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Posts Tagged ‘capabilities’

Apple’s new ‘Fire and Ice’ video shows off the iPhone 11 Pro’s camera capabilities

08 Jan

Apple has published seven videos in its ‘Experiments’ series, including four episodes and four behind-the-scenes videos. Each video is intended to show what’s possible with ‘an iPhone, simple materials, and boundless creativity,’ according to the company. The latest video involves effects created by fire and ice; past examples include water and colorful objects.

The methods used to create Apple’s newest Experiments videos are fairly simple and reproducible at home, including the use of dry ice, what appears to be isopropyl alcohol in a glass jug, a wire mesh covered in lint and caught on fire, a red hot piece of metal placed on dark paper and more. The majority of the shots were captured by hand.

Articles: Digital Photography Review (dpreview.com)

 
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Third-party iOS Sony remote camera app Camrote adds new zoom, time-lapse capabilities

16 Oct

Third-party remote control camera app for Sony cameras, Camrote, has released a major update that brings new features and improved performance to the latest version of its iOS app.

In addition to general support for Apple’s latest mobile operating system, iOS 13, Camrote version 1.2.0 also adds new wireless functionality for select Sony cameras. Specifically, the update adds support for zooming, ‘BULB’ time-lapse capture, and a new double-tap gesture to disable all Touch AF points from the app. Wales-based developer Simon Mitchell has also added Spanish localizations and made adjustments to the user interface throughout the app.

Mitchell says Apple Watch support and shooting presets are ‘Coming Soon’ while other unique focus-stacking, exposure ramping and other features are in the pipeline as well for future updates. No specific list is given for what cameras support what features of the latest update, so it might take a bit of trial and error to ensure it works with your Sony camera system.

To get the latest update, head over to the iOS App Store to download Camrote for free (with in-app purchases available to unlock time-lapse and geotagging functionality). You can keep up with Camrote updates via Twitter.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe previews improved Photoshop Content-Aware Fill capabilities that are coming ‘soon’

28 Sep

Adobe has offered a sneak peek look at the Content-Aware Fill update it will be bringing to Photoshop in the near future. The changes are introduced by Photoshop Product Manager Meredith Stotzner, who explains that Adobe plans to add new ‘Auto’ and ‘Custom’ sampling area options to the tool when it is opened using the application’s Edit menu, these joining the existing ‘Rectangular’ option.

By tapping its Sensei AI technology, the Content-Aware Fill’s new Auto option will analyze the image, find the pixels immediately bordering a selection and then apply the fill using those pixels for an improved final result. The Custom option, meanwhile, gives users complete control over the sampling area selection so that users can ‘brush [their] sampling area from scratch,’ according to Stotzner.

A demonstration of both of these new capabilities have been shared by Adobe in the video above. The company says it will be introducing Auto and Custom to Content-Aware Fill soon, but it hasn’t provided a specific release date at this time. The video indicates the update will arrive before the end of the year.

Articles: Digital Photography Review (dpreview.com)

 
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FAA expands LAANC capabilities to 100+ new airports

24 May

At the beginning of this month, the Federal Aviation Administration’s (FAA) Acting Deputy Administrator, Carl Burleson, announced that Low Altitude Authorization and Notification Capability (LAANC) would be made available to an additional 109 contract towers. The government agency has acted quickly since the news broke at AUVSI Exponential’s keynote presentation.

The FAA has expanded LAANC to increase access for commercial drone pilots in controlled airspace. Still in beta, LAANC was introduced to the public in November, 2017. Applications such as Kittyhawk, AirMap, and Skyward give qualifying remote pilots approval in real-time to access controlled airspace. Without LAANC, the process of getting approval via a waiver could take up to 90 days.

Approximately 600 airports are now covered by the LAANC capability. The FAA also mentions that the list of facilities taking part in LAANC will change. Some airports will drop it altogether. The full list airports added today can be viewed here.

