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Posts Tagged ‘Coming’

RED’s Hydrogen One phone with holographic display is coming to AT&T and Verizon

22 May

Although no exact release date or pricing has been announced yet, it seems the RED Hydrogen One modular smartphone with its holographic display will be available to the masses before long. According to an announcement last week, the phone will be available through two of the United State’s largest mobile carriers, Verizon and AT&T, sometime this summer.

The device was first launched in July 2017, with preorders starting at $ 1,200, but delivery was recently pushed back to August of this year. According to RED founder Jim Jannard, the company needed some extra time to receive carrier certification. Looking at the latest announcement, this process appears to have gone well.

The Hydrogen One’s key selling point is a 5.7-inch lightfield holographic display for mobile gadgets, which uses Nano-Photonic technology and RED’s 4-View video format to create a 3D effect without the need for glasses. The display is made by Leia Inc., in which RED is an investor.

The phone will also come with a pin-based expansion system which will allow for attaching a range of hardware modules, similar to Motorola’s Moto Mods, but probably more high-end video focused given the brand we’re dealing with.

The Verge got to take the phone for a spin during a media event in LA this past weekend, and while they couldn’t show you the screen (because the holographic effect apparently doesn’t show up well on video) they did have some thoughts about the entire Hydrogen One experience:

Given the Verizon/AT&T announcement, it now seems certain the Hydrogen One has made the transition from concept to production device. And while we have no doubt the new tech will be impressive, it’ll be interesting to see if the device can compete with the established brands in the smartphone sector.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon manager confirms: New mirrorless system coming by spring 2019

01 May
Screen capture: Nikon Eye

In an interview with Japanese TV-channel NHK, a Nikon manager has confirmed the company’s new mirrorless camera system will be on the market by spring 2019. This is the first time we have given an approximate launch date after Nikon officially confirmed it was developing a new system back in July 2017.

Unfortunately, additional details are still scarce. According to the latest rumors, the new lens mount will be called the Z-mount and come with an external diameter of 49mm and a flange focal distance of 16mm.

Given the Nikon Director of Development publicly stated that any new Nikon mirrorless system would have to be full-frame, there’s good reason to assume the new cameras will indeed feature a full-frame sensor, putting Nikon in direct competition with Sony’s A7/A9 series of mirrorless full-frame cameras.

Articles: Digital Photography Review (dpreview.com)

 
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Chris and Jordan of Camera Store TV are coming to DPReview!

29 Apr

We’re very pleased to announce that Chris Niccolls and Jordan Drake of The Camera Store TV are coming to DPReview! Over the past eight years, Chris and Jordan have grown The Camera Store TV into one of the best general interest photography channels on YouTube, with a mixture of entertaining and educational content that covers everything from the latest cameras to how not to carry your camera bag.

We’ve admired what Chris and Jordan do for a long time, and we’ve been trying to find ways of working with them for almost as long. So we’re very pleased to announce that as of April 28th, they’re leaving their old gig behind and coming to work for us. Why would they want to do that? In Chris’s words:

“DPReview is synonymous with editorial integrity, and technical accuracy of the highest degree. Jordan and I are excited to combine our expertise and on-screen personalities with the in-depth knowledge and integrity that DPReview is known for”.

They’re not moving to Seattle (that was a little too much to ask) but as of today Chris and Jordan will be creating new videos under the DPReview brand, and we’ll be uploading them to our own YouTube channel on a weekly basis. As well as the entertaining features that Camera Store TV has always been known for, Chris and Jordan will be working with us to create videos that complement our own long-form product reviews.

We hope you’re as excited as we are to welcome to Chris and Jordan to DPReview.

Subscribe to our YouTube channel to get new episodes every week

Articles: Digital Photography Review (dpreview.com)

 
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Wacom releases 24-inch 4K Cintiq Pro pen display, 32-inch coming ‘later this year’

28 Feb

Wacom has officially released the Cintiq Pro 24—a 4K 24-inch version of its popular Cintiq Pro Creative Pen Display for use with both Windows and Mac computers. The 32-inch version remains in-development, with an official release “slated for later this year.”

Wacom first announced its Cintiq Pro 24- and 32-inch tablets back in July of last year, but that announcement was more of a teaser than anything else. At the time, Wacom only shared that the pen displays would have “4K edge-to-edge displays” and “maximum color accuracy.” Now, with the official release of the Cintiq Pro 24, we have a lot more details to share.

