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Sony reveals Alpha 1 50MP full-frame camera capable of 30fps and 8K

26 Jan

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Sony has announced the Alpha 1, a fast, high-res 50MP camera capable of shooting at 30 fps with no blackout. It is capable of 8K video.

It uses a stacked CMOS sensor and a pair of new Bionz XR processors, allowing silent, no-blackout images at up to 30 fps. Despite having twice as many pixels as the a9, the a1 promises to have 1.5x less rolling shutter. This allows flash sync at up to 1/200 sec with the electronic shutter or 1/400 sec using the mechanical shutter.

The a1 can shoot 8K video at up to 30p using its full width. This uses all its horizontal pixels, capturing 8.6K footage and downsizing it to 8K to provide improved resolution. 8K footage can be captured in up to 10-bit 4:2:0 using the XAVC HS format. The camera uses a similar heat-dissipating design to the a7S III, allowing it to record 8K for up to 30 minutes, if the temperature warnings are set to their most tolerant setting.

It becomes the first Sony camera to offer Lossless compress Raw and can also capture HEIF for 10-bit compressed capture. It uses a pair of CFExpress Type A card slots that, like those in the a7S III, also accept SD cards.

The new processors also bring the improved menu system first seen in the a7S III.

The camera’s in-body image stabilization system is rated at 5.5EV, as with previous cameras. This system is also used to offer 4 or 16-shot high-resolution modes, allowing images of up 199MP to be combined using Sony’s Imaging Edge desktop software.

The a1 pushes the autofocus forward from the a9 cameras, offering 92% coverage and now expanding its ‘Real-time Eye AF’ to work with birds, as well as animals and people. It boosts the number of AF and AE calculations it can do to 120 per second: twice as many as the a9 performs.

The camera has a 9.44M dot OLED viewfinder that can be refreshed at up to 240fps. The faster mode still offers 1600 x1200 pixel (5.76M dot) resolution. It has an impressive 0.9x magnification and an eye-point of 25mm, which should allow the finder to be seen even when wearing glasses.

Like the a7S III, it can shoot 4K at up to 120p in 10-bit 4:2:2 quality. Sony says it uses 5.8K pixels in its Super 35 (~APS-C) mode, but there’s no talk of a 4K-from-8K mode. Also like the a7S III it can output 16-bit Raw video output over HDMI. In addition to offering the S-Log 3 curve that promises 15 stops of DR in video, it also offers the S-Gamut3 and S-Gamut3.Cine color modes that match Sony’s professional video cameras’ output. It also becomes the first Alpha camera to offer the S-Cinetone color response.

For photojournalists and sports shooters needing to deliver pictures immediately, it features dual-band Wi-Fi that allows FTP transfers and 3.5x the rate offered by the a9 II: which Sony presumably expects to be used with its new Xperia Pro smartphone/HDR monitor/5G transmitter. There’s also an Ethernet port for wired connections.

It will cost around $ 6500 / €7,300 / £6,500 and will be available in March. It uses the same VG-C4EM two-battery accessory grip as the a7R IV, a7S III and a9 II.

Press release

Groundbreaking Sony Alpha 1 Camera Marks a New Era in Professional Imaging

The Alpha 1 Delivers an Unprecedented Combination of Resolution, Speed and Video Performance, Empowering Professionals with a New High-Resolution 50.1-megapixel Full-frame Image Sensor, High-speed Shooting at up to 30 Frames per Second, 8K 30p Video and More

  • New 50.1-megapixel (approx., effective) full-frame stacked Exmor RS™ CMOS image sensor in combination with an upgraded BIONZ XR™ imaging processing engine with eight times more processing power[i]
  • Blackout- free continuous shooting at up to 30 frames per second[ii]
  • Fast sensor readout enables up to 120 AF/AE calculations per second[iii], double the speed of the Alpha 9 II, even during 30fps continuous shooting
  • Bright and large 0.64-type 9.44 million-dot (approx.) OLED Quad-XGA electronic viewfinder with the world’s first[iv] refresh rate of 240 fps
  • Silent, vibration-free electronic shutter
  • World’s first[v] anti-flicker shooting with both mechanical and electronic shutter
  • Electronic shutter flash sync[vi] up to 1/200 sec. for the first time in the Alpha™ series
  • World’s fastest[v] mechanical shutter flash sync up to 1/400 sec.
  • 8K 30p[vii] 10-bit 4:2:0 XAVC HS video recording with 8.6K oversampling for extraordinary detail and resolution, in addition to 4K 120p[viii] 10-bit 4:2:2 movie shooting capabilities
  • Wide dynamic range of 15 stops for stills[ix] and 15+ stops for video[x]
  • Improved Real-time Eye AF (autofocus) for humans and animals, and new Real-time Eye AF for birds[xi], as well as Real-time Tracking that automatically maintains accurate focus
  • 5-axis optical in-body image stabilization for a 5.5-step[xii] shutter speed advantage
  • S-Cinetone color matrix as seen in FX9 and FX6 to deliver expressive cinematic look
  • Professional workflow support with the industry’s fastest[xiii] built-in Wi-Fi, SuperSpeed USB 10Gbps, 1000BASE-T Ethernet and more

SAN DIEGO, CA – January 26, 2021 – Sony Electronics, a global leader in imaging sensor technology and digital imaging, has announced the arrival of the groundbreaking new full-frame mirrorless Alpha 1 camera – asserting their commitment to leading the industry with a stunning combination of innovative new features.

The most technologically advanced, innovative camera that Sony has ever released, the Alpha 1 combines high-resolution and high-speed performance at a level that has never been accomplished in the world of digital cameras. With a brand new 50.1-megapixel full-frame stacked Exmor RS™ image sensor, up to 120 AF/AE calculations per second, 8K 30p 10-bit 4:2:0 video and much more, the Alpha 1 will allow creators to capture what they’ve never been able to before.

“We are always listening to our customers, challenging the industry to bring new innovation to the market that goes far beyond their expectations.” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “Alpha 1 breaks through all existing boundaries, setting a new bar for what creators can accomplish with a single camera. What excites us the most – more than the extensive product feature – is Alpha 1’s ability to capture that which has never been captured before. This camera unlocks a new world of creative possibilities, making the previously impossible now possible.”

The newly developed image sensor is built with integral memory and paired with an upgraded BIONZ XR imaging processing engine, making it capable of shooting 50.1-megapixel images continuously at an astounding 30fps with up to 120 AF/AE calculations per second. The Alpha 1’s shooting capabilities are further enhanced by a 9.44 million dot OLED Quad-XGA electronic viewfinder, with a refresh rate of up to 240 fps[xiv], ensuring no black out. Additionally, for the first time in an Alpha series camera, 8K 30p 10-bit 4:2:0 video is available. The Alpha 1 is also capable of 4K 120p / 60p 10-bit 4:2:2 recording and includes S-Cinetone color. The Alpha 1 is also packed with features that support field professionals with faster workflow, including 3.5 times faster wireless FTP transfer speed[xv] and more.

Unprecedented Resolution and Speed

Continuous Shooting at Up to 30 Frames Per Second

The Alpha 1 captures moments that would otherwise be lost thanks to its high-speed performance, providing any photographer the speed they require to capture fast-moving objects. High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to 155 full-frame compressed RAW images[xvi] or 165 full-frame JPEG images[xvii] at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance[xviii].

