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How to Define Your Ideal Photography Client

21 Feb

The post How to Define Your Ideal Photography Client appeared first on Digital Photography School. It was authored by Mat Coker.

Many photographers in business struggle because they fail to understand who their ideal photography client is. Your ideal photography client is the person you love to work with and who wants exactly what you offer.

When you understand the sort of person who would want to hire you, you can speak directly to them in your social media and on your website. And when they stumble across your work, they will know that you are the one they want to hire.

After a couple of years of experience in business I began to tailor what I want to offer to the people I wanted to work with.

1. Do they want what you offer?

First, you need to determine what you want to offer as a photographer. What is the end product you want to deliver?

That decision includes digital or prints, the number of photos you wish to deliver, your style, number of hours put into the job, retouching, etc.

You may be deciding between:

  • Studio/outdoors (on location)
  • Posed vs candid (lifestyle)
  • Digital vs print
  • Many photos vs few
  • Your vision or theirs
  • Just photography, or a line of products

First, figure out what you want to offer, then match yourself up with people who want what you offer. Don’t be sidetracked by people who say you should be offering something else. Limit yourself to what you actually want to pursue and deliver (but feel free to experiment too).

I offer outdoor family photo sessions that focus more on candid moments than posed ones. I provide families with a digital gallery of 100+ photos. This is what I like to give. I like to spend time with the family and then give them lots of photos to enjoy.

My ideal family wants a lot of photos that they can turn into photo books, etc. I’m thrilled to spend an hour with a family photographing an adventure and then showing them all the fun photos I made.

When somebody contacts me for one posed print I send them to another photographer who specializes in that.

2. Match your approach with their personality

Your personality and approach to your photography is part of what you’re offering.

It may be the case that people want what you offer, but they don’t like your personality or approach.

Don’t take this personally. After all, there are many potential clients that you wouldn’t want to work with either.

For example, some lifestyle photographers take a photojournalist approach to their sessions and will not interrupt the scene. They give very little direction. While other lifestyle photographers direct and control every aspect of the session. The end product may be a collection of candid-looking photos but one photographer micromanaged every detail of those moments while the other influenced very little.

Whatever your approach to photography is, there will be people who don’t like it. Be clear about your personality and the way you work and you will naturally repel people you wouldn’t want to work with and attract the ones you do.

If you’re assertive and take charge, let people know.

If you need space to work out your vision and don’t want constant input from the client, let them know.

I always let parents know there needs to be room for play and fun in our sessions. It’s hard for some parents to let their kids have fun, but when they do the photos show it.

3. Look below the surface

As you seek to attract your ideal client, don’t assume that your ideal clients will have the details of their lives in common with each other or with you.

My ideal customers are quite different on the surface. Some of them live in the country, others live in big cities. Some are covered in tattoos, others have none. They work in offices, the trades, or are entrepreneurs. Some spend nothing on their wardrobe, some spend more on it than the photos. But it’s not what’s on the surface.

My ideal customers are families who love each other. They are creative and want a playful photo session. They like candid moments. They love the human nature that I portray in my photos. They enjoy receiving a gallery filled with digital photos that they can share online, and make photo books and gifts with. Family is everything to them and to me.

What to do when you’re stuck with terrible clients

No matter what sort of photography business you run, you’re going to end up working with the wrong clients sometimes. That’s okay.

Working with the wrong clients helps to reinforce who the right ones are.

When you can learn to make the wrong clients happy, you’ll do even better with the right ones.

Learning to work with people who don’t share your vision will help you to grow. You may even learn something in the process that you wouldn’t have learned otherwise.

I try my best not to attract clients who are too nervous to have fun, or who only want one or two quick shots, or who are too miserable to enjoy the session. But occasionally those people hire me and I do my best to make them happy anyway.

Who is your worst client?

If you’re not sure who your ideal client is, begin by describing the client you don’t want to work with. Then list the clients you’ve been happiest to work with. What did you like about working with them? What did they like about working with you? What was their personality like? Tailor your marketing toward people like them.

The post How to Define Your Ideal Photography Client appeared first on Digital Photography School. It was authored by Mat Coker.


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Why You Should Always Have a Client Pre-Consultation

14 Jan

The post Why You Should Always Have a Client Pre-Consultation appeared first on Digital Photography School. It was authored by Jackie Lamas.

Mimi Thian

Any time you have a client paying you for a certain type of photography, it is essential to get all of the details laid out before any real planning or photography happens. Getting all of this squared away beforehand can make the whole process go quicker. Everyone stays satisfied, and all involved know what to expect for the final result.

What is a client pre-consultation?

A client pre-consultation is where you and your client meet to talk about the details of the session or project. You can meet at your studio, a coffee shop, or the client’s home or place of business.

Whether it’s a portrait client, a model, a commercial project, or a personal project that involves more people, a pre-consultation is important because you’re able to settle lots of questions and details that will make the session go smoothly.

A client pre-consultation can also take place via a video conference service like Skype or Facetime. The point is to get in front of your client and talk about your project or session.

Choose a location or method where you can give your undivided attention to your client. Having distractions or being in a place that isn’t suitable for a meeting can often keep you from staying focused on the details.