The Cintiq Pro 24—which will be available in both Pen and Pen & Touch models—boasts an IPS UHD display with 4K (3840 x 2160) resolution, 98% Adobe RGB color accuracy (the store page claims 99%), and “a billion colors” (translation: 10-bit color). The tablet also features an etched glass surface to reduce glare and provide a “natural, pen on paper feel,” parallax reduction through “optical bonding,” close to zero latency, and support for the Pro Pen 2, which features 8,192 levels of sensitivity.

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Finally, for those who want to take their Cintiq Pro 24 to the next level, Wacom also introduced the Cintiq Pro Engine. This plug-and-play PC module—which we covered in detail here—turns the Cintiq Pro 24 into a full-blown Windows 10 workstation with Intel processor, up to 32GB of RAM, NVIDIA graphics, and an SSD.

The Cintiq Pro Engine costs at least as much as the Cintiq Pro 24 itself, but the SSD and RAM inside are both upgradable, and its plug-and-play nature means you can swap your entire workstation from display to display as needed. If you’re looking for a single, portable solution… it’s an intriguing option to be sure

The Cintiq Pro 24 will be available in two variations: the $ 2,000 Pen Display version will start shipping in March, but if you want the $ 2,500 Pen & Touch version, you’ll have to wait until May. The Cintiq Pro Engine PC module also ships in May.

For more information about the Cintiq Pro 24 or if you want to order one right away, visit the Wacom website or head over to the Wacom Store.

Press Release

Wacom introduces the Cintiq Pro 24-inch pen display

Wacom extends the Cintiq Pro line-up with a new high performance mid-sized display built for cutting-edge creative and design applications including augmented and virtual reality. The Cintiq Pro family now features a range of sizes to meet the unique workflow and configuration needs of creative professionals.

Tokyo, Japan – February 27, 2018 – Today Wacom announced the availability of the Wacom Cintiq Pro 24 pen display, expanding the Cintiq Pro high-definition range, which is designed for creative professionals seeking a larger digital canvas and the power to tackle an increasing onslaught of creative applications and programs. The new 24-inch Cintiq Pro pen display joins the previously introduced 13 and 16-inch models to form a comprehensive range of sizes for every need and workspace. The pen and touch display version will be available in May, the earlier announced 32-inch model is slated for later this year.

Performance you can see and feel

The brilliant 4k display, 98% Adobe RGB color accuracy and a billion colors deliver a true-to-life visual experience. The pen on screen experience was also improved. The combination of the new Pro Pen 2 technology (improved pressure sensitivity featuring 8,192 levels), the etched glass surface, the reduction in parallax through optical bonding and the close to zero latency, provide artists with precise control and a more natural feeling pen on screen experience.

“We know that professional artists and designers are facing an increasingly vast array of computing and display demands as they embrace emerging technologies like augmented and virtual reality, and 3D, where one size doesn’t fit all,” says Faik Karaoglu, Executive Vice President for the Creative Business Unit at Wacom. “Everyone has their own way of working, and we are excited to offer larger sized digital canvases with flexibility that provides more pen space for those who need it to create.”

Transforming the workflow

With the Wacom Cintiq Engine Pro – also announced today – a Windows 10 computing module, featuring the new NVIDIA ® Quadro ® P3200 high performance graphic card, slides into the back of the Cintiq Pro 24 display. Thus creative professionals can easily transform their Cintiq Pro 24 into a high performance creative work station fully supporting state of the art applications and workflows, including 3D, animation and augmented and virtual reality.

Availability

The Cintiq Pro 24 pen display models are available in the U.S., Japan and selected European countries as of March; for further details visit our e-store at Wacom.com. Prices ranging from $ 1,999 to $ 2,499. The Pen & Touch version of Cintiq Pro 24 will be available in May 2018.

Articles: Digital Photography Review (dpreview.com)

 
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Leaked: Samyang XP 50mm F1.2 EF lens coming soon

20 Feb
Leaked photo via CanonWatch

Nokishita and CanonWatch have both gotten their hands on some leaked photos of an upcoming Samyang/Rokinon lens that is very intriguing indeed. Meet the unreleased Samyang XP 50mm F1.2 EF.