At an astonishing calculation speed of up to 120 AF/AE per second, the Alpha 1 can maintain focus with high accuracy even for fast moving subjects. It can automatically adjust exposure, even with sudden changes in brightness, with an AE response latency as low as 0.033 seconds[ii].

Advanced Electronic Viewfinder with the World’s Firstiv Refresh Rate of 240 fps

Complimenting the camera’s ability to capture images at an unprecedented speed, the Alpha 1 viewfinder features the world’s first[iv] 240 fps refresh ratexiv, for a super-smooth display. The viewfinder does not black out when an exposure is made to offer an uninterrupted view and allow for seamless framing and tracking, even during continuous shooting. The 9.44 million-dot (approx.), 0.64 type Quad-XGA high-definition OLED display and refined optics deliver the highest resolution in its classiv. It also offers 0.90x[xix] viewfinder magnification, a 41° diagonal FOV, and a 25mm-high eyepoint for clear, low distortion viewing from corner to corner.

Advanced Autofocus

Sony continues to push the boundaries of autofocus technology with the introduction of the Alpha 1, which can easily track complex, fast-moving subjects with high precision. The camera features 759 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area – ensuring accuracy and unfailing focus in environments where focusing might otherwise be difficult.

Sony’s advanced Real-time Eye AF improves detection performance by 30% over the previous system[i], thanks to the powerful image processing engine, BIONZ XR. It ensures accurate, reliable detection, even when the subject’s face looks away. In addition to improved Real-time Eye AF for humans and animals, the Alpha 1 employs high-level subject recognition technology to provide Real-time Eye AF for birds[xi], a first in an Alpha series camera. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes[xx].

The Alpha 1 also features AI-based Real-time Tracking that automatically maintains accurate focus. A subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed.

Silent, Vibration-free Electronic Shutter

High-speed readout from the new image sensor has made it possible to reduce rolling shutter by up to 1.5 times when shooting stills, compared to the Alpha 9 II. It also offers silent anti-flicker continuous shooting with an electronic shutter for the first time[v] in the world. The electronic shutter[xxi] operates silently, without mechanical noise, and is vibration-free. Stress-free continuous shooting is now possible even when shooting in challenging lighting situations with florescent or other flicker-prone types of artificial lighting. And for the first time in an Alpha camera, electronic shutter flash sync up to 1/200 sec[xxii] is possible. The advantages of the electronic shutter advantages can now come to life even when using flash for broadly expanded shooting versatility.

Dual Driven Shutter System for 1/400 Flash Sync

The Alpha 1 boasts the world’s fastest flash sync speed[v] of 1/400 sec. with mechanical shutter, making it even easier to capture dynamic action. In addition to a carbon fiber shutter curtain, the Alpha 1 features the newly developed dual driven shutter system utilizing spring and electromagnetic drive actuator, offering high durability and lightness at the same time.

High Resolution Shooting Enhancements

Even with this sensor’s high pixel count, the Alpha 1 offers high sensitivity with low noise, plus 15+ stops of dynamic range for video and 15 stops for stills, for smooth, natural gradations from shadows to highlights thanks to its cutting-edge processing system, throughout a wide ISO sensitivity range of 100-32,000 (expandable to 50-102,400, when shooting stills).

Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 796.2 million pixels of data, which are then composited into a 199 million pixel (17,280 x 11,520 pixels) image using Sony’s Imaging Edge™ desktop application. With a flash sync of up to 1/200 sec. in this mode, it is ideal for photographing architecture, art or any other still life subject with a level of detail and color accuracy that is simply stunning.

Professional Video Quality

8K High-resolution Movie Shooting

For the first time in an Alpha camera, the Alpha 1 offers 8K 30p 10-bit 4:2:0 XAVC HS recording with 8.6K oversampling for extraordinary resolution. Combined with Sony’s acclaimed autofocus technology, gradation and color reproduction performance, the Alpha 1 will help the user realize their creative vision with the finest detail. It’s 8K footage can also be used for flexible 4K editing during post-production.

Supporting Various Video Formats for Professionals

The Alpha 1 offers in-camera 4K recording at up to 120 frames per second[viii] which allows the user to shoot up to 5X slow-motion video[xxiii]. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression.

The Alpha 1 features S-Cinetone, the same color matrix that produces the highly regarded FX9 and FX6 color and skin tones. It delivers natural mid-tones, plus soft colors and gorgeous highlights to meet a growing need for more expressive depth. The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 1 footage with video shot on VENICE cinema camera, FX9 and other professional cinema cameras.

Heat-dissipating Structure

A unique heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p video continuously for approximately 30 minutes[xxiv].

Supporting Hand-held Shooting

A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The Alpha 1 also features an Active Mode[xxv] that offers outstanding stabilization for handheld movie shooting. When using Sony’s desktop applications Catalyst Browse or Catalyst Prepare[xxvi] for post-production, an accurate image stabilization function is available which utilizes metadata generated by camera’s built-in gyro.

Other features that the Alpha 1 offers include; 16-bit RAW output[xxvii] to an external recorder[xxviii] via HDMI for maximum post-production flexibility, a digital audio interface has been added to the camera’s Multi Interface (MI) Shoe for clearer audio recordings from a compatible Sony external microphone, 5.8K oversampled full pixel readout without pixel binning for high-resolution 4K movies in Super 35mm mode and more.

Enhanced Workflow with Network Technologies including Connectivity to 5G Compatible Devices

The Alpha 1 has been designed and configured to support photo and video journalists and sports shooters who need to deliver stills or movies as quickly as possible with advanced connectivity options. It offers several features for fast, reliable file transfers. Industry’s fastest[xiii] built-in wireless LAN allows communication on 2.4 GHz and 5 GHz[xxix] bands with dual antennas to ensure reliable communications. 5 GHz includes 2×2 MIMO support (IEEE 802.11a/b/g/n/ac) offering 3.5 times faster wireless FTP transfer speed than the Alpha 9 II – a notable advantage for news and sports shooters who need to deliver with reliable speed. There is also a provided USB Type-C® connector to support fast data transfer when connected to a 5G mmWave compatible device such as Sony’s Xperia PRO and makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The Alpha 1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security.

In addition to compressed and uncompressed RAW, the Alpha 1 includes efficient lossless compression with no quality degradation, Lossless Compressed RAW. There is also a new “Light” JPEG/HEIF image quality setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed. Along with a versatile range of RAW and JPEG formats, the Alpha 1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. Images shot on the Alpha 1 can be trimmed in-camera to a desired aspect ratio, size, or position for versatile usage.

The Alpha 1 is also compatible with a variety of apps, add-ons and tools. With Imaging Edge Mobile and Imaging Edge Desktop[xxx], professionals can easily transfer RAW files and files that use lossless compression and remotely control Touch Tracking and Touch Focus for convenient AF operation. The Transfer & Tagging add-on (Ver. 1.3 or later) can automatically covert voice memos attached to image files to text captions or transfer the files to an FTP server from a mobile device. Desktop applications Catalyst Browse/Catalyst Prepare[xxvi] allow professionals to browse and manage video clips shot by Sony’s camera. In addition, the Remote Camera Tool[xxxi] can remotely change camera settings and shoot from a computer connected via LAN cable and feature a number of refinements for the Alpha 1: faster transfer, touch response, dual slot and HEIF support, and more.

