

The deadline for entry is September 15th. 

Enter the competition

Articles: Digital Photography Review (dpreview.com)

 
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Nikon offers ¥500,000 and D5 for its 100th Anniversary prize in annual photo competition

08 Sep

Nikon has announced the opening of the 36th Nikon Photo Contest and is giving away cash as well as a collection of top end DSLR cameras to winners. As the company is celebrating its 100th anniversary it has introduced a special category, the prize for which is ¥500,000 (approx $ 4900) and a Nikon D5 with the AF-S Nikkor 24-70mm F2.8E ED VR lens. A further category in addition to the usual Open section is designed for photographers under the age of 30.

The Grand prize will be a D5 with AF-S Nikkor 24-70mm F2.8E ED VR, while the most popular entry will win a D810 with the same lens. The first prize for each category is the same D810 kit, while 21 second prizes will be awarded of D500 bodies with AF-S DX NIKKOR 16-80mm F2.8-4E ED VR lenses. A total of 35 D5500 bodies will be given away to 3rd placed entries along with a AF-S DX Nikkor 18-55mm F3.5-5.6G VR II each.

The theme for the 100th Anniversary category is ‘Celebration’, and entrance is via a single image that must have been taken on Nikon equipment. The Next Generation category, for under 30s, and the Open category have the theme ‘Future’ and require two to five images per entry or a video of six to 180 seconds. Any brand of camera may be used for these categories.

Entry is free and works may be submitted between 17th October 2016 and 27th January 2017. For more information see the Nikon Photo Contest website.

Press release

Call for entries for Nikon Photo Contest 2016-2017

Neville Brody inaugurated as Lead Judge and two new categories introduced

Nikon is pleased to announce that entries for the Nikon Photo Contest 2016-2017 will be accepted between October 17, 2016 and January 27, 2017.

One of the world’s largest international photo contests since its inception in 1969, the 36th Nikon Photo Contest sees the addition of two new categories. The ‘Nikon 100th Anniversary’ category celebrates Nikon’s upcoming 100th birthday in 2017, and the ‘Next Generation’ category, for anyone under the age of 30, looks to encourage the talent of the next generation of photographers.

World renowned graphic designer and art director, Neville Brody, has been chosen as Lead Judge due to his huge influence on artists, including photographers, both young and old. He says of his role, “The Nikon Photo Contest is recognised globally as a key place to discover new and rising talent, searching out rich, imaginative power and inspiration. As Lead Judge, I feel it is my responsibility to continue this great tradition by selecting works that represent new ideas and superior quality. I am excited to see just how participants express their wonderful ideas and creativity through the works they submit.”

The Nikon Photo Contest 2016-2017 photography and video categories will accept entries recorded with any digital device, including smart devices*, and video entries with a length of six to 180 seconds.

The winners of the Nikon Photo Contest 2016-2017 will be announced in July 2017, with an awards ceremony in Japan, home of Nikon Corporation.

Articles: Digital Photography Review (dpreview.com)

 
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The Winner of $1000 from our 101 Landscape Lightroom Presets Competition is….

19 Jun

Recently we launched 101 Landscape Lightroom Presets product. As part of the launch we put everyone who purchased a copy into the draw to win $ 1000 in camera gear. Those who purchased the bundle (101 Lightroom Presets and 101 Landscape Lightroom Presets) received 2 entries.

The winner of this competition is Terrence Jones

Congratulations – we’ve just emailed you with details of how we’ll get you your prize and can’t wait to see what you buy!

landscape-lightroom-presets

Thanks everyone else for picking up a copy of the the presets packs – we’ve received some amazing feedback and appreciate you supporting dPS with your purchase.

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Lens shootout: Sony RX10 III destroys the competition

26 May

When the RX10 III was revealed as the ‘top secret’ Sony product launch in San Francisco earlier this year, I felt a bit cynical. ‘Another RX10, Sony? Really?’ I cried, along with a few bored commenters. ‘The last one is hardly a year old!’

Then I saw some telephoto sample images and was immediately impressed, wondering if I had been underestimating the 1″ bridge camera segment. Then Barney described the RX10 III to me as ‘magic’, which is high praise indeed and warranted further investigation. Which is exactly what we’ve done, below. Note that our results here are only indicative of the one copy of each camera we have on hand, some of which appear to be slightly decentered.