Based on the moniker, we know that it’s part of Samyang’s manual focus eXtreme Performance series of lenses—the third lens to join the party, after the XP 85mm F1.2 and XP 14mm F2.4 announced in September of 2016. And judging by the “EF” at the end of the name, this one will only be made for the Canon-EF mount as well. Here’s a closer look, courtesy of Nokishita on Twitter:

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No word on price or specifications beyond the focal length and max aperture, but Nokishita’s image leaks typically come within 24-48 hours of release, so we expect this lens to make its official debut in the next day or two.

For comparisons’ sake, the XP 85mm F1.2 goes for $ 900, while the XP 14mm F2.4 retails for $ 1,000.

Articles: Digital Photography Review (dpreview.com)

 
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Sony will start making CFast memory cards: 510MB/s cards coming in 2018

29 Nov

Sony has announced that it will introduce the CFast memory card format to its professional range in the first quarter of next year, and odd and exciting move when you consider that CFast 2.0 competes directly with the XQD card format Sony helped pioneer.

The series will launch with three memory cards that boast maximum read and write speeds of 530MB/s and 510MB/s, respectively. These G-series cards will be aimed at cinematographers and those shooting high bit-rate video, as well as stills photographers working with high frame rate cameras like the Canon 1DX Mark II.

As mentioned above, the cards boast a maximum write speed of 510MB/s, but more importantly they also guarantee a minimum sustained write speed of 130MB/s under the Video Performance Guarantee. This helps to ensure cards do not force cameras to stop recording during lengthy sequences.

And since pros need their cards to be sturdy as well as fast, Sony says the new CFast cards have been carefully tested for drop, vibration, shock resistance and rigidity, and states that they work in a wide range of temperatures and are highly resistant to static.

The cards will be available in 32GB, 64GB and 128GB capacities for $ 120, $ 200, and $ 350, respectively. For more information, read the full release below or visit the Sony website.

Press Release

Sony completes Pro memory card line-up with new CFast range

November 28, 2017 – Sony is launching a range of high performance CFast memory cards, which are designed to meet the needs of professional photographers and videographers. The G Series CFast 2.0 memory cards will be available in 32GB (CAT-G32), 64GB (CAT-G64) and 128GB (CAT-G128) capacities, responding to the ever increasing capabilities of high-end DSLR and 4K cinema-grade broadcast cameras. The cards offer lightning-fast write speeds of up to 510MB/s and read speeds of up to 530MB/s and join an established range of media that includes Professional internal SSDs, XQD and SxS cards, as well as the world’s fastest SD card, while strengthening Sony’s position as a leader in professional memory solutions.

Step up to industry-leading write speeds

Professional photographers demand faster speed for continuous burst shooting of higher resolution images including RAW. With up to 510MB/s write speed, far outperforming the capabilities of existing CFast cards, Sony’s G Series supports high-speed burst shooting of high resolution RAW, maximizing the capability of high-end DSLR cameras like the Canon 1DX Mark 2.

Super-fast read speed for ultra-effective workflow

Efficient workflow is essential for professional photographers and videographers working in challenging environments on tight deadlines. With a blazing fast read speed of 530MB/s, Sony’s G Series CFast dramatically reduces the time it takes to transfer RAW files, long 4K video footage and high-resolution images to a PC.

Reliable 4K video recording with VPG130 support

As well as ultra-fast read and write speeds, the new CFast cards support VPG130 for reliable recording of Cinema-grade or high-bitrate 4K video. A minimum sustained write speed of 130MB/s is guaranteed, making the new media ideal for stable recording of professional grade 4K video, such as Cinema RAW light mode with Canon C200 video cameras.

Designed for strength and reliability

The new CFast cards have passed a variety of stringent drop, vibration, shock and rigidity tests, making them perfect for shooting in many different locations. They work reliably across a wide range of temperatures and are highly resistant to static. With a hard case and Sony File Rescue software, which is available when used with a card reader in a Removable Disk configuration, the cards can recover accidentally deleted photos such as RAW images and videos, allowing professionals to shoot with confidence in the toughest conditions.

Pricing and Availability

Sony’s G Series CFast cards are planned to be available in early 2018 for a suggested retail price of $ 119.99 for 32GB, $ 199.99 for 64GB and $ 349.99 for 128GB.