Reliable and Easy Operability

Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The Alpha 1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. It also features a durable magnesium alloy chassis, long battery life with the Z-battery which can be extended using the optional VG-C4EM Vertical Grip (sold separately), an improved dust removal feature, shutter close function on power-off to protect image sensor, plus dust and moisture resistance[xxxii] that maximizes reliability in challenging environments. It includes a durable, reliable HDMI Type-A connector, and USB PD (Power Delivery) support, allowing higher power to be supplied from an external source so that users can record for extended periods with minimal internal battery usage.

A revised menu structure provides easier navigation, and touch-responsive menu operation offers fast, more intuitive control with Touch Focus and Touch Tracking on its 3.0 type 1.44 million-dot (approx.) LCD monitor. For easy customization, a subset of the camera’s shooting settings now changes according to the selected shooting mode, making it easier than ever to use different aperture, shutter speed and other settings for shooting stills and movies.

The Alpha 1 Full-frame Interchangeable-Lens Camera will be available in March 2021 for approximately $ 6,500 USD and $ 8,500 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Notes:

[i] Compared to the BIONZ X imaging processing engine.

[ii] “Hi+” continuous shooting mode. In focus modes other than AF-C, effective at 1/125 sec. or higher shutter speed. In AF-C mode, effective at 1/250 sec. or higher shutter speed, and the maximum continuous frame rate will depend on the shooting mode and lens used. 20 fps max. when shooting Uncompressed or Lossless compressed RAW.

[iii] At shutter speeds of 1/125 sec. or higher. The number of AF calculations will depend on the lens used.

[iv] As of January 2021, Sony survey. Among full-frame mirrorless cameras.

[v] As of January 2021, Sony survey. Among full-frame interchangeable-lens digital still cameras.

[vi] Up to 1/200 sec. Synchronization via the sync terminal is not available for electronic shutter.

[vii] [APS-C S35 Shooting] is fixed [Off] when shooting 4K 120p and 8K movies.

[viii] 10% image crop.

[ix] Sony internal tests.

[x] When recording with S-Log3. Sony internal tests.

[xi] Still images only.

[xii] CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off.

[xiii] As of January 2021, Sony survey. Among interchangeable-lens digital still cameras.

[xiv] Field of view is fixed at 33° and resolution is UXGA when selecting frame rate at 240 fps.

[xv] 3.5 times faster when compared against the Alpha 9 II.

[xvi] “Hi+” continuous shooting mode, compressed RAW, CFexpress Type A memory card. Sony tests.

[xvii] “Hi+” continuous shooting mode, CFexpress Type A memory card. Sony tests.

[xviii] At 20 frames per second, users can shoot up to 238 full-frame compressed RAW images or 400 full-frame JPEG images.

[xix] 50mm lens, infinity, -1m-1 diopter.

[xx] Accurate focus may not be achieved with certain subjects in certain situations.

[xxi] Shutter speed slower than 0.5 sec. cannot be set while continuous shooting. Tracking performance and max. aperture differs by settings and lenses.

[xxii] Up to 1/200 sec. Synchronization via the sync terminal is not available for electronic shutter.

[xxiii] Post-production editing and S&Q mode recording required. Data must be recorded to a CFexpress Type A memory card when the frame rate is 120 (100) fps or higher.

[xxiv] Sony internal tests with [Auto Power OFF Temp.] set to [High].

[xxv] Active Mode is not available for 8K recording.

[xxvi] Catalyst Browse™ version 2020.1 or later, Catalyst Prepare version 2020.1 or later are required.

[xxvii] 8K is not applicable.

[xxviii] Compatible recorders to be announced.

[xxix] 5 GHz communication may be restricted in some countries and regions.

[xxx] The Imaging Edge (Remote/Viewer/Edit) desktop application Ver. 3.1 or later is required for compositing.

[xxxi] Remote Camera Tool version 2.3 or later is required.

[xxxii] Not guaranteed to be 100% dust and water resistant.

Sony a1 specifications

Price
MSRP $ 6500 (body only)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 8640 x 5760
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 50 megapixels
Sensor photo detectors 51 megapixels
Sensor size Full frame (35.9 x 24 mm)
Sensor type BSI-CMOS
Processor Dual Bionz XR
Color space sRGB, Adobe RGB
Color filter array Primary c olor filter
Image
ISO Auto, 100-32000 (expands to 50-102400)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 102400
White balance presets 7
Custom white balance Yes
Image stabilization Sensor-shift
CIPA image stabilization rating 5.5 stop(s)
Uncompressed format RAW
JPEG quality levels Extra fine, fine, standard, light
File format
  • JPEG (Exif v2.32)
  • HEIF
  • Raw (Sony ARW v4.0)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Number of focus points 759
Lens mount Sony E
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,440,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.9×
Viewfinder resolution 9,437,184
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash No
Flash X sync speed 1/400 sec
Continuous drive 30.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV steps)
WB Bracketing Yes
Videography features
Format XAVC S, XAVC HS, H.264, H.265
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/CFexpress Type A slots (UHS-II supported)
Connectivity
USB USB 3.2 Gen 2 (10 GBit/sec)
USB charging Yes
HDMI Yes (mini-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac (Dual Band)
Remote control Yes (via Bluetooth or tethered PC)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FZ100 lithium-ion battery & charger
Battery Life (CIPA) 530
Weight (inc. batteries) 737 g (1.62 lb / 26.00 oz)
Dimensions 129 x 97 x 70 mm (5.08 x 3.82 x 2.76)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Samsung announces Galaxy S21 series, including 8K capable, 108MP Galaxy S21 Ultra

14 Jan

Samsung has announced its latest flagship smartphones, the Galaxy S21, Galaxy S21 Plus and the Galaxy S21 Ultra. The S21 and S21 Plus are essentially identical phones, save for their screen size and other minor differences. The S21 Ultra is designed to be not only the best phone in Samsung’s diverse lineup of Android smartphones, but Samsung believes it’s the best phone available.

Samsung Galaxy S21 and S21 Plus

The S21 and S21 Plus cost $ 800 and $ 1,000 respectively. This is $ 200 less than their predecessor’s launch prices last year. As The Verge points out, the 6.2″ S21 and 6.7″ S21 Plus have given something up in order to reach this lower price point. While both phones continue to deliver 120Hz refresh rates, something Apple’s latest iPhone 12 models don’t offer, the displays no longer have the subtle curved edges of the Galaxy S20. Further, resolution has decreased from 3,200 x 1,440 to 2,400 x 1,080. In terms of internal components, RAM has decreased from 12GB to 8GB.

Build quality has changed as well. Whereas the S20 had an aluminum back panel, the smaller S21 uses plastic on the back and doesn’t include an ultra-wideband radio. The larger S21 Plus does have this connectivity feature, allowing for relatively superior compatibility with Samsung’s new Galaxy SmartTag, the Korean company’s new Tile competitor.