For example, a coffee shop may seem like the best choice, however, choose a spot within the place that is secluded and quiet. Choosing a very popular or loud location can make it difficult to talk or hear each other.

Be prepared for each type of pre-consultation

Even though you need a pre-consultation for all photography sessions or projects, preparing yourself for each with the right questions and information can help you to have a more focused pre-consultation.

Wedding pre-consultation

Even though the process of weddings tends to be the same, each wedding is unique. That is why pre-consultations are really important, especially if the pre-consultation happens before the couple books you for the event.

Meeting with the couple before the wedding can help them to determine the days’ timeline in terms of photography.

Prepare your contract with a cover sheet that you can fill in with all the important details. For example, names of the couple, date of the event, details of the ceremony and reception location, number of bridesmaids, start times for important events, and any other notes that relate to the event.

Have another sheet or notebook prepared for essential notes during the meeting. As much as we’d love to have photographic memories, the truth is, when we meet people for the first time, we can get lost in conversations and forget small but imperative details. So a meetings sheet can help you write down anything you think is important without having to write it on the contract.

Write down anything. From the color scheme, types of flowers they are having, first dance song, how they met, through to the more important details like the photography style they like and if they want a second photographer.

All of these details are equally important to the bride and groom, and so they should be important to you as well. For example, it can help you on the day of the event to remember that the flowers they chose are in remembrance of a passed grandmother.

Leave time for the couple to ask you any questions that they may have. It doesn’t matter if their questions or concerns are a bit unrealistic. Settling any doubt in a friendly way can mean the difference between them choosing you or another potential photographer they may be meeting.

Also be prepared to showcase your work with your clients at the time of the meeting. Take a portfolio, albums, prints, a laptop with your website and galleries open. Sometimes, clients contact photographers by referral without really checking out their work. So, this meeting is a great way to have them fall in love with your work. Taking albums can also open the door to upsell and add products to the wedding coverage.

These are items you should bring with you to every pre-wedding consultation:

  • Portfolio, laptop, slideshow to show your clients
  • Albums and products you wish to upsell your clients
  • Contract and info sheet
  • Meetings sheet or notebook to write down extra information about the wedding
  • Copy of your collections pricing as well as a product price sheet
  • The contract for clients to view terms and conditions

Remember that you are the professional and the couple is coming to you not only to meet you but to get as much information about photography, the wedding process, and any additional advice that could benefit them. Your expertise will always be appreciated, and your friendly attitude can get the wedding on your calendar.

Portrait sessions of any kind

For portrait sessions, you may think that a pre-consultation is a bit much. However, once you do have a pre-consultation you will be happy you did. Each portrait session, be it a family session, senior session, or individual are all unique and important.

Here a face-to-face meeting may not be as necessary and can sometimes be done through email or messages. However, it might become a long drawn out process if you do it that way. If possible, have a face-to-face meeting with your client – whether physically face-to-face or via a video conference service.

Things to go over during the meeting:

  • Location and ideal time for the session
  • Wardrobe ideas and what would fit the concept of the session
  • How many people are attending the session
  • If children are present, their ages so you can prepare ahead of time
  • The style of photography they like, candid, posed, a mixture

During the client pre-consultation, it’s also important to have a portrait contract and a list of prices for your packages. That way, you can go over the pricing and what each package includes from the start.

Doing this gives your client the opportunity to ask any questions regarding the session beforehand avoiding any miscommunication or misunderstandings after the session has been completed.

Commercial or editorial projects

Commercial/editorial projects usually require quick execution and only allow a limited amount of time for you to photograph the concept. Depending on what your client is hoping to have as a result, you may have to have more than one pre-consultation especially if it is a new client.

Meeting with the whole team can also help the project go off with fewer setbacks. Everyone will be on the same page as far as concept, lighting, location, and all of the essential details of the project.

A pre-consultation is also a great time to go over the payment details of the project. The pricing and payment schedule is vastly different from portraits or weddings. Here, the circulation count should get discussed. Circulation covers how often the client runs your photographs in their marketing, advertising, or promotional material.

Also, discuss copyright and licensing during the meeting. You may want to be able to showcase the photographs in your portfolio, or sometimes, the client wants exclusive rights. Go over model releases and contracts during this time as well.

For these types of projects, the more questions you ask to get a clearly defined idea of the project can help you to get a better estimate for your work. The more information you get, the better.

In Conclusion

Pre-consultations are very important in all types of photography projects where you are dealing with a client who is paying you for your services. These meetings help you get a clear idea of what your client is looking for and what they are expecting to receive as their final product.

It can eliminate any doubts, answer questions, and help your client with your advice and expertise so that the project happens without any setbacks.

The post Why You Should Always Have a Client Pre-Consultation appeared first on Digital Photography School. It was authored by Jackie Lamas.


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Maternity Session Tips For Better Client Experience

13 Nov

There are many different types of portraiture. Maternity is probably one type that is truly one-of-a-kind. Each maternity session is different, however, these tips will help you have the same approach to your sessions so they run smoothly from beginning to end.

