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Texture and Clarity Sliders in Lightroom Classic CC: What’s the difference?

10 Aug

The post Texture and Clarity Sliders in Lightroom Classic CC: What’s the difference? appeared first on Digital Photography School. It was authored by Adam Welch.

Throughout the last couple of years, Adobe has released an absolute tsunami of updates for their photo editing platforms. Adobe Lightroom Classic went through a plethora of upgrades and changes, with new (and sometimes major) add-on’s seemingly incorporated with each new build. One of these sizable fresh additions to the Lightroom Classic toolkit came in May of 2019 with the release of v8.3. It’s called the Texture slider.

Texture and Clarity Sliders in Lightroom Classic CC: What's the difference?

Yep, that little guy right there.

You’ll find the texture slider nestled comfortably in the Presence section of the basic panel alongside the now veteran Clarity and Dehaze adjustments. These Presence sliders are extremely interesting in their effects and how they each accomplish their separate actions. Clarity, Dehaze, and now Texture, all perform similar adjustments. They each tweak contrast within our photos to varying degrees with wholly different results.

Texture and Clarity are particularly interesting. Both perform quite similarly, while at the same, remaining their own animals…if that makes any sense? In this article, we’re going to have a closer look at the Clarity and Texture sliders.

I’ll explain how they work and show the different effects each of these powerful sliders can have on your photos.

Texture vs Clarity

All right, so what’s the difference between Clarity and Texture?

We’ve already surmised they are similar in that they function to bring out detail within a photo. However, you’ll notice some very obvious differences as soon as you view the effects of each slider side by side. Have a look at this. Here’s the original photo:

Texture and Clarity Sliders in Lightroom Classic CC: What's the difference?

And now a side-by-side comparison of some Clarity and Texture Slider adjustments.

Texture and Clarity Sliders in Lightroom Classic CC: What's the difference?

In the photo on the left, I’ve increased the Clarity slider to +100. I’ve applied +100 Texture to the photo on the right. The difference is apparent, but what exactly is happening here? First, let me remind you what our beloved Clarity slider actually does.

A refresher on Clarity

In short, Clarity interacts with our photos by increasing or decreasing the contrast between midtone luminance values. This essentially gives the illusion of our image becoming clearer. However, in reality, all that is happening is the application of more or less contrast to the light and dark areas which fall as midtones (between highlights and shadow).

You’ll also notice that the photo is perceptively brighter and that the color saturation diminishes slightly when increasing Clarity. On the other end of the spectrum, decreasing clarity adds in a soft-focus effect. This can sometimes work extremely well, depending on your subject. For a little more of a breakdown on Clarity check out my other article, How to Make Your Photos Shine Using Clarity, Sharpening, and Dehaze in Lightroom. You’ll also learn some great tips on using Clarity along with the Sharpening and Dehaze sliders.

What is Texture?

Now let’s talk about the new kid on the block, the Texture slider.

Ironically enough, the idea for the Texture slider was born not from the goal of increasing the textures (positive) within an image but rather decreasing them (negative) thereby essentially smoothing out a photo. The Texture slider was initially named the “Smoothing slider” in the early stages of its development.

The team at Adobe were aiming to migrate into Lightroom (at least to some extent) the skin retouching capabilities of Photoshop. Their goal was to offer a feature that packed a less drastic punch than the Clarity slider. All while still being able to increase (or decrease) the apparent contrasts in the photo to give the illusion of enhanced textures within the images.*

Image: +69 texture added globally

+69 texture added globally

The Texture slider lands somewhere between Clarity and Sharpening in Lightroom. A good way to think about Texture is that it is much less harsh than Clarity and offers more subtle results without affecting absolute brightness or color saturation.

Texture focuses it’s smoothing or clearing effects on areas of a photo which possess “mid-frequency” features. You can think of these as medium detail areas. For reference, a cloudless sky would be considered a low-frequency feature while a cluster of trees would be considered a high-frequency feature.

It is also worth mentioning that like many of the tools found in Lightroom Classic, you can apply the texture effect both globally (the entire photo) and locally to specific areas. Local negative texture adjustments work wonders for smoothing out skin wrinkles and blemishes in your portraits.

Image: Before localized skin smoothing

Before localized skin smoothing

Image: After some retouching using a negative texture with Lightroom’s adjustment brush. Now I...

After some retouching using a negative texture with Lightroom’s adjustment brush. Now I only look nominally haggard…

*Note: This is an extremely basic explanation of the Texture slider. If you’re feeling truly adventurous and want to learn more about the technical makeup of the Texture slider, I highly recommend this post over on the Adobe Blog.