Some major Class B, C, and D airports were added today including the following:

  • Austin-Bergstrom International (AUS)
  • Hartfield-Jackson Atlanta International (ATL)
  • Nashville International (BNA)
  • Bob Hope (BUR)
  • Denver International (DEN)
  • Dallas-Fort Worth International (DFW)
  • Detroit Metro Wayne Co (DTW)
  • Fort Lauderdale/Hollywood International (FLL)
  • John F. Kennedy International (JFK)
  • McCarran International (LAS)
  • Los Angeles International (LAX)
  • Orlando International (MCO)
  • Chicago Midway International (MDW)
  • Memphis International (MEM)
  • Miami International (MIA)
  • Minneapolis-St. Paul International/Wold-Chamberlin (MSP)
  • Louis Armstrong New Orleans International (MSY)
  • Metro Oakland International (OAK)
  • Ontario International (ONT)
  • Chicago O’Hare International (ORD)
  • Portland International (PDX)
  • Philadelphia International (PHL)
  • Phoenix Sky Harbor International (PHX)
  • San Diego International (SAN)
  • Seattle Tacoma International (SEA)
  • San Francisco International (SFO)
  • Salt Lake City International (SLC)

Articles: Digital Photography Review (dpreview.com)

 
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Latest “Shot on iPhone” commercial puts focus on iPhone video capabilities

08 Jun
After previously mostly concentrating on still imagery Apple’s latest iPhone commercial showcases the iPhones video mode by combining several clips that were shot by iPhone owners. There are nature scenes, including beaches, mountains, animals, insects, and ice floes, but also some scenes that feature human subjects.
The soundtrack draws a thematic link by using a recording of astronomer Carl Sagan reading an excerpt from Pale Blue Dot, warning about the fragility of human existence and the importance of protecting the Earth.
While the footage looks impressive it’s important to mention that a footnote at the end of the video says that “additional equipment and software” were used in some or all of the featured videos.

Articles: Digital Photography Review (dpreview.com)

 
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Canon demonstrates its cameras’ low light capabilities in two new videos

06 Jun

Canon US has published two new videos that show off the low-light capabilities of several of its camera models. The company says “See Beyond Darkness and See the Light showcase the capabilities of Canon imaging technology which enables researchers, professional photographers, cinematographers and enthusiasts to shoot impactful clear and crisp imagery, even when masked in darkness due to extremely low-light conditions.”

In “See Beyond Darkness” Director of Photography Andy Casagrande records images of a rare biofluorescent turtle found only in the remote, unspoiled reefs of the Solomon Islands, using the Canon ME20F-SH Multipurpose Camera and EOS-1D X DSLR. In “See the Light” Canon cameras were used to capture the beauty of bioluminescent creatures under the sea, the grandeur of the extremely difficult-to-photograph Aurora Borealis (Northern Lights), and the wonder of the earth from far above it. Canon’s EOS C300 Mark II, ME20F-SH, and EOS C500 were used to capture all of the imagery in this video.

In addition to the videos you can view a gallery of still images and behind-the-scenes videos for See Beyond Darkness and See the Light on the Canon US website.

Articles: Digital Photography Review (dpreview.com)

 
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Apple emphasizes iPhone 7 low light capabilities in “One Night” ad campaign

02 Feb

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Apple’s ‘Shot on iPhone’ ads have been a familiar sight on billboards and on TV for quite some time now. For the latest round of advertising Apple is now focusing on the iPhone 7’s low light capabilities. The campaign’s title is ‘One Night,’ because all images were taken by a group of photographers around the world on the night of November 5th, 2016.

The group captured life around them from dusk to dawn, only using the iPhone’s camera. Like most smartphone cameras, with its small image sensor the mobile device has a distinct disadvantage compared to DSLRs and other system cameras in low light, but with its fast F1.8 aperture, improved optical image stabilization and a clever multi-frame mode, it’s a step into the right direction and a noticeable improvement over the previous iPhone 6 generation. 

You can read and view the samples in our own comprehensive review of the iPhone 7 Plus or view a selection of the campaign images in full size in our gallery above. 

Articles: Digital Photography Review (dpreview.com)

 
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Sensor innovations push global shutter chip capabilities

21 Dec

Engineers with Tohoku University have detailed a new project in which a CMOS sensor with a global shutter is able to record ultra-high-speed footage without the constraints of existing technology, namely short-duration recording and low resolutions. The end result is a CMOS sensor capable of recording one million frames-per-second over a ‘large’ duration of time, relatively speaking (480 micro-seconds in this case), at full resolution.

By re-designing the sensor’s memory bank, researchers have tested a 96 x 128 pixel array with global shutter at 480 frames. The design is intended to be tiled on a sensor with 1MP resolution – clearly not enough for consumer photography, but great for engineering applications. 

Don’t feel left out though, consumer photography and videography may also see benefits from this kind of technology – Canon also reported progress on its research of global shutter sensors. Canon’s technology similarly uses memory in an innovative way: by assigning each pixel its own memory cell. While Tohoku University’s research is concerned with ultra high speeds, Canon is looking for ways to improve the dynamic range of global shutter sensors. The company has tested a 10MP sensor at 30 fps – take a look at the results below. 