Articles: Digital Photography Review (dpreview.com)

 
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Yashica teases ‘Unprecedented Camera’: Coming to Kickstarter in October

23 Sep

Last week’s Yashica teaser was met with a lot of excitement. But it didn’t take long for people to claim that teaser had nothing to do with a camera. In fact, they said, Yashica was just teasing a clip-on smartphone lens they had already released. Womp womp…

But not so fast! Another teaser video released yesterday seems to hint at the big return to the camera market we were all actually hoping for.

The teaser, titled “The Prologue,” shows more of the same girl walking around with an old Yashica film camera (maybe?) and even a brief scene with that clip-on smartphone lens. All unremarkable, except the whole thing starts with this tagline:

Expect the Unexpected

The Unprecedented Camera by YASHICA

And later on a date floats onto the screen:

October 2017, Kickstarter

It looks like Yashica may be making a grand return after all. Hopefully they don’t disappoint us after all this teasing. If you’re claiming to release an “unprecedented” camera, you’d better deliver.

Articles: Digital Photography Review (dpreview.com)

 
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Smartphones killed the compact and now they’re coming for entry-level ILCs

14 Aug

When friends ask me to recommend a camera, more often than not they say they’re looking to take better pictures than what they get from their phone. But what does “better than my phone” actually mean?

One of those key differentiating factors has been the “pretty blurry background” effect that an interchangeable lens camera is capable of producing. Whether you know the word ‘bokeh’ or not, you know what a nice portrait looks like: sharp focus on the subject, a soft blurry background. And you know that your phone can’t do it (until now – more on that in a second). In my experience, that’s often part of what people mean when they say “better than my phone.” But those days are quickly coming to an end, and it’s the iPhone 7 Plus leading the way.

It’s not even a question of if the $ 500 ILC becomes obsolete, it’s a matter of when

The iPhone 7 Plus offers Portrait Mode, which uses depth information from the device’s two rear-facing cameras to mimic shallow depth of field. Apple sure didn’t invent it, and it’s far from perfect, but that doesn’t matter: they’ve made the effect very convincing and put it in the hands of millions of users.

The entry-level ILC is dead, long live the entry-level ILC

It’s not even a question of if the $ 500 ILC becomes obsolete, it’s a matter of when. And when may actually be right now. Ex-Google SVP Vic Gundotra spelled it out in a recent Facebook post.

He pretty much hits the nail on the head right there. As it functions now the effect isn’t perfect, but it’s likely already good enough for most people, and it’s only going to keep getting better. And that phrase, “good enough for most people” is exactly how we talked about smartphone cameras just as the compact camera was dealt its final blow.

Computational photography killed the $ 500 DSLR

I know what you’re thinking. “But zoom! Pixel-level resolution! Low light image quality!” I’m here to tell you that smartphones are already well on their way to solving those problems, if they haven’t already. And here’s the key: they don’t have to get it perfect, it just has to be convincing enough to most people. Also, there are approximately zero people outside of the photography community who care how their photos look at 100% magnification.

Smartphone cameras can’t get any bigger than they already are, but they can get smarter. With more cameras, sophisticated algorithms and computational techniques, that’s exactly what they’re doing. It won’t be long before your smartphone camera’s auto mode will be able to retouch images in real-time. Or change apparent focal length after-the-fact.

Lots of people who do want the image quality benefits traditionally associated with a DSLR actually want nothing to do with a DSLR

Autofocus may be the piece of the puzzle that’s hardest to solve. Smartphones are slow to focus in low light, but $ 500 ILCs don’t do a whole lot better. And neither smartphone nor entry-level DSLR is particularly good at tracking a moving toddler, for example. It’s always been necessary to go farther up the product chain to get appreciably better autofocus.

Then there’s just plain old inertia: lots of people who do want the image quality benefits traditionally associated with a DSLR actually want nothing to do with a DSLR. They’re big, confusing and come with a significant learning curve. Camera manufacturers have been able to sell cameras to somewhat unwilling customers because they alone held the keys to better images. So once the device that’s already in your pocket does just about everything a Canon T6 does, why on earth would you be bothered to buy a Rebel?

More than just image capture

Also consider that phones aren’t just capture devices – they’re an interface for your image storage and management. Sure, most entry-level ILCs will connect to your phone via Wi-Fi, but even when it works well, it’s never as easy as just capturing the images on your smartphone in the first place.