Should I use Clarity or Texture Slider?

The looming question is, “When should I use Texture, and when should I use Clarity?” Unlike most commentary I offer on the absolutes of post-processing, which often borders on a Zen-like existentialist approach of “it all depends on the image,” there are some relatively straightforward things to look for when deciding which adjustment will work best for your particular photo.

Try the Clarity slider if:

  • Your image consists of high-frequency features
  • The effect is needed on a more global scale
  • Your image is a landscape
  • The image is black and white

Try the Texture slider if:

  • Your image has large areas of mid to low-frequency features
  • A more subtle enhancement is needed
  • The image is a portrait
  • Your image has extreme color contrasts/saturation

Of course, these are just guidelines, and I hope you experiment with both the Clarity and Texture sliders.

Also, nothing is stopping you from using a combination of the two – especially when you are applying them using local adjustment tools.

Closing thoughts on Texture and Clarity Sliders

You’ve heard me say time and time again that less is generally more when it comes to applying adjustments in post-processing. Just because a tool is available doesn’t always mean you have to use it to its full strength.

Perhaps this is no truer than when it comes to using the tools found in the Presence section of Lightroom, in this case, the Texture and Clarity sliders. These nifty little adjustments can yield amazing results for your photos.

In fact, I use both local and global Clarity and Texture slider adjustments in virtually all of my photos to one extent or another.

With that said, it’s a good practice not to over-process your images. Some judicious use of negative Texture can shave years off your clients face. However, go too far, and they might end up looking like a wax doll.

Adding positive Texture can bring out the subtle beauty of tree bark, however, use too much, and you’ll end up with…well, you get the idea.

What are your thoughts on the new Texture slider in Lightroom Classic CC? Is it a feature you will use regularly? Sound off in the comments below!

 

texture-and-clarity-sliders-in-lightroom-classic-cc

The post Texture and Clarity Sliders in Lightroom Classic CC: What’s the difference? appeared first on Digital Photography School. It was authored by Adam Welch.


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Silkypix adds clarity tool and compatibility with Sigma dp Quattro series

14 Jun

Ichikawa soft laboratory has included compatibility with the X3F Raw file format of the Sigma dp Quattro series of cameras in the latest version of its Silkypix software application. Developer Studio 8 allows owners of the dp 1, dp 2 and dp 3 Quattro cameras to process the Raw files produced by their unique Foveon sensors.

The version 8 of the application also adds a clarity slider tool for the first time, as well as an updated control slider for noise reduction. Those who like hard copies of their images will be able to take advantage of a new soft-proofing function that displays pictures as they will be printed, and some general improvements to the user interface are said to make using the program more straight forward for everyone. Focus peaking is another new feature, and now a single license permits the software to be activated on up to three computers.

The application costs 16200 Japanese Yen (approx. $ 150) for new purchasers but those with existing licenses from software bundled with cameras can upgrade for a smaller fee.
For more information and to download Developer Studio 8 see the Silkypix website.

Press Release

SILKYPIX Developer Studio 8

RAW Photography Software for Windows and macOS Released

Ichikawa soft laboratory Co., Ltd. (Mihama-ku, Chiba-city, Chiba, Japan : Representative Director Yoshikuni Ichikawa) announces the release of SILKYPIX Developer Studio 8, the latest version of the RAW photo software series for Windows and macOS. It is immediately available on the ISL Online Store.

About SILKYPIX Developer Studio 8
SILKYPIX Developer Studio 8 is the standard version of the SILKYPIX Developer Studio series that includes adjustment of exposure, white balance and contrast, as well a correction tools such as dust removal and lens aberration.
In addition, it incorporates the advanced image processing engine as SILKYPIX Developer Studio Pro8, achieving higher image quality in high color separation performance, excellent noise reduction and more.

SILKYPIX Developer Studio 8 Key Features

Clarity Adjustment
Tone adjustment tools now include a clarity parameter to adjust the luminance level of each pixel based on information from surrounding pixels. Increasing clarity enhances details of the subject in a photo that may otherwise have muted features. Decreasing clarify results in a soft ambience with a soft focus. Clarity adjustment is a powerful tool for achieving desirable results especially in women and children’s portraits.

Soft proofing
Utilizing ICC profiles, SILKYPIX Developer Studio 8 includes a soft proof display that simulates the appearance of a photo as it may appear when printed. With this new feature, printing mistakes can be prevented, and printing result closer to the intent of the photographer can be obtained.*1
*1 It must be an environment where the monitor is color managed

Focus Peaking
Focus peaking detects the parts focused, based on from adjacent pixels in the image, and to display them with colors added to those parts. Focus peaking is extremely useful for analyzing the area of focus when the photo was taken.