Maternity Session Tips For Better Client Experience 1

Keep Posing Simple

When women get a maternity session photographed, they are usually between 7-9 months pregnant. As a photographer, you should know that a growing belly is tiring. Therefore, keep posing simple and move your client to a minimum to help her stay comfortable while you are photographing this beautiful moment in her life.

Maternity Session Tips For Better Client Experience 2

In order to keep the focus on the belly, use your client’s hands to frame the belly. One hand on top and one below, both below, both on top, or rubbing the belly. All are great ways for your clients to connect with their belly. They will also appear more natural in photos as the bump is the main focus.

Maternity Session Tips For Better Client Experience 3

Popping one knee out can help give your client a little more shape. This is especially helpful if she is wearing a long maxi dress or wardrobe that hides her natural shape. Make sure that your client pops out the knee that is closest to the camera. She can do this by putting one foot on tip-toe or just bending the knee.

Maternity Session Tips For Better Client Experience 4

In order to make the belly stand out while still giving your client a bit of shape to her body, angle her at 45 degrees from the camera. This makes the maternity silhouette more prominent in the photographs.

Maternity Session Tips For Better Client Experience 5

Pose your client with a knee pop and at 45 degrees toward the camera to put the focus on the belly silhouette.

Posing with Partner or Siblings

When posing with siblings, make sure to pose your client first and then have her children surround her. Or if she is willing to carry one sibling. Try different poses and allow for natural posing to happen. Children might be excited to rub or kiss the belly, and you can capture many natural expressions.

Maternity Session Tips For Better Client Experience 6

When posing with partners, make sure that they are interacting or connecting with the belly as well. A hand on the belly, or kneeling, rubbing or speaking to the belly can really bring out a connection. Don’t be afraid of just focusing on the partner and the belly bump. Take photos close-up and from afar to include both clients.

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Photographing the whole family can be tricky during a maternity session. Keeping the energy light and happy can really help bring out the best expressions. Working quickly is a good idea to keep the siblings interested and engaged. Move through poses swiftly and try to tell jokes or be playful to help.

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Whether you’re photographing your client indoors or outdoors, try to maximize the number of poses in one spot. Being pregnant can cause swollen feet if she is on her feet for too long. When posing siblings and partners, move them first or move them closer to your client so that she doesn’t have to move around too much.

Know Your Pregnancy Facts

If you are a female photographer and have been pregnant before, then you can skip this tip. However, if you have never been pregnant or are a male photographer, it is really important to take the following into consideration. You will ensure your client has the best maternity session experience.

Maternity Session Tips For Better Client Experience 9

  • Maternity clients may not be able to walk around a lot without getting tired or swollen. Take breaks between setups and offer her a seat whenever possible.
  • Bathroom breaks: Be close to bathrooms because a pregnant woman will need to go often.
  • Offer water and snacks. Pregnant women need more calories so it’s really important for them to have healthy snacks and lots of water. It’s a nice gesture if you these to the session to offer her. Take it a step further by asking what her favorite snack is right now.
  • Ask if they will want retouching done to their belly. Some women prefer to keep it natural as it is in real life. Some will want a little extra editing. Asking up front can keep you from doing double the work or having to re-edit photos later.
  • Ask if your client will want to show her bump or not. This will help you prepare her to bring the right wardrobe.
  • Do not point out the obvious: that they are pregnant, or big, or look like they are having twins or anything of that nature. All you should ever say to a pregnant woman is that she looks beautiful and congratulations. Anything outside of that can seem like unsolicited advice or opinions. It may be interpreted as rude.

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These are just a few of the things you should be aware of in order to give your client the best maternity session experience. She will see that you have put a great deal of effort into her comfort and will be instantly appreciative.

Props and Accessories

Ask your client to bring props or accessories that she has already purchased for her little one. Shoes, bows, onesies, signs with the name or another special item that can really personalize the session for them.

Maternity Session Tips For Better Client Experience 11

The more they bring, the more you will have to play with resulting in more options and variations for your clients. It can be exciting to incorporate the items into the session.

Maternity Session Tips For Better Client Experience 12

Photograph the items alone as well as with the bump. A nice detail photo of the item can look really nice in an album. You can also offer ideas for them to bring props or particular accessories to create more of a story.

Maternity Session Tips For Better Client Experience 13

If you are photographing inside your client’s home, you can photograph the nursery. As well adding to the overall experience of her pregnancy, it will show the experience of waiting for the baby to arrive.

Show Your Client Photos During the Session

Pregnant women are very self-conscious about the way they look. To make sure that they feel confident, show her a really great portrait of herself during the session. This can give her a boost knowing that you have captured her best.

Maternity Session Tips For Better Client Experience 14

Letting her see for herself that she is radiant and beautiful can make the session go much smoother. She will trust that you are getting the best photos of her during this very unique and important moment in her life.

Offer a Newborn Session

When you are wrapping up the maternity session, offer your clients a newborn session for when the baby is born. Newborn sessions are typically done within two weeks of the baby being born so they don’t lose their newborn features.

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Chances are that your client hasn’t thought that far in advanced yet and it will be nice for them to come back to you since you have already built trust.

