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Posts Tagged ‘Card’

Canon Announces the EOS R3: Dual Card Slots, 30 FPS, and 6K Video

25 Sep

The post Canon Announces the EOS R3: Dual Card Slots, 30 FPS, and 6K Video appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon announces the EOS R3 mirrorless camera

Last week, Canon launched its EOS R3, a sports-centric mirrorless model billed as “the company’s most technologically advanced full-frame mirrorless camera.”

The EOS R3 has generated plenty of hubbub, and rightfully so; on spec sheets, it outclasses the (already formidable) action capabilities of the EOS R5 and the EOS R6. The EOS R3 should even give Canon’s flagship DSLR, the 1D X Mark III, a run for its money, though Canon has deliberately refrained from naming the EOS R3 as the 1D X Mark III’s mirrorless twin. Instead, the company claims that the EOS R3 “bridges the gap between the immensely popular EOS R5 and the world-renowned Canon flagship EOS-1D X line,” which leaves open a spot for Canon’s true mirrorless flagship, the (presumed) EOS R1. 

Of course, the EOS R1 won’t debut until 2022 at the earliest, and in many ways, the capabilities of the EOS R3 make you wonder why an action-ready EOS R1 is even necessary; if the EOS R1 sits above the EOS R3, what could it possibly offer beyond the R3’s standout features?

And indeed, the EOS R3 is a standout. You get the expected professional features: top-notch weather sealing (“equivalent to EOS-1D camera models,” according to Canon), an in-built body grip, and dual card slots, perfect for sports and other action shoots. Thanks to Canon’s new 24 MP backside illuminated sensor, you’ll see improved high-ISO performance, perhaps even a stop or two better than the EOS R6, Canon’s most impressive low-light performer to date.

But you also get additional class-leading features. Autofocus is outstanding, bolstered by a whopping 1053 AF points plus a newly developed automobile and motorcycle AF. Then there’s the much-talked-about Eye Control AF, which is simply cool, no matter its final performance; look toward the rightmost subject and your camera will focus right, look toward the leftmost subject and your camera will focus left. There’s even a fully articulating screen, which allows for the low-angle compositions and smooth video monitoring appreciated by professionals.

Canon EOS R3 with a fully articulating screen

Action photographers will love the 30 frames-per-second continuous shooting (via the electronic shutter), and the 5.5 stops of in-body image stabilization will improve handheld photography (Canon promises “the world’s most effective image stabilization”).

While the Canon EOS R3 has been teased as a powerful stills camera, its video capabilities are certainly impressive. You get 6K/60p and 4K/120p shooting, along with all the standard video features (e.g., Canon Log, focus peaking, etc.). 

Is the Canon EOS R3 the best mirrorless camera currently available? That’s tough to say, especially when faced with more detail-focused cameras such as the Sony a7R IV, the Sony a1, and the Nikon Z7/Z7 II. But it’s certainly impressive, and if you can afford the $ 6000 USD cost, the EOS R3 is currently available for preorder. 

The cameras will begin shipping in November, so if you’re after one of the best action models on the market, then take a look!

Now over to you:

What do you think about the Canon EOS R3? Is it everything you hoped for? Is it missing any features you would’ve appreciated? Share your thoughts in the comments below!

The post Canon Announces the EOS R3: Dual Card Slots, 30 FPS, and 6K Video appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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The Best Way to Delete Photos From Your Memory Card

22 Jan

The post The Best Way to Delete Photos From Your Memory Card appeared first on Digital Photography School. It was authored by Meredith Clark.

the best way to delete photos from your memory card

When it comes to photography, we spend most of our time thinking about taking photos – lighting, composition, exposure, and posing. Then, once the photo is taken, we may start to think about post-processing, gently nudging the photo along until it becomes exactly what we’ve pictured in our mind’s eye. Once that’s accomplished, we do it all over again.

portrait of two girls how to delete photos from memory cards

Back in high school and college, I shot film. I can vividly remember running out, and sometimes having to wait weeks until I was able to buy more. Our public high school relied heavily on film donations, and sometimes when there wasn’t any left, our teacher would have us walk around campus with our pointer fingers and thumbs shaped into a rectangle, pretending to take photographs. Now that digital cameras are on the scene and we’re using memory cards in place of film, the number of photographs that we can take in any given week or month is nearly endless.

You may have noticed that I said “nearly” endless, and that’s because memory cards do have a lifespan and will not last indefinitely. That said, there are a few things we can do to maximize the lifespan of our memory cards, including deleting our photos off the memory card in the most efficient manner possible. This isn’t something that’s talked about all that often, but when it comes down to it, it is really simple.

So if you’re looking for the best way to delete photos from your memory cards, read on!

Less desirable ways to delete photos

If your memory card is full, you may be tempted to use one of these methods to delete your photos.

However, I recommend you avoid them if at all possible.

So here are the ways you should not delete your photos:

Getting rid of each photo individually through the camera by using the Delete or Erase button

If you’re in the middle of a shoot and you take a bad photo, you may be tempted to delete it right then and there with the Delete button.

But this is far from ideal. First, it’s always a good idea to check your images on the computer screen before deleting them forever, because you never know; your image may have some redeeming quality, one that you missed on your tiny camera LCD.