One License for Three Computers
SILKYPIX Developer Studio 8 is used by photographers that utilize multiple devices including desktops, laptops and tablets running either Windows or macOS. Now each license can be used on a total of three devices in any combination of operating system.

Supports SIGMA dp Quattro series X3F file (RAW format)*2 (only supported with 64-bit)
SILKYPIX Developer Studio 8 has supported the SIGMA dp Quattro series X3F file (RAW format) equipped with Foveon X3®*3 sensor. With the SILKYPIX image engine color expression and various adjustment tools, the range of possibilities for creative expression in the SIGMA dp Quattro series X3F file (RAW format) expands.
Supported Cameras: SIGMA dp0 Quattro, dp1 Quattro, dp2 Quattro, dp3 Quattro
*2 It is compatible with SILKYPIX Developer Studio 8 series or later.
*3 Foveon X3® is a registered trademark by Foveon Inc.

New function / Improvement list
Tone – Clarity slider addition
Dodge / Color Burn (HDR) – Dodge and Color Burn can be individually adjusted
Noise reduction – Neat noise slider addition
Display warning – Soft proofing addition
Warning indication – Focus peaking addition
Preview display Select background color
Choose Rating Display / Non-display under the thumbnail display
Improved User Interface
One License Can Be Used on Three Computers

Articles: Digital Photography Review (dpreview.com)

 
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Silkypix Development Studio Pro8 released with new clarity slider and B&W controls

17 Feb

Japanese software developer Ichikawa Soft Laboratory Co. has released a new version of its Silkypix Development Studio Pro application that introduces a number of new tools and functions. Version 8 of the Raw adjustment and conversion program adds a clarity slider to the tool-set, that can be used to emphasize or smooth-out differences in neighboring tones to deliver more or less tonal impact in an image.

Users can also now take more control of black and white conversions using the Monochrome Controller Function that allows a range of colors to be lightened or darkened to simulate the use of colored optical filters over the lens of a camera loaded with black and white film. For selective enhancements a brush tool has been added to the Partial correction tool kit which the company says will make it easier to create rounder selection areas for adjustment.

Those who like to shoot underwater will be glad of a dedicated tool for correcting the color of images recorded in a range of sub-aqua conditions which reduces the impact of color-loss and shift at various selectable depths. Silkypix also now allows a single license to cover three computers and the company says it has cleaned up the user interface to make it more straightforward to use.

The program, and variations on it, is favored by a number of camera brands as an in-the-box raw converter given away with their cameras, but the full version can be purchased on-line from the manufacturer for 22464 JPY (approx. $ 200/£160). A 30-day free trial is also available. The program supports raw files from 613 cameras, it is claimed. For more information see the Silkypix website.

Press release

Product release announcement, high quality RAW development software high-end version “SILKYPIX Developer Studio Pro8 download version”

The product concept of SILKYPIX Developer Studio Pro8

“SILKYPIX Developer Studio Pro8” is the latest development in the SILKYPIX series, aiming at “enhancement of functions for finishing photographs that meet the photographer’s expectations” and “a comfortable and enjoyable RAW development software.” In this version, we have added “Clarity” and a “Brush” to the “Partial correction tool,” which have been requested by many customers. In addition, it has been equipped with a “Monochrome controller” specialized for monochrome adjustments and a “Underwater photo controller” specific for underwater photography. This RAW development software will be a strong support so you can create your own works.

SILKYPIX Developer Studio Pro8 major features

Clarity adjustment
A “Clarity” parameter has been added to the “Tone” adjustment item to adjust the luminance level of each pixel based on information from surrounding pixels. Increasing the effects of “Clarity” will make it possible to finish the details of the subject in a bold picture, so it is effective when you want to finish bold scenes with a hazy surrounding. In contrast, by lowering the “Clarity” you can finish with a soft ambience like with a soft focus, so you can use it to effect with women and children’s photography.

A Brush added to the Partial correction tools
A “Brush” that makes it possible to select correction areas more freely to “Partial corrections” was added in “SILKYPIX Developer Studio Pro7.” Using the “Brush” makes corrections easier even in difficult areas of “circular correction filter” and “gradual correction filter.” More creative adjustments have become possible by making partial corrections that do not take the form of the subject.