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Let them know about the session options you offer and how you can create a beautiful album of both sessions so that they can always look back on these joyous moments in their lives.

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If they walk away with a great experience during their maternity session, they will certainly want to come back for the newborn session. And all subsequent portraits thereafter. Don’t miss your chance to keep your clients coming back!

In conclusion

A maternity session is special in that you get to photograph this very unique, one-of-a-kind moment in your client’s life. Make sure to stay positive and energetic. Take breaks and snacks, and be aware of what you say.

Guide your clients through the process so that they can enjoy and trust you to make the best photographs possible of such an important time in their lives.

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Tips for Client Photo Sessions – What it’s NOT All About

26 Mar

There are a host of things which are important when doing photo sessions for clients. But if you’re not careful you could end up falling into the trap of assuming that photo sessions are about something that they really are not. The list of things to keep in mind covers topics such as lighting, exposure, location, posing, and even practical elements like what to charge and what to recommend they wear.

I’ve personally made some mistakes in my development as a photographer when I got caught in the trap of focusing on the wrong things. An understanding of what client sessions are not about can be just as impactful as knowing what they are all about.

With that, here are a few things to keep in mind the next time you set out to take pictures for people.

Tips for Client Photo Sessions - What it's NOT All About - family portrait

It’s not about your gear

I know how fun and exciting it is to get new photography equipment. While I don’t have an entire room full of cameras and lenses, I do have enough to fill a pretty large backpack, and I once chased down a UPS driver just to get my new 70-200mm f/2.8 lens one day early. I always enjoy showing my latest camera purchase to friends and family. While none of this is necessarily a bad thing, an obsession with photo gear can actually become a hindrance when working with clients.

I can remember some photo sessions from a few years ago that I’m almost embarrassed to recall because of the way I showed up and starting flaunting my cameras, lenses, and accessories for my clients. There were times when I would make it a point to explain that my lenses had super wide apertures which meant that they were so much better than a kit lens.

Or when visiting with potential clients I would make sure to point out that I was shooting with the latest, greatest, and costliest full-frame camera on the market. Shamefully, I have even gone so far as to literally pull out speedlights, tripods, and other accessories that I had no intention of using just so the clients could see that I had them.

mom and baby photo - Tips for Client Photo Sessions - What it's NOT All About

Clients want results and to feel important

In hindsight, not a single client I have ever worked with was impressed with my camera gear. They wanted results, not grandstanding, and it was the pictures that mattered to them rather than the gear I used to make the images. For all my clients care, I might as well be using an old Canon Rebel T3 and the on-camera flash! (Truth be told I know some photographers who do great work with a basic setup like that.)

If you try to dazzle your clients with how cool your camera stuff is, it could actually make things worse by setting unrealistic expectations in their mind of what you can actually do. Or worse yet, you could come across seeming like an arrogant show-off even if that’s not your intention at all.

When you work with clients I recommend leaving gear out of the equation entirely. Don’t talk about your cameras, your lenses, your super cool equipment bag with dozens of folding pockets, or the camera you don’t have but hope to buy someday.

Discuss your goals for the photo session, explain your plan for getting the kids to smile, or take a few minutes and just get to know your clients on a personal level. Don’t make the session about your expensive fancy camera stuff. Instead, make it about your clients and let them be impressed with your pictures, not your camera.

Tips for Client Photo Sessions - What it's NOT All About - photo of a little girl

It’s not about your last gig

Have you ever been to a holiday gathering and had the unfortunate luck of sitting by a particular relative who just wouldn’t stop talking about all the things he or she has done, the places they have visited, or the new stuff in their house?

Every time you bring up something from your own life, they counter with a swift rebuttal, “Oh you went to the Grand Canyon for a day? That’s nice. But it’s nothing compared to the week I spent backpacking in the Swiss Alps!” 

All you want is to share some of your life experiences, but all this unfortunate friend or family member wants to do is play an endless game of one-upmanship until you finally excuse yourself to go get some pie. And you don’t even like pie.

Tips for Client Photo Sessions - What it's NOT All About - family photo

Think about those uncomfortable situations the next time you are at a photo session with clients and you feel tempted to regale the people with tales of fun, excitement, and adventure from previous sessions. You might have some fun stories to share of how you barely got the shot before a thunderstorm rolled in, or you might want to pull out your phone and show off some amazing images of that time you photographed a destination wedding at a national park.

Focus on the people in front of you right now

The best course of action in those situations is to say nothing at all and keep the focus squarely on your clients and the job you are currently doing. You know, the one you are getting paid for.

Regaling clients with tales of your previous sessions can make them feel inadequate by comparison, and often sends them messages that you don’t intend. It can make your clients feel inferior, outclassed, or even jealous when pitted against the fantastic tales being spun of your other work.

Save your stories for your friends and instead talk with your clients about how great they look, how much fun you are having, and how you plan to address the questions and concerns they might have.

Tips for Client Photo Sessions - What it's NOT All About - family photo siblings

Rest assured your clients already have a high opinion of you and your work based on what they saw on your website or heard from others. Otherwise, they would not have asked you to take their pictures. So put away the stories of past gigs you’ve had and make the session about the only people who matter at the moment – the ones in front of your camera.