Global shutter chips typically offer poor dynamic range. To improve DR, Canon has increased the number of ‘accumulations’ per frame, or the number of times each pixel deposits electrons to its associated memory cell. Image supplied by Canon

Via: IEEE Spectrum

Articles: Digital Photography Review (dpreview.com)

 
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Google shows off Pixel imaging capabilities in demo video

19 Oct

Nat and Lo is a YouTube Channel that started out as a ‘20% project’ within Google and has an objective to ‘demystify the technology in our everyday lives.’ Now the makers of the channel have published a video that was almost entirely shot with Google’s recently announced Pixel high-end smartphone.

The Pixel comes with a A 6-element lens with F2.0 aperture, a 1/2.3″ 12.3MP sensor with 1.55µm sized pixels, on-sensor phase detection with laser-assist and a gyroscope-based electronic video-stabilization system. The demo video shows off all of those capabilities and features, mixing 4K output of the front camera with 1080p Full HD footage from the front camera and some slow-motion sequences. A comparison shot shows the efficiency of the new video stabilization system and viewers can enjoy some nice still images and panorama shots of New York City. 

The video doesn’t really show anything that we would not have seen before on various other mobile devices but gives a good overview of the Pixel’s imaging capabilities. To judge for yourself watch the video at the top of this page and don’t forget to flick on the 4K switch on YouTube.

Articles: Digital Photography Review (dpreview.com)

 
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Sony Cyber-shot DSC-RX10 III puts emphasis on lens reach and video capabilities

29 Mar

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Sony has unveiled the Cyber-shot DSC-RX10 III, surpassing the zoom range of its predecessor with a 24-600mm equiv. F2.4-4 lens. The camera uses the same 1″-type stacked CMOS sensor which produces 20MP stills as well as 4K/UHD video, and does not replace the RX10 II, which continues in Sony’s lineup.

The RX10 III’s sizable lens makes room for aperture, focus and zoom rings, as well as a focus hold button. The camera offers an XGA OLED EVF with 2.36 million dots, as well as a tilting LCD. The body is dust and moisture resistant. Sony claims that its SteadyShot stabilization system offers up to 4.5 stops of benefit.  

The Cyber-shot RX10 III’s lens features eight ED glass elements, including two ED aspherical and one Super ED glass elements. A SteadyShot stabilization system provides up to 4.5 stops of benefit, according to Sony.

An updated shutter provides a fast read-out ‘anti-distortion’ electronic shutter up to 1/32,000sec as well as a silent shooting mode. Wi-Fi and NFC have also come along for the ride.

Movie capabilities

Like the RX10 II, the RX10 III features a solid video specification; offering 4K video from 1.7X oversampled, full pixel readout (without binning). The camera alsio offers the video-centric Picture Profile modes that give fine-grained control over the camera’s tonal and color responses, and include the very flat S-Log2 and S-Log3 gamma curves. Like the RX10 II, the III includes both a mic input socket for using an external mic and a headphone jack for monitoring that recorded audio. 

It also offers the high frame rate ‘HFR’ videos modes that capture footage at up to 960 fps (albeit at reduced resolutions) and then play it back as 1080p/24.

The Sony Cyber-shot DSC-RX10 III will sell for around $ 1500, a $ 200 premium over the existing RX10 II.


Press Release:

Sony’s New Cyber-shot RX10 III Camera Brings Extended Zoom Capability to Acclaimed RX Line

SAN FRANCISCO, Mar. 29, 2016 – Sony – a worldwide leader in digital imaging and the world’s largest image sensor manufacturer – has today announced an exciting new addition to its acclaimed Cyber-shot RX lineup, the high-zoom RX10 III camera.

Featuring a newly-developed 25x super-telephoto zoom lens with an extensive focal range of 24-600mm1, the new RX10 III camera is able to produce high-quality content at a variety of focal lengths and camera settings that would require three or more large, heavy and expensive lenses for an interchangeable lens camera user. It’s an outstanding choice for a shooting anything from landscapes to distant wildlife and everything in between.

The RX10 III high zoom camera is equipped with a 1.0 type stacked 20.1 MP Exmor RS™ CMOS sensor with DRAM chip and advanced signal processing, along with a powerful BIONZ X™ image processor. These components work together to ensure the highest possible image quality throughout the entire zoom range of the 24-600mm lens. Additionally, they are responsible for a variety of standout professional-caliber features including 40x super slow motion video capture at up to 960 fps, an ultra-fast Anti-Distortion Shutter with a maximum speed of 1/32000 second, high resolution 4K movie shooting and more.