Strengthening the Monochrome Controller Function
A Monochrome Controller function has been installed specialized for adjusting monochrome pictures. Eight kinds of “Color filters” can be selected, and it is possible to reproduce filters when shooting monochrome photographs on your screen. In addition, since the “Lightness” can be adjusted for each hue, you can make a thorough finish to your black and white photographs. Even beginners of black and white photography can easily switch between color and monochrome images after applying parameters in the preview display, so you will be able to intensify the understanding of effects on monochrome photographs due to changes in color.

Underwater Photo Controller Installed as a Function for Correcting Dedicated to Underwater Photography
A function from “SILKYPIX Marine Photography” for RAW development software dedicated to underwater photography has been installed into “SILKYPIX Developer Studio Pro8” called Underwater photo controller. With this Underwater photo controller, you can correct the bluishness that is difficult to adjust with the normal white balance by using “White balance for underwater.” It also features “Color restoration,” which actually reproduces colors lost in water, as well as “Muddy reduction” to eliminate murkiness in water.

Focus Peaking Function Installed
A Focus peaking function has been installed to detect the parts focused on from adjacent pixels in the image, and to display them with colors added to those parts. With this function, you can clearly check the area of focus.

Improved User Interface
We have improved the design to be clean and simple to make it possible to concentrate on adjusting images. In addition, the layout has been changed to make it easier to understand for those using adjustment functions for the first time. Also, you can now change the background color of the preview display according to your preference.

One License Can Be Used on Three Computers
In recent years, more and more people own multiple computers, such as desktops, laptops, tablets, etc., sometimes using both Windows and macOS. With such changes in the industry, “SILKYPIX Developer Studio Pro8” is now available for use on three computers with one license.

New function / Improvement list

  • Tone – Clarity slider addition
  • Partial correction tool – brush addition
  • Monochrome controller
  • Underwater photo controller
  • Warning indication – Focus peaking addition
  • Preview display Select background color
  • Choose Rating Display / Non-display under the thumbnail display
  • Improved User Interface
  • One License Can Be Used on Three Computers

SILKYPIX Developer Studio Pro8 download version (Win/Mac) license price

Regular list price
New license
28080 JPY (tax included)

Upgrade license
Customer who already has following license can purchase one license for your one product license.
Upgrade target products:
SILKYPIX Developer Studio Pro, Pro5, Pro5 for Panasonic, Pro6, Pro7, Pro7 for Panasonic
11232 JPY (tax included)
Upgrade target products:
SILKYPIX Developer Studio 3.0, 4.0, 6, 7
16848 JPY (tax included)

Special price for bundle products
Customers for (bundle version) SILKYPIX series which were shipped with the cameras and lenses
22464 JPY (tax included)
[Target products]
SILKYPIX Developer Studio SE version
SILKYPIX Developer Studio 4.0 for TAMRON
SILKYPIX Developer Studio 4.0 for CASIO
FUJIFILM RAW FILE CONVERTER powered by SILKYPIX
SILKYPIX Developer Studio 3.0 for PENTAX or LE
SAMSUNG RAW Converter

Articles: Digital Photography Review (dpreview.com)

 
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How to Make Your Photos Shine Using Clarity, Sharpening, and Dehaze in Lightroom

01 May

The goal of any photographer is to make each and every photo stand out from the crowd. Making an image that pops is something that we all strive to achieve, but it’s not always easy to do. Luckily, there are tools at our disposal in Adobe Lightroom that can go a long way to help us achieve an image that we can be proud of, and that catches the attention of the viewer. What are these tools? They are many and varied, but there are three central processing techniques that can make your images transcend the average, and reach the potential you intended. They are Clarity, Sharpness, and Dehaze.

These three tools are deceptively simple and subtle. When used properly, the enhancements they will make to your photos will be nearly imperceivable. They can take your image from good to great, with just a few simple clicks of the mouse. In this tutorial, I will show you how each one of these processing tools affect your photos, and how they can be put to best use, so that your photographs really stand out from the rest. Let’s get started!

After CSD

Clarity

The clarity slider has been around virtually since the inception of Lightroom. You can find it in the Basic panel of the Develop module. It functions to add definition and well, clarity, to your images. It accomplishes this by darkening the lines surrounding the perimeter of objects within your photo. Think of it as contrast on steroids. The clarity slider can really add a lot of punch to your photos, and add drama.

