RSS
 

Posts Tagged ‘collective’

Whitney Museum cancels ‘Collective Actions’ exhibit after backlash

26 Aug

The Whitney Museum in New York is cancelling its planned ‘Collective Actions’ exhibit, which was scheduled to begin September 17th, after an online backlash. Farris Wahbeh, the curator, sent out a letter of apology and confirmed that the museum will not show works it acquired at discount prices at a recent ‘See in Black’ charity auction.

‘My sincere hope in collecting them was to build on a historical record of how artists directly engage the important issues of their time. Going forward, we will study and consider further how we can better collect and exhibit artworks and related material that are made and distributed through these channels,’ Wahbeh explains.

The museum attracted criticism for purchasing prints from a recent See in Black auction. 100% of the proceeds from sales went directly to various social justice organizations. The museum paid $ 100 for each print – a deep discount compared to what the artists typically charge, with the intention of placing them in the upcoming ‘Collective Actions’ exhibit. Wahbeh did not initially ask the photographers involved for permission to display their work. Instead, the following message was sent out as revealed by Women Photograph:

Greetings from the Whitney and I hope this message finds you in good health and spirits.

I’m writing to let you know that I have acquired your work…from the project See in Black for the Whitney’s special collections. Your work is incredibly important and speaks to our time, and I’m so honored that the Whitney was able to acquire this work.

Alongside the acquisition, I’m also working on an exhibition comprised largely of works from our Special Collections holdings titled Collective Actions: Artist Interventions in a Time of Change that will feature work by artists involved with collective projects that were organized in response to COVID-19 and Black Lives Matter.

The exhibition will open in September in our 3rd floor exhibition space in the Museum and am excited to share that I plan to include your work as part of this project, work that I believe aptly demonstrates what you have done both individually and as part of a collective.

We are planning to reopen on September 3 following new safety and health protocols and city guidelines. In the meantime, we will install the exhibition so that it will open on September 17.

In recognition and appreciation of your inclusion in the Whitney’s program, I’m happy to note that you will receive an Artist Lifetime Pass which allows you and a guest free entry to the museum as well as other benefits. If you can please provide me with your full contact information (address, email, and phone) to send that Pass to you, I would be most appreciative.

One of the artists involved in See in Black’s print sale took to Twitter to express his outrage:

As of June 2016, the Whitney Museum’s endowment has grown to an estimated $ 308 million. This is why See in Black, and the artists involved, were put off by an Artist Lifetime Pass as compensation. Clearly, the museum has the means to compensate each artist monetarily. See in Black released the following public statement today:

‘We started See in Black as a way to invest in black imagery and permanence through the sale of black–made photography. It has always been our objective to promote ownership, autonomy, and respect for black creatives in an effort to shift the current paradigm upheld by white supremacy.

With that said, the Whitney’s use of the works acquired through the See in Black print sale at significantly discounted prices – the proceeds of which were 100% donated to charity – constitutes unauthorized use of the works to which the artists do not consent and for which the artists were not compensated. Furthermore, See in Black is not affiliated with the Whitney’s exhibition.

The Whitney Museum’s Director recently posted a statement on racial equality to their website. It includes a pledge to ‘re-examine our exhibitions and programs to ensure they continue to address the art and experiences of people of color, especially Black communities.’

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Whitney Museum cancels ‘Collective Actions’ exhibit after backlash

Posted in Uncategorized

 

Light.co launches ‘Depth Collective’ to support photojournalism with the L16 camera

03 Mar

Light.co, the company behind the innovative (if still in its infancy) Light L16 camera, has announced a new initiative called Depth Collective that aims to support photojournalists in their efforts at “pursuing the truth.” The initiative revolves around the L16 camera itself, which Light.co presents as an inconspicuous alternative to DSLRs for photojournalists who don’t want to be noticed.

“In the past few years,” the company said, “we’ve seen some photojournalists swap their DSLRs for iPhones to stay inconspicuous in their reporting—but they sacrifice quality to do so.” The L16 is a better option, says the company, thanks to its 16 individual camera modules, computational approach to photography, and 52MP max resolution.

Depth Collective members are given multiple perks under the membership, including a $ 500 discount off the L16 camera, early previews of new L16 updates and features, a shot at a bi-annual $ 5,000 reporting grant, plus a free Peak Design pouch and wrist strap.