Plus, it’s just not the best way to get rid of your images from a card-health perspective, as I’ll explain in a moment.

deleting an image from your memory card directly on the camera LCD screen

Deleting all photos in-camera with the Delete All option

Once you’ve transferred your photos over to your computer, you can always pop the memory card back into your camera and hit the Erase all images on card button.

But again, this isn’t the best way to keep your card healthy.

Erasing all the images on your card via the LCD screen

Deleting via your computer

Here’s a third way to delete photos from your memory card:

Plug the camera or memory card into the computer, then drag all the photos into the Recycle Bin.

Is this a convenient way to delete images?

Absolutely.

But it’s not the most desirable way to get it done.

Deleting images from your computer

Most desirable way to delete photos

If you’re looking to delete photos off your memory card in the quickest, most efficient, least harmful way, then here’s what I recommend:

Delete with your camera’s Format function

In other words:

Transfer your photos to your PC or an external hard drive.

Stick the card back in your camera and head into the menu.

Find the Format option.

And hit OK.

This is my suggested way of deleting photos off your memory card, and I recommend you use it every single time you need to delete photos, without fail.

(It’s what I do!)

formatting memory cards in-camera is the best way to delete photos from your memory cards

Why are some methods better than others?

In the end, all of the above methods work toward the same end, in that they remove the images from your card.

However, the first three deletion methods are actually more taxing to the memory card than using the card’s Format function. I’ve heard it explained like this:

Imagine that your memory card has a shelf-life of 1,000 uses. Let’s say that you go out and take 500 photos; that’s 500 uses of your memory card. You then upload the photos to your computer, and then individually delete each photo using the Delete button on your camera. Deleting each photo individually counts as another 500 uses on your card. So in all, you’ve just spent 1,000 uses of your memory card, leaving you with no uses left on that card.

On the other hand, imagine that you’ve captured your 500 photos, but instead of deleting them with your Delete button, you use your camera’s Format function. Formatting works in a different way than deleting, because it only deletes the directory files rather than the images themselves. This allows the images to be overwritten the next time you take a picture. Therefore, formatting only counts as one use of your memory card, regardless of how many photos you’re deleting.

So in the scenario above, you’d have used only 501 of your memory card’s uses, as opposed to 1,000 when deleting manually. Certainly, memory cards available today will be able to handle far more than 1,000 uses, but the general logic still holds – formatting your card causes less wear and tear on your memory card than other ways of deleting images.

Additionally, because formatting only deletes the directory file instead of the images themselves, images on a card that has been formatted are typically much easier to recover (if needed) than images that are deleted manually, assuming you did not overwrite the formatted images by taking more photos.

Not a bad trick to have up your sleeve in case of emergencies, right?

I’d also like to add that I have personally seen a difference in the amount of corrupted images/cards that I’ve come across since I’ve been formatting cards.

These days, it’s pretty rare that I delete even a single image using any method other than formatting.

How often should you format?

Some people like to wait until their card is totally full and then do their formatting.

Personally, I like to format my card before each new photo session. It just makes sense to start fresh each time, because I can then upload everything on the card to one location and keep my files organized.

But this is really a matter of personal preference, at least as far as I’m concerned.

The one hard and fast suggestion I do have when it comes to formatting is simply to format the card in whichever camera you plan to use it in next. So if you’re going to be shooting with your Nikon body, make sure you’ve first formatted your card with that Nikon body. And if you’re going to be shooting with your Canon body, format with the Canon body before heading out.

Make sense?

How to delete photos from a memory card: Conclusion

Now that you’ve finished this article, you’re well-equipped to delete photos from your memory cards (the right way).

So make sure to always format in-camera.

Your photos and your memory cards will thank you for it!

Now over to you:

How do you typically delete images, and why? Share your thoughts in the comments below!

The post The Best Way to Delete Photos From Your Memory Card appeared first on Digital Photography School. It was authored by Meredith Clark.


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Nikon Z6 II and Z7 II boast dual processors and gain a second card slot

14 Oct

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Nikon has updated its full-frame mirrorless Z series with two second-gen camera bodies: the Z6 II and Z7 II. Both will offer dual Expeed 6 processors to boost buffer performance and top continuous shooting speeds, and each camera gains a second UHS-II SD card slot to complement the existing CFexpress/XQD slot. They’re scheduled to arrive at the end of this year.

With the additional processing power, the Z7 II can shoot at up to 10 fps (compared to 9 fps in the Z7) and the Z6 II shoots at up to 14 fps (up from 12 fps in the Z6). Each camera’s buffer capacity is improved substantially as well: in the Z7 II’s case it can capture around three times as many images as the Z7. Maximum frame rate for internally recorded 4K gets a boost to 60p; a feature that will be included in the Z7 II when it ships, but will come to the Z6 II in an early 2021 firmware update.

Each camera gains a second UHS-II SD card slot to complement the existing CFexpress/XQD slot

Autofocus gets an update with better low light subject acquisition and Eye/Face detection added as an option in Wide area mode. The Z6 II and Z7 II will also offer Eye and Animal detection AF while shooting video.