It’s not about how awesome you are

Look, I get it. As a photographer, you’ve done some pretty cool things, seen some great places, made some incredible images, burned the midnight oil into the wee hours of the morning to make sure your RAW files were edited to absolute metaphysical perfection.

You’ve got some stories to tell and you might have even earned an award or two along the way. Perhaps one of your pictures ended up in a print publication, or you teach photography classes at your local vocational/technical school. As Ron Burgundy might say, you’re kind of a big deal.

Tips for Client Photo Sessions - What it's NOT All About

All this may sound harsh, but I bring it up because I’m ashamed to admit it used to be my attitude. There were times when visiting with clients that I would make it a point to describe, in painful detail, how hard I worked on other sessions. Or I’d brag about the number of images on my memory card the last time I did a similar shoot. And I would talk about this as if it had any bearing at all on the quality of my work when all it did was alienate people and send them the wrong message about me as a photographer.

The most important people in the room

Your clients don’t care about the stories you might want to tell them demonstrating how great you are. What they care about is the job you are doing for them and the pictures they are paying you for, not your stories, your adventures, or your portfolio.

They hired you for a reason, and they are probably already familiar with your work after seeing samples on your website or talking with friends, family, or other client referrals. They already think highly of you or they wouldn’t have hired you, so you don’t need to keep reminding them of your greatness.

Tips for Client Photo Sessions - What it's NOT All About

Conclusion

When it’s time to do the photo session just show up, do the work, and rest easy in the confidence of knowing you are an awesome photographer. You consistently produce great results, and people like your work enough to pay you for it! Let your work speak for itself, pay attention to your clients and their needs, and you’ll get some phenomenal photos that will keep your clients returning and sending others your way as well.

What about you? Do you have any lessons you have learned from doing client photo sessions over the years, or mistakes you feel comfortable sharing with others so they can avoid the same pitfalls? Please leave your thoughts in the comments below.

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3 Tough Photography Client Questions and How to Answer Them

29 Aug

Ah yes, the priceless questions photographers get from their clients. If your work involves human subjects, you may occasionally feel that you’re locked in the eternal struggle of staying true to your vision, while still making your clients happy. Any of these photography client questions sound familiar:

  • Can we have all the RAW files?
  • Wouldn’t a jumping shot near this cliché tourist destination be awesome?
  • Can’t you just fix this in Photoshop?

DPS 3

While it may feel like you can only have either one or the other, I’m convinced you can have it both ways: happy, well-served clients, and a strong standard for how you shoot and share your own work. Here’s how we tackle the three tough client questions we get most often:

1 – Can you to deliver all the RAW files in the final package?

I KNOW, I KNOW, when you get this question your first instinct may be to delete their email and never respond again (or am I the only dramatic one?). But this one is an easy one to tease apart. The goal here is to get to the bottom of what the client really wants. So, before you launch into your response, ask them leading questions to find out real the root of the issue.

DPS 1

The first possibility is one of sheer numbers: Do they fear that they won’t get enough images? Are they hoping to go through them to make sure that you really did select the best ones for them? This is the time to gently explain your process to them. Explain ow you carefully cull, deliver only the best image, and spare them the misery of pawing through all the shots of their double chin or half-closed eyes.

Client education is key

Conversely, they might not even know what a RAW file actually is. Some clients think that RAW is a synonym for unedited, and want to try out their own iPhoto tricks on their images later. Now’s the time to lay down some education about the advanced programs that can open RAW files, including the fact that they require quite a bit of training to use them correctly. Normally that’s more information than the average client has ever gotten about photo editing, and they are able to reframe their question to express their needs more specifically.

DPS 5

This is also a good time to throw out the old “It’s industry standard to not provide RAW files, so that we photographers can provide you with the exact final product that is worthy of your time.” They wouldn’t walk into a chef’s kitchen and judge their work based on the raw meat in the fridge, the same holds true for their photographer.

Once you hear their concerns, and educate them through your process in a professional and kind way, most sane clients realize that asking for the RAW files just isn’t realistic.

2 – Wouldn’t this jumping shot in front of the Space Needle be awesome?

DPS 6

Okay, the late 90s jumping shots aren’t our bag either (if it is yours though, I hope the clients who ask for this are finding you!). However, we make it a firm policy to never say no to a client’s idea. Not only does it throw off the energy of the shoot, it makes the client feel that they are separated from the process of creating images; that their ideas aren’t as good as the professionals. In short, it makes them feel bad, and a subject who feels bad will never create the bomb images you want.

Always say yes client ideas

We always say yes if a client has an idea for an image that we aren’t particularly into. It lets them know they’re an integral part of the process, and encourages everyone to get creative with the shoot. Not only that, but sometimes we think a particular pose or scene isn’t going to look good, and it ends up being an awesome idea that we never would have come up with ourselves. That kind of discovery is golden. Never think that your style is so entrenched that you can’t hear new ideas, and always be ready to learn and experiment when you have clients who are in it with you.