Another cost-saving measure is that Samsung will no longer be including a charging brick or headphones in the box. Like Apple, the company says it’s for environmental reasons. It’s only been three months since Samsung poked fun at Apple for no longer including a charger with the new iPhone models.

In addition to making cuts to reduce the price of the S21 and S21 Plus, Samsung has made improvements as well. While the quality of the materials has changed, the design looks very nice. On the inside of the new models is the latest Snapdragon chipset, which promises improved performance. The fingerprint sensor has Qualcomm’s new 3D Sonic Sensor Gen 2, resulting in improved speed. Both models feature 5G integration, supporting mmWave and sub-6GHz networks, so the new phones will be faster in that respect too, assuming you are in an area with support for 5G.

The two-tone design of the Galaxy S21/S21 Plus works around the camera protrusion. The camera system is basically the same on these models as it was last year. The S21 and S21 Plus each include a 12MP wide-angle camera, 12MP ultrawide camera and a 64MP telephoto lens. The front-facing camera is 10MP, although the S21 Plus has ditched the depth sensor.

While the hardware is unchanged, there have been some adjustments to software. There’s a 30x ‘Space Zoom’ mode, a ‘Director’s View’ mode for recording video allowing easier swapping between lenses, and additions to the ‘Single Take’ mode. Further, the default image processing no longer excessively smooths faces, although if that’s your style, it remains an option.

The Samsung Galaxy S21 and S21 Plus models will be available starting January 29 and are available for preorder now. The S21 and S21 Plus include 128GB of internal storage. If you’d like 256GB of storage, it adds $ 50 to the price of each model. The S21 is available in Phantom Gray, Phantom White, Phantom Violet and Phantom Pink colorways, with the latter two having a rose gold two-tone design. The S21 Plus is available in violet, black, silver, gold and red, with the latter two colors being made to order and shipping in 3-4 weeks, as of writing.

Samsung Galaxy S21 Ultra

The Samsung Galaxy S21 Ultra is the star of the show. Where the S21/S21 Plus are a mix of cost-cutting measures and improvements, the S21 Ultra is all about pushing hardware forward. The Ultra has a price to match, starting at $ 1,200.

For your money, you get a large 6.8″ OLED display with 120Hz refresh rates at full 3,200 x 1,440 resolution, something the S20 Ultra couldn’t do. The S21 Ultra includes 12GB of RAM, a 5,000mAh battery and offers storage capacity up to 512GB. The Ultra also includes the Qualcomm Snapdragon 888 processor. In terms of user experience, beyond promised speed improvements, the S21 Ultra is compatible with the Samsung S Pen, although it is an optional extra and many customers will likely want a compatible case with a holder for the pen as well.

The Galaxy S21 Ultra offers similar top-level camera specs as the S20 Ultra, including 100x zoom, a 108MP camera and 8K video recording, but there’s more to it than that and some important differences to consider. For example, the S21 Ultra includes more rear cameras than the S20 Ultra. The S21 Ultra has a 12MP ultrawide camera, 10MP camera with 3x zoom and a 10MP camera with 10x zoom. Previously, the 10x zoom was digital zoom, rather than optical.

Further, the primary image sensor is larger in the new model, although Samsung hasn’t stated by precisely how much. CNet writes that Samsung promises ‘more than three times the dynamic range of the S20 Ultra.’ Like the S21/S21 Plus, the S21 Ultra includes the same new software features for photo and video as well.

As mentioned, all these features come at a high price. The Samsung Galaxy S21 Ultra starts at $ 1,200 with 128GB of storage. 256GB and 512GB models are also available at $ 1,250 and $ 1,380, respectively. The S21 Ultra is available in Phantom Black, Phantom Silver, Phantom Titanium, Phantom Navy and Phantom Brown, with the lattermost three color options being available as ‘made to order’ options, which currently adds 4-5 weeks to expected shipping time. The S21 Ultra in black and silver will ship by January 27. For those interested in the Phantom Black color, Samsung published a video specifically about designing this color.

Articles: Digital Photography Review (dpreview.com)

 
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Qualcomm unveils new Snapdragon 888 SoC with 3 ISPs capable of 8K video, 120fps still shooting, 960fps slo-mo and more

02 Dec

Today, Qualcomm revealed details of the Snapdragon 888, its next-generation flagship mobile chipset, showing what kind of features, functionality and performance we can expect to see in flagship Android mobile devices in the coming year.

The Snapdragon 888 is a System on a Chip (SoC) that consists of multiple processors atop a single substrate. These include multiple CPU and GPU cores, as well as additional mobile and AI components for powering all of the features we’ve come to expect from flagship mobile devices.

At the heart of the Snapdragon 888 is Qualcomm’s Kryo 680 CPU, which is the first to use ARM’s new Cortex-X1 architecture for its 2.84GHz core, alongside three Cortex A78 performance cores (2.4GHz) and four A55 efficiency cores (1.8GHz). Qualcomm claims the Snapdragon 888 performs 25% better while using 25% less power, compared to its predecessor, the Snapdragon 865.

For the GPU, Qualcomm is using its new Adreno 660 GPU, which it says offers 35% faster graphics rendering performance while using 20% less power. This new chip is said to be the best increase in year-over-year performance and should pave the way for better display technology, including better support for 120Hz screens and improved OLED display uniformity.

On the photography front, Qualcommm has made drastic improvements to the image signal processors (ISPs) seen onboard previous Snapdragon chips. The Snapdragon 888 will feature three separate Spectra 580 ISPs. Now, with these three individual ISPs, Android smartphones that offer three cameras — most often a standard, ultra-wide and telephoto — will be able to capture full-resolution photos and video (up to 28MP per camera for stills and 4K HDR video per camera for video), with a maximum bandwidth of 2.7 Gigapixels per second.

Beyond using up to three cameras at the same time, this triple-ISP array also allows for a number of firsts in Android smartphones. If not limited by onboard storage and caching, the Snapdragon 888 technically enables 12MP photo capture at up to 120 fps, as well as a maximum single-image capture of up to 200MP.

The chip can also be able to capture 10-bit HEIF stills, capture 4K HDR10 video (while simultaneously capturing 64MP stills), support 8K video capture and feature no-limit slow-mo video capture at up to 960 fps. 4K video will also be able to be captured and played back at 120 fps on the same device.

Moving onto connectivity, the Snapdragon 888 will feature Wi-Fi 6 speeds up to 3.6Gbps, Bluetooth 5.2 (dual antennas), and Qualcomm’s new X60 5G MOdem-RF system. This new 5G modem supports both sub-6Ghz 5G with carrier aggregation as well as mmWave 5G with speeds up to 7.5Gbps. Battery performance while using its 5G capabilities should also be improved thanks to its new integrated design.

Other features include a new Hexagon 780 processor for AI and computational performance, as well an on-device Qualcomm Secure Processing unit. In addition to improved security within the operating system, this new Secure Processing unit also creates cryptographically sealed photos making it the first Content Authenticity Initiative (CAI) compliant smartphone camera for ensuring image integrity in a world of increasing misinformation and deepfakes. If this sounds familiar, it’s because Qualcomm is working with Truepic, who is a CAI partner alongside Adobe, Twitter The New York Times and others.