A new MB-N11 vertical battery grip offers controls for shooting in portrait orientation, with a battery chamber that allows for hot swapping. Both cameras can also be powered as well as charged via USB-C.

The Nikon Z6 II and Z7 II will ship in November and December 2020, respectively. The Z7 II will sell for $ 3000 body-only or $ 3600 kitted with the Nikkor Z 24-70mm F4. The Z6 II will be priced at $ 2000 body-only or $ 2600 with Z 24-70mm F4. The MB-N11 battery pack will go on sale in November 2020 for $ 400.

Press release

THE NEXT CHAPTER OF Z IS HERE: NIKON DELIVERS MORE OF EVERYTHING WITH THE NEW Z 7II AND Z 6II FULL-FRAME MIRRORLESS CAMERAS

The High-Resolution, High Performance Z 7II and the Versatile, Multimedia Powerhouse Z 6II Offer More Innovation, Power, Speed and Precision to Step into a New Era of Creative Freedom

MELVILLE, NY (October 14, 2020) – Today, Nikon Inc. unveiled the next chapter of the Z series with the arrival of two new full-frame mirrorless cameras that significantly improve upon the previous generation by adding more power, more features and more of what users want. The ultra-high-resolution Z 7II is for those with an eye for impeccable details, offering professionals and advanced photographers a powerful tool to capture immense resolution in every shot. For dynamic creators who need a device as versatile as they are, the Z 6II balances powerful performance and an expert-level multimedia feature set to bring any creative vision to life. Together, the Z 7II and Z 6II, along with new accessories, expand the Z series into a more robust mirrorless platform, incorporating many performance and design upgrades while maintaining the most popular features of their award-winning predecessors.

“As we evolve the Nikon Z series into the future, we continue to strengthen the platform, keeping the needs of our customers at the center of every new innovation and added feature,” said Jay Vannatter, Executive Vice President, Nikon Inc. “These are the cameras that many have been waiting for from Nikon. The new Z 7II and Z 6II demonstrate our commitment to listening to customer feedback, while also establishing the new standard for performance, quality and versatility for every type of creator, photographer or filmmaker.”

The Nikon Z Mount – The Most Light Means the Best Images
The Nikon Z mount is larger than any other full-frame mount, letting in significantly more light for the best possible image quality. The wider mount also allows for radical new concepts in optical design, giving lens designers the flexibility to create NIKKOR Z lenses with more edge-to-edge sharpness than ever thought possible. These new cameras expand the possibilities of the superior Z mount with performance upgrades designed to improve the quality, workflow and shooting experience for Nikon Z series users.

New Features and Upgrades: Customer-Focused Innovation Drives Creativity

  • Dual EXPEED 6 Processors for Twice the Power: At the heart of the new Z 7II and Z 6II is the implementation of two EXPEED 6 image processors, turbocharging performance to improve processing speed and increasing burst capability for stills — all while increasing power efficiency.
  • Built for Confidence, Built for Creators: The cameras retain robust weather sealing, user-focused ergonomics and an intuitive interface– distinctions that Nikon users have come to rely on. The new models also offer improvements such as dual memory card slots, with one CFexpress (type B)/XQD slot and one SD card slot (UHS-II), for maximum versatility and peace of mind. Users will also benefit from more power and comfortable vertical shooting with the addition of the optional new MB-N11 battery pack with vertical grip.
  • Enhanced Focus System: With an updated, feature-rich autofocus system, the Z 7II and Z 6II quickly acquire focus and track subjects throughout the frame. For more precise autofocusing, Eye and Face-Detection AF is now available in the Wide-Area AF (L) mode, which works to avoid focusing on distracting elements by isolating selected portions of an image. Additionally, both models have an improved low-light AF detection range that is capable of acquiring subjects in challenging lighting.
  • Advanced Video Capabilities: Expanding the boundaries of 4K UHD video, the Z 7II and Z 6II enhance video output with an increased frame rate of 4K (UHD) 60p, plus Eye-Detection AF mode when recording video. While currently available in the Z 7II, the 4K 60p option is planned to be available in a free firmware upgrade for the Z 6II in February 2021. As a result of pro user feedback, the models also allow users to reverse the focus ring orientation on the fly, benefitting those who are used to manual focusing using traditional cine lenses on set. For added flexibility in post-production, 10-bit N-Log and HDR (HLG)1 output offers more detail, dynamic range and contrast in captured footage, while the optional 12-bit ProRes RAW upgrade2 delivers greater creative control for professionals and advanced videographers.

Nikon Z 7II: Absolute Immersive Masterpiece
The Z 7II promises high-resolution stills and video for discerning users who need ultimate performance to achieve exceptional image quality in every shot. A powerful upgrade to the Nikon Z 7, the Z 7II is the ideal camera for capturing highly detailed portraits, landscapes, weddings, events, and commercial photography when there is no compromise on image quality.