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All that being said, sometimes you do end up with shots that are just not you, not your look, and not something you necessarily want to represent you. Guess what? You get to choose what you share, how you blog, what your social media will show off, and how you want your portfolio to look. Deliver the client’s images with a smile, make the client happy, and share the ones you love on your own pages. There’s no rule that you have to share every image from a shoot. Select your favorites and move along.

3 – Can’t you just fix this in Photoshop?

I will be the first to admit that I’m abnormally flattered when people assume that I’m a Photoshop wizard, just because I’m the photographer. Thanks for the vote of confidence, guys.

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However, the reality is that I am fairly abysmal at it. I would rather spend my time out shooting, than inside glued to my computer, making people look ten pounds thinner, or removing the billboard from behind the venue. Just no thank you.

So when the Photoshop question comes up, I try to manage of expectations ahead of time, as much as possible. When the parent at a wedding asks very seriously if you’ll make them look thinner, I respond with something like, “There’s absolutely no need for Photoshop on a perfect day like today. Everyone here loves you and wants to keep you just as you are. Also, no.”

If there’s an object that could easily be moved from a scene (garbage cans, a sign, trash) then I make a point to move them before shooting, so the client is aware that not everything is post-production magic.

Follow this general rule of thumb

DPS 2

Our general policy for retouching in Lightroom is that if something will not be there in two weeks (e.g. a bruise, zit, etc.) we’ll do a light erase, no problem. If there are larger things that the client requests be handled in Photshop, like the mother of the groom who insisted that I edit all the photos of her scowling in the background (you can’t make this stuff up) we let them know individually that we do have a per-image rate for Photoshopping. If they want to go ahead with it, fine by me, but it’s a friendly reminder to clients that Photoshop isn’t a magic button that photographers press behind the scenes to turn every Furbie into a Victoria’s Secret model.

Plan moving forward

The moral of the story is to be kind, ask questions, and get to the bottom of what your clients really want when they ask you these dreaded things.

Then let me know in the comments below. What questions do you dread? How do you respond to them? I’d love to hear how you tackle the tough ones.

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4 Good Reasons Why You May Want to Wait to Share Client Photos

14 Dec

A few decades ago the Heinz company ran a series of commercials featuring people patiently waiting for their ketchup to be poured from glass bottles, each ending with the tagline, “The best things come to those who wait.” Even though these ads seem kind of silly now, they do have a lesson for photographers: sometimes it pays to be patient, especially when sharing photos with your clients.

Almost every time I return from a photo shoot, and start going through the pictures on my computer, I get caught up in the excitement and have a nearly unbearable urge to start sending pics, previews, and first-looks to my clients. I often can’t wait to share my work with them so they can see for themselves how things turned out. However, if you take the opposite approach and apply the brakes a bit, you and your clients will have a much more positive experience, and you will be better prepared for the long run and the rewards it brings. If you are the type of person who, like me, wants to send your clients a few sneak peeks or previews before you deliver your finished pictures, here’s a few reasons you might want to reconsider that practice.

wait-to-share-photos-family-kids-park

1 – Put your best foot forward

Recently I spent an hour in the park taking pictures of a family, and as I was going through nearly a thousand images in Lightroom later that evening, I came across a few that I just had to share with the parents. They were so precious, and their little girl looked like she was having the time of her life, so I knew they would be thrilled to get a couple photos right away. I sent them to the mother’s mobile phone and she responded with ecstatic adulations, and a few minutes later the pictures showed up on Facebook where they immediately got dozens of likes and a handful of comments like “Great shot!” and “Lovely family!” So far so good, right? I mean, where’s the harm in sending a few pictures the evening after a photo session if that is the result?

My goal in sending a few initial photos was to give my clients a sneak peek (that’s literally what I said when I texted her: “Here’s a sneak peek from today’s session!”) which would whet her appetite for the rest of the photos, but in doing so I essentially ruined the surprise. It’s like sneaking a peek, to use the expression, beneath the wrapping paper a week before Christmas and getting a glimpse at your presents–it’s fun, but it makes the actual unwrapping a bit anticlimactic, since you already know what to expect.

Another problem with this approach is I found a few other pictures later on that were even better, but by then the surprise had worn off. Yes the clients were still thrilled to get their images, but by the time I had the official gallery all put together, with watermarked proofs for sharing on social media, the excitement had worn off and her friends were not as interested as they were initially. I basically sacrificed quality on the altar of immediacy, and in doing so hurt my brand just a tiny bit in the process.

wait-to-share-photos-family-tree

If I had simply waited until all the photos were finished and given my clients everything when I was truly ready to do so, I would have had much better results overall. Every photo would have been personally selected, properly edited, and appropriately watermarked for sharing on social media. My client’s photos would have looked better and so would my photography operation in general. This same scenario has repeated itself time and time again, and often my wife has to talk me down from the edge. I’m eager to share a few quick photos, but if I just wait a week or two until they are actually ready for sharing, the results are always better for everyone involved.