The Shootout

Starting at the wide end, which is around 25mm for all the cameras tested, we see in the center of the image (where our RX10 II appears to perform as expected) improvements over the RX10 II aren’t incredibly pronounced. Other areas$ (document).ready(function() { $ (“#imageComparisonLink2506”).click(function() { ImageComparisonWidgetLink(2506); }); }) of the scene show the advantage of the RX10 III, especially when it is stopped down from its maximum aperture of F2.4 to F2.8$ (document).ready(function() { $ (“#imageComparisonLink2507”).click(function() { ImageComparisonWidgetLink(2507); }); }). Its performance is definitely a step up from the Panasonic FZ1000$ (document).ready(function() { $ (“#imageComparisonLink2510”).click(function() { ImageComparisonWidgetLink(2510); }); }), and is miles ahead of the Canon G3 X$ (document).ready(function() { $ (“#imageComparisonLink2511”).click(function() { ImageComparisonWidgetLink(2511); }); }).

Where crazy zoom lenses like these typically struggle is in the extremes$ (document).ready(function() { $ (“#imageComparisonLink2513”).click(function() { ImageComparisonWidgetLink(2513); }); }) of the frame, with neither the RX10 III or the FZ1000 being an exception. The sharpness fall-off is less severe$ (document).ready(function() { $ (“#imageComparisonLink2515”).click(function() { ImageComparisonWidgetLink(2515); }); }) with the RX10 III, though, and all in all, the RX10 III is the best performer on the wide end.

$ (document).ready(function() { ImageComparisonWidget({“containerId”:”reviewImageComparisonWidget-45535897″,”widgetId”:359,”initialStateId”:null}) })

Moving on to 400mm$ (document).ready(function() { $ (“#imageComparisonLink2517”).click(function() { ImageComparisonWidgetLink(2517); }); }), the maximum focal length for the Panasonic FZ1000, we see a similar amount of detail between the Panasonic and Sony near the center of the image. Sharpness and resolution change for both throughout the frame, with the Sony showing a slightly iffy left side$ (document).ready(function() { $ (“#imageComparisonLink2523”).click(function() { ImageComparisonWidgetLink(2523); }); }), and a better right side$ (document).ready(function() { $ (“#imageComparisonLink2524”).click(function() { ImageComparisonWidgetLink(2524); }); }). Through most of the scene the two are practically neck and neck, with the G3 X turning in comparable performance as well, but let’s not forget the Sony and Canon still have more zoom range to go. 

The RX10 III’s 24-600mm lens isn’t only useful for distant details.

The real reason people consider bridge cameras is for the reach, and Sony extended the RX10 III’s reach by a full 400mm over the RX10 II. That means it now offers the same amount of reach as the G3 X’s 600mm$ (document).ready(function() { $ (“#imageComparisonLink2516″).click(function() { ImageComparisonWidgetLink(2516); }); }) equivalent maximum focal length. The RX10 III’s lens is clearly sharper, but it has another thing going for it: its faster maximum aperture helps it combat diffraction. Remember that F4 and F5.6 on 1”-type cameras are equivalent to F11 and F15, respectively. Both cameras are limited by atmospheric distortion at these focal lengths (hence the drop to ‘print’ resolution in the previous comparison link), but it’s clear that the RX10 III exceeds the G3 X’s performance, while offering just as much zoom versatility. The Canon PowerShot G3 X’s trump card has been trumped.

Even at 600mm (equiv), the Sony Cyber-shot RX10 III’s lens delivers sharp results.

In all, it seems the RX10 III does offer a bit more than similar 1″ bridge cameras from other manufacturers. It exceeds, or at least matches, the competition with respect to zoom range, while offering sharper images, and brighter apertures than all but Sony’s own RX10 II. Importantly, sharpness performance appears to be maintained throughout the zoom range, from wide to tele, which cannot be said for any of the other cameras in this test. Feel free to explore through these images and post your own findings below.

Things to Consider

As you look at the comparison widget, bear in mind that It appears our copy of the RX10 II appears to be slightly decentered$ (document).ready(function() { $ (“#imageComparisonLink2509”).click(function() { ImageComparisonWidgetLink(2509); }); }). This isn’t really noticeable in normal shooting but it’s obvious in a controlled test like this. 

The second caveat to these results is the weather. Light varied over the course of the test, and had darkened so much that the Panasonic, the final camera tested, needed 2/3rds more exposure to produce a comparable image. All the exposures were processed in ACR with default sharpness and the ‘Adobe Standard’ profile used across the board.

We’ll be adding the RX10 III to our standard database of studio test images very soon – watch this space!

Articles: Digital Photography Review (dpreview.com)

 
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Magnum launches Photography Awards competition to celebrate its 70th birthday

27 Apr
Image © Martin Parr/Magnum Photos

The Magnum Photos agency has announced $ 18,000 worth of prize money for its first photography competition open to anyone 18 years or older. Launched as part of 2017’s celebrations to mark 70 years since the agency was established, the Magnum Photography Awards hopes to ‘discover the best photographers from all over the world.’ The agency has partnered with LensCulture and has set categories for Documentary, Street, Portrait, Fine Art and Photojournalism, as well as an Open section. The jury will look for a winning series and single image in each section, with the best series winning $ 2000 and the best single shot $ 1000. Additional images will be highlighted as finalists, Jurors’ Picks and Editors’ Picks, while five students will also be singled out for praise.