Any visual artist or photojournalist can apply for Depth Collective membership, but they must have a UK or US address to which the L16 camera can be shipped—shipping elsewhere will start “soon,” but a specific date hasn’t been provided. Applicants must provide a link to their website or portfolio, as well as a brief statement about how the L16 camera will help them with their photojournalism. A full Depth Collective FAQ is available here.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Light.co launches ‘Depth Collective’ to support photojournalism with the L16 camera

Posted in Uncategorized

 

VAST photography collective creates ‘highest resolution fine art photographs ever made’

02 Aug

A group of photographers are working together to take gigapixel photography to the next level, and they’re doing it under a collective called VAST. Founded by photographer and software engineer Dan Piech, the VAST collective combines artistic skills with technical skills to produce high-quality, Fine Art gigapixel photographs.

Unlike typical gigapixel photography, these images feature scenes that are difficult to produce in massively high resolutions, such as photos taken around sunrise and sunset.

Talking about the collective and the work they do, founder Piech said, “We’ve developed a number of new techniques for doing some pretty amazing things that allow us to have the best of both worlds: resolution + aesthetics.”

Whereas common panoramas may involve only a few photos stitched together, these gigapixel photos require creators to assemble hundreds of images, the end result being an incredibly detailed, sharp photo for large printed pieces.

Huge amounts of time and work go into creating gigapixel shots, but the process doesn’t necessarily require expensive rigs.

As explained in a blog post by Ben Pitt, this 7 gigapixel photo of San Francisco was taken using “a normal tripod and an inexpensive ultra-zoom camera [the Panasonic FZ200].” That particular gigapixel photo is composed from 1,229 images captured across 16 rows, each with about 75 images. The shooting alone took more than an hour.

Stitching the images was, in the case of the San Francisco photograph, performed over the course of many hours using the automated and free Windows application ICE, though alternatives are available like GigaPan Stitch and PTgui. Photoshop was tapped for post-processing, used to patch in content from the original images when necessary, among other things. The resulting Photoshop files can be many gigabytes in size.

You can find out more about VAST’s own technique here.

VAST offers prints of these photographs, as well as others spanning categories like Abstract, Cityscapes and B&W. Price depends on the image and size—one example, the ‘Requiem for 2016’ image of New York City shown above, starts at $ 2,745 for a 60 x 21″ print of the 6,410 megapixel image. The full gallery of available prints can be viewed here.

Note: A previous version of this post mistakenly identified Ben Pitt as a VAST photographer. That is not the case.


All photographs courtesy of VAST, and used with permission.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on VAST photography collective creates ‘highest resolution fine art photographs ever made’

Posted in Uncategorized

 

Introducing The Photographer’s Oil Collective

30 Dec

For almost ten years now, Strobist has embraced the idea that by freely sharing knowledge we can all learn to make better photos. And because photography is now digital, with low barriers to entry and instant visual feedback, that learning process is simpler than ever.

As photographers, we owe much to the ease of the digital process. But digital has also stripped much of the value from our work. Ones and zeroes want to be free.

Starting today, the Photographer’s Oil Collective is a strong push back against that trend. Rather than just creating painterly light, a photographer can now create a high-quality oil painting. And it can be done at a surprisingly accessible cost.

The portrait above is a painting, done by POC artist Zhixing Zhang from a photo by Moscow-based photographer Alex Mazurov. As a photo, it was one of many. As a painting, it is a one-of-a-kind object, designed and destined to last.

I first ventured into the rabbit hole of oil reproduction in 2012. It started as an idea — a lark, really — to translate a photo that had great sentimental value into something that would exist in our family for many generations.

Having shot the photo of my kids in 2008, I was long familiar with it. But when the painting (seen above) arrived I was overwhelmed by how strongly I was drawn to it. It somehow felt much more significant than the photo. A collaboration between subject, photographer and a skilled artist 10,000 miles away.

A painting is just different. It is a time-consuming and organic process, with half a dozen layers of semi-transparent oil. Skin tones look luminous.

My first experience with this was that of an enthusiast photographer. Literally, a dad with a camera. As I spent more time with the painting, and thinking about the personal value that it unlocked for me, I starting thinking of it in the context of professional photographers. With the right painters and the right training (on both sides of the image creation process) this could unlock great value and entirely new business models for us.

