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Posts Tagged ‘Clichéd’

7 clichéd photography gifts to avoid (and what to buy instead)

29 Nov

7 clichéd photography gifts to avoid this season

What follows is a list of seven of the most common cliched gifts likely to be received by photographers this holiday season, based on informal polling around the DPReview office.

If you’re thinking about giving that special photographer in your life one of these items, we implore you, consider our alternatives. No one needs another damn camera lens mug.

Camera lens mug or shot glass

There’s nothing worse than stumbling upon a Canon 70-200 F2.8 for a bargain price in a second-hand store only to discover it’s actually just a stupid mug. Damn you, lens mug. Damn you.


It’s a camera lens – wait, no. It’s a mug! How novel! But the thing is, every photographer on planet Earth already has one of these. And the truth is, most of them are pretty crappy when it coms to their primary function: transporting beverages and keeping them warm. And woe unto you if you leave it in your car cupholder, only to come back and find a brick through your window and your imitation 70-200mm F4L mug missing. It’s happened.

Rather then gift a piece of junk that’ll likely get pushed to the back of the cabinet or end up filled with pens, how about gifting that special photographer some nice coffee, or tea? We’re a hard-working bunch and will likely appreciate the caffeine. Better yet, throw in a decent-quality mug or vacuum thermos. We’ll think of you every time we sip.

Camera or photography-themed clothing

Do you love photography? Great, keep it to yourself! (or at least off your shirt). Also if you need a Pix 2015 Tee, just say the word. We’ve got loads.


I don’t know many photographers that feel a strong urge to walk around in clothing that advertises their profession or hobby. So kindly hold off on buying the cheesy T-shirt with the silhouette of a camera on it that says ‘I shoot people,’ or that other one that says ‘Everyone’s a photographer until…’ with an image of a mode dial set to ‘M.’ We’ll stick to dressing in all black or in geeky photo vests, thank you very much.

But seriously, rather than getting photographers cheesy apparel that’ll likely end up in the donation bin, get us a nice article of clothing, like a soft sweater, a thermal layer, or some camera-friendly gloves to keep warm this winter.

See also: Photography-themed cuff links, lapel pins, tie clips and watches.

Smartphone camera accessories

I don’t know about you, but I’d rather just reach for a Ricoh GR III than carry around the clunk-master above.


There’s a whole market for add-on accessories like lenses and grips, meant to improve the experience and/or output of your smartphone’s camera. The truth is, most photographers would rather reach for a dedicated camera than bulk out their phone. After all, the appeal of the smartphone camera is that it’s always on you because it’s pocketable.

So instead of gifting something that’ll likely get left behind, give that special photographer a smartphone accessory they’ll actually use: a decent USB power pack for charging on the go (and many can often top up the batteries in newer cameras as well). It may be the tube sock equivalent of tech gifts, but it’s an item anyone can genuinely appreciate.

Thrift store camera finds

Sure she looks pretty, but the electronics are fried, the focus ring won’t turn and there’s something strange growing in the viewfinder… not exactly the most useful gift.


Nothing beats unwrapping something like a Yashica Electro-35 and being told ‘I found this at Goodwill and thought of you’, only to find that it has a seized up focus ring and mold in the finder. Here’s the thing: When it comes to shopping for cameras on the second-hand market, knowledge is power and research is king.

While a classic fixed-lens rangefinder sure looks great, there’s a risk that it’s really just a moldy paperweight. Don’t be the person that gifts a moldy paperweight. If you’re serious about getting someone a second-hand camera, awesome! We’ve put together two lists of reliable and affordable film cameras that are easy to acquire used. Check them out here and here.

‘Inspirational’ photo books and/or how-to’s

Skip the lame photo how-to books and cheesy inspirational ones and instead opt for something that shows off a celebrated shooter’s work.


Inspiration is obviously a very important part of the creative process. However, there are a ton of lackluster supposedly inspirational photography books on the market. The same can be said for photography how-to books: there’s a lot of them out there, but many are out-of-date and / or dull.

So rather than pick any old photography-related book, I implore you to do a little research. Find out who that special someone looks up to photographically and purchase a photo book by that person. If you’re unsure who their favorite ‘tog is, put on you sleuth hat and check their Instagram ‘following’ list. Chances are they probably follow some of their favorite shooters. If you’re still unsure, go for a classic like ‘The Americans’ by the late Robert Frank or ‘Street Photographer’ a collection of images by the late Vivian Maier.