Clarity

Tips for Using the Clarity Slider

  • Don’t add too much. If you push the clarity slider too far to the right, you can begin to see unattractive halos around objects within the frame, resulting in a fake or unnatural looking photograph. If using it globally (applies to the entire image), do so judiciously. Be careful when applying the clarity slider to an entire image, most areas of your photo probably won’t need to be clarified.
  • It’s best to apply clarity after everything else. Since the clarity tool will add a good amount of contrast to your photo, it’s best to apply it towards the end of your workflow. While this is not always true, it is a good guideline to follow in order to avoid the need to backtrack.
  • Use the Adjustment Brush or Graduated Filter tools to apply it to select areas of your image that need clarity. This will enable you to apply clarity only to foregrounds or backgrounds and to specific points you want to emphasize in the image.

Clarity Adjustment

Clarity applied, viewing at 1:1

Clarity applied at +30, viewing at 1:1

Clarity slider taken too far, viewed at 1:1 (100%)

Clarity slider taken too far, viewed at 1:1 (100%)

Sharpness

The art of sharpening an image can often make or break the composition. Sharpening is one of those awesome features of Lightroom which has been around from the beginning, and it only seems to be getting better with time.

Sharpening

The sharpening tool is located under the Details panel in the Develop module. Basically, sharpening is accomplished by adding contrast between pixels so that the area being sharpened appears to have more definition, compared to its surroundings. There are a few key tweaks that you can perform in order to get the most from the sharpening panel.

Make use of the radius slider. The radius controls how many pixels around the perimeter of objects are affected by the sharpening. Think of this as the halo of sharpness. The greater the radius, the more apparent the sharpening will become. Don’t over do the details. You might think the more details you preserve in your sharpening, the better quality your image will be. This is not true. Usually, the farther you move the detail slider to the right, the more grainy and gaudy the image will be. Find a happy medium here and you will be happy in turn.

Global sharpen at +50

Global sharpen at +50

Over sharpened

Over sharpened – this is what too much sharpening looks like at 1:1

Apply sharpening only to the areas you need to sharpen. It’s easy to simply sharpen an entire image instead of taking the time to selectively apply the edit. Rest assured though, if you apply your sharpening using the Adjustment Brush tool you will have a much more aesthetically pleasing result. Much like clarity, you usually do not need to sharpen the whole photograph.

Use the masking slider with the Alt key (Option key on Mac). The masking slider can be considered the most underrated asset in the sharpening panel. It dictates what areas will be sharpened. However, by itself the masking slider is rather lacklustre. This is where the Alt key comes into play. Hold down the Alt key while you adjust the masking slider.

Sharpening Mask

You will see that the image is transformed into a black and white relief image. The areas in white are where the sharpening will be applied; the areas in black will not be sharpened. This is a great way to fine tune your sharpening when adjusting globally. (Note: to keep people’s skin from becoming overly sharp and showing every pore and bump, move the masking slider until the skin areas are black and therefore unaffected by the sharpening adjustment)

Dehaze

This is a feature that was introduced very recently in Lightroom CC. It is a magical little function that people seem to either hate or love.

Dehaze Slider

I for one love this little guy. It’s located under the Effects panel. The explanation of how exactly it works is somewhat cryptic. Here is an answer pulled directly from Adobe Blog:

The Dehaze technology is based on a physical model of how light is transmitted, and it tries to estimate light that is lost due to absorption and scattering through the atmosphere.

Simply put, the dehaze slider can reduce haze within your images. It can also add a mystical fogginess as well if you choose (just slide it the other way).

Dehaze

Basically, it will make an otherwise hazy photo more clear. This comes in handy for photographs of the night sky when your want to make the stars more pronounced, or when you have to deal with physically dense atmospheric conditions.

Tips for Using the Dehaze Slider

  • Keep an eye on your black points within the image. The dehaze slider can cause loss of shadow detail if you push it too far. Use the J key to show highlight and shadow clipping in order to preserve details.
  • Perform your white balance adjustments BEFORE you apply dehaze. The dehaze tool can do some incredible things for your photo, but it can also cause some funky color distortions if you adjust white balance after the fact. As always, strive to obtain optimal white balance before you ever begin to post-process an image.
  • Sometimes an image will benefit from added haze instead of dehazing. Experiment with adding a small amount of haze by moving the dehaze slider to the left. This can add an ethereal glow to some landscapes and even portraits.
Dehaze +20 at 1:10 view

Dehaze +20 at 1:10 view

Dehaze pulled too far

Dehaze pulled too far

As with all post-processing, the less you have to adjust after the image has been made, the better off you will be. The tools in Lightroom are a fantastic way to bring out the true power of your photographs, if you use them deliberately, and with good judgment.