Once smartphones can do a reasonably good imitation of things like bokeh and optical zoom, those who never wanted to pick up a dedicated camera won’t have to

There are many ‘set it and forget it’ image management services that will automatically back up your photos, and they don’t stop there – they’ll automatically identify subjects, allow you to search by keyword and date, and organize them into a reasonably-priced photo book for you. Sure beats the pants off spending hours importing and cataloging photos on your hard drive.

There will always be lower-cost, accessible ILCs for people who want to venture outside of ‘green square mode.’ But once smartphones can do a reasonably good imitation of things like bokeh and optical zoom, those who never wanted to pick up a dedicated camera won’t have to.

You’re reading an article on a photography website, so I feel safe saying that you and I care about photography. We want to make pictures, and we take joy in the process. But many people don’t, and they are happy to turn the job over to their smartphone. The day when that segment of the photo-taking population can do that and see results that are good enough in their eyes is right around the corner – if it isn’t already here.

Articles: Digital Photography Review (dpreview.com)

 
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Analog revival rolls on: Rollei Vario Chrome slide film coming soon

28 Jun

Dear film photographers! Rollei Vario Chrome 135-36 is a medium to high-speed color reversal film that is intended for photography under low-level daylight illumination or under other light sources using proper filtration. Rollei Vario Chrome has a medium degree of sharpness, its image results are characterized by a slightly visible grain and a warmish image tone. As the name of the film suggests it has a broad exposure latitude from 200 to 400 ISO (DX coded at 320 ISO). If you intend to project the slides we suggest to shoot the film at 200 ISO whereas 320-400 ISO is preferable for scanning applications. Pre-sale will start next week on Monday July 3rd. We expect the supplies to arrive in week 28 so that we’ll be able to start shipping between July 10th and 14th. We hope you’ll like the film as much as we do and thank you all for the support.

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Well this is some unexpected, but exciting news: German photography shop and producer of Rollei-branded film, Maco Direct, has announced Rollei Vario Chrome 135-36. It’s an ISO 320 color reversal film stock with medium sharpness and a warm tone, which sounds perfect for grey Seattle days.

That brings the count to four new, reformulated or resurrected film stocks that will become available this year. The others include: Kodak Ektachrome, Ferrania P30 b/w film, and a reformulation of LomoChrome Purple 400 film. Not to mention Lomography also announced three new single-use cameras and German film maker ADOX announced it will doubled the size of its film plant. All this means more options for analog diehards.

You can pre-order a roll (or more) of Rollei Vario Chrome come July 3rd, and orders will begin shipping as soon as the middle of the month. Of course, it makes some sense to wait and see what images from this new film look like, unless you’re the gambling type. In that case, please share your results as soon as possible.

Has this Rollei news whet your appetite for film? Here are 10 excellent, affordable film cameras that are easy to track down and get started with.

Articles: Digital Photography Review (dpreview.com)

 
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TriLens triple lens holder coming to Kickstarter

25 Apr

We’ve seen belt-mounted lens-holders before, but the TriLens from Swedish startup Frii Designs takes things to a new level. This holder lets you attach three lenses to a belt-worn device that is made of steel and fiber-reinforced nylon and can carry up to 100kg weight. 

“There’s nothing worse than coming home from a photo shoot and realize that you’ve missed irreplaceable moments because you struggled with changing lenses, or that you simply were too lazy to go through the process,” Frii Designs founder Jonas Lundin says. 

TriLens arranges three lens mounts on a triangle that rotates around its center. This way the heaviest of the attached lenses always points downwards and one open lens mount will be easily accessible at the top. In addition, the system comes with built-in stabilization to keep things less bumpy when walking or even running. The rotational friction of the system is automatically adjusted based on the weight of the attached lenses. 

TriLens is compatible with Canon, Nikon, and Sony-mount lenses and included in the package is a set of magnets that let you attach your lens caps to an open mount when the corresponding lens is in use. 

Frii Designs is planning to fund initial production through crowdfunding and will launch its Kickstarter campaign for the TriLens on May 9. The company’s goal is to secure around 600 pre-orders to get production going. Photographers  who think the TriLens could make their work day easier can sign up on the Frii Design website to register interest and for pricing information. You’ll also be notified about the campaign launch. If everything goes to plan, shipping is planned to start in October this year.

Articles: Digital Photography Review (dpreview.com)

 
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