  • The Z 7II features a 45.7-megapixel backside-illuminated (BSI) CMOS sensor to help capture intense detail, ultra-shallow depth of field and clarity that overwhelms. The exceptionally clean native ISO range from ISO 64 to 25,600 offers the functional freedom to shoot at wide apertures in bright light or in-studio with minimal noise.
  • With up to 10 fps maximum shooting speed at full resolution in Continuous H (extended)3, the Z 7II can handle fast burst rates with more than triple (3.3x)4 the buffer capacity of the Z 7 (in 12-bit lossless compressed RAW).
  • The Z 7II’s 493 on-sensor phase-detect autofocus points cover 90 percent of the frame, quickly and accurately acquiring subjects, even at its far edges. The Z 7II is capable of acquiring focus in half the light (as low as -3 EV5), making it the reliable tool for low-light scenes such as weddings and indoor events.

Nikon Z 6II: True Multimedia Powerhouse
The Z 6II is the most versatile Z series camera yet, balancing speed, power, low-light ability, and advanced video features for dynamic creators who need pro-level performance and reliability.

  • Building on the vast pro-caliber video capabilities of the Z 6, the Z 6II is capable of recording 4K UHD video quality with full pixel readout, demonstrating the advantages of mirrorless technology. The camera is capable of a variety of frame rates, including 4K UHD 60p6 with full pixel readout, which is planned to be available in February 2021 via a firmware update. It is also capable of 4K 30p, as well as Full HD 120p for slow motion.
    o Built with videographers in mind, the Z 6II’s AF speed and tracking sensitivity is adjustable to meet creative needs, while the focus ring is also reversible. Useful indicators for focus peaking, zebra stripes and timecodes help capture the best possible footage in-camera and simplify workflow.
    o For both models, 10-bit output to an external recorder with N-Log is possible as well as the capture of new HDR (HLG) video and output in 12-bit ProRes RAW with the optional upgrade. For upgrade customers, additional support will also be included for Blackmagic RAW when using the Blackmagic Design Video Assist 12G HDR recorder. This upgrade will also be provided for existing customers who have already purchased a ProRes RAW upgrade for the Nikon Z 6 or Z 77.
    o The Z 6II and Z 7II are the first Nikon cameras to support Eye-Detection AF and Animal-Detection AF with video recording, enabling continuous focus on the eyes of humans, dogs, and cats.
  • The Z 6II features a 24.5-megapixel BSI CMOS sensor for crisp stills and video capture with impressive detail, ultra-shallow depth of field and impressive low light performance. To confidently shoot in challenging light, the camera has an impressive ISO range from ISO 100–51,200, expandable up to ISO 204,800 equivalent.
  • Thanks to the addition of dual EXPEED 6 Processors, the Z 6II boasts a fast 14 fps3 continuous shooting speed, providing quick performance for capturing action, with more than 3.5x the buffer capacity of the Z 64.
  • The Z 6II’s enhanced AF system features 273 on-sensor phase-detect autofocus points for easy subject acquisition and tracking throughout the frame, including at the edges. Capable of focusing in half the light (down to -4.5 EV5), the Z 6II easily acquires focus in extreme low light scenarios, making it an ideal option for capturing nightscapes and events.

The Nikon Experience: Reliability & Workflow
Both the Z 7II and Z 6II adopt the Z series’ durable Magnesium Alloy build and extensive weather-sealed design for all-around protection in rugged environments. Both models focus on improved workflow with intuitive features and controls that enhance the creative process.

  • The Z 6II and Z 7II enable convenient iMenu access for autofocus modes such as the new Wide-Area AF (L) mode for people or animals, with built-in Eye and Face-Detect autofocus, allowing users to quickly switch between controls while shooting.
  • USB power delivery can be enabled while the cameras are in use, drawing power from the USB source first, to preserve camera battery8 or charging while the camera is turned off (when using the EN-EL15b or EN-EL15c battery).
  • The Z 6II and Z 7II also include in-camera exposure choices for up to 900 seconds for capturing super slow-shutter nighttime cityscapes and astrophotography.
  • Both the Z 6II and Z 7II are compatible with the Nikon Webcam Utility software beta, ensuring seamless webcam functionality for all occasions. When using this function with a USB-C cable, power can be supplied to the camera to power it while using it as a webcam, making turnkey webcam functionality as easy as plugging in a USB-C cable.
  • In addition to its seamless file transfer and remote camera control, the Nikon SnapBridge app can be used to streamline the firmware update process by wirelessly sending the latest firmware file directly to the Z 7II or Z 6II for updating, no card reader or computer necessary.
  • Portions of the information display can be hidden with still-image shooting and video recording, allowing an unobstructed view of the scene.
  • In-camera vibration reduction (VR) provides camera-shake compensation equivalent to 5-stops9.

A Rapidly Expanding Ecosystem
Nikon is committed to expanding the NIKKOR Z lens lineup to complement the exceptional power of these latest mirrorless cameras, with 16 NIKKOR Z lenses currently available, including the recently announced NIKKOR Z 50mm f/1.2 S and 14-24mm f/2.8 S. The lineup will expand to include a total of 24 innovative optics by the end of 2021, providing Z series users with the tools to achieve the highest level of optical excellence.

The ecosystem is also expanding with more accessories, including the addition of the new MB-N11 Power Battery Pack with vertical grip for the Z 6II and Z 7II. This new grip features convenient external controls for additional manual operation and customization, along with more comfortable portrait orientation shooting. While battery life is extended up to 1.9x10 (CIPA standard), the battery grip also includes a hot-swappable chamber, granting users the ability to remove or replace one battery while shooting for uninterrupted power – a true benefit for content creation. The vertical grip also adds a secondary USB-C port for standalone charging and simultaneous communication with other devices.