Before clarity, sharpening and dehaze

Before clarity, sharpening and dehaze

After

After

After clarity, sharpening and dehaze were applied

After clarity, sharpening and dehaze were applied

Any adjustments you make to the clarity and sharpness of your photo should never make them appear unrealistic (with exceptions) or detract from your original vision. Even the dehaze tool should be used sparingly and only when required. Just as the saying goes that one brush stroke can ruin a painting, so too can one more click of the slider. The goal of post-processing is to enhance a photograph to the point of meeting your pre-visualzation. No more and no less. Experiment with the tips you’ve learned here and witness the hidden potential within your own photographs!

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4 Ways to Make Your Photos Stand Out with the Clarity Slider

28 May

Clarity - Bay Bridge example

You want your photos to be as sharp as possible. Of course, there is no substitute for good technique in the capture phase, but you would like to add something in the post-processing to make the pictures clearer and sharper. You may already be adding sharpening, but how to add that extra crispness to make your pictures pop? The answer is clarity. This article will show you how to add that to your photos.

Clarity - before and after

What Exactly Is Clarity?

What is clarity? Clarity is a local contrast increase that focuses on the mi-tones of the image. If differs from sharpness, because whereas increasing sharpness increases the contrast between dark and light tones, clarity increases the contrast within the middle tones of the image. The effect is similar to sharpening, but it brings out textures a bit more. In addition, digital noise isn’t as much of a problem as it is with sharpening increases.

Adding Clarity in Lightroom (or ACR)

How do you add clarity to your photos? The best-known, and simplest way, to add clarity is to use the Clarity slider in Lightroom (there is an equivalent in Adobe Camera Raw – or ACR). To do that, just find the Clarity slider in the Basic panel of the Develop module. Increase the clarity by moving the slider to the right a bit. That’s all there is too it.

Clarity - Lightroom slider

The Clarity slider makes a global adjustment to your image (meaning it affects the entire image). If you want to add clarity only to specific portions of your image (referred to as local adjustments), you can do so by using the Adjustment Brush (or Radial or Graduated filters). When you select that brush, you will see clarity among the sliders that you can use. Increase the clarity to the desired amount and brush the effect where you want it, on your image.

I find it best to apply a slight, to moderate amount, when making Lightroom adjustments. Think of it as a baseline. Other areas of the image that you want to draw out can be targeted later. You may find it easier, and more precise, to make local adjustments using Photoshop, so that will be the next topic.

High Pass Filter in Photoshop

Within Photoshop, there is no Clarity slider. If you want to add clarity to your photos within Photoshop, there is still a way to do it. It is called the High Pass filter.

Why should you use this filter, and not the Clarity slider in Lightroom (assuming you have both)? Mostly because, with the High Pass filter you can take advantage of all the masking and blending tools available within Photoshop. The primary reason is the ability to mask the changes, which is a much more precise and powerful way to create localized adjustments, than using Lightroom’s adjustment brush. Use the High Pass filter for targeted adjustments to specific areas that you want to draw out in your picture.

It takes a few steps to use this tool, so follow this process:

  1. Make a copy of the background layer (Ctrl+J) of your picture.
  2. Set the blend mode of the new layer to Overlay. The picture will look terrible for now, but don’t worry about it.
  3. Select the High Pass Filter by going to Filters – Other – High Pass.
  4. Set the radius, which is the equivalent of setting the strength of the effect.

Clarity - high pass filter

Note that this process will create a global adjustment to your image. To turn it into a local adjustment, create a layer mask to apply the effect only where you want it. To do that, with the new layer selected go to Layer – Layer Mask – Hide All. That will create a black layer mask. A black layer mask hides the effect everywhere. Now use a white brush to paint (on the mask) in the effect where you want it. Use the Opacity slider to control the degree to which the effect is applied by your brush (you can also adjust the layer opacity).

Local Contrast Adjustments in Photoshop

Another way to add a degree of clarity to your photos is to increase the local contrast, with the best way being a Curves Adjustment Layer. You’ll be surprised at how much clearer and more detailed things look after you increase local contrast in this way. This is another tool for making targeted adjustments.

They key here is to select an area and then increase the contrast just within that area. Here’s how:

  1. Select the area you want to affect. Use the Quick Selection tool to select those pixels.
  2. Create a Curves Adjustment Layer (Layer – New Adjustment Layer – Curves) with those pixels selected. When you do so, Photoshop will create a new adjustment layer, but it will mask off all the pixels except those you previously selected. Therefore, the changes you make will only apply to your selection.
  3. Increase the contrast of your selected area. You can either drag in the endpoints of the curve, or you can push down the line on the left (dark) side and pull up the line on the right (bright) side of the histogram. (You can also use Levels to increase the contrast, if you are uncomfortable with Curves).
  4. Clean up with your brush tool. If there are harsh transitions, use a soft brush to feather out the change (paint ON the mask only, not on the layer). You can increase or lessen the effect using the brush tool as well.