2 – Initial edits are usually not the final edits

wait-to-share-photos-senior-brick-wallThis second lesson is more practical and less emotional, but it rings true for me every time. My initial edits to my pictures are almost never the same as my final edits, and thus rushing to share images right away inevitably leads me to getting an inferior product into the hands of my customers. My editing workflow in Lightroom looks something like this:

  1. Import all photos
  2. Apply custom portrait presets
  3. Pick out my favorites
  4. More editing
  5. Cut out more photos
  6. Edit again
  7. Cut down again
  8. Edit, tweak, enhance
  9. Export the best of the best for printing and sharing

If I share a preview of the session with my clients, it’s usually after step 4, or worse, step 3. (Which sadly has been known to happen more times than I care to admit.) That means I am giving my client, and everyone with whom they share those sneak peeks, images that are quantitatively inferior to what I am capable of producing. If you were baking a cake that you know needs 30 minutes in the oven, would you serve it after 25 minutes because you can’t wait for your guests to taste it? No way! You would serve it only when it’s done and give your friends the highest quality dessert possible as a result. We should give our photographs, and the people with whom they are shared, no less than the time they need to be the quality they deserve.

wait-to-share-photos-child-red-shirt

3 – People think things that take longer, are higher quality

Think for a moment about something special you have in your life: a physical object, a trinket or knicknack, or something with function or purpose like a bookshelf or cabinet. More likely than not, the things we hold dear, and to which we assign greater value, have one thing in common – they were constructed with care over time. Humans often assign greater significance to things that we know took a long time to create. Spelunkers gaze in awe at natural rock formations and crystals that were formed bit by bit, over millions of years. We pay more for wines that has been aged over time, even though they are often no better than their one-year-old counterparts. Rome itself, so the saying goes, was not built in a day. Why then are we, as photographers, so quick to share photos with our clients, if people expect that quality takes time?

I know how tempting it can be to want to share a few pictures right after you are done with a photo session. It hapens to me almost every time! It might get you some immediate accolades from your clients, but can be somewhat counterproductive in the long run. Early sharing can send the wrong signal to your clients, and their friends, about the quality of your pictures. Think about it from your clients’ perspective – would you feel good about spending $ 500 on a photo session if the photographer finished editing your images in one day, or would you rather know that he or she spent a week or two to get the colors, the cropping, and other edits just right?

wait-to-share-photos-baby-basket

If your clients have to wait a week or two for their pictures they will assign a much greater value to them, because they know it took you longer to arrive at the final product. When I think about giving clients a preview or sneak peek, my wife, ever the voice of reason, usually pulls me back from the edge and reminds me that we’re only helping our business in the short term. That is not creating the type of high-quality perception we want people to have when they think about having us do their pictures.

4 – Sharing photos early cheapens your talent and skill

One of the nice things about the prevalence of smartphones is that everyone has a camera. Of course the downside to this is many people also consider themselves photographers, when they may not have all the training, experience, and skill that most of their professional counterparts possess. While I’m not one to judge, and far be it from me to say whose work has value and whose work does not, I do know that if you want people to spend money on your photography services, you need to give them a reason to do so.

Why should I pay someone $ 1500 to shoot my wedding if my friend says he can do it for half that with his new Canon Rebel and a kit lens? Why should I pay $ 300 for pictures of my kids when my sister can just use her  iPhone with its really nice camera? The reason is because you, as a photographer, are much more than just a person with a camera. People are paying you for your knowledge and skills, your ability to work with people and capture their emotions, and to create beauty and art with the press of a shutter button. You have experience shaped by years of trial and error. Sharing pictures within hours of taking them can send your clients a signal that your work is no different than anyone else with a halfway decent camera.

wait-to-share-photos-birthday-cake

It was so tempting to share this photo with the girl’s mother right away, but after a week I had taken more time to properly edit it to where it was much better than the original.

By carefully culling your photos from a session, taking time to edit them to perfection, and choosing only the best of the best to eventually give to your clients, you are sending a message that you might not be the fastest game in town, but you mean business, and do quality work. To use another food analogy, anyone can stop at a fast food burger joint and get a quick meal. For a quality top-notch hamburger you need a sit-down restaurant where your food takes a decent amount of time to prepare. Even if both establishments get their beef from the same distributor, the public perception of the latter will almost always be greater than the former, partly for the simple reason that you don’t get your food right away. The same holds true for photography – the best things come to those who wait.

wait-to-share-photos-baby-basket-park

Of course one obvious problem here is how long to wait. As a general rule I like to give my clients their images within two weeks, and often a bit sooner. Much more than that and they can get a bit annoyed, as you would also have a problem waiting two hours for a hamburger, no matter how tasty it was. Every photographer is different, and the length of time depends on many different variables, but as long as you set your clients’ expectations upfront you should be fine. You might even benefit from over-estimating the length of time it will take, and then delivering your pictures a bit sooner. This type of under-promising and over-delivering can go a long way towards building goodwill with your clients, and give them an even more positive impression of you and your work.

What about you? Do you like to share your photos online right away or take your time? I’m interested to hear your thoughts in the comments section below.