Additionally, Nikon has announced new wireless transceivers for remote triggering and radio-controlled lighting, the WR-R11a and WR-R11b. The new wireless transceiver units use radio frequencies to communicate and are designed for users who need minimal release lag when shooting wirelessly, or those that use one or more remote flashes (AWL). The user can control additional remote cameras simultaneously using the WR-T10 remote, or via a main camera equipped with the WR-R11a/b. The WR-R11a uses a 10-pin connector, while the WR-R11b connects through the accessory terminal that can be found on Z series mirrorless cameras and select DSLRs. The units can also trigger Nikon radio-controlled flash units, such as the popular SB-5000 Speedlight, without the need for an additional receiver unit. Engineered with a new hinged design, the WR-R11a increases durability when attached to a camera.

Pricing and Availability
The Nikon Z 7II will be available in December 2020 in two configurations, body-only for a suggested retail price (SRP) of $ 2,999.95* and a one-lens kit with the NIKKOR Z 24-70mm f/4 for an SRP of $ 3,599.95*. The Nikon Z 6II will be available in November 2020 and will also be available in two configurations, body-only for an SRP of $ 1,999.95*, and a one-lens kit with the NIKKOR Z 24-70mm f/4 for an SRP of $ 2,599.95*. The MB-N11 Battery Pack with vertical grip will be available in November 2020 for an SRP of $ 399.95. The WR-R11a and WR-R11b (sold separately) will be available in November 2020, and each will have an SRP of $ 199.95 for the controller only. They will also be available as a set including the controller and the WR-T10 wireless remote controller for an SRP of $ 279.95.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Other trade names mentioned in this document are trademarks or registered trademarks of their respective holders.

1. Footage is recorded only to the external device; it cannot be recorded to the memory card inserted in the camera.
2. The RAW video output function can be enabled by a Nikon service facility for a fee. This firmware upgrade is part of the paid ProRes Raw upgrade. The Atomos Ninja V supports Nikon RAW video output, and records videos in ProRes RAW format. Operation is not guaranteed with recorders other than the Ninja V. On Z 7II, RAW video output is possible only with full-HD videos recorded in the FX-based video format and 4K UHD videos recorded in the DX-based video format.
3. When shooting in Continuous H (extended) using single-point AF, with AF/AE tracking. 12-bit lossless compressed RAW, with a 128GB CFexpress (Type B) memory card.
4. 12-bit lossless compressed RAW, with a 128GB CF express (Type B) memory card
5. Using AF-S at f/2.0, ISO 100 and 20°C/68°F with the center focus point selected in single-point AF area mode
6. With Full-pixel readout, when shot in DX image area
7. Planned for February 2021
8. Requires optional UC-E25 USB cable.
9. Measured in accordance with CIPA standards (using the NIKKOR Z 24-70mm f/4 S at the maximum telephoto position).
10. With an optional battery pack attached with two fully charged EN-EL15c Rechargeable Li-ion batteries. Endurance varies with the condition of the battery, the temperature, the interval between shots, and the length of time menus are displayed.

Nikon Z6 II and Z7 II specifications

  Nikon Z6 II Nikon Z7 II
Price
MSRP $ 1995 (body only), $ 2599 (w/24-70 F4 lens) $ 2999 (body only), $ 3499 (w/24-70 F4 lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6048 x 4024 8256 x 5504
Other resolutions 3936 x 2624 (DX crop), 4016 x 4016 (1:1), 6048 x 3400 (16:9) 5408 x 3600 (DX crop), 6880 x 5504 (5:4), 5504 x 5504 (1:1), 8256 x 4640 (16:9)
Image ratio w:h 1:1, 5:4, 3:2, 16:9
Effective pixels 25 megapixels 46 megapixels
Sensor photo detectors 25 megapixels 47 megapixels
Sensor size Full frame (35.9 x 23.9 mm)
Sensor type BSI-CMOS CMOS
Processor Dual Expeed 6
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-51200 (expands to 50-204800) Auto, 64-25600 (expands to 32-102400)
Boosted ISO (minimum) 50 32
Boosted ISO (maximum) 204800 102400
White balance presets 12
Custom white balance Yes (6 slots)
Image stabilization Sensor-shift
Image stabilization notes 5-axis
CIPA image stabilization rating 5 stop(s)
Uncompressed format RAW + TIFF RAW
JPEG quality levels Fine, normal, basic
File format
  • JPEG
  • Raw (NEF, 12 or 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom No
Manual focus Yes
Number of focus points 273 493
Lens mount Nikon Z
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2″
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.8×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 900 sec 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash modes Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off
Flash X sync speed 1/200 sec
Continuous drive 14.0 fps 10.0 fps
Self-timer Yes (2, 5, 10 or 20 secs)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 50p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types CFexpress Type B / XQD CFexpress (Type B), XQD, SD (UHS-II)
Connectivity
USB USB 3.2 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes (via MC-DC2 or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description EN-EL15c lithium-ion battery & charger
Battery Life (CIPA) 410 420
Weight (inc. batteries) 705 g (1.55 lb / 24.87 oz)
Dimensions 134 x 101 x 70 mm (5.28 x 3.98 x 2.76″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Atomos launches Connect, a $79 capture card

29 Sep

Atomos has launched a HDMI-to-USB video capture card that allows any HDMI camera or recorder to be used to live stream or record to a PC or Mac. Connect is a tiny device that plugs directly into a USB port and accepts HDMI input to provide a video feed of up to 1080p at 60fps in up to 12-bit color.