“By pairing the convenience of an ultra-telephoto lens with our innovative stacked CMOS image sensor design, we’ve created a whole new image experience unlike anything else in market today,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “The new RX10 III offers a true ‘all in one’ package that will appeal to a wide range of amateur, hobbyist and professional photographers and videographers.”

New ZEISS® Vario-Sonnar T* 24-600mm F2.4 – F4 Lens

The impressive 24-600mm ZEISS® Vario-Sonnar T* lens on the Cyber-shot RX10 III camera features a large maximum aperture of F2.4 – F4.0, helping it achieve outstanding image quality throughout the entire zoom range, all the way up to ultra-telephoto. This differentiates it from many other high-zoom lenses that often struggle with light-gathering at longer focal lengths. The aperture unit itself has nine blades that are designed to create a near perfect circle in the F2.4 – F11 range, enabling shooters to create content with beautiful bokeh, where the subject stands out against a softly defocused background.

In total, the extended zoom lens features eight ED glass elements including one super ED glass element, five ED glass elements and two ED aspherical lenses, which all work together to minimize chromatic aberration and deliver high-contrast, ultra-sharp image quality. It also has ZEISS® T* Coating for minimizing flare and ghosting and delivering accurate, faithful color reproduction.

The new lens has built-in Optical SteadyShot™ image stabilization that helps to reduce camera shake and image blur, in particular when shooting at longer focal lengths. When active, the OSS is equivalent to shooting at a shutter speed approximately 4.5 stops3 faster than the current setting of the camera.

Additionally, with a minimum focusing distance of 72 cm (2.36 ft) and 0.49x maximum magnification at a fully extended 600mm, the new lens is capable of producing amazingly detailed tele-macro images.

High Quality Image Detail

The RX10 III features a back-illuminated 20.1 MP 1.0-type stacked CMOS sensor and BIONZ X image processing engine that allow the camera to achieves a wide sensitivity range of ISO 644 – ISO 12800 and produce images with exceptionally low noise, even at higher sensitivity settings.

Additionally, the rear of the sensor has a DRAM chip that allows it to read and process large volumes of data exceptionally fast, enabling the camera to shoot super slow motion video at up to 960 fps. The powerful DRAM chip also allows the RX10 III to shoot continuously at up to 14fps with minimal blackout.

With shutter speeds as fast as 1/32000 second, the electronic shutter on the RX10 III minimizes image distortion at faster shutter speeds. It also offers silent shooting at all settings and speeds, ensuring all content can be captured quietly without disrupting the subject, a powerful feature when combined with the wide-ranging zoom lens.

High Quality 4K Movie Recording

The new RX10III model becomes the latest and most versatile Cyber-shot RX camera to offer the advantages of 4K (QFHD 3840×2160) movie recording thanks to its far-reaching 24-600mm lens, which gives videographers the luxury of shooting high quality 4K video from extreme distances.

In 4K video mode, the RX10 III camera utilizes full pixel readout without pixel binning, capturing approximately 1.7x more information than is required for 4K movie output to enhance image detail and minimize moiré and jaggies. It achieves these high-quality results through use of the XAVC S codec, which records video at a high data rate of up to 100 Mbps during 4K recording and up to 50 Mbps during full HD recording5.

The new camera also has a variety of other professional caliber video features including Picture Profile, S-Log2/S-Gamut, Gamma Display Assist, Time Code and more, as well as input for external microphone and output for headphone monitoring.

Super Slow Motion Video Recording

The new RX10 III also possesses the ability to record super slow-motion video at up to 40x slower than the standard rate, allowing users to capture and replay fleeting moments of action with incredible detail, resolution and clarity.

In “HFR” (high frame rate) setting, it offers the option to choose among 960fps, 480fps and 240 fps frame rates and among 60p, 30p and 24p playback formats6,7 with the option to use the movie record button as a ‘start trigger’ to begin recording once button is pressed or ‘end trigger’ to record footage up until the button is pressed.

High Speed Autofocus

The new RX10III camera is equipped with an impressive autofocus system with spatial object detection, allowing the camera to detect and predict motion of a subject before the shutter button is pressed, This helps the camera achieve an incredibly fast and efficient AF response when the shutter is halfway pressed, enabling it to lock on to a subject in as little as 0.09 seconds8. This is a yet another compelling technology, especially when paired with a versatile, highly capable 25x zoom lens with a range up to 600mm.