Cash prizes await the winners of the sections and those picked for other awards will be included in an online exhibition and a book, while all series entrants can request a review of their submission by an ‘industry expert’.

The deadline for entries is Tuesday May 24th 2016, and it costs $ 20 to submit a single image, with further submissions costing $ 10. Entering 5 single images as a group costs $ 50, while a series of 10 photos costs $ 60. For more information see the Magnum Photography Awards page on the LensCulture website.


Press release:

Call for Entries: Magnum and LensCulture Photography Awards 2016

Magnum Photos and LensCulture have joined forces to create one of the best new opportunities for photographers to be recognized and rewarded for their talent.

2017 marks a significant year for Magnum as we celebrate 70 years since our founding photographers toasted the conception of an independent photo agency. Ahead of these anniversary celebrations, Magnum Photos and LensCulture invite submissions to the inaugural Magnum and LensCulture Photography Awards, an international call to discover the best photographers from all over the world.

Our distinguished jury will select 12 Winners and 20 Finalists from Documentary, Street, Portrait, Fine Art, Photojournalism and Open categories. In addition, the jury will select 7 photographers as “Jurors’ Picks” and give out 5 “Student Spotlight” awards to young, up-and-coming talents. Winners, finalists and top-rated photographers will enjoy gain access to an unprecedented level of global exposure and recognition from two of the largest organizations in the photo industry, as well as cash funding and career support.

“Magnum Photos is delighted to be working with LensCulture on this exciting new competition, which we hope will attract diverse photographic practices from all over the world. 2016 marks a significant juncture for the agency as we launch a new, stories-first website, in the lead-up to our 70th anniversary. We view this new award as an opportunity for our dedicated audience — and the photography community at large — to share in our celebrations.” – Martin Parr, Magnum Photographer and President.

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh puts up 5 million Yen in prizes for Theta developers competition

06 Apr

Ricoh has announced the opening of its latest competition aiming to attract app developers to create new applications for its Theta 360° camera. The company says it is looking for innovative and original apps and devices that are creative, have potential for the future and which have practical value to Theta users. The prize fund for the competition is five million Yen (about $ 45,000), with one million going to an overall winner who also gets a trip to Japan for the prize-giving ceremony. 

The winner of the 2015 competition was a team called ‘bitstars’, which developed the desktop application ‘holobuilder’ that allows 2D and 3D objects, animations and text to be added to Theta 360° virtual tours. The program also allows links to be added to the photospheres so viewers can travel from image to image as if from room to room in a building or navigate an area following directions added to the scene.  

For more information about the competition visit Ricoh’s Theta Developers Contest website. The closing date is 31st August 2016. 


Press release:

RICOH Announces the RICOH THETA Developers Contest

RICOH IMAGING EUROPE S.A.S is pleased to announce the second annual developers contest. The competition is looking for new apps and gadgets that utilise the RICOH THETA camera which takes 360-degree, fully spherical images or videos in one capture. Once registered applicants have until 31st August 2016 to submit their final app and gadget designs. 

Part of RICOH’s 80th anniversary celebrations this year, the contest challenges developers to create innovative apps and gadgets that work in conjunction with the RICOH THETA. Winners of the contest will receive a trip to Tokyo, Japan, for the awards ceremony and the first prize winner will be awarded a cash prize of one million Yen.

Applicants will also gain early access to an exciting new platform which has been optimised for cloud-based applications leveraging the Internet of Things (IoT). The new IoT platform makes it possible for developers to efficiently and cost-effectively build cloud-based apps, which typically require significant expertise in cloud services and servers and a longer development time. 

Articles: Digital Photography Review (dpreview.com)

 
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Wonder of nature: Eight winning photos from the 9th International Garden Photographer of the Year competition

22 Feb

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A photographer from the UK has collected £7500 along with the title International Garden Photographer of the Year as the results of the ninth competition have been announced. Richard Bloom took the first prize with a picture of a field of lupins he came across while in the South Island of New Zealand in the summer of 2015. Bloom commented ‘The landscape was already amazing, scattered with drifts of naturalised lupins, which gave it an almost psychedelic, wonderland feel.’

The competition has eight main categories along with additional prizes for portfolios, projects and photographers under the age of 16. The competition culminates in an exhibition at the Royal Botanic Gardens, in Kew, London, and a book is produced of the winning entries and those commended. On request judges also offer feedback on entries once the winners are announced.

The 2016 competition is already open for entries, and is open to photographers around the globe, with a deadline of October 31st. Entry costs from £10 for adults.

To see more of the winning entries visit the International Garden Photographer of the Year website.

Articles: Digital Photography Review (dpreview.com)

 
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