The device can accept 4K at 30p, and needs no additional drivers, software or power supply to work. And best of all, it costs $ 79. Unlike most capture cards, the Connect doesn’t use a USB out cable, so the full weight of the HDMI cable will be borne by the USB port on your computer, making this perhaps a solution when a short cable is in use or when the cable can be supported.

Atomos is promoting Connect to use with its range of video recorders, but it can also work directly with any camera, or device, that can output via HDMI. The company points out though that when used with the Shogun7 users can switch between up to four simultaneously streaming cameras using the Shogun’s multiple-camera recording capabilities.

The Atomos Connect is available now. For more information see the Atomos website.

Press release:

Atomos launch Connect: Professional HDMI to USB conversion for streaming.

Melbourne, Australia – 28th September 2020 – Atomos is today excited to launch Connect, a convenient, reliable, and affordable bridge between professional 4K video capture and high frame rate UVC streaming over USB (up to 1080p60). Connect works with any HDMI device including the entire Atomos range. Simple to use, it has universal support from popular streaming platforms and at only $ 79USD is an affordable way for gamers, vloggers and education facilities to up their streaming game using the professional Atomos monitor-recorder ecosystem.

Convert, Connect, Stream
Connect bridges the Atomos world of professional recording and monitoring with popular streaming platforms such as YouTube, Twitch and OBS. Use your Atomos device for professional shot setup and recording and use Connect to simply convert the HDMI output to USB on the go for streaming on your Mac or PC. Connect accepts up to 4Kp30 video and is capable of up to 1080p60 output over USB – incredible streaming quality for the US$ 79 price point.

Plug and go like a pro
With a slim 0.5-inch profile, Connect is sleek enough to sit directly off your laptop or computer. No drivers are required and no power supply either, meaning it really is a simple matter of connecting your Atomos or HDMI device to your Mac or PC to start producing like a pro.

Shogun7 Connect – tame multicamera streaming
The Atomos Shogun7 allows you to monitor and record up to four 1080p60 streams simultaneously and then cue and switch in real-time with a simple touch of the screen. Additionally, the Shogun7 is able to accept asynchronous feeds (sources don’t need to be locked), allowing the user to use more affordable cameras for multi camera production. Adding in Connect, lets you output the switched feed for live streaming on your Mac or PC. This makes the Shogun7 Connect package one of the easiest and most affordable options for professional switching.

Transforms your Camera to a Pro Webcam
Even without an Atomos monitor-recorder, Connect transforms your HDMI camera to a powerful professional webcam. No drivers required, plug in Connect and go live instantly.

The Atomos Connect is available immediately for $ 79/€79 from the global authorised Atomos dealer network.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS M7 Rumored to Arrive in 2020 With Dual Card Slots, 2.36M-Dot EVF

31 Aug

The post Canon EOS M7 Rumored to Arrive in 2020 With Dual Card Slots, 2.36M-Dot EVF appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon EOS M7 rumor

With most photographers focused on Canon’s new EOS R models, rumors of another couple of Canon EOS M cameras have mostly flown under the radar. This includes talk of a potential EOS M7, as well as a rumored EOS M50 Mark II.

And information continues to leak, including recent Canon EOS M7 specifications; if the rumors are accurate, it’s shaping up to be one impressive camera.

Canon Rumors suggests we may get:

A 32-megapixel sensor.

In-body image stabilization.

A 2.36M-dot electronic viewfinder.

12 frames-per-second shooting.

Dual card slots.

4K/60p.

Nice, right?

Unfortunately, the same set of rumors also puts the EOS M7 price at $ 1599 USD, which is significantly more expensive than either the EOS M50 and the EOS M6 Mark II. But if the EOS M7 is, as many have speculated, a higher-end, durable APS-C mirrorless model from Canon, this pricing could make sense.

Now, the features listed above are unconfirmed (Canon Rumors marks them as CR1), so take them with a pinch of salt. But the EOS M7 has long been a topic of discussion, including speculation of the camera as a mirrorless replacement to the Canon EOS 7D series, which was a favorite set of DSLRs among bird and wildlife photographers.

If the latter is true, the EOS M7 should, first and foremost, be an action photography camera. This is hinted at by the (relatively) fast continuous shooting specification, as well as the dual card slots, but we’ll have to wait and see regarding its durability (the 7D series was known for its large, tough bodies).

Interestingly, Canon Rumors also mentions the possibility of the EOS M line drawing to a close in 2021, with Canon focusing entirely on the EOS R lineup, including (perhaps) an APS-C EOS R model. If such a rumor were true, then the EOS M7 and the EOS M50 Mark II may be some of the last EOS M bodies we ever get.

Of course, this is also completely unsubstantiated, so just keep an eye out for related news in the future!