A stylish or overly-technical camera strap or camera bags

If you wouldn’t feel comfortable picking out a pair of underwear for the photographer in your life, don’t get them a bag or strap either.


Camera straps come in all sorts of shapes, sizes and materials. Some are woven, others are leather, rope or neoprene. Some offer quick-releases and / or neck-padding and/or length adjustments, others do not. So how do you choose the right strap this season? You don’t.

Photographers are very particular about their straps and trying to pick one out for that special someone is not unlike buying them a pair of pants – only they can tell whether the fit and feel are right. It’s worth noting camera bags and backpacks fall into a similar category of ‘definitely don’t buy unless you’re absolutely sure.’

But if you insist on purchasing a camera strap this holiday season, the Peak Design Slide offers a good balance of features, weight-capacity and price. We’re also fans of CAM-IN’s leather and rope straps.

The photographers’ work printed on something

OK, maybe we’d be happy with a Belvedere mug.


Receiving a personalized gift is nice, but generally speaking, most photographers don’t want to be gifted framed prints of their own work to hang on the wall (we’ll do that ourselves, if there’s a picture we’re particularly proud of), nor do they want their photos printed on items like a throw pillow, a blanket or a coffee mug. It’s a little crass to so blatantly show off your own pictures.

Instead, most of us would much prefer a print of someone else’s work to hang on our walls and inspire us. Legendary photo agencies like Magnum and VII often do $ 100 signed, small-sized print sales. And other famous photographers’ work like the late Ansel Adams can be found for sale directly through their estate’s official website.

In conclusion

Honestly, if you can’t think of anything else, just get us a big roll of gaffer tape.


There you have it, seven clichéd photography-related gifts to avoid giving this year and what to give instead. We hope this list inspires you to better understand that special photographer in your life and their desires. And don’t worry if you’ve given some of these gifts in the past, we all make mistakes. Maybe this year you can make up for it.

To our fellow photographers: If you’ve been on the receiving end of another lackluster photo gift that we missed, let us know in the comments. We’ll add to this article as we see fit.

Articles: Digital Photography Review (dpreview.com)

 
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7 Tips for Photographing Newborns without Becoming Clichéd, Derivative or Boring

11 Jun

by Lynsey Peterson.

When I first started doing professional photography, newborn babies were the coveted prize. An adorable sleeping creature that would look cute no matter what? Sign me up! Let’s put that baby in a stockpot! In a basket! Wait! –A headband that looks like a flower! In a field of flowers! With butterflies! And maybe a big gift box bow!

Then I realized that Anne Geddes is the landlord of that entire market. And that it’s rare for a portrait client to actually want a picture of their baby in a stockpot. What people do want is a picture of their baby, that looks like their baby. Because in about 5 minutes their baby isn’t going to look like this anymore.

BABY1

Set the Scene

In an ideal situation, you are photographing a newborn that is less than two weeks old (when they tend to be more “mold-able”), in the morning (when they tend to be a more willing participant), just after being fed (when they tend to be a little more tolerant), and in a warm room (where they tend to be a little more comfortable).

Having everything ready to go before shooting a single shot is taken will serve you well: various blankets for background and warmth, cloth diapers for when someone pees on you (let’s hope it’s the baby), any clothing you plan to use and back-ups of every possible thing. I prefer minimal clothing on newborns, but this is just personal preference. Amble natural light is important because even if you do usually shoot flash, it’s often disruptive enough to wake a newborn and rule number one in photography, parenting, and life is: Never wake a sleeping baby. If there is anything I’ve learned, it’s that.

Be prepared to work fast because babies can be ticking time bombs, but slowly because they are delicate ticking time bombs. You are methodical. You are confident. You are patient. You are the baby whisperer. Because we are speaking in ideals. And if you’re me and we are still speaking in ideals, you also have on your cute jeans and are having a great hair day. Because, why not?

BABY2

Find the Purpose

Photographing newborns is one of the few times I make a point of asking clients what they are planning on doing with the end result. Often it’s for use in a baby announcement or just as “baby pictures” documenting this time. But if it’s going to end-up as a 24″x36″ canvas above a fireplace, I want to know beforehand. Or if I’m going to need negative space to create an announcement card, I’d rather shoot with that in mind then trying to backtrack later in post.