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Preparing for a Successful Client Photo Session

11 Feb

“Watch out”, she yelled a little too late as I slipped on an icy patch of snow and tumbled unceremoniously, almost flat on my face. The first thought racing through my head was, “My camera! Please God let nothing happen to my camera!”. Had I researched the location and the weather prior to my photoshoot, I would have realized that the temperatures had dipped quite a bit the night before, freezing the melting snow on the ground. A few hundred dollars later (my lens took the brunt of my fall and the focus ring got dislodged) with my ego a little bruised, I now always check the weather report before I head out. My car is my traveling studio and has everything I would ever need for any type of situation – photography related or otherwise!

Digital Photography School Preparing for your client photoshoot Memorable Jaunts

No matter what your level of photography expertise, a little anxiety or nervousness before a client photo session is very normal and typical. But with a little preparation ahead of time, you can reduce the anxiety, be confident that you have prepared for almost any eventuality, and actually have fun with your clients. I agree that preparations takes on different meaning for different types of client sessions – these are basic guidelines.

#1 Equipment related preparations

This is almost a no-brainer, but something that needs to be reiterated every single time. Recharge camera batteries, reformat memory cards, and clean lenses and cameras. Always carry spare batteries and extra cards. If you are going to be out for the whole day, carry your battery charger. You never know where you might find an electrical outlet, and those few extra seconds of battery life might just come in handy. I am very particular in downloading my images as soon as I get home from a client session. But that does not always happen, and there have been a couple of times where I had images on my card from prior shoots. There is nothing more unnerving than trying to remember if you have downloaded old images (or not) in front of your clients who are ready to be photographed.

#2 Location related preparations

Being a wedding and family photographer in Chicago means I have to deal with different types of clients, with different needs and expectations. Plus, weather is a huge factor in scheduling photo sessions. I am a natural light, outdoor photographer – that is what I do best. In a pinch, I will photograph indoors but that is not my first choice.

For family photo sessions, I have a few locations where I am very comfortable photographing. Those are my go-to location recommendations for my clients but every once in a while, I will get a client who wants to dictate the location. It could be a special place with special memories. This is where google maps comes in very handy. If it’s a local spot close to home, I will scope out the location prior to the shoot. But that is not always practical, especially with out of town weddings and engagement sessions, so I rely on google maps (any similar map tool will also do). Additionally ask around. I belong to several online groups of photographers and often times a quick question to the group gets me all the information I need about a particular location.

Digital Photography School Preparing for your client photoshoot location scouting Memorable Jaunts

Invest in location scouting ahead of time, you never know what hidden gems you may find.

Digital Photography School Preparing for your client photoshoot Location scounting Memorable Jaunts

The bike mural was hidden in an alleyway and could have been easily missed had I not scouted the location ahead of time.

#3 Business related – contracts, model releases and questionnaires

This might be different based on your own photography business, but generally having a contract and a model release is advisable. This helps in level setting for both parties. My workflow is such that clients are required to sign a contract and a model release form prior to the actual session. But life does get in the way and sometimes they forget. I always carry spare model release forms with me – clients are more than happy to sign the forms at the end of session rather than having to go back home and mail out the materials. With my wedding photography clients, I have the couple fill out a detailed questionnaire – this has specifics like names, relationships of people in the wedding party and wedding photo shot list. The more details I can get from the bride, the better prepared I am, even before the main event.

#4 Visualize and plan your poses

A little preparation goes a long way! Hopefully by following the above tips, you are feeling confident and prepared for the photo shoot. Take it a step further and visualize your session even before it happens. Research poses and looks you want to capture that are a true representation of your work. Mentally walk through the shoot. Having an idea of what, when and where will really help you create a road map of how you want to execute the shoot.

It is also okay to write down must-have poses and shots, and refer to them periodically during the shoot. I always take a few minutes during the shoot to check the back of my camera. I am open and honest with my clients and tell them that I want to make sure I have gotten the shot I visualized. Sometimes I also show them the back of the camera to see what I am seeing. Clients appreciate this feedback and it makes them feel like they are doing the right thing. Happy clients = confident clients = happy photographer! Remember that most clients are not professional models and putting them at ease is as much a part of your job as is taking pictures.

A little preparation and previsualization really helps in getting images that resonate with you and your brand.

A little preparation and previsualization really helps in getting images that resonate with you and your brand.

#5 Save the best for last

This goes hand in hand with #4. Most people get very self-conscious when a camera is pointed at them no matter how prepared they are. Often times the first 10 minutes of the shoot are the most awkward and uncomfortable for both parties. Do your best to set them at ease, talk to them from behind the camera, and encouragement them. Since you have pre-visualized your shoot, and also scoped out the location ahead of time, you know the best poses and the best light and location backdrop.

Save this for the last 10-15 minutes of the session. By this time the clients have warmed up to you and the camera and are having a good time. They are more open and receptive to trying out new things ensuring you have the shots that you want.

Traditional Outdoor Family Portraits Memorable Jaunts

One of the last frames of this outdoor family photoshoot – everyone was really relaxed and happy!

Of course, there are still a lot of things that can go wrong no matter how prepared you are. The weather might take a sudden turn for the worse, your car might have a flat tire 20 minutes before the session, the family might cancel at the last minute (I speak from experience). The key is to be prepared for all the obvious and apparent ones and just roll with the punches for the things you cannot control.

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