Now over to you:

What do you think about the rumored specifications for the Canon EOS M7? Is it a camera you’d be interested in? Also, do you think that Canon will truly discard its EOS M lineup? Share your thoughts in the comments!

The post Canon EOS M7 Rumored to Arrive in 2020 With Dual Card Slots, 2.36M-Dot EVF appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Dealer’s Choice: It’s new card time. Is that such a bad thing?

23 Aug
If you buy a new high-end camera, you’ll probably have to stock up on new memory cards. And card readers. CFexpress Type A is one of the options, but will it take off, or remain an expensive outlier?

It’s sometimes hard to recognize when life’s been treating you well until things take a turn for the worse. Like it or not, we’re not returning to the halcyon days you may have taken for granted at the time.

I’m talking, of course, about memory card formats. But you knew that, right?

For much of the last ten years, the SD card has held sway over most cameras’ card slots. Its dominance has never been absolute, Compact Flash held on in the higher end until the short-lived CFast and XQD formats usurped them, but the chances are that the camera you had ten or fifteen years ago took SD cards and the one you use now does, too. The days of xD, Memory Stick and multiple flavors of Smart Media seemed to be in the past.

An interesting side-effect of this hegemony is that many of us have forgotten what it’s like to have to buy new memory cards (and readers) every time we buy a camera. As if picking a brand (or, more sensibly, a lens system) wasn’t hard enough, the next time you upgrade you may also have to commit to a new media format, with no guarantee that the format will last beyond that next camera body.

A comparatively short life: neither XQD and CFast (the latter mostly used in pro video cameras) have shown much longevity compared to the venerable SD and CF formats.

New cameras, new formats

But change does appear to be here, with both Canon and Nikon settling on the same high-end media format (CFexpress Type B) for the first time in eight years. Meanwhile, in its latest camera, Sony has opted for the similar-sounding but physically incompatible CFexpress Type A.

There are advantages to this: CFexpress is based on a much faster interface than current SD cards, and the cards themselves are more physically durable. But, as is usual with electronics, ‘faster’ plus ‘new’ does not equal ‘cheap.’

Oddly unnecessary

What’s interesting (and I may be using that word entirely inappropriately), is that the move to CFexpress isn’t strictly necessary.

CFexpress is based around the use of PCIe 3.0 NVMe technology, an interface used for computer SSDs. But the Secure Digital Association has set out a version of SD based on the same technology. It’s even mapped out a PCIe 4.0 version which could theoretically hit 4 GB/s (the maximum currently promised by CFexpress).

However, SD Express is two generations ahead of the UHS-II cards and slots that are only now becoming common on cameras, and would only be backward compatible at UHS-I speeds. It’ll be interesting to see whether brands such as Fujifilm, Leica and Olympus will skip UHS-III entirely to adopt SD Express, or whether they too will jump aboard one of the CFexpress trains.

A little legacy support

All of the manufacturers using these cards seem keen to accommodate existing card owners: Canon by providing an SD card slot alongside CFexpress B, Nikon and Panasonic by continuing to support XQD as well as CFexpress B and Sony by designing slots that can accept either SD or CFexpress A cards. But in all instances, you need to adopt the newer format to squeeze the most out of the new cameras (in many instances, it’s video modes that require the faster card types, perhaps the one concrete example of video features adding to photographers’ costs).

No more making do

On the plus side, the move toward new card formats reduces the temptation to try to make-do with those older, slower cards you’d already bought. No more winging it to see if your particular U3 card can reliably maintain the sustained 90MB/s read/write of an actual V90 card, just because it says ‘300MB/s’ on the front. No more hiccoughing continuous bursts because you grabbed a 10-year old Class 1 ‘Extreme’ card as you left the house.

So yes, there’s every chance you’re going to have to dig a bit deeper next time you buy a fancy new camera. New cards, new card readers, perhaps at rather inflated prices if you jump in too soon. But think about it, how much have you spent during the lifetime of your camera on SD cards you’ve lost, that have become corrupted or have broken just enough that they won’t eject properly anymore?

What’s holding you back?

Look at it this way: it’s a great way of being certain your camera is able to work to its full potential, and aren’t a lot of us buying more camera than we need, to ensure it’s never the factor holding us back? And with the three biggest camera makers settling on variants of CFexpress, there’s only a slight risk that you’re investing heavily in the next xD or Memory Stick.

Articles: Digital Photography Review (dpreview.com)

 
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Sony announces world’s first CFExpress Type A cards and card reader

30 Jul

While the Sony a7S III rightly received most of the attention yesterday, Sony also announced it’s releasing the world’s first CFExpress Type A memory card and reader.

These new CFExpress Type A Tough cards offer max read and write speeds of 800MB/s and 700MB/s, respectively, and come in 80GB and 160GB capacities. While these cards will work in other cameras that offer CFExpress Type A slots, these are clearly designed to go hand-in-hand with Sony’s a7S III, which features dual hybrid card slots that can take UHS-II SD cards or CFExpress Type A cards.