With prints, we quietly acknowledge that we are competing on price with the neighborhood Costco. With paintings, we are competing with artists who routinely charge thousands of dollars for a simple portrait. And much more for larger/more complex work.

But in theory, we could produce better work —a nd at a cost that would create a new business model for photographers. There was so much potential.

So I traveled to Xiamen, China, where Zhixing Zhang lives and paints. Xiamen is a world center for commercial oil painting, and Mr. Zhang is a leader in the community of artists who live there. With the help of a team of local art directors and translators, we searched among the over 5,000 oil painters in the city to create a small group of hand-picked artists. As a result, we were now partnered with four exceptional reproduction oil painters.

A good start.

But they would need to learn to think like photographers; to develop a better understanding for our needs. They’d have to more closely align their palette with the more muted colors in what the West sees as classic paintings. So we commissioned multiple rounds of paintings from each of our painters, fine-tuning them to be able to better work with us.

(And to the photographers who graciously agreed to be involved in the testing/education process with us: Thank you.)

And the education would not end there. Photographers would also need to learn how to create photos that could be best reproduced as oil paintings. For both sides, education would be the key to bridging that knowledge gap. But that sort of thing is our bread and butter at Strobist.

The information photographers need to know (to meet the painters halfway) is now in place. And we are adding to that knowledge base continually. Our growing list of white papers will include education on technical considerations, shooting/lighting methods, business models and more. In short, it will contain everything you will need to know to become capable of producing a beautiful painting — for your clients, or for yourself.

I have spent the last ten years learning to think outside of the box as a photographer; to challenge assumptions and to unlock possibilities. Strobist is one of the results of that line of thinking.

Today, I am equally proud to introduce the Photographer’s Oil Collective. With studios in Xiamen, and administrative offices in Dubai, photographers anywhere in the world can now offer museum-quality oil portraiture for their clients.
__________

Credits, from top:
POC Painting by Zhixing Zhang from a Photo by Alex Mazurov
POC Painting by Zhixing Zhang from a Photo by David Hobby
POC Painting by Zhixing Zhang from a Photo by R.J. Kern

From front page, L to R:
POC Painting by Zhixing Zhang from a Photo by Brian Rickey
POC Painting by Ivy Lin from a Photo by Ivan Kosmynin
POC Painting by Zhixing Zhang from a Photo by Alex Mazurov
POC Painting by Thomas Linn from a Photo by David Hobby
POC Painting by Ivy Lin from a Photo by Bill Gekas

Strobist

 
Comments Off on Introducing The Photographer’s Oil Collective

Posted in Photography

 

The Energy Collective Day 2 Teaser

31 Jan

UnderCulture Productions Present: The Energy Collective!!! DJs: DJ GAZz & JaHmonk:……..Ragga Jungle / D&B d3x (TheTribe):…………….Psychedelic MoZy:………………………..Electro/House LOCATION; This Event will be held in the DOWNSTAIRS part of Fibber Magees Parnel Street D1, so make sure you go in the right entrance! (The club entrance beside the main entrance). ADMISSION; €7 at the door and wristbands will be given out so no point trying to sneak in! COMPETITION; We will also be having a Brightest/Colorfuliest/Craziest Costume Competition where you can win a 350Ml Bottle of Smirnoff Vodka! FLASHY STUFF; Lasers, Smoke Machines, Dance Floor LED Light Show, Strobes, UV Areas. Feel free to bring along your Juggling Balls / Poi / Devil Sticks and show off your skills! 🙂 and maybe slap some UV paint on them to really impress. ********CHEAP ENTRY BEFORE 11PM******* type “Cheap Entry” into the comments for a chance to be put down for cheap entry. Limited spots available. ********CHEAP DRINK******* Bottle of Buckfast – – – – – – – €10 Shots: Jagermeister – – – – – – – – – – -€3 Mickey Finns – – – – – – – – – – -€3 Vodka – – – – – – – – – – – – – – – €3 Irish Whiskey – – – – – – – – – – €3 Beer: Fosters – – – – – – – – – – – – – – €3.50 Bavaria – – – – – – – – – – – – – – €3.50 Misc: VK – – – – – – – – – – – – – – – – €3 bottle Ritz – – – – – – – – – – – – – – – – €3 bottle 3 Jager Bombs – – – – – – – – – €10 This is an UnderCulture Productions Event. *** We are