Ergonomics and Design

Aesthetically, the new RX10 III features a number of upgrades compared to existing RX10 models including triple lens rings for focus, zoom and aperture for direct, precise control. The hand grip shape has also been optimized for the new high-magnification, large-aperture lens to enhance stability when holding the camera at eye level. There is a new focus hold button on the lens barrel as well, allowing the focus to be easily locked on a subject while the shooter reframes the image.

The new model features a high-contrast XGA OLED Tru-Finder™ with approximately 2.35 million dots of resolution, ensuring true-to-life image preview and playback functionality. The camera is also dust and moisture resistant and both Wi-Fi® and NFC™ compatible, with the ability and can access Sony’s growing range of PlayMemories Camera Applications. Learn more at www.sony.net/pmca. A dedicated LCJ-RXJ soft carrying case will also be available for the new camera.

Pricing and Availability

The new Sony Cyber-shot RX10 III extended zoom camera will be available this May for about $ 1,500 US and $ 2,000 CA, respectively. The new cameras and all compatible accessories will be sold at a variety of Sony authorized dealers throughout North America. 

Notes to Editors:

1. 35mm equivalent focal length
2. Approx. effective megapixels
3. CIPA standard, pitch/yaw directions, at 600mm (35mm equivalent,Telephoto)
4. Both ISO 64 and ISO 80 are expandable ISO range
5. A class 10 or higher SDXC/SDHC memory card is required for movie recording in XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps recording
6. Sound cannot be recorded when shooting slow motion. An SDXC memory card of Class 10 or higher is required.
7. In NTSC
8. CIPA standard, internal measurement, at 24mm (35mm equivalent, Wide), EV8.2, Program Auto, AF area: Centre, with NTSC mode

Sony Cyber-shot RX10 III specifications

Price
MSRP $ 1499
Body type
Body type SLR-like (bridge)
Body material Magnesium alloy, composite
Sensor
Max resolution 5472 x 3648
Other resolutions 4864 x 3648, 5472 x 3080, 3648 x 3648, 3648 x 2736, 3648 x 2592, 3648 x 2056, 2544 x 2544, 2736 x 1824, 2592 x 1944, 2720 x 1528, 1920 x 1920, 640 x 480
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1″ (13.2 x 8.8 mm)
Sensor size notes Stacked CMOS sensor
Sensor type BSI-CMOS
Processor Bionz X
Color space sRGB, AdobeRGB
Color filter array Primary color filter
Image
ISO Auto, 125 – 12800 (expands to 64-25600)
Boosted ISO (minimum) 64
Boosted ISO (maximum) 25600
White balance presets 9
Custom white balance Yes
Image stabilization Optical
Uncompressed format RAW
JPEG quality levels Extra fine, standard, fine
File format
  • JPEG (DCF 2.0, EXIF 2.3)
  • Raw (Sony ARW 2.3)
Optics & Focus
Focal length (equiv.) 24–600 mm
Optical zoom 25×
Maximum aperture F2.4 – F4.0
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4X)
Manual focus Yes
Normal focus range 3 cm (1.18)
Macro focus range 3 cm (1.18)
Number of focus points 25
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,228,800
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/2000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Auto
  • Program auto
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Portrait
  • Sports Action
  • Macro
  • Landscape
  • Sunset
  • Night Scene
  • Handheld Twilight
  • Night Portrait
  • Anti Motion Blur
Built-in flash Yes
Flash range 10.80 m (at Auto ISO)
External flash Yes (Multi-interface shoe)
Flash modes Auto, fill-flash, slow sync, rear sync, off
Drive modes
  • Single-shot
  • Continuous
  • Speed priority continuous
  • Self-timer
  • AE/WB/DRO Bracketing (single, continuous)
Continuous drive 14.0 fps
Self-timer Yes (2 or 10 sec, continuous)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
WB Bracketing Yes
Videography features
Resolutions 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p)
Format MPEG-4, AVCHD, XAVC S
Videography notes High speed modes at 240, 480, 960 fps
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI with 4K still and uncompressed HDMI output)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FW50 lithium-ion battery and charger
Battery Life (CIPA) 420
Weight (inc. batteries) 1051 g (2.32 lb / 37.07 oz)
Dimensions 133 x 94 x 127 mm (5.24 x 3.7 x 5)
Other features
Orientation sensor Yes
Timelapse recording No
GPS None

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