New cards mean you’ll need a new way to get data off the cards, so Sony has also unveiled a USB 3.2 Gen 2 USB-C card reader that also accepts both SD cards and CFExpress Type A cards. The reader can transfer data at up to 10Gbps, which should leave more than enough overhead for even the fastest UHS-II SD cards as well as the new CFExpress Type A cards.

Both the CFExpress Type A Tough cards and SD/CFExpress Type A card reader are available to pre-order today. The 80GB (Adorama, B&H) and 160GB (Adorama, B&H) cards cost $ 200 and $ 400, respectively, while the card reader costs $ 120 (Adorama, B&H).

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Delkin Devices unveils new 2TB CFexpress Type B card with read speeds up to 1,730MB/s

11 Jun

Hot on the heels of ProGrade Digital’s new 1TB CFexpress Type B card, Delkin Devices has unveiled its new 2TB CFexpress Type B card, the highest-capacity CFexpress Type B card to date.

The new CFexpress Type B cards use a PCIe 3.0 interface and NVMe storage to achieve read and write speeds up to 1,730MB/s and 1,430MB/s, respectively, meaning it’s not only higher-capacity than ProGrade Digital’s ‘Gold label’ cards, but also faster. Delkin Devices says each of its cards undergoes ‘extensive testing to ensure full functionality and performance’ with the latest CFexpress compatible camera systems.

A compatibility chart from Delkin Digital showing what cameras the card has already been approved for use in and what camera models it’s currently testing the cards with.

In addition to the standard lifetime warranty, these new cards also come with Delkin Device’s 48HR Replacement Guarantee, which states that Delkin Devices ‘will happily replace any non-working card within 48 hours or less (not including weekends), prior to receiving your non-working card.’ In the event you have an authorized Delkin Devices retailer nearby, you can also pick up the replacement in-person — just be sure to register your card.

No pricing or availability information is given, but Delkin’s 1TB version of this card has a list price of $ 1,000 but is currently available for $ 700 at Adorama and $ 890 at B&H. Being the press release is live, we expect it won’t take long before the 2TB model becomes available.

https://www.the-digital-picture.com/News/News-Post.aspx?News=34868

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Lexar launches $50 USB Type-C CFexpress card reader with speeds up to 1,050MB/s

06 Jun

Lexar has announced its upcoming Lexar Professional CFexpress USB 3.1 Reader, a budget-friendly CFexpress card reader that offers impressive speeds in a compact package.

The Lexar Professional CFexpress USB 3.1 Reader is based on the USB 3.1 Gen 2 Type-C interface and can deliver read speeds up to 1,050MB/s through its CFexpress Type B card slot. It measures in at roughly 5.6cm x 4.7cm x 1.3cm (1.1” x 1.5” x .14”), weighs just 21g (0.74oz) and can operate between -10°C to 70°C (14°F to 158°F) if you really feel like putting it to the test.

Despite having a USB Type-C host port on the reader, Lexar opted to only include a USB Type-C to USB Type-A cable within the box. So, if you’re wanting a USB Type-C to USB Type-C connection, you’ll need to supply your own cable.

The good news is, this omission likely plays a role in the affordability of this card reader. The Lexar Professional CFexpress USB 3.1 Reader is currently available to pre-order for just $ 50 (Adorama, B&H). At this time, it appears to be the cheapest CFexpress card reader from major brands, including SanDisk ($ 70), Sony ($ 100), ProGrade ($ 100), Delkin ($ 55) and even Wise ($ 59).

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Blackjet’s CFexpress Type B and XQD card reader, 4-bay Cinema Dock offer Thunderbolt 3 performance

08 May

Blackjet has two relatively new storage peripherals: the new TX-4DS four-bay Cinema Dock with Thunderbolt 3 and the TX-1CXQ reader for CFexpress Type B and XQD cards. Both products offer rapid data transfer speeds up to 40Gb/s due to the inclusion of Thunderbolt 3, making them suitable for users who often shoot Ultra HD footage, manage data-heavy projects or who need to rapidly transfer large batches of images between drives.

The Blackjet TX-1CXQ Thunderbolt 3 hub features support for CFexpress Type B cards and Sony XQD / XQD 2.0 cards with ingest speeds up to 1600MB/s and 500MB/s, respectively. The hub is powered by the Thunderbolt 3 cable that connects the device to the user’s computer. The TX-1CXQ works with Windows 10 and macOS 10.12 and higher.

The model is priced at $ 199 but is listed on multiple online retailer websites as on backorder without clear availability or shipping dates at this time.

Joining the card reader is the Blackjet TX-4DS Thunderbolt 3 Cinema dock, which features four M.2 NVMe SSD enclosures, dual Thunderbolt 3 ports for daisy-chaining up to five Thunderbolt devices (displays, external drives, etc.), and optional reader modules for directly turning the inputs into CFast 2.0, XQD, SDXC, SSD, SxS and CFexpress card readers.

The TX-4DS features a built-in cooling fan and can be configured with RAID 0, RAID 1 and JBOD using the included software. The unit measures 120 x 145 x 155mm (4.7 x 5.7 x 6.1in); it is compatible with Windows 10 and macOS 10.12 or higher.

The enclosure is available from numerous retailers, including Amazon and Adorama, for $ 499.99—the price doesn’t include SSD drives, which are sold separately. You can find out more information on Blackjet’s website.

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