Another thing to think about is the ratio of images of the baby alone and the baby with parents or siblings; there is no right or wrong answer here but knowing what you or your client is wanting in advance is key. Newborn shoots are not (usually) guided by a free-spirited toddler and therefore require more of a plan from you than shoots with older children. And you never know when a baby will decide that pictures are just not what he wants to do today and let’s you know this in a very unsubtle and loud way.
  
BABY3

It’s all about the Baby

The only thing I always bring to a newborn shoot is a large piece of black cloth. I have had it for nearly a decade and more babies have peed on it than I wish to think about. I have hung it on walls and used it on floors and beds as a back-drop. I use it every single time because it simplifies everything and allows the focus to be completely on the baby. Lots of photographers do a version of a black background of some sort and I’ve found that there is no need to get fancy.

Many photographers use a velvet, but mine is about 2 yards of a stretchy thick cloth that I bought at a fabric store for ten dollars. It washes well (luckily) and the light sheen of it makes editing out any wrinkles in post extremely easy. I carry thumbtacks and painters tape to hang it with if I need to and it’s thick enough to hang over about anything and not have backlight shine through. I cannot stress having a way to simplify a newborn shoot enough. If a black background isn’t your style, find what is that will clean-up everything and let the newborn to be the focus, and allow it to become your key piece for baby photography.

BABY4 1

It’s in the Details

And why shouldn’t it be? Baby details are sorta amazing. I mean have you seen a baby toe recently? Talk about something I’d like to dip in butter and call a snack. We have all seen baby parts photographed in the same boring ways: wedding rings on toes, close-ups of belly buttons and umbilical cords (ew), tops of bald heads in big grown-up hands. I am guilty of doing every one of these, multiple times over. I now see that the shots that will stand the test of time will be very simple close-ups that highlight just how small newborns are: tiny hands holding a parent’s finger, brand new feet that have yet to see wear, yawns and other adorable expressions that only look adorable on a baby.

BABY5

As Cute as they are Awkward

Oh sure, we all know they are adorable, but what are you supposed to do with them? They are flimsy and tiny and often naked. This is where I think we get into trouble and put them in baskets and stockpots. Because we can. Instead of creating scenes, it’s better to just think of “positions”. Babies can only do about two positions unassisted—laying down this way or that way. Work with that.

They may just lay there, but the beauty in this is that they often let you adjust them however you want. Tuck legs up under bodies, pull flailing arms into blankets, curl them up into someone’s hands. The baby is the star of this show and is plenty cute to pull off this role without a big supporting cast of props. A key to getting the position you want and having it stay that way long enough to get the shot you want is to keep your hands on the baby longer than needed after positioning them.

Think of it as long hug—you don’t need that extra ten seconds at the end, but it feels nice. Get the baby settled and then stay there for a bit longer. The warmth of your hands and the consistency and reassurance is often exactly what the baby needs to “hold” the position you are seeking.

BABY6 1

Got Extra Arms? Use them

I like to include siblings as often as I can, no matter the age. This gets tricky because the very definition of tricky is a two year old holding a newborn while exhausted parents watch the situation go down. Enough pillows and promises of lollipops though will get you a shot or two and a little variation in the final images. Interaction is the name of the game here—look for whatever the emotion is that’s happening and play on it. If it’s pride, comment on it to instill confidence and document a sweet moment in sibling history. If it’s indifference, engage the older child so they forget there is even a new addition in the photograph and are happy to be your star for a moment.

BABY7

Stop Worrying

I love a good worry and consider myself to be quite good at it. But as jobs go, photographing newborns is about as close to shooting fish in a barrel as you are likely to get. It’s easy to feel the pressure given that babies are so fragile and grow every single second. The truth is any picture you take of a newborn is a gift. Just as any time spent getting to photograph a newborn. I don’t get sappy often, but newborn babies are pretty special. Enjoy it.

Especially if the newborn belongs to someone else and you get to walk out of there without a crying baby and go home to a bed where you’re permitted to sleep through the night.

Check out more of Lynsey Peterson’s work on her website.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

7 Tips for Photographing Newborns without Becoming Clichéd, Derivative or Boring


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