You can watch the full Snapdragon 888 unveil on Qualcomm’s Day 2 Keynote from its Snapdragon Tech Summit, below:

Qualcomm hasn’t set a specific date for when the Snapdragon 888 will be available, but it expects the first devices with it at their core to be released in Q1 2021, with commitments from Oppo, Motorola and others having already been made.

As we’ve seen with past Snapdragon SoCs and the smartphones that use them, it’s possible not all of these features will be seen in a single device. Some flagship smartphones that use the new Snapdragon 888 might choose to make the most of certain photo and video features, based on the accompanying hardware they put inside their device. While Snapdragon is offering plenty of computational functionality, it’s ultimately up to the smartphone manufacturers to extract the most from it with equally-capable storage, camera systems and more.

Articles: Digital Photography Review (dpreview.com)

 
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The Sony a7R IV is the most capable mirrorless camera over $2000

10 Jun

We’ve updated our ‘best cameras over $ 2000’ buying guide, and the Sony a7R IV is now our favorite mirrorless camera in the $ 2000-4000 price range. It sits alongside the Nikon D850, which is our choice for those who prefer DSLRs.

Articles: Digital Photography Review (dpreview.com)

 
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Compact, capable and imperfect: First impressions of the Sigma fp

17 May

If you’d asked me prior to the fp’s announcement which company was going to produce the world’s smallest full frame camera, and one with some pretty serious video capabilities, I’m not sure Sigma would have been my first guess. But the specs made it look very tempting indeed.

Key Takeaways:

  • Powerful feature set in compact, adaptable body
  • Good selection of tools for video making
  • 8-bit footage with no Log option (or low-contrast mode) for non-Raw shooters
  • User interface has some oddities: no direct access to ISO setting, under-utilized touchscreen
  • Cine/Stills switch makes it easy to change shooting modes but most settings carry-over, demanding careful re-configuring as you change

We grabbed the fp to see how it would behave for a short (and suitably socially distanced) video project, to see how much Sigma has been able to get right, the first time. These are our first impressions based on that time spent shooting, and as this isn’t a review, we haven’t looked at all the major features just yet. But this is what we found:

What it gets right

The most obvious thing the fp gets right is its basic concept: a tiny video module (that can also take nice stills) stripped back to its core functions so that it can be adapted suit all manner of situations.

To deliver on this underlying idea, a lot of work has clearly been done to provide the features that videographers will want. For a start, there is a waveform display that provides a hugely useful way to assess exposure within a scene, and one that videographers will be familiar with.

The waveform display at the lower right of the screen is a valuable exposure tool.

Then there’s the option to report exposure time as shutter angle, rather than shutter speed. The actual terminology can appear somewhat esoteric when you first encounter it, but even without worrying about what specific ‘angles’ might mean, it means you can easily change the frame rate you’re shooting at without having to adjust the exposure time to match.

Perhaps the defining feature of the camera is its ability to record CinemaDNG files
to an external SSD

The way the zebra exposure warnings are handled will also be familiar to users of higher-end video gear: the fp gives you a choice of using zebras to indicate highlights (ie: indicate the areas exposed at 95% or brighter) or to monitor a specific exposure region (ie shot areas exposed as 70% with an adjustable tolerance level on either side). All of these are key videography tools.

Fins around the edge of the LCD hint at how the fp manages the heat, despite its compact size.

But perhaps the defining feature of the camera is its ability to record CinemaDNG files to an external SSD. There are some drawbacks to this: CinemaDNG can be a bit of a handful and isn’t especially widely supported and, like the Nikon Z6, the footage is sub-sampled to keep the data sizes manageable, increasing the risk of moire. But it lets the fp output files that are more gradable than Log footage without requiring investment in any unusual card formats.

CinemaDNG wasn’t a good fit for this particular project but we intend to look more closely at the results in future.

What’s a bit odd

If you turn on zebras and focus peaking, the zebras don’t appear to work. It turns out you can’t have them both at the same time, so zebras simply don’t appear.

You can easily work around this by defining custom displays modes, one of which has focus peaking turned off. This let me configure a manual focus display mode and an exposure display mode, that I could switch between as I prepared each shot, which is a pleasant-enough way of working. But modes like this aren’t set up by default and nothing on the camera makes it obvious that turning on focus peaking is going to over-ride the zebra settings.

The menus themselves are laid-out in a fairly straight-forward manner

The menus themselves are pretty well laid out, with a Canon-esque horizontal array of pages, broken up into three, color-coded tabbed sections. Vertical tabs tend to be a little faster to navigate but the fp lets you scroll the front dial to jump between pages, so it’s all pretty quick. There’s no option to jump between tabs, though.

The bigger problem (for me, at least) is the camera’s handling of sub-menus. If you go into a sub-menu page there’s not much of a visual indication that you’re no longer in the main menus (and hence need to press ‘Menu’ to retreat back up a level).

Configuring custom display modes is the easiest way to gain access to both focus peaking and zebra exposure warnings

Also, given the camera’s willingness to stream data to an external drive, I was surprised there’s no option to power the camera from an external battery if you need to record for extended periods. You can top the battery up between shots but the camera insists on communicating with anything connected to the USB port while it’s powered on.

Then there are a few of bugs (or, at least, oddities). For instance, if you set a manual white balance, the camera will continue to add on any fine tune values that you’d applied to its previous setting, meaning your new white balance will be off by whatever correction you last used. The camera also seems to turn focus peaking off if left switched off for a while.

The fp also carries most settings (exposure mode, aperture value, shutter speed, WB and color mode) across from stills to video mode, which can entail a lot of re-configuring if you switch between the two. Using the shutter angle option creates a distinct video-only setting, so you don’t accidentally carry fast shutter speeds across to video mode.

What it gets wrong

The single biggest omission I have found on the fp is the inability to adjust ISO using one of the dials. I tend to shoot manually, fix the shutter angle and use a combination of aperture value and ISO to adjust the look of my footage. There’s no easy way to do this, which feels like a fundamental shortcoming.

The dials only control shutter angle and aperture, with no option to reconfigure that, meaning you can’t adjust ISO on the fly. ISO is available in the QS menu, but this means you can’t see your exposure tools (waveforms or zebras) as you’re making adjustments.

The QS menu can be customized but it’s not touch-sensitive, and some sub-options require a complex combination of button presses and dial operation

On the subject of the QS menu, it’s disappointing that both this and the menu menus are not touch sensitive. Tapping on the option you want to change is much quicker than using the four-way controller to navigate. Similarly, just being able to tap between the three main tabbed sections of the menu would be faster than having to scroll though all the individual pages.

The other feature I found myself really missing was the option to shoot Log, to provide a middle-ground between the CinemaDNG output and the standard color modes. There’s no 10-bit gamma-encoded (non-Raw) modes, so your choices are 8-bit H.264 or Raw. There are some interesting color modes provided (Cine and Teal & Orange) in particular but they all have pretty aggressive tone curves: there’s no out-of-the-box equivalent of Fujifilm’s lovely, low-contrast Eterna mode or Panasonic’s Cinelike-D.

Sigma has promised a significant firmware update, so we’re hoping some of these issues can be addressed at that time. Sigma has announced a list of functions that will be added with firmware V2.0 but hasn’t detailed any operational changes, so we hold out hope.