After going through all the soloing and filming since Evolution of Combat, I bring you Part 2 of the series! Like, Comment, Fav, and subscribe for more videos like this! 🙂 Don’t forget, you can also click the album art of the respective songs if you are interested. 😉 Commander Zilyana and K’ril Tsutsaroth: Lvls 210; Life points: Both 55000; Weakness: Water (Sara) & Fire (Zammy) If you noticed their weakness, it’s as ironic as it gets. Since Fire represents Zamorak and Water represents Saradomin (although Lightning would be more appropriate), it’s kind of amusing that Jagex decides to use the Gods’ generals own elemental insignia as their own weakness. Please know that Kree’arra and General Graardor do not have weaknesses. TzTok-Jad: Lvl 140; Life points: 45000; Weakness: None During the time I started filming this, I did not have much knowledge with this boss for EoC, which I had to learn the hard way. I guess that’s what I get for not looking up guides on YT, haha. This took me about six attempts to figure out which style is appropriate for the boss. From my experience, using Melee (especially Dharoks set) when the healers are present is extremely risky because even if you have the healers attacking you, they will eventually ignore you and return to healing Jad. And because Jagex doubled their healing rates, do not even think about trying to out-damage the boss while it’s being healed; you’ll never be able to pull this off fast enough. As for when to prayer switch
Video Rating: 5 / 5

 
 

The Bored Collective _ Katherine Piro performance – Day 3 Runway – |FAT| Arts & Fashion Week 2012

07 Jan

Some cool visual art images:

The Bored Collective _ Katherine Piro performance – Day 3 Runway – |FAT| Arts & Fashion Week 2012
visual art
Image by Jason Hargrove
Members of the Internet Media may use these photos with attribution to Jason Hargrove. Commercial licenses are available for purchase ? contact@jasonhargrove.com

The Bored Collective _ Katherine Piro performance – Day 3 Runway

+

|FAT| Arts & Fashion Week is a platform for inventive, pioneering and contemporary expression. This annual multi-arts event features 200 national and international fashion designers, visual artists, bands and performers each year. The festival delivers a packed schedule of runway shows, live performances, music, photography exhibits, video screenings and installation exhibits, to celebrate leaders in a wide range of art forms. Held every April, the event welcomes 5,000 people including stylists, buyers, curators, critics, members of the media, the arts, music and fashion related industry as well as the general public.

| FAT | Arts & Fashion Week has a mandate of showcasing artistic disciplines rooted in fashion and their exploration of clothing and the body in today’s time. The festival emphasizes this mandate through the showcase of fashion design, photography, installation, film, video, performance, music and dance, in an effort to push forward and redefine our perception of the fashion phenomenon.

fashionarttoronto.ca
twitter.com/FAToronto

+

Special thanks to Ole Fashion Music, this week’s lens sponsor. Nikon’s AF-S Nikkor 70-200mm VR II is amazing. Must own.

olefashionmusic.com

+

Photography by Jason Hargrove

jasonhargrove.com
twitter.com/jasonhargrove

Garden Buddha
visual art
Image by Original Bliss
Visual Poetry Workshop with Susan Tuttle
Week 2 Technique 1

Motel Inverness garden
November 7, 2009

 
Comments Off on The Bored Collective _ Katherine Piro performance – Day 3 Runway – |FAT| Arts & Fashion Week 2012

Posted in Photographs

 

Urban Media – Dave Brewer of The SLC Photo Collective Interview

15 Nov

This week we present Dave Brewer one of the leading photographers form Salt Lake City, Utah. www.davebrewerphoto.com http SPONSORS: Sugar Steak Apparel: www.sgrstk.com Promo Code URBANLAB Panic 39: www.panic39.com Positive www.positiveslc.com URBAN MEDIA http www.urbanmediapress.com http www.twitter.com urbanmediashow.tumblr.com https MERCH urbanmedia.storenvy.com Promo Code UTUBE Audio Production: The Crate Dwellers: www.facebook.com DJ Donricky: www.djdonricky.com
Video Rating: 4 / 5

 
Comments Off on Urban Media – Dave Brewer of The SLC Photo Collective Interview

Posted in Photography Videos

 

collective map

08 Jul

A few nice visual art images I found:

collective map
visual art
Image by panos kouros
first semester, architecture. laboratory for visual arts

 
Comments Off on collective map

Posted in Photographs