Clarity - Photoshop curves adjustment layers

Be sure you select targeted areas and use this method to draw out the contrast. It will add clarity and texture to that portion of the picture you want only, not the entire image.

Clarity by Topaz

There is another tool you can use to add clarity to your photos. It is a plug-in by Topaz that is named, appropriately enough, Clarity. It costs $ 50 and acts as a plug-in to Photoshop or Lightroom.

Clarity by Topaz divides contrast into different components ranging from Micro contrast, to High contrast, and provides a slider for each. That allows you to reach different parts of the picture and affect contrast in different ways.

The best part of Clarity is the Micro contrast, although this often requires offsetting adjustments to other areas of contrast. That is the greatness of this plug-in: you are not confined to a simple contrast adjustment that pushes all bright areas toward white, and all dark areas toward black. It allows you to add some clarity and texture to your pictures without blowing out your highlights or losing your shadow detail. You can also effect saturation, brightness, and other controls from within Clarity.

Clarity - using Topaz Clarity

The best way to use Clarity is by creating a duplicate layer of your image in Photoshop (Ctrl+J) and then opening the plugin. That way, after you have made your changes in Clarity and you have gone back to Photoshop, you can mask in or out the effect to whatever degree, and in whatever areas of your image, you wish.

Clarity - Davenport example

Application

The best part about these tools is that you can combine them to get exactly the effect you want. For example, you might make a minor global adjustment to Clarity in Lightroom, then take it into Photoshop and make a series of Curves Adjustment Layers to bring out certain areas. You might also do the same with Topaz’s Clarity and mask off the effect. When you are done, you can use the High Pass filter to highlight key areas of your photo in Photoshop. Of course, you’ll need to be careful not to overdo the effect, which can happen quickly, especially if you use multiple tools listed here. But judicious use of these tools, in conjunction with your normal input and output sharpening, can really make your photos pop.

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With greater clarity: Nikon D810 Shooting Experience

31 Jul

The Nikon D810 represents a consolidation of its two predecessors, the D800 and D800E. The 36MP full frame DSLR lacks an anti-aliasing filter to make the absolute most of its high resolution sensor and provides a number of meaningful updates over the previous generation. After some extensive shooting in the field we’ve updated our First Impressions Review with a shooting experience. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Four Ways to Improve Your Photos With the Clarity Slider in Lightroom

05 Apr

Using the Clarity slider in Lightroom

Andrew S. Gibson is the author of Mastering Lightroom: Book 2 – The Develop Module. There’s a special deal on now at Snapndeals, get 40% off for a limited time only.

The Clarity slider is one of the most useful in Lightroom when it comes to giving your images extra punch and impact. Today I’m going to show you several ways you can use it to improve your photos. But first, let’s take a look at exactly what the Clarity slider does, and how it differs from its cousin the Contrast slider.

This photo is ideal to demonstrate the difference:

Using the Clarity slider in Lightroom

Using the Clarity slider in Lightroom

It was taken on an overcast day and the light was very flat. This is confirmed by the histogram, which has gaps on both the left and right-hand sides (screen capture image to the right).

Now let’s see what happens when we set the Contrast slider, and then the Clarity slider, to their maximum settings of +100:

Using the Clarity slider in Lightroom

The most obvious difference at this scale is that the Contrast slider has a more far reaching effect. It makes both the shadows darker and the highlights brighter, stretching the histogram in the process.

The Clarity slider works differently. It increases contrast, but in the mid-tones only. The highlights aren’t affected, and if anything the photo becomes darker as the Clarity slider has a greater effect on dark tones than the Contrast slider.

Here’s a close-up of both images so you can see the effect in more detail. Look closely and you’ll see that the Clarity slider brings out more texture than increasing Contrast.

Using the Clarity slider in Lightroom

That’s the key to using this slider successfully. Increasing mid-tone contrast brings out texture and detail, increasing the tactility and apparent sharpness of the image. That’s what the Clarity slider is designed to do. Now I’m going to show you some practical applications.