At the end of the project

Shooting early in the morning to avoid encountering people meant the need to just grab shots and keep moving, something which the fp’s modest size and weight really contributed to. Having spent a couple of days familiarizing myself with the camera, I’d become pretty adept at manipulating the QS/AEL/dial combinations needed to change key settings (though apparently not so familiar that I didn’t accidentally knock the camera into the wrong color mode just before starting).

Note the balancing point is roughly in the middle of the lens: the front elements of the 24mm F1.4 weigh nearly as much as the fp body does.

This rather short video, shot outdoors in around 50°F (10°C) conditions didn’t present any temperature challenges for the fp and the roughly ten minutes of footage wasn’t enough to assess battery capacity, but there was nothing to give cause for concern during the time the camera was in use.

It feels like Sigma has tried to address a videographers’ wishlist but doesn’t yet have the experience to make it as slick as it could be

As anticipated, I found that a touch-sensitive QS menu and the ability to adjust ISO on-the-fly would help hugely, as would some more forgiving color/tone modes.

My overriding impression is that it feels like Sigma has tried to address a videographers’ wishlist but perhaps doesn’t yet have the experience in video to make the implementation as elegant as it could be. But Sigma has promised a major firmware update. And it’s also apparent that there’s a lot of capability crammed into the fp, even before exploring one of its defining features by shooting Raw footage.

Articles: Digital Photography Review (dpreview.com)

 
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The OnePlus 8 Pro has a new camera capable of seeing through some materials and objects

15 May

Announced in April, the new OnePlus 8 Pro smartphone is equipped with a multitude of high-end features, including interesting camera specs. But it also includes a unique 5MP Color Filter (infrared) camera. In the camera’s operating system, the mode that uses this particular camera array is referred to as the Photochrom filter within the native camera app, and as numerous users have been discovering this week, the Color Filter camera allows you to see through some objects, including various plastics.

Twitter user Ben Geskin photographed Oculus Quest controllers, for example, realizing that the Photochrome filter allows you to actually see through the dark gray plastic on the device. Other users have photographed television remotes, Apple TV devices and more, resulting in images showing internal circuitry that you cannot see with the naked eye or traditional image sensors.

OnePlus marketing materials divulge very little information about the Color Filter camera. On the OnePlus 8 Pro product listing, there is only a single example image, shown here in an enlarged format. Image credit: OnePlus

In marketing materials for the OnePlus 8 Pro, OnePlus states that the Photochrome filter allows the user to ‘turn ordinary scenes into surreal landscapes,’ but as OnePlus 8 Pro owners are finding out, it does a lot more than that. The 5MP Color Filter camera is essentially an IR camera, so if an object does not include a material which shields IR, the camera can see through it. In the video below from Unbox Therapy, you can view the effect on a pair of television remotes, Apple TV and a Nintendo Switch Pro controller. You can also see in the video below that the Color Filter camera can partially see through some fabrics.

There is a lot more to the OnePlus 8 Pro camera for photographers than the interesting Color Filter camera. The OnePlus 8 Pro also includes a 48MP Ultra Wide Angle Camera with a 120-degree field of view and 3cm Macro Mode, 8MP Hybrid Zoom camera with 30x digital zoom, and a 48MP Main Camera with optical image stabilization.

Image credit: OnePlus

The wide camera uses a 0.5-inch type Sony IMX586 image sensor with an F2.2 lens. The primary 48MP camera uses a 1/1.4-inch type Sony IMX689 sensor with an F1.78 lens. The primary camera also includes on-sensor omni-directional phase-detect autofocus. Further, the main camera can record ‘dynamic video,’ which is a form of HDR video.

The OnePlus 8 Pro is available now from a starting price of $ 899 USD. For much more information on the OnePlus 8 Pro smartphone, read our coverage of the camera’s announcement.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X100V review: The most capable prime-lens compact camera, ever

09 Apr

Introduction

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All product photography by Dan Bracaglia

Gold Award

86%
Overall score

The X100V is Fujifilm’s fifth X100-series camera since the original model debuted almost a full decade ago. Through each successive iteration, Fujifilm has made its large-sensor, prime-lens compact camera more and more capable, and this latest model (officially pronounced Ex One Hundred Vee) takes the core bits of Fujifilm’s high-end interchangeable-lens X-Pro3 and slips them into a much smaller package.

This means you get the company’s latest 26MP X-Trans APS-C sensor and processor combo, the promise of much-improved autofocus and the best video feature set we’ve seen on a prime-lens compact camera. But it doesn’t stop there: the lens has been redesigned, the ergonomics refined, the viewfinder revisited, and a whole lot more.

Key specifications:

  • 26MP X-Trans sensor
  • Redesigned lens (still a 23mm F2 pancake, compatible with previous converters)
  • Built-in 4-stop ND filter
  • Tilting 1.62M-dot touchscreen LCD panel
  • Updated 3.69M-dot OLED EVF, redesigned OVF optics
  • Up to 4K/30p with Eterna film sim and F-Log internal capture (8-bit only)
  • 2.5mm mic port, headphones through USB-C with adapter
  • Weather-sealed, when filter adapter and filter are used
  • Single SD card slot
  • CIPA rated to 350 shots using the EVF, 420 using the OVF
Processed from Raw.
ISO 320 | 1/320 sec | F5.6
Photo by Barney Britton

The X100-series has always been a favorite among the DPReview staff, and for some good reasons; these cameras produce wonderful images, they’re beautifully designed and are engaging to use. For those that have been eyeing some or other version of X100 over the years but never taken the plunge, this latest model is arguably the one to get. But for owners of previous X100 models, should the V tempt you to upgrade? Let’s find out.

The X100V is expected to be available in late February 2020 at a suggested retail price of $ 1399, £1299 (inc VAT), €1500 (inc VAT) or $ 1799 CAD.


What’s new and how it compares

The X100V comes with some significant changes, but still follows the basic formula its predecessors have followed for the last decade.

Read more

Body, controls and handling

Out with the 4-way controller, in with the touchscreen. This and more have the potential to change the way you take control over the X100V.

Read more

First impressions

If Reviews Editor Carey Rose had the previous X100F, he’s not sure he’d upgrade – but he’s not sure he’d not upgrade, either.

Read more

Image and lens quality

The X100V has a familiar sensor with good performance and we take a close look at the new Color Chrome feature and the redesigned lens.

Read more

Autofocus

The X100V gets pretty much all of the same autofocus features as the X-Pro3, making it very capable for a camera of its type.

Read more

Video

In terms of video, there’s really no better-specced fixed-lens, large-sensor option on the market today.

Read more

Conclusion

The X100V is (predictably) the best X100 yet, and frankly, leads its market segment in terms of overall capability.

Read more

Sample galleries

Our pre-production camera gallery started out with a dark, gray January, and our full-production gallery ends with quarantine. But we did get some nice photos here and there.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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Intel announces first mobile CPUs capable of more than 5GHz clock speeds

03 Apr

For photographers, one of the most important components of their computer is the processor (CPU). When considering how software such as Adobe Lightroom performs, maximum single and multi-core CPU performance is critical. This makes Intel’s announcement today that it is releasing the world’s fastest mobile processor particularly exciting for creatives on the go.