1. Emphasizing texture

The Clarity slider in the Basic panel is a  global adjustment – meaning that, moving this slider affects the entire image. A small but subtle boost to Clarity can lift just about any image. Photos with more texture, such as the one below, may benefit from a larger increase in Clarity to bring out the texture and detail. This technique is especially effective in black and white. Plus, there’s nothing to stop you increasing contrast as well, especially in black and white, which usually benefits from higher contrast than colour images.

Using the Clarity slider in Lightroom

2. Emphasising texture locally

There is a theory in photography called visual mass that states that certain elements pull the viewer’s eye more than others (you read more about it in my article Composition, Balance and Visual Mass). One of these elements is sharpness. The eye goes to sharp parts of the image before it goes to unsharp, or out of focus areas.

You can use this to your advantage by making local adjustments to Clarity rather than global ones. In the example below, I wanted the white stones to be the centre of attention. The principle of tonal contrast ensures that they are, and I emphasixed it here by placing Radial filters over the stones and setting Contrast to +100 in each one.

Using the Clarity slider in Lightroom

Note: The Radial filter is new to Lightroom 5. If you have an older version of Lightroom you can use the Adjustment Brush tool instead.

3. Emphasize the eyes in a portrait

There’s another area where increasing Clarity locally can make a huge difference and that’s in portraiture. Use either the Radial filter or Adjustment Brush to increase the Clarity of your model’s eyes. Again, it’s a subtle, but often effective change. You can also do the same with your model’s mouth to emphasize the lips. Remember that as Clarity tends to make things darker, you’ll probably need to increase Exposure a little as well.

Using the Clarity slider in Lightroom

4. Soften skin

So far we’ve just looked at what happens when you increase Clarity, but you can also go the opposite way and decrease it in order to obscure detail, or soften part of the photo. You do have to be careful with this as the result can look a little false. A light touch is essential.

You can use negative Clarity as a kind soft focus effect in portraits. The most effective way is to increase Sharpness at the same time that you decrease Clarity. This helps retain realistic looking texture in the skin and avoids the false effect I spoke of earlier.

Lightroom has a built-in Adjustment Brush preset called Soften Skin which does exactly that. You can see the effect here. It’s subtle, look at the area under the model’s eyes if you’re not sure what the difference is:

Using the Clarity slider in Lightroom

To use the Soften Skin preset, start by activating the Adjustment Brush and paint in the area you want to apply the preset to (shown in red below). Leave the eyes, eyebrows, mouth and tip of the nose alone as you don’t want to soften those areas.

Using the Clarity slider in Lightroom

Select Soften Skin from the Effects menu. Lightroom sets Clarity to -100 and Sharpness to +25.

Using the Clarity slider in Lightroom

Using the Clarity slider in Lightroom

This is the strongest Soften Skin preset. If it’s too strong, you can reduce it by hovering the mouse over the Adjustment Brush pin until the double arrow icon (left) appears. When you see it, hold the left mouse button down and move the mouse left. Lightroom reduces the Clarity and Sharpness settings proportionally. Moving the mouse left, reduces the settings, moving it right increases them. Let go when it looks good to your eye. (You can also adjust the sliders manually)

Your turn

How do you use the Clarity slider? I’m curious to see what applications you have come up with for it.

Let us know in the comments, and feel free to share your photos so we can see what you have done.


Mastering Lightroom: Book Two

Mastering Lightroom: Book Two – The Develop Module ebookMy new ebook Mastering Lightroom: Book Two – The Develop Module teaches you how to process your Raw files in Lightroom for spectacular results. Written for Lightroom 4 & 5 it takes you through every panel in the Develop module and shows you how to creatively edit your photos. It’s now 40% off at Snapndeals for a limited time only.

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Aptina’s Clarity+ sensor tech claims to have cracked the clear pixel puzzle

17 Jul

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Sensor maker Aptina has given more details of its Clarity+ technology that it claims will offer a 1EV improvement in sensitivity over conventional sensors. The company believes it has found a way to use clear pixels to capture more light while retaining the image quality of a standard Bayer sensor. Although initially intended for smartphone sized sensors, the company says it could have applications in larger formats. Find out more over at connect.dpreview.com

News: Digital Photography Review (dpreview.com)

 
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Make your Photo’s POP! – Photoshop for clarity

21 Oct

This is a breif description of how to photoshop your photos to gain clarity and brighter pictures. You can make your pictures POP so that they stand out above and beyond a page full of jewelry pictures. There are many different graphic programs that you can use. The key is don’t be afraid – the worst that can happen is that you will have to delete a picture….or click the undo button! So, drag out those blurry, faded looking pictures and see if you can enhance them. Have fun – and don’t be afraid to try!

 
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