The 10th generation Intel Core H-Series introduces half a dozen H-Series mobile processors, including four which can surpass 5 GHz frequency from a single core in Turbo performance mode. These chips are built using Intel’s 14nm Comet Lake architecture, rather than the 10nm process that Intel teased at CES earlier this year. The top of the line processor, the Intel Core i9-10980HK, has a base clock speed of 2.4 GHz and can reach 5.3 GHz speeds at its maximum performance. This processor, along with the 5.1 GHz i7-10875H, delivers 16 threads across 8 cores and include a 16 MB Intel Smart Cache.

Another pair of new i7 processors, the 10850H and 10750H, can reach 5.1 and 5.0 GHz respectively. These processors are both 6-core CPUs with a dozen threads. Rounding out the new lineup are the Intel Core i5-10400H and i5-10300H. These four-core CPUs have eight threads and have maximum speeds of 4.6 and 4.5 GHz respectively.

You can view a comparison of the six Intel 10th generation mobile processors in the chart below:

Image credit: Intel Corporation. Click for a larger view.

What do all these numbers mean for creatives? On the photography side of things, Photoshop and other photography applications heavily utilize your computer’s CPU relative to the GPU. Software such as Photoshop is getting better at using a computer’s GPU to accelerate certain tasks, but the CPU is particularly important. Further, the maximum frequency of CPU chips is more important than the number of cores for most photo editing tasks. All else equal, a faster CPU results in better performance when importing, processing and editing image files.

Thus, the new 10th generation Intel i9 processors represent a very powerful CPU for CPU-intensive applications such as Adobe Photoshop and Lightroom. Lightroom, for example, is optimized to utilize multiple cores for handling tasks, so Intel’s eight-core chips are exciting. The quicker your computer’s CPU can work through tasks, the less time you must spend waiting.

For video editors, Intel has published specific performance gain numbers. When compared to a similar Intel chip from three years ago, the top-of-the-line i9-10980HK can render and export 4K resolution video up to twice as fast. The i7-10750H fares well too, exporting 4K video up to 70 percent faster compared to its predecessor from three years ago. It will be interesting to see how the new chips perform in the real world when rendering 4K and even 8K video.

This image shows the wafer of Intel’s 10th generation H-series processors. Image credit: Intel Corporation

Of the Intel Core i9-10980HK, Intel states that it features ‘unparalleled performance across the board with up to 5.3 GHz Turbo, eight cores, 16 threads and 16MB of Intel Smart Cache. The unlocked 10th Gen Intel Core i9-10980HK processor powers the ultimate laptops for gamers and creators, allowing further customization, optimization and tuning of the CPU’s performance.’

Additional features of the Intel 10th generation chips include Intel’s proprietary Speed Optimizer one-click overclocking feature, Thermal Velocity Boost and Adaptix Dynamic Tuning. For a full breakdown of all the key features in the new Intel chips, you can download a PDF briefing by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X100V initial review: The most capable fixed-lens compact camera, ever

05 Feb

Introduction

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The X100V is Fujifilm’s fifth X100-series camera since the original model debuted almost a full decade ago. Through each successive iteration, Fujifilm has made its large-sensor, prime-lens compact camera more and more capable, and this latest model (officially pronounced Ex One Hundred Vee) takes the core bits of Fujifilm’s high-end interchangeable-lens X-Pro3 and slips them into a much smaller package.

This means you get the company’s latest 26MP X-Trans APS-C sensor and processor combo, the promise of much-improved autofocus and the best video feature set we’ve seen on a prime-lens compact camera. But they didn’t stop there: the lens has been redesigned, the ergonomics refined, the viewfinder revisited, and a whole lot more.

Key specifications:

  • 26MP X-Trans sensor
  • Redesigned lens (but still a 23mm F2 pancake)
  • Built-in 4-stop ND filter, compatible with previous lens converters
  • Tilting 1.62M-dot touchscreen LCD panel
  • Updated 3.69M-dot OLED EVF, redesigned OVF optics
  • Up to 4K/30p with Eterna film sim and F-Log internal capture (8-bit only)
  • 2.5mm mic port, headphones through USB-C with adapter
  • Weather-sealed, when filter adapter and filter are used
  • Single SD card slot
  • CIPA rated to 350 shots using the EVF, 420 using the OVF

The X100-series has always been a favorite among the DPReview staff, and for some good reasons; these cameras produce wonderful images, are beautifully designed and are engaging to use. For those that have been eyeing some or other version of X100 over the years but never taken the plunge, this latest model is arguably the one to get. But for owners of previous X100 models, should the V tempt you to upgrade? Let’s find out.

The X100V is expected to be available in late February 2020 at a suggested retail price of $ 1399, £1299 (inc VAT) or $ 1799 CAD.


What’s new and how it compares

The X100V comes with some significant changes, but still follows the basic formula its predecessors have followed for the last decade.

Read more

Body, controls and handling

Out with the 4-way controller, in with the touchscreen. This and more have the potential to change the way you take control over the X100V.

Read more

First impressions

If Reviews Editor Carey Rose had the previous X100F, he’s not sure he’d upgrade – but he’s not sure he’d not upgrade, either.

Read more

Sample gallery

It’s a dark, gray, wet January in Seattle, but we did try to take advantage of a couple of sunny days to see what our pre-production X100V can do.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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The Leica SL2 is a refined full-frame camera with in-body stabilization, fast burst shooting and capable video features

09 Nov

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The Leica SL2 is a major update of the company’s original full-frame mirrorless camera, the SL, which was introduced four years ago. The SL2’s design isn’t a dramatic departure from the original, though the hard edges have been softened, the grip has been refined and a new three-button rear interface is similar to that of the Q2. Build quality and weather-sealing has improved to the point where the SL2 has earned an IP54 rating.

The real differences between the SL2 and SL can be found on the inside. The SL2 has a 47MP full-frame CMOS sensor – likely similar to what’s in the Q2 and Panasonic’s S1R – and a 5-axis sensor-shift IS system that can also be used to produce 187MP Raw images. Its contrast detection autofocus system has been improved according to Leica, and a ‘Smart AF’ feature can automatically switch between focus and shutter release priority.

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Photos can be composed via a 3.2″ touchscreen display with 2.1 million dots or a large 5.76M-dot electronic viewfinder. As before, a small status display on the top plate shows important shooting information.

The SL2 can shoot bursts at 20 fps with the electronic shutter and 10 fps with the mechanical shutter, both with AF locked. For continuous focus and exposure, you’ll need to drop to 6 fps. The camera has dual SD card slots, both of which are capable of UHS-II speeds. The official battery life rating for the SL2 is 370 shots per charge, but as always, you’ll likely do better.

The SL2 can shoot DCI or UHD 4K at up to 60p from nearly the full width of the sensor. Both 60p and 50p footage are captured as 8-bit 4:2:0, while 30p and below can be recorded or output as 10-bit 4:2:2 streams. There’s also an option to shoot 5K at up to 30p from a 4:3, roughly 1.6x, cropped region of its sensor. The camera will let you shoot using a proprietary L-Log gamma curve for any of its 10-bit modes and the standard, ready-for-use HLG curve in its 10-bit 4:2:2 modes.

The Leica SL2 will be available on November 21st at a list price of $ 5995.

View our SL2 sample gallery

Go hands-on with the SL2

Watch DPReview TV’s first impressions

Press release:

A New Icon: Leica Camera Announces the New Leica SL2, Successor to the Trailblazing Leica SL

November 6, 2019 – Building on the foundation established in 2015 with the visionary Leica SL-System, Leica Camera proudly introduces the Leica SL2, the storied brand’s new icon and next evolutionary step towards building the perfect all-purpose camera. By listening closely to the valued feedback of photographers and existing SL owners, Leica made many efforts to push the envelope of technological innovation and performance while respecting its heritage of design and legacy. In addition to a technical marvel of pure performance and unmatched build quality, the Leica SL2 is also a joyous experience to use with improved ergonomics and more comfortable grip married to the well-established, simplified three-button control layout, further unifying the Leica design language across multiple product lines. While cutting-edge new features such as in-body image stabilization unlocks newfound potential from legendary Leica M-Lenses, it simultaneously augments the growing selection of SL-Lenses which are some of the finest optics Leica has ever produced. The Leica SL2 is the natural evolution of the innovative Leica SL, serving as a groundbreaking embrace of the future of digital photography and videography while paying homage to its respected history and lineage.

CMOS sensor with 47 megapixels for superior image quality

The unprecedented resolution of the SL2’s CMOS image sensor in full-frame format results in an unparalleled level of detail rendition and image quality. Enormous dynamic range, a color depth of 14 bits per RGB channel and a sensitivity of up to ISO 50,000 enable outstanding image quality in all lighting conditions. Even when combined with Leica TL lenses, which are designed for the smaller sensor format of the Leica TL2 and CL, the SL2’s sensor still delivers an excellent image resolution of over 20 megapixels.

Image stabilization through sensor-shift technology

In a major evolution of the SL, the Leica SL2 features a suspended sensor which adjusts its position in order to quickly and efficiently compensate for camera shake. This in-camera method even makes image stabilization available to lenses that are not equipped with their own.

Additionally, in multishot mode, the tripod-mounted camera can record up to eight consecutive frames, whereby the sensor is shifted in half-pixel increments in between every exposure. This key feature results in images with an incredible quadrupled resolution of around 187 megapixels, leading to an extreme increase in detail resolution.

Improved ergonomics for stress-free shooting in any situation

Despite significant technical improvements, the Leica SL2 is neither larger nor heavier than its predecessor and feels particularly compact to handle. This is due to the fully redesigned camera body, whose handgrip and the edges have been subtly refined for easier handling.

Improved body design paired with increased durability make the SL2 the perfect companion for all forms of shooting. The SL2’s IP54 certification ensures an elevated weather sealing for more rugged situations, while a new option to turn off noise reduction during long exposures allows for more hands-free shooting. Less worry about the weather and environmental situations means photographers can focus more on getting the shot.

Overall the design of the SL2 recalls more of the iconic Leica identity and traditional design DNA elements that the brand has become known and loved for.

Streamlined design with new status menus

The Leica SL2 offers an innovative user interface whose efficient design allows photographers to focus their attention on the creative process. The design alignment with the existing M and Q systems makes the adjustment even easier for existing Leica photographers.

The main recording parameters can be viewed on the rear display and adjusted quickly and easily with a simple finger tap. A click wheel, a joystick and three strategically placed, individually configurable buttons also contribute to a straightforward operation. Thanks to two dedicated status menus for stills and video recording, the parameters for either shooting mode can be adjusted entirely separately from each other.

Limitless connections

Featuring an L bayonet lens mount, the Leica SL2 is not only compatible with the ever-growing portfolio of SL-System lenses, but also with lenses of the TL-System and with the legendary lenses of Leica’s M, S and R-Systems via adapter, providing more than 170 Leica lens options, guaranteed to offer the right fit for any photographic scenario. The L-Mount Alliance expands this scope of possibilities even further, by giving SL2 photographers access to L-mount-compatible lenses from Sigma and Panasonic.

Maestro III processor for ultra-fast operation

The new Maestro III processor facilitates a superior operating speed that shines in many aspects of the SL2’s performance. The autofocus is significantly faster and allows for a virtually lag-free shutter release in any shooting situation, which is further complemented by the new Smart AF mode, which autonomously switches between focus priority and shutter release priority. Full-resolution recordings of consecutive images are possible at 10 frames per second with the focal plane shutter, and 20 frames per second with the electronic shutter. Thanks to two UHS-II-compatible SD card slots, raw files can be saved simultaneously in DNG and JPEG format.

Leica EyeRes® viewfinder with even higher resolution

The camera’s electronic viewfinder now boasts a resolution of 5.76 megapixels, allowing for a large, entirely natural-looking viewfinder image. Simultaneously, the experience is further enhanced when using the touchscreen, which has increased in size to a 3.2-inch diagonal, and now offers a significantly higher resolution of 2.1 megapixels.

Perfect tool for cinematographers

In addition to its great appeal for photographers, the Leica SL2 speaks the language of cinematographers, as the camera is able to record up to 60 frames per second in Cine 4K mode, and up to 180 frames per second in Full-HD mode. Activating Cine mode transforms the SL2 into a manually controlled cine camera as ISO becomes ASA, the shutter speed is marked in degrees on the rotary disk shutter, and the f-stops indicating the aperture ratio are replaced by T-stops, which measure the actual amount of light transmitted through the lens. Connecting audio equipment to the Leica SL2 no longer requires the use of adapters, as the camera now features a build in headphones and mic jack, complemented by a fully-fledged HDMI connector for external monitors.

The Leica SL2 is available in Leica Stores and Leica Boutiques beginning November 21, 2019, at a recommended retail price of $ 5,995.

Leica SL2 specifications

Price
MSRP $ 5999
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 8368 x 5584
Image ratio w:h 3:2
Effective pixels 47 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Processor Maestro III
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-50000 (expands to 50-50000)
Boosted ISO (minimum) 50
White balance presets 8
Custom white balance Yes
Image stabilization Sensor-shift
CIPA image stabilization rating 5.5 stop(s)
Uncompressed format RAW
File format
  • JPEG
  • DNG (14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 225
Lens mount Leica L
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3.2
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.78×
Viewfinder resolution 5,760,000
Photography features
Minimum shutter speed 1800 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/40000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Continuous
  • Interval
  • Exposure bracketing
  • Multishit
Continuous drive 20.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation -3–5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±3 (3, 5 frames at 1/3 EV steps)
Videography features
Format MPEG-4, H.264
Modes
  • 4096 x 2160 @ 60p, MOV, H.264, Linear PCM
  • 4096 x 2160 @ 50p, MOV, H.264, Linear PCM
  • 4096 x 2160 @ 30p, MOV, H.264, Linear PCM
  • 4096 x 2160 @ 25p, MOV, H.264, Linear PCM
  • 4096 x 2160 @ 24p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 60p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 50p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage included Dual SD card slots (UHS-II supported)
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
HDMI Yes (10-bit output)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Built-in
Battery description BP-SCL4
Battery Life (CIPA) 370
Weight (inc. batteries) 835 g (1.84 lb / 29.45 oz)
Dimensions 146 x 107 x 42 mm (5.75 x 4.21 x 1.65)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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